From 2a10d974b238eb2d3dd5ec58ae73dbc26201faba Mon Sep 17 00:00:00 2001
From: Laan Tungir <laantungir@laantungir.github.io>
Date: Sun, 10 Aug 2025 15:22:15 -0400
Subject: [PATCH] Version v0.2.20 - Add comprehensive help flag support and fix
 pad selection to prioritize hex prefix matching over number selection

---
 TropicOfCancer-HenryMiller.txt.otp |  Bin 0 -> 574643 bytes
 otp.c                              |   83 +-
 toc.txt                            | 8898 ++++++++++++++++++++++++++++
 3 files changed, 8944 insertions(+), 37 deletions(-)
 create mode 100644 TropicOfCancer-HenryMiller.txt.otp
 create mode 100755 toc.txt

diff --git a/TropicOfCancer-HenryMiller.txt.otp b/TropicOfCancer-HenryMiller.txt.otp
new file mode 100644
index 0000000000000000000000000000000000000000..47604ce5b5c1064e1589b9489621c1effa5d8f06
GIT binary patch
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HcmV?d00001

diff --git a/otp.c b/otp.c
index 6e89da8..1af3ce8 100644
--- a/otp.c
+++ b/otp.c
@@ -151,6 +151,14 @@ int interactive_mode(void) {
 }
 
 int command_line_mode(int argc, char* argv[]) {
+    // Check for help flags first
+    if (strcmp(argv[1], "-h") == 0 || strcmp(argv[1], "--h") == 0 || 
+        strcmp(argv[1], "-help") == 0 || strcmp(argv[1], "--help") == 0 || 
+        strcmp(argv[1], "help") == 0) {
+        print_usage(argv[0]);
+        return 0;
+    }
+    
     if (strcmp(argv[1], "generate") == 0 || strcmp(argv[1], "-g") == 0) {
         if (argc != 3) {
             printf("Usage: %s generate|-g <size>\n", argv[0]);
@@ -374,44 +382,45 @@ char* find_pad_by_prefix(const char* prefix) {
     char* matches[100];  // Store up to 100 matches
     int match_count = 0;
     
-    // Check if it's a number (for interactive menu selection)
-    // Only treat as number if it's a single digit (1-9) to avoid conflicts with hex prefixes
-    char* endptr;
-    int selection = strtol(prefix, &endptr, 10);
-    if (*endptr == '\0' && selection > 0 && selection <= 9 && strlen(prefix) == 1) {
-        // It's a number, find the nth pad
-        int current = 0;
-        rewinddir(dir);
-        while ((entry = readdir(dir)) != NULL && match_count == 0) {
-            // Skip . and .. entries, and only process .pad files
-            if (entry->d_name[0] == '.') continue;
-            if (!strstr(entry->d_name, ".pad")) continue;
-            if (strlen(entry->d_name) != 68) continue; // 64 char chksum + ".pad"
-            
-            current++;
-            if (current == selection) {
-                matches[match_count] = malloc(65);
-                strncpy(matches[match_count], entry->d_name, 64);
-                matches[match_count][64] = '\0';
-                match_count = 1;
-                break;
-            }
+    // Always try hex prefix matching first
+    size_t prefix_len = strlen(prefix);
+    while ((entry = readdir(dir)) != NULL && match_count < 100) {
+        // Skip . and .. entries, and only process .pad files
+        if (entry->d_name[0] == '.') continue;
+        if (!strstr(entry->d_name, ".pad")) continue;
+        if (strlen(entry->d_name) != 68) continue; // 64 char chksum + ".pad"
+        
+        // Compare prefix with the filename (checksum part)
+        if (strncmp(entry->d_name, prefix, prefix_len) == 0) {
+            matches[match_count] = malloc(65);
+            strncpy(matches[match_count], entry->d_name, 64);
+            matches[match_count][64] = '\0';
+            match_count++;
         }
-    } else {
-        // Find pads that start with the prefix
-        size_t prefix_len = strlen(prefix);
-        while ((entry = readdir(dir)) != NULL && match_count < 100) {
-            // Skip . and .. entries, and only process .pad files
-            if (entry->d_name[0] == '.') continue;
-            if (!strstr(entry->d_name, ".pad")) continue;
-            if (strlen(entry->d_name) != 68) continue; // 64 char chksum + ".pad"
-            
-            // Compare prefix with the filename (checksum part)
-            if (strncmp(entry->d_name, prefix, prefix_len) == 0) {
-                matches[match_count] = malloc(65);
-                strncpy(matches[match_count], entry->d_name, 64);
-                matches[match_count][64] = '\0';
-                match_count++;
+    }
+    
+    // If no hex prefix matches and it looks like a small number, try number selection
+    if (match_count == 0) {
+        char* endptr;
+        int selection = strtol(prefix, &endptr, 10);
+        if (*endptr == '\0' && selection > 0 && selection <= 100) {
+            // It's a number, find the nth pad
+            int current = 0;
+            rewinddir(dir);
+            while ((entry = readdir(dir)) != NULL) {
+                // Skip . and .. entries, and only process .pad files
+                if (entry->d_name[0] == '.') continue;
+                if (!strstr(entry->d_name, ".pad")) continue;
+                if (strlen(entry->d_name) != 68) continue; // 64 char chksum + ".pad"
+                
+                current++;
+                if (current == selection) {
+                    matches[match_count] = malloc(65);
+                    strncpy(matches[match_count], entry->d_name, 64);
+                    matches[match_count][64] = '\0';
+                    match_count = 1;
+                    break;
+                }
             }
         }
     }
diff --git a/toc.txt b/toc.txt
new file mode 100755
index 0000000..4039adb
--- /dev/null
+++ b/toc.txt
@@ -0,0 +1,8898 @@
+ I am living at the Villa Borghese. There is not a crumb of dirt anywhere,
+nor a chair misplaced. We are all alone here and we are dead.
+
+Last night Boris discovered that he was lousy. I had to shave his armpits
+and even then the itching did not stop. How can one get lousy in a beautiful
+place like this? But no matter. We might never have known each other so
+intimately, Boris and I, had it not been for the lice.
+
+Boris has just given me a summary of his views. He is a weather prophet. The
+weather will continue bad, he says. There will be more calamities, more
+death, more despair. Not the slightest indication of a change anywhere. The
+cancer of time is eating us away. Our heroes have killed themselves, or are
+killing themselves. The hero, then, is not Time, but Timelessness. We must
+get in step, a lock step, toward the prison of death. There is no escape.
+The weather will not change.
+
+It is now the fall of my second year in Paris. I was sent here for a reason
+I have not yet been able to fathom.
+
+I have no money, no resources, no hopes. I am the happiest man alive. A
+year ago, six months ago, I thought that I was an artist. I no longer think
+about it, I am. Everything that was literature has fallen from me.
+There are no more books to be written, thank God.
+
+This then? This is not a book. This is libel, slander, defamation of
+character. This is not a book, in the ordinary sense of the word. No, this is
+a prolonged insult, a gob of spit in the face of Art, a kick in the pants to
+God, Man, Destiny, Time, Love, Beauty ... what you will. I am going to sing
+for you, a little off key perhaps  but I will sing. I will sing while you
+croak, I will dance over your dirty corpse....
+
+To sing you must first open your mouth. You must have a pair of lungs, and a
+little knowledge of music. It is not necessary to have an accordion, or a
+guitar. The essential thing is to want to sing. This then is a song.
+I am singing.
+
+It is to you, Tania, that I am singing. I wish that I could sing better,
+more melodiously, but then perhaps you would never have consented to listen
+to me. You have heard the others sing and they have left you cold. They sang
+too beautifully, or not beautifully enough.
+
+It is the twenty-somethingth of October. I no longer keep track of the date.
+Would you say -- my dream of the 14th November last? There are intervals, but
+they are between dreams, and there is no consciousness of them left. The
+world around me is dissolving, leaving here and there spots of time. The
+world is a cancer eating itself away.... I am thinking that when the great
+silence descends upon all and everywhere music will at last triumph. When
+into the womb of time everything is again withdrawn chaos will be restored
+and chaos is the score upon which reality is written. You, Tania, are my
+chaos. It is why I sing. It is not even I, it is the world dying. shedding
+the skin of time. I am still alive, kicking in your womb, a reality to write
+upon.
+
+Dozing off. The physiology of love. The whale with his six foot penis, in
+repose. The bat -- penis libre. Animals with a bone in the penis.
+Hence, a bone on. ... "Happily," says Gourmont, "the bony structure
+is lost in man." Happily? Yes, happily. Think of the human race walking
+around with a bone on. The kangaroo has a double penis -- one for weekdays
+and one for holidays. Dozing. A letter from a female asking if I have found
+a title for my book. Title? To be sure: "Lovely Lesbians."
+
+Your anecdotal life! A phrase of M. Borowski's. It is on Wednesdays
+that I have lunch with Borowski. His wife, who is a dried-up cow,
+officiates. She is studying English now -- her favourite word is "filthy." You
+can see immediately what a pain in the ass the Borowskis are. But wait. ...
+
+Borowski wears corduroy suits and plays the accordion. An invincible
+combination, especially when you consider that he is not a bad artist. He
+puts on that he is a Pole, but he is not, of course. He is a Jew, Borowski,
+and his father was a philatelist. In fact, almost all Montparnasse is
+Jewish, or half Jewish, which is worse. There's Carl and Paula, and
+Cronstadt and Boris, and Tania and Sylvester, and Moldorf and Lucille. All
+except Fillmore. Henry Jordan Oswald turned out to be a Jew also. Louis
+Nichols is a Jew. Even Van Norden and Cherie are Jewish. Frances Blake is a
+Jew, or a Jewess. Titus is a Jew. The Jews then are snowing me under. I am
+writing this for my friend Carl whose father is a Jew. All this is important
+to understand.
+
+Of them all the loveliest Jew is Tania, and for her sake I too would become
+a Jew. Why not? I already speak like a Jew. And I am as ugly as a Jew.
+Besides, who hates the Jews more than the Jew?
+
+Twilight hour. Indian blue water of glass, trees glistening and liquescent.
+The rails fall away into the canal at Jaures. The long caterpillar with
+lacquered sides dips like a roller-coaster. It is not Paris. It is not Coney
+Island. It is a crepuscular melange of all the cities of Europe and Central
+America. The railroad yards below me, the tracks black, webby, not ordered
+by the engineer but cataclysmic in design, like those gaunt fissures in the
+polar ice which the camera registers in degrees of black.
+
+Food is one of the things I enjoy tremendously. And in this beautiful Villa
+Borghese there is scarcely ever any evidence of food. It is positively
+appalling at times. I have asked Boris time and again to order bread for
+breakfast, but he always forgets. He goes out for breakfast, it seems. And
+when he comes back he is picking his teeth and there is a little egg hanging
+from his goatee. He eats in the restaurant, out of consideration for me. He
+says it hurts to eat a big meal and have me watch him.
+
+I like Van Norden but I do not share his opinion of himself. I do not agree,
+for instance, that he is a philosopher, or a thinker. He is cunt-struck,
+that's all. And he will never be a writer. Nor will Sylvester ever be a
+writer, though his name blaze in 50,000 candle power red lights. The only
+writers about me for whom I have any respect, at present, arc Carl and
+Boris. They are possessed. They glow inwardly with a white name. They are
+mad and tone deaf. They are sufferers.
+
+Moldorf, on the other hand, who suffers too in his peculiar way, is not
+mad. Moldorf is word drunk. He has no veins or blood-vessels, no heart or
+kidneys. He is a portable trunk filled with innumerable drawers and in the
+drawers are labels written out in white ink, brown ink, red ink, blue ink,
+vermilion, saffron, mauve, sienna, apricot, turquoise, onyx, Anjou,
+herring. Corona, verdigris, gorgonzola... .
+
+I have moved the typewriter into the next room where I can see myself in the
+mirror as I write.
+
+Tania is like Irene. She expects fat letters. But there is another Tania, a
+Tania like a big seed, who scatters pollen everywhere -- or, let us say, a
+little bit of Tolstoi, a stable scene in which the foetus is dug up. Tania
+is a fever. too -- les votes urinaires. Cafe de la Liberte, Place des
+Vosges, bright neckties on the Boulevard Montparnasse, dark bathrooms, Porto
+Sec, Abdullah cigarettes, the adagio sonata pathetique, aural
+amplificators, anecdotal seances, burnt sienna breasts, heavy garters, what
+time is it, golden pheasants stuffed with chestnuts, taffeta fingers,
+vaporish twilights turning to ilex, acromegaly, cancer and delirium, warm
+veils, poker chips, carpets of blood and soft thighs. Tania says so that
+every one may hear: "I love him!" And while Boris scalds himself with whisky
+she says: "Sit down here! O Boris ... Russia ... what'll I do? I'm
+bursting with it!"
+
+At night when I look at Boris' goatee lying on the pillow I get hysterical.
+O Tania, where now is that warm cunt of yours, those fat, heavy garters,
+those soft, bulging thighs? There is a bone in my prick six inches long. I
+will ream out every wrinkle in your cunt, Tania, big with seed. I will send
+you home to your Sylvester with an ache in your belly and your womb turned
+inside out. Your Sylvester! Yes, he knows how to build a fire, but I know
+how to inflame a cunt. I shoot hot bolts into you, Tania, I make your
+ovaries incandescent. Your Sylvester is a little jealous now? He feels
+something, does he? He feels
+the remnants of my big prick. I have set the shores a little wider, I have
+ironed out the wrinkles. After me you can take on stallions, bulls, rams,
+drakes, St. Bernards. You can stuff toads, bats, lizards up your rectum. You
+can shit arpeggios if you like, or string a zither across your navel. I am
+fucking you, Tania, so that you'll stay fucked. And if you are afraid of
+being fucked publicly I will fuck you privately. I will tear off a few hairs
+from your cunt and paste them on Boris' chin. I will bite into your clitoris
+and spit out two franc pieces....
+
+Indigo sky swept clear of fleecy clouds, gaunt trees infinitely extended,
+their black boughs gesticulating like a sleep-walker. Sombre, spectral
+trees, their trunks pale as dear ash. A silence supreme and altogether
+European. Shutters drawn, shops barred. A red glow here and there to mark a
+tryst. Brusque the facades, almost forbidding; immaculate except for the
+splotches of shadow cast by the trees. Passing by the Orangerie I am reminded
+of another Paris, the Paris of Maugham, of Gauguin, Paris of George Moore. I
+think of that terrible Spaniard who was then startling the world with his
+acrobatic leaps from style to style. I think of Spengler and of his terrible
+pronunciamentos, and I wonder if style, style in the grand manner, is done
+for. I say that my mind is occupied with these thoughts, but it is not true;
+it is only later, after I have crossed the Seine, after I have put behind me
+the carnival of lights, that I allow my mind to play with these ideas. For
+the moment I can think of nothing -- except that I am a sentient being
+stabbed by the miracle of these waters that reflect a forgotten world. All
+along the banks the trees lean heavily over the tarnished mirror; when the
+wind rises and fills them with a rustling murmur they will shed a few tears
+and shiver as the water swirls by. I am suffocated by it. No one to whom I
+can communicate even a fraction of my feelings....
+
+The trouble with Irene is that she has a valise instead of a cunt. She wants
+fat letters to shove in her valise. Immense, avec des choses inouies.
+Liona now, she had a cunt. I know because she sent us some hairs from down
+below. Liona -- a wild ass snuffing pleasure out of the wind. On every high
+hill she played the harlot -- and
+sometimes in telephone booths and toilets. She bought a bed for King Carol
+and a shaving mug with his initials on it. She lay in Tottenham Court Road
+with her dress pulled up and fingered herself. She used candles, Roman
+candles, and door knobs. Not a prick in the land big enough for her ...
+not one. Men went inside her and curled up. She wanted extension
+pricks, self-exploding rockets, hot boiling oil made of wax and creosote.
+She would cut off your prick and keep it inside her forever, if you gave her
+permission. One cunt out of a million, Llona! A laboratory cunt and no
+litmus paper that could take her color. She was a liar, too, this Liona. She
+never bought a bed for her King Carol. She crowned him with a whiskey bottle
+and her tongue was full of lice and tomorrows. Pool Carol, he could only
+curl up inside her and die. She drew a breath and he fell out -- like a dead
+clam.
+
+Enormous, fat letters, avec des choses inouies. A valise without
+straps. A hole without a key. She had a German mouth, French ears, Russian
+ass. Cunt international. When the flag waved it was red all the way back to
+the throat. You entered on the Boulevard Jules-Ferry and came out at the
+Porte de la Villette. You dropped your sweetbreads into the tumbrils -- red
+tumbrils with two wheels, naturally. At the confluence of the Ourcq and
+Mame, where the water sluices through the dykes and lies like glass under
+the bridges. Liona is lying there now and the canal is full of glass and
+splinters; the mimosas weep, and there is a wet, foggy fart on the
+windowpanes. One cunt out of a million Liona! All cunt and a glass ass in
+which you can read the history of the Middle Ages.
+
+It is the caricature of a man which Moldorf first presents. Thyroid eyes.
+Michelin lips. Voice like pea-soup. Under his vest he carries a little pear.
+However you look at him it is always the same panorama; netsuke snuffbox,
+ivory handle, chess piece, fan, temple motif. He has fermented so long now
+that he is amorphous. Yeast despoiled of its vitamins. Vase without a
+rubber plant.
+
+The females were sired twice in the 9th century, and again during the
+Renaissance. He was carried through the great dispersions under yellow
+bellies and white. Long before the Exodus a Tatar spat in his blood.
+
+His dilemma is that of the dwarf. With his pineal eye he sees in silhouette
+projected on a screen of incommensurable size. His voice, synchronized to
+the shadow of a pinhead, intoxicates him. He hears a roar where others hear
+only a squeak.
+
+There is his mind. It is an amphitheatre in which the actor gives a protean
+performance. Moldorf, multiform and unerring, goes through his roles -- clown,
+juggler, contortionist, priest, lecher, mountebank. The amphitheatre is too
+small. He puts dynamite to it. The audience is drugged. He scotches it.
+
+I am trying ineffectually to approach Moldorf. It is like trying to approach
+God, for Moldorf is God -- he has never been anything else. I am merely
+putting down words....
+
+I have had opinions about him which I have discarded; I have had other
+opinions which I am revising. I have pinned him down only to find that it
+was not a dung-beetle I had in my hands, but a dragonfly. He has offended
+me by his coarseness and then overwhelmed me with his delicacy. He has been
+voluble to the point of suffocation, then quiet as the Jordan.
+
+When I see him trotting forward to greet me, his little paws outstretched,
+his eyes perspiring, I feel that I am meeting.... No, this is not the way to
+go about it!
+
+"Comme un oeuf dansant sur un jet d'eau."
+
+He has only one cane -- a mediocre one. In his pocket scraps of paper
+containing prescriptions for Weltschmerz. He is cured now, and the little
+German girl who washed his feet is breaking her heart. It is like Mr.
+Nonentity toting his Gujurati dictionary everywhere. "Inevitable for
+every one" -- meaning, no doubt, indispensable. Borowski would find
+all this incomprehensible. Borowski has a different cane for each day in
+the week, and one for Easter.
+
+We have so many points in common that it is like looking at myself in a
+cracked mirror.
+
+I have been looking over my manuscripts, pages scrawled with revisions.
+Pages of literature. This frightens me a little. It is so much like
+Moldorf. Only I am a gentile, and gentiles have a different way of
+suffering. They suffer without neuroses and, as Sylvester says, a
+man who has never been afflicted with a neurosis does not know the meaning
+of suffering.
+
+I recall distinctly how I enjoyed my suffering. It was like taking a cub to
+bed with you. Once in a while he clawed you -- and then you really were
+frightened. Ordinarily you had no fear -- you could always turn him loose, or
+chop his head off.
+
+There are people who cannot resist the desire to get into a cage with wild
+beasts and be mangled. They go in even without revolver or whip. Fear makes
+them fearless. .. For the Jew the world is a cage filled with wild beasts.
+The door is locked and he is there without whip or revolver. His courage is
+so great that he does not even smell the dung in the corner. The spectators
+applaud but he does not hear. The drama, he thinks, is going on inside the
+cage. The cage, he thinks, is the world. Standing there alone and helpless,
+the door locked, he finds that the lions do not understand his language. Not
+one lion has ever heard of Spinoza. Spinoza? Why they can't even get their
+teeth into him. "Give us meat!" they roar, while he stands there petrified,
+his ideas frozen, his Weltanschauung a trapeze out of reach. A
+single blow of the lion's paw and his cosmogony is smashed.
+
+The lions, too, are disappointed. They expected blood, bones, gristle,
+sinews. They chew and chew, but the words are chicle and chicle is
+indigestible. Chicle is a base over which you sprinkle sugar, pepsin, thyme,
+licorice. Chicle, when it is gathered by chicleros, is O. K. The chicleros
+came over on the ridge of a sunken continent. They brought with them an
+algebraic language. In the Arizona desert they met the Mongols of the North,
+glazed like eggplants. Time shortly after the earth had taken its gyroscopic
+lean -- when the Gulf Stream was parting ways with the Japanese current. In
+the heart of the soil they found tufa rock. They embroidered the very bowels
+of the earth with their language. They ate one another's entrails and the
+forest closed in on them, on their bones and skulls, on their lace tufa.
+Their language was lost. Here and there one still finds the remnants of a
+menagerie, a brain plate covered with figures.
+
+x x x
+
+
+
+What has all this to do with you, Moldorf? The word in your mouth is
+anarchy. Say it, Moldorf, I am waiting for it. Nobody knows, when we shake
+hands, the rivers that pour through our sweat Whilst you are framing your
+words, your lips half-parted, the saliva gurgling in your cheeks, I have
+jumped halfway across Asia. Were I to take your cane, mediocre as it is,
+and poke a lime hole in your side, I could collect enough material to fill
+the British Museum. We stand on five minutes and devour centuries. You are
+the sieve through which my anarchy strains, resolves itself into words.
+Behind the word is chaos. Each word a stripe, a bar, but there are not and
+never will be enough bars to make the mesh.
+
+In my absence the window-curtains have been hung. They have the appearance
+of Tyrolian tablecloths dipped in lysol. The room sparkles. I sit on the bed
+in a daze, thinking about man before his birth. Suddenly bells begin to
+toll, a weird, unearthly music, as if I had been translated to the steppes
+of Central Asia. Some ring out with a long, lingering roll, some erupt
+drunkenly, maudlinly. And now it is quiet again, except for a last note that
+barely grazes the silence of the night -- just a faint, high gong snuffed out
+like a flame.
+
+I have made a silent compact with myself not to change a line of what I
+write. I am not interested in perfecting my thoughts, nor my actions.
+Beside the perfection of Turgeniev I put the perfection of Dostoievski. (Is
+there anything more perfect than The Eternal Husband?) Here, then, in
+one and the same medium, we have two kinds of perfection. But in Van Gogh's
+letters there is a perfection beyond either of these. It is the triumph of
+the individual over art.
+
+There is only one thing which interests me vitally now, and that is the
+recording of all that which is omitted in books. Nobody, so far as I can
+see, is making use of those elements in the air which give direction and
+motivation to our lives. Only the killers seem to be extracting from life
+some satisfactory measure of what they are putting into it. The age demands
+violence, but we are getting only abortive explosions. Revolutions are
+nipped in the bud, or else succeed too quickly. Passion is quickly
+exhausted. Men fall back on ideas, comme d'habitude. Nothing is
+proposed that can last more than twenty-four hours. We are living a million
+lives in the space of a generation. In the study of entomology, or of deep
+sea life, or cellular activity, we derive more... .
+
+The telephone interrupts this thought which I should never have been able to
+complete. Some one is coming to rent the apartment...
+
+It looks as though it were finished, my life at the Villa Borghese. Well,
+I'll take up these pages and move on. Things will happen elsewhere. Things
+are always happening. It seems wherever I go there is drama. People are
+like lice -- they get under your skin and bury themselves there. You scratch
+and scratch until the blood comes, but you can't get permanently deloused.
+Everywhere I go people are making a mess of their lives. Everyone has his
+private tragedy. It's in the blood now -- misfortune, ennui, grief, suicide.
+The atmosphere is saturated with disaster, frustration, futility. Scratch
+and scratch -- until there's no skin left. However, the effect upon me is
+exhilarating. Instead of being discouraged, or depressed, I enjoy it. I am
+crying for more and more disasters, for bigger calamities, for grander
+failures. I want the whole world to be out of whack, I want every one to
+scratch himself to death.
+
+So fast and furiously am I compelled to live now that there is scarcely time
+to record even these fragmentary notes. After the telephone call, a
+gentleman and his wife arrived. I went upstairs to lie down during the
+transaction. Lay there wondering what my next move would be. Surely not to
+go back to the fairy's bed and toss about all night flicking bread crumbs
+with my toes. That puking little bastard! If there's anything worse than
+being a fairy it's being a miser. A timid, quaking little bugger who lived
+in constant fear of going broke some day -- the 18th of March perhaps, or the
+25th of May precisely. Coffee without milk or sugar. Bread without butter.
+Meat without gravy, or no meat at all. Without this and without that! The
+dirty little miser! Open the bureau drawer one day and find money hidden
+away in a sock. Over two thousand francs -- and checks that he hadn't even
+cashed. Even that I wouldn't have minded so much if there weren't always
+coffee grounds in my beret and garbage on the floor, to say nothing of the
+cold cream jars and the greasy towels and the sink always stopped up. I tell
+you, the little bastard he smelled bad -- except when he doused himself with
+cologne. His ears were dirty, his eyes were dirty, his ass was dirty. He was
+double-jointed, asthmatic, lousy, picayune, morbid. I could have forgiven him
+everything if only he had handed me a decent breakfast! But a man who has two
+thousand francs hidden away in a dirty sock and refuses to wear a clean shirt
+or smear a little butter over his bread, such a man is not just a fairy, nor
+even just a miser -- he's an imbecile!
+
+But that's neither here nor mere, about the fairy. I'm keeping an ear open
+as to what's going on downstairs. It's a Mr. Wren and his wife who have
+called to look at the apartment. They're talking about taking it. Only
+talking about it, thank God. Mrs. Wren has a loose laugh --
+complications ahead. Now Mister Wren is talking. His voice is
+raucous, scraping, booming, a heavy blunt weapon that wedges its way through
+flesh and bone and cartilage.
+
+Boris calls me down to be introduced. He is rubbing his hands, like a
+pawnbroker. They are talking about a story Mr. Wren wrote, a story about a
+spavined horse.
+
+"But I thought Mr. Wren was a painter?"
+
+"To be sure," says Boris, with a twinkle in his eye, "but in the wintertime
+he writes. And he writes well ... remarkably well."
+
+I try to induce Mr. Wren to talk, to say something, anything, to talk about
+the spavined horse, if necessary. But Mr. Wren is almost inarticulate. When
+he essays to speak of those dreary months with the pen he becomes
+unintelligible. Months and months he spends before setting a word to paper.
+(And there are only three months of winter!) What does he cogitate all those
+months and months of winter? So help me God, I can't see this guy as a
+writer. Yet Mrs. Wren says that when he sits down to it the stuff just
+pours out.
+
+The talk drifts. It is difficult to follow Mr. Wren's mind because he says
+nothing. He thinks as he goes along -- so Mrs. Wren puts it. Mrs. Wren
+puts everything about Mr. Wren in the loveliest light. "He thinks as he goes
+along" -- very charming, charming indeed, as Borowski would say, but really
+very painful, particularly when the thinker is nothing but a spavined horse.
+
+Boris hands me money to buy liquor. Going for the liquor I am already
+intoxicated. I know just how I'll begin when I get back to the house.
+Walking down the street it commences, the grand speech inside me that's
+gurgling like Mrs. Wren's loose laugh. Seems to me she had a slight edge on
+already. Listens beautifully when she's tight. Coming out of the wine-shop I
+hear the urinal gurgling. Everything is loose and splashy. I want Mrs. Wren
+to listen ...
+
+Boris is rubbing his hands again. Mr. Wren is still stuttering and
+spluttering. I have a bottle between my legs and I'm shoving the corkscrew
+in. Mrs. Wren has her mouth parted expectantly. The wine is splashing
+between my legs, the sun is splashing through the bay window, and inside my
+veins there is a bubble and splash of a thousand crazy things that commence
+to gush out of me now pell-mell. I'm telling them everything that comes to
+mind, everything that was bottled up inside me and which Mrs. Wren's loose
+laugh has somehow released. With that bottle between my legs and the sun
+splashing through the window I experience once again the splendor of those
+miserable days when I first arrived in Paris, a bewildered, poverty-stricken
+individual who haunted the streets like a ghost at a banquet. Everything
+comes back to me in a rush -- the toilets that wouldn't work, the prince who
+shined my shoes, the Cinema Splendide where I slept on the patron's
+overcoat, the bars in the window, the feeling of suffocation, the fat
+cockroaches, the drinking and carousing that went on between times. Rose
+Cannaque and Naples dying in the sunlight. Dancing the streets on an empty
+belly and now and then calling on strange people -- Madame Delorme, for
+instance. How I ever got to Madame Delorme's, I can't imagine any more. But
+I got there, got inside somehow, past the butler, past the maid with her
+little white apron, got right inside the palace with my corduroy trousers
+and my hunting jacket -- and not a button on my fly. Even now I can taste
+again the golden ambiance of that room where Madame Delorme sat upon a
+throne in her mannish rig, the goldfish in the bowls, the maps of the ancient
+world, the beautifully bound books; I can feel again her heavy hand resting
+upon my shoulder, frightening me a little with her heavy Lesbian air. More
+comfortable down below in that thick stew pouring into the Gare St. Lazare,
+the whores in the doorways, seltzer bottles on every table; a thick tide of
+semen flooding the gutters. Nothing better, between five and seven than to be
+pushed around in that throng, to follow a leg or a beautiful bust, to move
+along with the tide and everything whirling in your brain. A weird sort of
+contentment in those days. No appointments, no invitations for dinner, no
+program, no dough. The golden period, when I had not a single friend. Each
+morning the dreary walk to the American Express, and each morning the
+inevitable answer from the clerk. Dashing here and there like a bedbug,
+gathering butts now and then, sometimes furtively, sometimes brazenly;
+sitting down on a bench and squeezing my guts to stop the gnawing, or walking
+through the Jardin des Tuileries and getting an erection looking at the dumb
+statues. Or wandering along the Seine at night, wandering and wandering, and
+going mad with the beauty of it, the trees leaning to, the broken images in
+the water, the rush of the current under the bloody lights of the bridges,
+the women sleeping in doorways, sleeping on newspapers, sleeping in the rain;
+everywhere the musty porches of the cathedrals and beggars and lice and old
+hags full of St. Vitus' dance; pushcarts stacked up like wine barrels in the
+side streets, the smell of berries in the market-place and the old church
+surrounded with vegetables and blue arc lights, the gutters slippery with
+garbage and women in satin pumps staggering through the filth and vermin at
+the end of an all-night souse. The Place St. Sulpice, so quiet and deserted,
+where toward midnight there came every night the woman with the busted
+umbrella and the crazy veil; every night she slept there on a bench under her
+torn umbrella, the ribs hanging down, her dress turning green, her bony
+fingers and the odor of decay oozing from her body; and in the morning I'd be
+sitting there myself, taking a quiet snooze in the sunshine, cursing the
+goddamned pigeons gathering up the crumbs everywhere. St. Sulpice! The fat
+belfries, the garish posters over the door, the candles flaming inside. The
+Square so beloved of Anatole France, with that drone and buzz from the altar,
+the splash of the fountain, the pigeons cooing, the crumbs disappearing like
+magic and only a dull rumbling in the hollow of the guts. Here I would sit
+day after day thinking of Germaine and that dirty little street near the
+Bastille where she lived, and that buzz-buzz going on behind the altar, the
+buses whizzing by, the sun beating down into the asphalt and the asphalt
+working into me and Germaine, into the asphalt and all Paris in the big fat
+belfries.
+
+And it was down the Rue Bonaparte that only a year before Mona and I used to
+walk every night, after we had taken leave of Borowski. St. Sulpice not
+meaning much to me then, nor anything in Paris. Washed out with talk. Sick
+of faces. Fed up with cathedrals and squares and menageries and what not.
+Picking up a book in the red bedroom and the cane chair uncomfortable; tired
+of sitting on my ass all day long, tired of red wallpaper, tired of seeing so
+many people jabbering away about nothing. The red bedroom and the trunk
+always open; her gowns lying about in a delirium of disorder. The red bedroom
+with my goloshes and canes, the notebooks I never touched, the manuscripts
+lying cold and dead. Paris! Meaning the Cafe Select, the D6me, the Flea
+Market, the American Express. Paris! Meaning Borowski's canes, Borowski's
+hats, Borowski's gouaches, Borowski's prehistoric fish -- and prehistoric
+jokes. In that Paris of '28 only one night stands out in my memory -- the
+night before sailing for America. A rare night, with Borowski slightly
+pickled and a little disgusted with me because I'm dancing with every slut in
+the place. But we're leaving in the morning! That's what I tell every cunt I
+grab hold of -- leaving in the morning! That's what I'm telling the
+blonde with agate-colored eyes. And while I'm telling her she takes my hand
+and sqeeezes it between her legs. In the lavatory I stand before the bowl
+with a tremendous erection; it seems light and heavy at the same time, like a
+piece of lead with wings on it. And while I'm standing there like that two
+cunts sail in -- Americans. I greet them cordially, prick in hand. They give
+me a wink and pass on. In the vestibule, as I'm buttoning my fly, I notice
+one of them waiting for her friend to come out of the can. The music
+is still playing and maybe Mona'll be coming to fetch me, or Borowski
+with his gold-knobbed cane, but I'm in her arms now and she has hold of me
+and I don't care who comes or what happens. We wriggle into the cabinet and
+there I stand her up, slap up against the wall, and I try to get it into her
+but it won't work and so we sit down on the seat and try it that way but it
+won't work either. No matter how we try it it won't work. And all the while
+she's got hold of my prick, she's clutching it like a life-saver, but it's no
+use, we're too hot, too eager. The music is still playing and so we waltz out
+of the cabinet into the vestibule again and as we're dancing there in the
+shit-house I come all over her beautiful gown and she's sore as hell about
+it. I stumble back to the table and there's Borowski with his ruddy face and
+Mona with her disapproving eye. And Borowski says "Let's all go to Brussels
+tomorrow," and we agree, and when we get back to the hotel I vomit all over
+the place, in the bed, in the washbowl, over the suits and gowns and the
+goloshes and canes and the notebooks I never touched and the manuscripts
+lying cold and dead.
+
+A few months later. The same hotel, the same room. We look out on the
+courtyard where the bicycles are parked, and there is the little room up
+above, under the attic, where some smart young Alee played the phonograph
+all day long and repeated clever little things at the top of his voice. I
+say "we" but I'm getting ahead of myself, because Mona has been away a long
+time and it's just today that I'm meeting her at the Gare St. Lazare. Toward
+evening I'm standing there with my face squeezed between the bars, but
+there's no Mona, and I read the cable over again but it doesn't help any. I
+go back to the Quarter and just the same I put away a hearty meal. Strolling
+past the D6me and a little later suddenly I see a pale, heavy face and
+burning eyes -- and the little velvet suit that I always adored because under
+the soft velvet there were always her warm breasts, the marble legs, cool,
+firm, muscular. She rises up out of a sea of faces and embraces me,
+embraces me passionately -- a thousand eyes, noses, fingers, legs, bottles,
+windows, purses, saucers all glaring at us and we in each other's arms
+oblivious. I sit down beside her and she talks -- a flood of talk. Wild
+consumptive notes of histeria, perversion, leprosy. I hear not a word because
+she is beautiful and I love her and now I am happy and willing to die.
+
+We walk down the Rue du Chateau, looking for Eugene. Walk over the railroad
+bridge where I used to watch the trains pulling out and feel all sick inside
+wondering where the hell she could be. Everything soft and enchanting as we
+walk over the bridge. Smoke coming up between our legs, the tracks
+creaking, semaphores in our blood. I feel her body close to mine -- all mine
+now -- and I stop to rub my hands over the warm velvet. Everything around us
+is crumbling, crumbling and the warm body under the warm velvet is aching
+for me ...
+
+Back in the very same room and fifty francs to the good, thanks to Eugene/ I
+look out on the court but the phonograph is silent. The trunk is open and
+her things are lying around everywhere just as before. She lies down on the
+bed with her clothes on. Once, twice, three times, four times ... I'm afraid
+she'll go mad ... in bed, under the blankets, how good to feel her body
+again! But for how long? Will it last this time? Already I have a
+presentiment that it won't.
+
+She talks to me so feverishly -- as if there will be no tomorrow. "Be quiet,
+Mona! Just look at me ... don't talk!" Finally she drops off and I
+pull my arm from under her. My eyes close. Her body is there beside me ...
+it will be there till morning surely ... It was in February I pulled out of
+the harbor in a blinding snowstorm. The last glimpse I had of her was in the
+window waving good-bye to me. A man standing on the other side of the
+street, at the corner, his hat pulled down over his eyes, his jowls resting
+on his lapels. A foetus watching me. A foetus with a cigar in its mouth.
+Mona at the window waving goodbye. White heavy face, hair streaming wild.
+And now it is a heavy bedroom, breathing regularly through the gills, sap
+still oozing from between her legs, a warm feline odor and her hair in my
+mouth. My eyes are closed. We breathe warmly into each other's mouth. Close
+together, America three thousand miles away. I never want to see it again.
+To have her here in bed with me, breathing on me, her hair in my mouth -- I
+count that something of a miracle. Nothing can happen now till morning ...
+I wake from a deep slumber to look at her. A pale light is trickling in. I
+look at her beautiful wild hair. I feel something crawling down my neck. I
+look at her again, closely. Her hair is alive! I pull back the sheet -- more
+of them. They are swarming over the pillow.
+
+It is a little after daybreak. We pack hurriedly and sneak out of the hotel.
+The cafes are still closed. We walk, and as we walk we scratch ourselves.
+The day opens in milky whiteness, streaks of salmon-pink sky, snails leaving
+their shells. Paris. Paris. Everything happens here. Old, crumbling walls
+and the pleasant sound of water running in the urinals. Men licking their
+moustaches at the bar. Shutters going up with a bang and little streams
+purling in the gutters. Amer Picon in huge scarlet letters.
+Zigzag. Which way will we go and why or where or what?
+
+Mona is hungry, her dress is thin. Nothing but evening wraps, bottles of
+perfume, barbaric earrings, bracelets, depilatories. We sit down in a
+billiard parlor on the Avenue due Maine and order hot coffee. The toilet is
+out of order. We shall have to sit some time before we can go to another
+hotel. Meanwhile we pick bedbugs out of each other's hair. Nervous. Mona is
+losing her temper. Must have a bath. Must have this. Must have that. Must,
+must, must ...
+
+"How much money have you left?"
+
+Money! Forgot all about that.
+
+Hotel des Etats-Unis. An ascenseur. We go to bed in broad daylight.
+When we get up it is dark and the first thing to do is to raise enough dough
+to send a cable to America. A cable to the foetus with the long juicy cigar
+in his mouth. Meanwhile there is the Spanish woman on the Boulevard
+Raspail -- she's always good for a warm meal. By morning something will
+happen. At least we're going to bed together. No more bedbugs now. The rainy
+season has commenced. The sheets are immaculate ...
+
+                                 * * *
+
+A new life opening up for me at the Villa Borghese. Only ten o'clock and we
+have already had breakfast and been out for a walk. We have an Elsa here with
+us now. "Step softly for a few days," cautions Boris.
+
+The day begins gloriously: a bright sky, a fresh wind, the houses newly
+washed. On our way to the Post Office Boris and I discussed the book. The
+Last Book -- which is going to be written anonymously.
+
+A new day is beginning. I felt it this morning as we stood before one of
+Dufresne's glistening canvases, a sort of dejeuner intime in the 13th
+century, sans vin. A fine, fleshy nude, solid, vibrant, pink as a
+fingernail, with glistening billows of flesh; all the secondary
+characteristics, and a few of the primary. A body that sings, that has the
+moisture of dawn. A still life, only nothing is still, nothing dead here. The
+table creaks with food; it is so heavy it is sliding out of the frame. A 13th
+century repast -- with all the jungle notes that he has memorized so well. A
+family of gazelles and zebras nipping the fronds of the palms.
+
+And now we have Elsa. She was playing for us this morning while we were in
+bed. Step softly for a few days ... Good! Elsa is the maid and I am
+the guest. And Boris is the big cheese. A new drama is beginning. I'm
+laughing to myself as I write this. He knows what is going to happen, that
+lynx, Boris. He has a nose for things too. Step softly ...
+
+Boris is on pins and needles. At any moment now his wife may appear on the
+scene. She weighs well over 180 pounds, that wife of his. And Boris is only
+a handful. There you have the situation. He tries to explain it to me on our
+way home at night. It is so tragic and so ridiculous at the same time that I
+am obliged to stop now and then and laugh in his face. "Why do you laugh so?"
+he says gently, and then he commences himself, with that whimpering,
+hysterical note in his voice, like a helpless wretch who realizes suddenly
+that no matter how many frock coats he puts on he will never make a man. He
+wants to run away, to take a new name. "She can have everything, that cow, if
+only she leaves me alone," he whines. But first the apartment has to be
+rented, and the deeds signed, and a thousand other details for which his
+frock coat will come in handy. But the size of her! -- that's what really
+worries him. If we were to find her suddenly standing on the doorstep when we
+arrive he would faint -- that's how much he respects her!
+
+And so we've got to go easy with Elsa for a while. Elsa is only there to
+make breakfast -- and to show the apartment.
+
+But Elsa is already undermining me. That German blood. Those melancholy
+songs. Coming down the stairs this morning, with the fresh coffee in my
+nostrils, I was humming softly ... "Es war' so schon gewesen." For
+breakfast, that. And in a little while the English boy upstairs with his
+Bach. As Elsa says -- "he needs a woman." And Elsa needs something too. I can
+feel it. I didn't say anything to Boris about it, but while he was cleaning
+his teeth this morning Elsa was giving me an earful about Berlin, about the
+women who look so attractive from behind, and when they turn round -- wow,
+syphilis!
+
+It seems to me that Elsa looks at me rather wistfully. Something left over
+from the breakfast table. This afternoon we were writing, back to back, in
+the studio. She had begun a letter to her lover who is in Italy. The machine
+got jammed. Boris had gone to look at a cheap room he will take as soon as
+the apartment is rented. There was nothing for it but to make love to Elsa.
+She wanted it. And yet I felt a little sorry for her. She had only written
+the first line to her lover -- I read it out of the corner of my eye as I
+bent over her. But it couldn't be helped. That damned German music, so
+melancholy, so sentimental. It undermined me. And then her beady little eyes,
+so hot and sorrowful at the same time.
+
+After it was over I asked her to play something for me.
+
+She's a musician, Elsa, even though it sounded like broken pots and skulls
+clanking. She was weeping, too, as she played. I don't blame her. Everywhere
+the same thing, she says. Everywhere a man, and then she has to leave, and
+then there's an abortion and then a new job and then another man and nobody
+gives a fuck about her except to use her. All this after she's played
+Schumann for me -- Schumann, that slobbery, sentimental German bastard!
+Somehow I feel sorry as hell for her and yet I don't give a damn. A cunt who
+can play as she does ought to have better sense than be tripped up by every
+guy with a big putz who happens to come along. But that Schumann gets into
+my blood. She's still sniffling, Elsa; but my mind is far away. I'm thinking
+of Tania and how she claws away at her adagio. I'm thinking of lots of
+things that are gone and buried. Thinking of a summer afternoon in
+Greenpoint when the Germans were romping over Belgium and we had not yet
+lost enough money to be concerned over the rape of a neutral country. A
+time when we were still innocent enough to listen to poets and to sit around
+a table in the twilight rapping for departed spirits. All that afternoon and
+evening the atmosphere is saturated with German music; the whole
+neighborhood is German, more German even than Germany. We were brought up on
+Schumann and Hugo Wolf and Sauerkraut and Kummel and potato
+dumplings. Toward evening we're sitting around a big table with the curtains
+drawn and some fool two-headed wench is rapping for Jesus Christ. We're
+holding hands under the table and the dame next to me has two fingers in my
+fly. And finally we lie on the floor, behind the piano, while someone sings
+a dreary song. The air is stifling and her breath is boozy. The pedal is
+moving up and down, stiffly, automatically, a crazy, futile movement, like a
+tower of dung that takes twenty-seven years to build but keeps perfect time.
+I pull her over me with the sounding board in my ears; the room is dark and
+the carpet is sticky with the Kiimmel that has been spilled about. Suddenly
+it seems as if the dawn were coming: it is like water purling over ice and
+the ice is blue with a rising mist, glaciers sunk in emerald green, chamois
+and antelope, golden groupers, sea-cows mouching along and the amber-jack
+leaping over the Arctic rim ...
+
+Elsa is sitting in my lap. Her eyes are like little belly-buttons. I look at
+her large mouth, so wet and glistening, and I cover it. She is humming now
+... "Es war' so schon gewesen ..." Ah, Elsa, you don't know yet what
+that means to me, your Trompeter von Sackingen. German Singing
+Societies, Schwaben Hall, the Turnverein ... links um, rechts um ...
+and then a whack over the ass with the end of a rope.
+
+Ah, the Germans! They take you all over like an omnibus. They give you
+indigestion. In the same night one cannot visit the morgue, the infirmary,
+the zoo, the signs of the zodiac, the limbos of philosophy, the caves of
+epistemology, the arcana of Freud and Stekel ... On the merry-go-round one
+doesn't get anywhere, whereas with the Germans one can go from Vega to Lope
+de Vega, all in one night, and come away as foolish as Parsifal.
+
+As I say, the day began gloriously. It was only this morning that I became
+conscious again of this physical Paris of which I have been unaware for
+weeks. Perhaps it is because the book has begun to grow inside me. I am
+carrying it around with me everywhere. I walk through the streets big with
+child and the cops escort me across the street. Women get up to offer me
+their seats. Nobody pushes me rudely any more. I am pregnant. I waddle
+awkwardly; my big stomach pressed against the weight of the world.
+
+It was this morning, on our way to the Post Office, that we gave the book
+its final imprimatur. We have evolved a new cosmogony of literature,
+Boris and I. It is to be a new Bible -- The Last Book. All those who
+have anything to say will say it here -- anonymously. We will exhaust
+the age. After us not another book -- not for a generation, at least.
+Heretofore we had been digging in the dark, with nothing but instinct to
+guide us. Now we shall have a vessel in which to pour the vital fluid, a
+bomb which, when we throw it, will set off the world. We shall put into it
+enough to give the writers of tomorrow their plots, their dramas, their
+poems, their myths, their sciences. The world will be able to feed on it for
+a thousand years to come. It is colossal in its pretentiousness. The thought
+of it almost shatters us.
+
+For a hundred years or more the world, our world, has been dying. And
+not one man, in these last hundred years or so, has been crazy enough to put
+a bomb up the asshole of creation and set it off. The world is
+rotting away, dying piecemeal. But it needs the coup de grace, it
+needs to be blown to smithereens. Not one of us is intact, and yet we have
+in us all the continents and the seas between the continents and the birds
+of the air. We are going to put it down -- the evolution of this world which
+has died but which has not been buried. We are swimming on the face of time
+and all else has drowned, is drowning, or will drown. It will be enormous,
+the Book. There will be oceans of space in which to move about, to
+perambulate, to sing, to dance, to climb, to bathe, to leap somersaults, to
+whine, to rape, to murder. A cathedral, a veritable cathedral, in the
+building of which everybody will assist who has lost his identity. There
+will be masses for the dead, prayers, confessions, hymns, a moaning and a
+chattering, a sort of murderous insouciance; there will be rose windows and
+gargoyles and acolytes and pallbearers. You can bring your horses in a
+gallop through the aisles. You can butt your head against the walls -- they
+won't give. You can pray in any language you choose, or you can curl up
+outside and go to sleep. It will last a thousand years, at least, this
+cathedral, and there will be no replica, for the builders will be dead and
+the formula too. We will have postcards made and organize tours. We will
+build a town around it and set up a free commune. We have no need for
+genius -- genius is dead. We have need for strong hands, for spirits who are
+willing to give up the ghost and put on flesh ...
+
+The day is moving along at a fine tempo. I am up on the balcony at Tania's
+place. The drama is going on down below in the drawing-room. The dramatist
+is sick and from above his scalp looks more scabrous than ever. His hair is
+made of straw. His ideas are straw. His wife too is straw, though still a
+little damp. The whole house is made of straw. Here I am up on the balcony,
+waiting for Boris to arrive. My last problem -- breakfast -- is gone. I
+have simplified everything. If there are any new problems I can carry them in
+my rucksack, along with my dirty wash. I am throwing away all my sous. What
+need have I for money? I am a writing machine. The last screw has been added.
+The thing flows. Between me and the machine there is no estrangement. I am
+the machine ...
+
+They have not told me yet what the new drama is about, but I can sense it.
+They are trying to get rid of me. Yet here I am for my dinner, even a little
+earlier than they expected. I have informed them where to sit, what to do. I
+ask them politely if I shall be disturbing them, but what I really mean, and
+they know it well, is -- will you be disturbing me? No, you blissful
+cockroaches, you are not disturbing me. You are nourishing me. I see
+you sitting there close together and I know there is a chasm between you.
+Your nearness is the nearness of planets. I am the void between you. If I
+withdraw there will be no void for you to swim in.
+
+Tania is in a hostile mood -- I can feel it. She resents my being filled with
+anything but herself. She knows by the very calibre of my excitement that
+her value is reduced to zero. She knows that I did not come this evening to
+fertilize her. She knows there is something germinating inside me which will
+destroy her. She is slow to realize, but she is realizing it ...
+
+Sylvester looks more content. He will embrace her this evening at the dinner
+table. Even now he is reading my manuscript, preparing to inflame my ego, to
+set my ego against hers.
+
+It will be a strange gathering this evening. The stage is being set. I hear
+the tinkle of the glasses. The wine is being brought out. There will be
+bumpers downed and Sylvester who is ill will come out of his illness.
+
+It was only last night, at Cronstadt's, that we projected this setting. It
+was ordained that the women must suffer, that off-stage there should be more
+terror and violence, more disasters, more suffering, more woe and misery.
+
+It is no accident that propels people like us to Paris. Paris is simply an
+artificial stage, a revolving stage that permits the spectator to glimpse
+all phases of the conflict. Of itself Paris initiates no dramas. They are
+begun elsewhere. Paris is simply an obstetrical instrument that tears
+the living embryo from the womb and puts it in the incubator. Paris is the
+cradle of artificial births. Rocking here in the cradle each one slips back
+into his soil: one dreams back to Berlin, New York, Chicago, Vienna, Minsk.
+Vienna is never more Vienna than in Paris. Everything is raised to
+apotheosis. The cradle gives up its babes and new ones take their places.
+You can read here on the walls where Zola lived and Balzac and Dante and
+Strindberg and everybody who ever was anything. Everyone has lived here
+some time or other. Nobody dies here ...
+
+They are talking downstairs. Their language is symbolic. The word
+"struggle" enters into it. Sylvester, the sick dramatist, is saying: "I am
+just reading the Manifesto." And Tania says -- "Whose?" Yes,
+Tania, I heard you. I am up here writing about you and you divine it well.
+Speak more, that I may record you. For when we go to table I shall
+not be able to make any notes ... Suddenly Tania remarks: "There is no
+prominent hall in this place." Now what does that mean, if anything?
+
+They are putting up pictures now. That, too, is to impress me. See, they
+wish to say, we are at home here, living the conjugal life. Making the home
+attractive. We will even argue a little about the pictures, for your
+benefit. And Tania remarks again: "How the eye deceives one!" Ah, Tania,
+what things you say! Go on, carry out this farce a little longer. I am here
+to get the dinner you promised me; I enjoy this comedy tremendously. And now
+Sylvester takes the lead. He is trying to explain one of Borowski's
+gouaches. "Come here, do you see? One of them is playing the guitar;
+the other is holding a girl in his lap." True, Sylvester. Very true.
+Borowski and his guitars! The girls in his lap! Only one never quite knows
+what it is he holds in his lap, or whether it is really a man playing the
+guitar ...
+
+Soon Moldorf will be trotting in on all fours and Boris with that helpless
+little laugh of his. There will be a golden pheasant for dinner and Anjou
+and short fat cigars. And Cronstadt, when he gets the latest news, will
+live a little harder, a little brighter, for five minutes; and then he will
+subside again into the humus of his ideology
+and perhaps a poem will be born, a big golden bell of a poem without a
+tongue.
+
+Had to knock off for an hour or so. Another customer to look at the
+apartment. Upstairs the bloody Englishman is practising his Bach. It is
+imperative now, when someone comes to look at the apartment, to run
+upstairs and ask the pianist to lay off for a while.
+
+Elsa is telephoning the greengrocer. The plumber is putting a new seat on
+the toilet bowl. Whenever the doorbell rings Boris loses his equilibrium.
+In the excitement he has dropped his glasses; he is on his hands and knees,
+his frock coat is dragging the floor. It is a little like the Grand
+Guignol -- the starving poet come to give the butcher's daughter lessons.
+Every time the phone rings the poet's mouth waters. Mallarme sounds like a
+sirloin steak, Victor Hugo like foie de veau. Elsa is ordering a
+delicate little lunch for Boris -- "a nice juicy little pork chop," she says.
+I see a whole flock of pink hams lying cold on the marble, wonderful hams
+cushioned in white fat. I have a terrific hunger though we've only had
+breakfast a few minutes ago -- it's the lunch that I'll have to skip. It's
+only Wednesdays that I eat lunch, thanks to Borowski. Elsa is still
+telephoning -- she forgot to order a piece of bacon. "Yes, a nice little piece
+of bacon, not too fatty," she says ... Zut alors! Throw in some
+sweetbreads, throw in some mountain oysters and some psst clams! Throw in
+some fried liverwurst while you're at it; I could gobble up the fifteen
+hundred plays of Lope de Vega in one sitting.
+
+It is a beautiful woman who has come to look at the apartment. An American,
+of course. I stand at the window with my back to her watching a sparrow
+pecking at a fresh turd. Amazing how easily the sparrow is provided for. It
+is raining a bit and the drops are very big. I used to think a bird couldn't
+fly if its wings got wet. Amazing how these rich dames come to Paris and find
+all the swell studios. A little talent and a big purse. If it rains they have
+a chance to display their brand new slickers. Food is nothing: sometimes
+they're so busy gadding about that they haven't time for lunch. Just a little
+sandwich, a wafer, at the Cafe de la Paix or the Ritz Bar.
+
+"For the daughters of gentlefolk only" -- that's what it says at the old
+studio of Puvis de Chavannes. Happened to pass there the other day. Rich
+American cunts with paint boxes slung over their shoulders. A little talent
+and a fat purse.
+
+The sparrow is hopping frantically from one cobble-stone to another. Truly
+herculean efforts, if you stop to examine closely. Everywhere there is food
+lying about -- in the gutter, I mean. The beautiful American woman is
+inquiring about the toilet. The toilet! Let me show you, you velvet-snooted
+gazelle! The toilet, you say? Par id, Madame. N'oubliez. pas que les
+places numerotees sont reservees aux mutiles de la guerre.
+
+Boris is rubbing his hands -- he is putting the finishing touches to the deal.
+The dogs are barking in the courtyard; they bark like wolves. Upstairs Mrs.
+Melverness is moving the furniture around. She had nothing to do all day,
+she's bored; if she finds a crumb of dirt anywhere she cleans the whole
+house. There's a bunch of green grapes on the table and a bottle of
+wine -- vin de choix, 10 degrees. "Yes," says Boris, "I could make a
+wash-stand for you, just come here, please. Yes, this is the toilet. There
+is one upstairs too, of course. Yes, a thousand francs a month. You don't
+care much for Utrillo, you say? No, this is it. It needs a new washer,
+that's all ..."
+
+She's going in a minute now. Boris hasn't even introduced me this time. The
+son of a bitch! Whenever it's a rich cunt he forgets to introduce me. In a
+few minutes I'll be able to sit down again and type. Somehow I don't feel
+like it any more today. My spirit is dribbling away. She may come back in an
+hour or so and take the chair from under my ass. How the hell can a man
+write when he doesn't know where he's going to sit the next half hour? If
+this rich bastard takes the place I won't even have a place to sleep. It's
+hard to know, when you're in such a jam which is worse -- not having a place
+to sleep or not having a place to work. One can sleep almost anywhere, but
+one must have a place to work. Even if it's not a masterpiece you're doing.
+Even a bad novel requires a chair to sit on and a bit of privacy. These rich
+cunts never think of a thing like that. Whenever they want to lower their
+soft behinds there's always a chair standing ready for them ...
+
+
+x x x
+
+
+
+Last night we left Sylvester and his God sitting together before the
+hearth. Sylvester in his pajamas, Moldorf with a cigar between his lips.
+Sylvester is peeling an orange. He puts the peel on the couch-cover.
+Moldorf draws closer to him. He asks permission to read again that brilliant
+parody The Gates of Heaven. We are getting ready to go, Boris and I.
+We are too gay for this sick-room atmosphere. Tania is going with us. She is
+gay because she is going to escape. Boris is gay because the God in Moldorf
+is dead. I am gay because it is another act we are going to put on.
+
+Moldorf's voice is reverent. "Can I stay with you, Sylvester, until you go
+to bed?" He has been staying with him for the last six days, buying
+medicine, running errands for Tania, comforting, consoling, guarding the
+portals against malevolent intruders like Boris and his scallywags. He is
+like a savage who has discovered that his idol was mutilated during the
+night. There he sits, at the idol's feet, with breadfruit and grease and
+jabber-wocky prayers. His voice goes out unctuously. His limbs are already
+paralyzed.
+
+To Tania he speaks as if she were a priestess who had broken her vows. "You
+must make yourself worthy. Sylvester is your God." And while Sylvester is
+upstairs suffering (he has a little wheeze in the chest) the priest and the
+priestess devour the food. "You are polluting yourself," he says, the gravy
+dripping from his lips. He has the capacity for eating and suffering at the
+same time. While he fends off the dangerous ones he puts out his fat little
+paw and strokes Tania's hair. "I am beginning to fall in love with you. You
+are like my Fanny."
+
+In other respects it has been a fine day for Moldorf. A letter arrived from
+America. Moe is getting A's in everything. Murray is learning to ride the
+bicycle. The victrola was repaired. You can see from the expression on his
+face that there were other things in the letter besides report cards and
+velocipedes. You can be sure of it because this afternoon he bought 325
+francs worth of jewelry for his Fanny. In addition he wrote her a
+twenty-page letter. The garcon brought him page after page, filled
+his fountain pen, served his coffee and cigars, fanned him a little
+when he perspired, brushed the crumbs from the table, lit his cigar when it
+went out, bought stamps for him, danced on him, piroutted, salaamed ...
+broke his spine damned near. The tip was fat. Bigger and fatter than a
+Corona Corona. Moldorf probably mentioned it in his diary. It was for
+Fanny's sake. The bracelet and the earrings, they were worth every sou he
+spent. Better to spend it on Fanny than waste it on little strumpets like
+Germaine and Odette. Yes, he told Tania so. He showed her his trunk. It is
+crammed with gifts -- for Fanny, and for Moe and Murray.
+
+"My Fanny is the most intelligent woman in the world. I have been searching
+and searching to find a flaw in her -- but there's not one.
+
+"She's perfect. I'll tell you what Fanny can do. She plays bridge like a
+shark; she's interested in Zionism; you give her an old hat, for instance,
+and see what she can do with it. A little twist here, a ribbon there, and
+voila quelque chose de beau! Do you know what is perfect bliss? To
+sit beside Fanny, when Moe and Murray have gone to bed, and listen to the
+radio. She sits there so peacefully. I am rewarded for all my struggles and
+heartaches in just watching her. She listens intelligently. When I think of
+your stinking Montparnasse and then of my evenings in Bay Ridge with Fanny
+after a big meal, I tell you there is no comparison. A simple thing like
+food, the children, the soft lamps, and Fanny sitting there, a little tired,
+but cheerful, contented, heavy with bread ... we just sit there for hours
+without saying a word. That's bliss!
+
+"Today she writes me a letter -- not one of those dull stock report letters.
+She writes me from the heart, in language that even my little Murray could
+understand. She's delicate about everything, Fanny. She says that the
+children must continue their education but the expense worries her. It
+will cost a thousand bucks to send little Murray to school. Moe, of course,
+will get a scholarship. But little Murray, that little genius, Murray, what
+are we going to do about him? I wrote Fanny not to worry. Send Murray to
+school, I said. What's another thousand dollars? I'll make more money this
+year than ever before. I'll do it for little Murray -- because he's a genius,
+that kid."
+
+I should like to be there when Fanny opens the trunk. "See, Fanny, this is
+what I bought in Budapest from an old Jew ... This is what they wear in
+Bulgaria -- it's pure wool . .. This belonged to the Duke of something or
+other -- no, you don't wind it, you put it in the sun This I want you to wear,
+Fanny, when we go to the Opera ... wear it with that comb I showed you ...
+And this, Fanny, is something Tania picked up for me ... she's a little bit
+on your type ..."
+
+And Fanny is sitting there on the settee, just as she was in the oleograph,
+with Moe on one side of her and little Murray, Murray the genius, on the
+other. Her fat legs are a little too short to reach the floor. Her eyes have
+a dull permanganate glow. Breasts like ripe red cabbage; they bobble a
+little when she leans forward. But the sad thing about her is that the juice
+has been cut off. She sits there like a dead storage battery; her face is
+out of plumb -- it needs a little animation, a sudden spurt of juice to bring
+it back into focus. Moldorf is jumping around in front of her like a fat
+toad. His flesh quivers. He slips and it is difficult for him to roll over
+again on his belly. She prods him with her thick toes. His eyes protrude a
+little further. "Kick me again. Fanny, that was good!" She gives him a good
+prod this time -- it leaves a permanent dent in his paunch. His face is close
+to the carpet; the wattles are joggling in the nap of the rug. He livens up
+a bit, flips around, springs from furniture to furniture. "Fanny, you are
+marvellous!" He is sitting now on her shoulder. He bites a little piece from
+her ear, just a little tip from the lobe where it doesn't hurt. But she's
+still dead -- all storage battery and no juice. He falls on her lap and lies
+there quivering like a toothache. He is all warm now and helpless. His
+belly glistens like a patent-leather shoe. In the sockets of his eyes a pair
+of fancy vest buttons. "Unbutton my eyes. Fanny, I want to see you better!"
+Fanny carries him to bed and drops a little hot wax over his eyes.
+She puts rings around his navel and a thermometer up his ass. She places him
+and he quivers again. Suddenly he's dwindled, shrunk completely out of
+sight. She searches all over for him, in her intestines, everywhere.
+Something is tickling her -- she doesn't know where exactly. The bed is full
+of toads and fancy vest buttons.
+
+"Fanny, where are you?" Something is tickling her -- she can't say where. The
+buttons are dropping off the bed. The toads are climbing the walls. A
+tickling and a tickling. "Fanny, take the wax out of my eyes! I want to
+look at you!" But Fanny is laughing, squirming with laughter. There is
+something inside her, tickling and tickling. She'll die laughing if she
+doesn't find it. "Fanny, the trunk is full of beautiful things. Fanny, do
+you hear me?" Fanny is laughing, laughing like a fat worm. Her belly is
+swollen with laughter. Her legs are getting blue. "O God, Morris, there is
+something tickling me ... I can't help it!"
+
+                              * * *
+
+Sunday! Left the Villa Borghese a little before noon, just as Boris was
+getting ready to sit down to lunch. I left out of a sense of delicacy,
+because it really pains Boris to see me sitting there in the studio with an
+empty belly. Why he doesn't invite me to lunch with him I don't know. He
+says he can't afford it, but that's no excuse. Anyway, I'm delicate about
+it. If it pains him to eat alone in my presence it would probably pain him
+more to share his meal with me. It's not my place to pry into his secret
+affairs.
+
+Dropped in at the Cronstadts' and they were eating too. A young chicken with
+wild rice. Pretended that I had eaten already, but I could have torn the
+chicken from the baby's hands. This is not just false modesty -- it's a kind
+of perversion, I'm thinking. Twice they asked me if I wouldn't join them.
+No! No! Wouldn't even accept a cup of coffee after the meal. I'm
+delicat, I am! On the way out I cast a lingering glance at the bones
+lying on the baby's plate -- there was still meat on them.
+
+Prowling around aimlessly. A beautiful day -- so far. The Rue de Buci is
+alive, crawling. The bars wide open and the curbs lined with bicycles. All
+the meat and vegetable markets are in full swing. Arms loaded with truck
+bandaged in newspapers. A fine Catholic Sunday -- in the morning, at least.
+
+High noon and here I am standing on an empty belly at the confluence of all
+these crooked lanes that reek with the odor of food. Opposite me is the Hotel
+de Louisiane. A grim old hostelry known to the bad boys of the Rue de Boci in
+the good old days. Hotels and food, and I'm walking about like a leper with
+crabs gnawing at my entrails. On Sunday mornings there's a fever in the
+streets. Nothing like it anywhere, except perhaps on the East Side, or down
+around Chatham Square. The Rue de l'Echaude is seething. The streets twist
+and turn, at every angle a fresh hive of activity. Long queues of people with
+vegetables under their arms, turning in here and there with crisp, sparkling
+appetites. Nothing but food, food, food. Makes one delirious.
+
+Pass the Square de Furstemberg. Looks different now, at high noon. The other
+night when I passed by it was deserted, bleak, spectral. In the middle of
+the square four black trees that have not yet begun to blossom.
+Intellectual trees, nourished by the paving stones. Like T. S. Eliot's
+verse. Here, by God, if Marie Laurencin ever brought her Lesbians out into
+the open, would be the place for them to commune. Tres lesbienne id.
+Sterile, hybrid, dry as Boris' heart.
+
+In the little garden adjoining the Eglise St. Germain are a few dismounted
+gargoyles. Monsters that jut forward with a terrifying plunge. On the
+benches other monsters -- old people, idiots, cripples, epileptics. Snoozing
+quietly, waiting for the dinner bell to ring. At the Galerie Zak across the
+way some imbecile has made a picture of the cosmos -- on the flat. A
+painter's cosmos! Full of odds and ends, bric-a-brac. In the lower left-hand
+corner, however, there's an anchor -- and a dinner bell. Salute! Salute, O
+Cosmos!
+
+Still prowling around. Mid-aftemoon. Guts rattling. Beginning to rain now.
+Notre-Dame rises tomb-like from the water. The gargoyles lean far out over
+the lace facade. They hang there like an idee fixe in the mind of a
+monomaniac. An old man with yellow whiskers approaches me. Has some
+Jaworski nonsense in his hand. Comes up to me with his head thrown back and
+the rain splashing in his face turns the golden sands to mud. Book store
+with some of Raoul Dufy's drawings in the window. Drawings of charwomen with
+rose bushes between their legs. A treatise on the philosophy of Joan Miro.
+The philosophy, mind you!
+
+In the same window: A Man Cut In Slices! Chapter one: the man in the
+eyes of his family. Chapter two: the same in the eyes of his mistress.
+Chapter three:--No chapter three. Have to come back tomorrow for chapters
+three and four. Every day the window trimmer turns a fresh page. A man
+cut in slices ... You can't imagine how furious I am not to have
+thought of a title like that! Where is this bloke who writes "the same in
+the eyes of his mistress ... the same in the eyes of ... the same ..."?
+Where is this guy? Who is he? I want to hug him. I wish to Christ I had had
+brains enough to think of a title like that -- instead of Crazy Cock
+and the other fool things I invented. Well, fuck a duck! I congratulate him
+just the same.
+
+I wish him luck with his fine title. Here's another slice for you -- for your
+next book! Ring me up some day. I'm living at the Villa Borghese. We're all
+dead, or dying, or about to die. We need good titles. We need meat -- slices
+and slices of meat -- juicy tenderloins, porterhouse steaks, kidneys, mountain
+oysters, sweetbreads. Some day, when I'm standing at the corner of 42nd
+Street and Broadway, I'm going to remember this title and I'm going to put
+down everything that goes on in my noodle -- caviar, rain drops, axle-grease,
+vermicelli, liverwurst -- slices and slices of it. And I'll tell no one why,
+after I had put everything down, I suddenly went home and chopped the baby
+to pieces. Un acte gratuit pour vous, cher monsieur si bien coupe en
+tranches!
+
+How a man can wander about all day on an empty belly, and even get an
+erection once in a while, is one of those mysteries which are too easily
+explained by the "anatomists of the soul." On a Sunday afternoon, when the
+shutters are down and the proletariat possesses the street in a kind of dumb
+torpor, there are certain thoroughfares which remind one of nothing less
+than a big chancrous cock laid open longitudinally. And it is just these
+highways, the Rue St. Denis, for instance, or the Faubourg du Temple -- which
+attract one irresistibly, much as in the old days, around Union Square or
+the upper reaches of the Bowery, one was drawn to the dime museums where in
+the show-windows there were displayed wax reproductions of various organs
+of the body eaten away by syphilis and other venereal diseases. The city
+sprouts out like a huge organism diseased in every part, the beautiful
+thoroughfares only a little less repulsive because they have been drained
+of their pus.
+
+At the Cite Nortier, somewhere near the Place du Combat, I pause a few
+minutes to drink in the full squalor of the scene. It is a rectangular court
+like many another which one glimpses through the low passageways that flank
+the old arteries of Paris. In the middle of the court is a clump of decrepit
+buildings which have so rotted away that they have collapsed on one another
+and formed a sort of intestinal embrace. The ground is uneven, the flagging
+slippery with slime. A sort of human dump-heap which has been filled in with
+cinders and dry garbage. The sun is setting fast. The colors die. They shift
+from purple to dried blood, from nacre to bistre, from cool dead grays to
+pigeon shit. Here and there a lopsided monster stands in the window
+blinking like an owl. There is the shrill squawk of children with pale faces
+and bony limbs, rickety little urchins marked with the forceps. A fetid odor
+seeps from the walls, the odor of a mildewed mattress Europe -- medieval,
+grotesque, monstrous: a symphony in B mol. Directly across the street the
+Cine Combat offers its distinguished clientele Metropolis.
+
+Coming away my mind reverts to a book that I was reading only the other day.
+"The town was a shambles; corpses, mangled by butchers and stripped by
+plunderers, lay thick in the streets; wolves sneaked from the suburbs to eat
+them; the black death and other plagues crept in to keep them company, and
+the English came marching on; the while the danse macabre whirled
+about the tombs in all the cemeteries ..." Paris during the days of Charles
+the Silly! A lovely book! Refreshing, appetizing. I'm still enchanted by
+it. About the patrons and prodromes of the Renaissance I know little, but
+Madam Pimpernel, la belle boulangere, and Maitre Jehan Crapotte,
+I'orfevre, these occupy my spare thoughts still. Not forgetting
+Rodin, the evil genius of The Wandering Jew, who practised his
+nefarious ways "until the day when he was enflamed and outwitted by the
+octoroon Cecily." Sitting in the Square du Temple, musing over the doings of
+the horse-knackers led by Jean Caboche, I have thought long and ruefully
+over the. sad fate of Charles the Silly. A half-wit, who prowled
+about the halls of his Hotel St. Paul, garbed in the filthiest rags, eaten
+away by ulcers and vermin, gnawing a bone, when they flung him one, like a
+mangy dog. At the Rue des Lions I looked for the stones of the old menagerie
+where he once fed his pets. His only diversion, poor dolt, aside from those
+card games with his "low-born companion," Odette de Champsdivers.
+
+It was a Sunday afternoon, much like this, when I first met Germaine. I was
+strolling along the Boulevard Beaumarchais, rich by a hundred francs or so
+which my wife had frantically cabled from America. There was a touch of
+spring in the air, a poisonous, malefic spring that seemed to burst from the
+manholes. Night after night I had been coming back to this quarter,
+attracted by certain leprous streets which only revealed their sinister
+splendor when the light of day had oozed away and the whores commenced to
+take up their posts. The Rue Pasteur-Wagner is one I recall in particular,
+corner of the Rue Amelot which hides behind the boulevard like a slumbering
+lizard. Here, at the neck of the bottle, so to speak, there was always a
+cluster of vultures who croaked and flapped their dirty wings, who reached
+out with sharp talons and plucked you into a doorway. Jolly, rapacious
+devils who didn't even give you time to button your pants when it was over.
+Led you into a little room off the street, a room without a window usually,
+and, sitting on the edge of the bed with skirts tucked up gave you a quick
+inspection, spat on your cock, and placed it for you. While you washed
+yourself another one stood at the door and, holding her victim by one hand,
+watched nonchalantly as you gave the finishing touches to your toilet.
+
+Germaine was different. There was nothing to tell me so from her appearance.
+Nothing to distinguish her from the other trollops who met each afternoon
+and evening at the Cafe de l'Elephant. As I say, it was a spring day and the
+few francs my wife had scraped up to cable me were jingling in my pocket. I
+had a sort of vague premonition that I would not reach the Bastille without
+being taken in tow by one of these buzzards. Sauntering along the boulevard
+I had noticed her verging towards me with that curious trot-about air of a
+whore and the rundown heels and the cheap jewelry and the pasty look of
+their kind which the rouge only accentuates. It was not difficult to come
+to terms with her. We sat in the back of the little tabac called
+L'Elephant and talked it over quickly.
+
+In a few minutes we were in a five-franc room on the Rue Amelot, the
+curtains drawn and the covers thrown back. She didn't rush things, Germaine.
+She sat on the bidet soaping herself and talked to me pleasantly
+about this and that; she liked the knickerbockers I was wearing. Tres
+chic! she thought. They were once, but I had worn the seat out of them;
+fortunately the jacket covered my ass. As she stood up to dry herself, still
+talking to me pleasantly, suddenly she dropped the towel and, advancing
+towards me leisurely, she commenced rubbing her pussy affectionately,
+stroking it with her two hands, caressing it, patting it, patting it. There
+was something about her eloquence at that moment and the way she thrust
+that rosebush under my nose which remains unforgettable; she spoke of it as
+if it were some extraneous object which she had acquired at great cost, an
+object whose value had increased with time and which now she prized above
+everything in the world. Her words imbued it with a peculiar fragrance; it
+was no longer just her private organ, but a treasure, a magic, potent
+treasure, a God-given thing -- and none the less so because she traded it day
+in and day out for a few pieces of silver. As she flung herself on the bed,
+with legs spread wide apart, she cupped it with her hands and stroked it
+some more, murmuring all the while in that hoarse, cracked voice of hers
+that it was good, beautiful, a treasure, a little treasure. And it was
+good, that little pussy of hers! That Sunday afternoon, with its
+poisonous breath of spring in the air, everything clicked again. As we
+stepped out of the hotel I looked her over again in the harsh light of day
+and I saw clearly what a whore she was -- the gold teeth, the geranium in her
+hat, the rundown heels, etc., etc. Even the fact that she had wormed
+a dinner out of me and cigarettes and taxi hadn't the least disturbing
+effect upon me. I encouraged it, in fact. I liked her so well that after
+dinner we went back to the hotel again and took another shot at it. "For
+love," this time. And again that big, bushy thing of hers worked its bloom
+and magic. It began to have an independent existence -- for me too. There was
+Germaine and there was that rosebush of hers. I liked them separately and
+I liked them together.
+
+                      As I say, she was different, Germaine. Later, when she
+discovered my true circumstances, she treated me nobly -- blew me to drinks,
+gave me credit, pawned my things, introduced me to her friends, and so on.
+She even apologized for not lending me money, which I understood quite well
+after her maquereau had been pointed out to me. Night after night I
+walked down the Boulevard Beaumarchais to the little tabac where they
+all congregated and I waited for her to stroll in and give me a few minutes
+of her precious time.
+
+When, some time later, I came to write about Claude it was not Claude that I
+was thinking of, but Germaine.... "All the men she's been with and now you,
+just you, and barges going by, masts and hulls, the whole damned current of
+life flowing through you, through her, through all the guys behind you and
+after you, the flowers and the birds and the sun streaming in and the
+fragrance of it choking you, annihilating you." That was for Germaine! Claude
+was not the same, though I admired her tremendously -- I even thought for a
+while that I loved her. Claude had a soul and a conscience; she had
+refinement, too, which is bad -- in a whore. Claude always imparted a feeling
+of sadness; she left the impression, unwittingly, of course, that you were
+just one more added to the stream which fate had ordained to destroy her.
+Unwittingly, I say, because Claude was the last person in the world
+who would consciously create such an image in one's mind. She was too
+delicate, too sensitive for that. At bottom, Claude was just a good French
+girl of average breed and intelligence whom life had tricked somehow;
+something in her there was which was not tough enough to withstand the shock
+of daily experience. For her were meant those terrible words of
+Louis-Philippe: "and a night comes when all is over, when so many jaws have
+closed upon us that we no longer have the strength to stand, and our meat
+hangs upon our bodies, as though it had been masticated by every mouth."
+Germaine, on the other hand, was a whore from the cradle; she was thoroughly
+satisfied with her role, enjoyed it in fact, except when her stomach pinched
+or her shoes gave out, little surface things of no account, nothing that ate
+into her soul, nothing that created torment. Ennui! That was the worst
+she ever felt. Days there were, no doubt, when she had a bellyful, as we say
+-- but no more than that! Most of the time she enjoyed it -- or gave the
+illusion of enjoying it. It made a difference of course, whom she went with
+-- or came with. But the principal thing was a man. A man! That
+was what she craved. A man with something between his legs that could tickle
+her, that could make her writhe in ecstasy, make her grab that bushy twat of
+hers with both hands and rub it joyfully, boastfully, proudly, with a sense
+of connection, a sense of life. That was the only place where she experienced
+any life -- down there where she clutched herself with both hands.
+
+Germaine was a whore all the way through, even down to her good heart, her
+whore's heart which is not really a good heart but a lazy one, an
+indifferent, flaccid heart that can be touched for a moment, a heart without
+reference to any fixed point within, a big, flaccid whore's heart that can
+detach itself for a moment from its true center. However vile and
+circumscribed was that world which she had created for herself, nevertheless
+she functioned in it superbly. And that in itself is a tonic thing. When,
+after we had become well acquainted, her companions would twit me, saying
+that I was in love with Germaine (a situation almost inconceivable to them),
+I would say: "Sure! Sure, I'm in love with her! And what's more, I'm going
+to be faithful to her!" A lie, of course, because I could no more think of
+loving Germaine than I could think of loving a spider; and if I was
+faithful, it was not to Germaine but to that bushy thing she carried between
+her legs. Whenever I looked at another woman I thought immediately of
+Germaine, of that flaming bush which she had left in my mind and which
+seemed imperishable. It gave me pleasure to sit on the terrasse of
+the little tabac and observe her as she plied her trade, observe her
+as she resorted to the same grimaces, the same tricks, with others as she
+had with me. "She's doing her job!" -- that's how I felt about it, and it was
+with approbation that I regarded her transactions. Later, when I had taken up
+with Claude, and I saw her night after night sitting in her accustomed place,
+her round little buttocks chubbily ensconced in the plush settee, I felt a
+sort of inexpressible rebellion towards her; a whore, it seemed to me, had no
+right to be sitting there like a lady, waiting timidly for some one to
+approach and all the while abstemiously sipping her chocolat. Germaine
+was a hustler. She didn't wait for you to come to her -- she went out and
+grabbed you. I remember so well the holes in her stockings, and the torn
+ragged shoes; I remember too how she stood at the bar and with blind,
+courageous defiance threw a strong drink down her stomach and marched out
+again. A hustler! Perhaps it wasn't so pleasant to smell that boozy breath of
+hers, that breath compounded of weak coffee, cognac, aperitifs, pemods
+and all the other stuff she guzzled between times, what to warm herself and
+what to summon up strength and courage, but the fire of it penetrated her, it
+glowed down there between her legs where women ought to glow, and there was
+established that circuit which makes one feel the earth under his legs again.
+When she lay there with her legs apart and moaning, even if she did moan that
+way for any and everybody, it was good, it was a proper show of feeling. She
+didn't stare up at the ceiling with a vacant look or count the bedbugs on the
+wallpaper; she kept her mind on her business, she talked about the things a
+man wants to hear when he's climbing over a woman. Whereas Claude -- well, with
+Claude there was always a certain delicacy, even when she got under the
+sheets with you. And her delicacy offended me. Who wants a delicate
+whore! Claude would even ask you to turn your face away when she squatted
+over the bidet. All wrong! A man, when he's burning up with passion,
+wants to see things; he wants to see everything, even how they make
+water. And while it's all very nice to know that a woman has a mind,
+literature coming from the cold corpse of a whore is the last thing to be
+served in bed. Germaine had the right idea: she was ignorant and lusty, she
+put her heart and soul into her work. She was a whore all the way
+through -- and that was her virtue!
+
+Easter came in like a frozen hare -- but it was fairly warm in bed. Today it
+is lovely again and along the Champs-Elysees at twilight it is like an
+outdoor seraglio choked with dark-eyed houris. The trees are in full
+foliage and of a verdure so pure, so rich, that it seems as though they
+were still wet and glistening with dew. From the Palais du Louvre to the
+Etoile it is like a piece of music for the pianoforte. For five days I have
+not touched the typewriter nor looked at a book; nor have I had a single
+idea in my head except to go to the American Express. At nine this morning
+I was there, just as the doors were being opened, and again at one o'clock.
+No news. At four-thirty I dash out of the hotel, resolved to make a last
+minute stab at it. Just as I turn the corner I brush against Walter Pach.
+Since he doesn't recognize me, and since I have nothing to say to him, I
+make no attempt to arrest him. Later, when I am stretching my legs in the
+Tuileries his figure reverts to mind. He was a little stooped, pensive, with
+a sort of serene yet reserved smile on his face. I wonder, as I look up at
+this softly enamelled sky, so faintly tinted, which does not bulge today
+with heavy rain clouds but smiles like a piece of old china, I wonder what
+goes on in the mind of this man who translated the four thick volumes of
+the History of Art when he takes in this blissful cosmos with his
+drooping eye.
+
+Along the Champs-Elysees, ideas pouring from me like sweat. I ought to be
+rich enough to have a secretary to whom I could dictate as I walk, because
+my best thoughts always come when I am away from the machine.
+
+Walking along the Champs-Elysees I keep thinking of my really superb health.
+When I say "health" I mean optimism, to be truthful. Incurably optimistic!
+Still have one foot in the 19th century. I'm a bit retarded, like most
+Americans. Carl finds it disgusting, this optimism. "I have only to talk
+about a meal," he says, "and you're radiant!" It's a fact. The mere thought
+of a meal -- another meal -- rejuvenates me. A meal! That means
+something to go on -- a few solid hours of work, an erection possibly. I
+don't deny it. I have health, good, solid, animal health. The only thing that
+stands between me and a future is a meal, another meal.
+
+As for Carl, he's not himself these days. He's upset, his nerves are
+jangled. He says he's ill, and I believe him, but I don't feel badly about
+it.
+
+I can't. In fact, it makes me laugh. And that offends him, of course.
+Everything wounds him -- my laughter, my hunger, my persistence, my
+insouciance, everything. One day he wants to blow his brains out
+because he can't stand this lousy hole of a Europe any more; the next day he
+talks of going to Arizona "where they look you square in the eye."
+
+"Do it!" I say. "Do one thing or the other, you bastard, but don't try to
+cloud my healthy eye with your melancholy breath!"
+
+But that's just it! In Europe one gets used to doing nothing. You sit on
+your ass and whine all day. You get contaminated. You rot.
+
+Fundamentally Carl is a snob, an aristocratic little prick who lives in a
+dementia praecox kingdom all his own. "I hate Paris!" he whines. "All these
+stupid people playing cards all day ... look at them! And this writing!
+What's the use of putting words together? I can be a writer without
+writing, can't I? What does it prove if I write a book? What do we want with
+books anyway? There are too many books already ..."
+
+My eye, but I've been all over that ground -- years and years ago. I've lived
+out my melancholy youth. I don't give a fuck any more what's behind me, or
+what's ahead Of me. I'm healthy. Incurably healthy. No sorrows, no regrets.
+No past, no future. The present is enough for me. Day by day. Today! Le
+bel aujourd'hui!
+
+He has one day a week off, Carl, and on that day he's more miserable, if you
+can imagine it, than on any other day of the week. Though he professes to
+despise food, the
+only way he seems to enjoy himself on his day off is to order a big spread.
+Perhaps he does it for my benefit -- I don't know, and I don't ask. If he
+chooses to add martyrdom to his list of vices, let him -- it's O. K. with me.
+Anyway, last Tuesday, after squandering what he had on a big spread, he
+steers me to the D6me, the last place in the world I would seek on my day
+off. But one not only gets acquiescent here -- one gets supine.
+
+Standing at the D6me bar is Marlowe, soused to the ears. He's been on a
+bender, as he calls it, for the last five days. That means a continuous
+drunk, a peregrination from one bar to another, day and night without
+interruption, and finally a lay-off at the American Hospital. Marlowe's
+bony emaciated face is nothing but a skull perforated by two deep sockets
+in which there are buried a pair of dead clams. His back is covered with
+sawdust -- he has just had a little snooze in the watercloset. In his coat
+pocket are the proofs for the next issue of his review, he was on his way to
+the printer with the proofs, it seems, when some one inveigled him to have a
+drink. He talks about it as though it happened months ago. He takes out the
+proofs and spreads them over the bar; they are full of coffee stains and
+dried spittle. He tries to read a poem which he had written in Greek, but
+the proofs are undecipherable. Then he decides to deliver a speech, in
+French, but the gerant puts a stop to it. Marlowe is piqued: his one
+ambition is to talk a French which even the garcon will understand.
+Of old French he is a master; of the Surrealists he has made excellent
+translations; but to say a simple thing like "get the hell out of here, you
+old prick!" -- that is beyond him. Nobody understands Marlowe's French, not
+even the whores. For that matter, it's difficult enough to understand his
+English when he's under the weather. He blabbers and spits like a confirmed
+stutterer ... no sequence to his phrases. "You pay!" that's one thing
+he manages to get out clearly.
+
+Even if he is fried to the hat some fine preservative instinct always warns
+Marlowe when it is time to act. If there is any doubt in his mind as to how
+the drinks are going to be paid he will be sure to put on a stunt. The usual
+one is to pretend that he is going blind. Carl knows all his tricks by now,
+and so when Marlowe suddenly claps his hands to his temples and begins to act
+it out Carl gives him a boot in the ass and says: "Come out of it, you sap!
+You don't have to do that with me!"
+
+Whether it is a cunning piece of revenge or not, I don't know, but at any
+rate Marlowe is paying Carl back in good coin. Leaning over us
+confidentially he relates in a hoarse, croaking voice a piece of gossip
+which he picked . up in the course of his peregrinations from bar to bar.
+Carl looks up in amazement. He's pale under the gills. Marlowe repeats the
+story with variations. Each time Carl wilts a little more. "But that's
+impossible!" he finally blurts out. "No, it ain't!" croaks Marlowe. "You're
+gonna lose your job ... I got it straight." Carl looks at me in despair.
+"Is he shitting me, that bastard?" he murmurs in my ear. And then
+aloud -- "What am I going to do now? I'll never find another job. It took me a
+year to land this one."
+
+This, apparently, is all that Marlowe has been waiting to hear. At last he
+has found someone worse off than himself. "They be hard times!" he croaks,
+and his bony skull glows with a cold, electric fire.
+
+Leaving the Dome Marlowe explains between hiccups that he's got to return to
+San Francisco. He seems genuinely touched now by Carl's helplessness. He
+proposes that Carl and I take over the review during his absence. "I can
+trust you, Carl," he says. And then suddenly he gets an attack, a real one
+this time. He almost collapses in the gutter. We haul him to a
+bistrot at the Boulevard Edgar Quinet and sit him down. This time
+he's really got It -- a blinding headache that makes him squeal and grunt and
+rock himself to and fro like a dumb brute that's been struck by a
+sledge hammer. We spill a couple of Femet-Brancas down his throat, lay him
+out on the bench and cover his eyes with his muffler. He lies there
+groaning. In a little while we hear him snoring.
+
+"What about his proposition?" says Carl. "Should we take it up? He says
+he'll give me a thousand francs when he comes back. I know he won't, but
+what about it?" He looks at Marlowe sprawled out on the bench, lifts the
+muffler from his eyes, and puts it back again. Suddenly a mischievous grin
+lights up his face. "Listen, Joe," he says, beckoning me to move closer,
+"we'll take him up on
+it. We'll take his lousy review over and we'll fuck him good and proper."
+
+"What do you mean by that?"
+
+"Why we'll throw out all the other contributors and we'll fill it with our
+own shit -- that's what!"
+
+"Yeah, but what kind of shit?"
+
+"Any kind ... he won't be able to do anything about it. We'll fuck him good
+and proper. One good number and after that the magazine'll be finished. Are
+you game, Joe?"
+
+Grinning and chuckling we lift Marlowe to his feet and haul him to Carl's
+room. When we turn on the lights there's a woman in the bed waiting for
+Carl. "I forgot all about her," says Carl. We turn the cunt loose and shove
+Marlowe into bed. In a minute or so there's a knock at the door. It's Van
+Norden. He's all aflutter. Lost a plate of false teeth -- at the Bal Negre, he
+thinks. Anyway, we get to bed, the four of us. Marlowe stinks like a smoked
+fish.
+
+In the morning Marlowe and Van Norden leave to search for the false teeth.
+Marlowe is blubbering. He imagines they are his teeth.
+
+                              * * *
+
+It is my last dinner at the dramatist's home. They have just rented a new
+piano, a concert grand. I meet Sylvester coming out of the florist's with a
+rubber plant in his arms. He asks me if I would carry it for him while he
+goes for the cigars. One by one I've fucked myself out of all these free
+meals which I had planned so carefully. One by one the husbands turn against
+me, or the wives. As I walk along with the rubber plant in my arms I think
+of that night a few months back when the idea first occurred to me. I was
+sitting on a bench near the Coupole, fingering the wedding ring which I had
+tried to pawn off on a garcon at the Dome. He had offered me six
+francs for it and I was in a rage about it. But the belly was getting the
+upper hand. Ever since I left Mona I had worn the ring on my pinkie. It was
+so much a part of me that it had never occurred to me to sell it. It was one
+of those orange-blossom affairs in white gold. Worth a dollar and a half
+once, may be more. For three years we went along without a wedding ring and
+then one day when I was going to the pier to meet Mona I happened to pass a
+jewelry window on Maiden Lane and the whole window was staffed with wedding
+rings. When I got to the pier Mona Was not to be seen. I waited for the last
+passenger to descend the gangplank, but no Mona. Finally I asked to be shown
+the passenger list. Her name was not on it. I slipped the wedding ring on my
+pinkie and there it stayed. Once I left it in a public bath, but then I got
+it back again. One of the orange blossoms had fallen off. Anyway, I was
+sitting there on the bench with my head down, twiddling the ring, when
+suddenly someone clapped me on the back. To make it brief, I got a meal and a
+few francs besides. And then it occurred to me, like a flash, that no one
+would refuse a man a meal if only he had the courage to demand it. I went
+immediately to a cafe and wrote a dozen letters. "Would you let me have
+dinner with you once a week? Tell me what day is most convenient for you." It
+worked like a charm. I was not only fed ... I was feasted. Every night I went
+home drunk. They couldn't do enough for me, these generous once-a-week souls.
+What happened to me between times was none of their affair. Now and then the
+thoughtful ones presented me with cigarettes, or a little pin money. They
+were all obviously relieved when they realized that they would see me only
+once a week. And they were still more relieved when I said -- "it won't be
+necessary any more." They never asked why. They congratulated me, and that
+was all. Often the reason was I had found a better host; I could afford to
+scratch off the ones who were a pain in the ass. But that thought never
+occurred to them. Finally I had a steady, solid program -- a fixed schedule.
+On Tuesdays I knew it would be this kind of a meal and on Fridays that kind.
+Cronstadt, I knew, would have champagne for me and homemade apple pie. And
+Carl would invite me out, take me to a different restaurant each time, order
+rare wines, invite me to the theatre afterwards or take me to the Cirque
+Medrano. They were curious about one another, my hosts. Would ask me which
+place I liked best, who was the best cook, etc. I think I liked Cronstadt's
+joint best of all, perhaps because he chalked the meal up on the wall each
+time. Not that it eased my conscience to see what I owed him, because I had
+no intention of paying him back nor had he any illusions about being
+requited. No, it was the odd numbers which intrigued me. He used to figure it
+out to the last centime. If I was to pay in full I would have had to break a
+sou. His wife was a marvellous cook and she didn't give a fuck about those
+centimes Cronstadt added up. She took it out of me in carbon copies. A fact!
+If I hadn't any fresh carbons for her when I showed up, she was crestfallen.
+And for that I would have to take the little girl to the Luxembourg next day,
+play with her for two or three hours, a task which drove me wild because she
+spoke nothing but Hungarian and French. They were a queer lot on the whole,
+my hosts ... At Tania's I look down on the spread from the balcony. Moldorf
+is there, sitting beside his idol. He is warming his feet at the hearth, a
+monstrous look of gratitude in his watery eyes. Tania is running over the
+adagio. The adagio says very distinctly: no more words of love! I am at the
+fountain again, watching the turtles pissing green milk. Sylvester has just
+come back from Broadway with a heart full of love. All night I was lying on a
+bench outside the mall while the globe was sprayed with warm turtle piss and
+the horses stiffened with priapic fury galloped like mad without ever
+touching the ground. All night long I smell the lilacs in the little dark
+room where she is taking down her hair, the lilacs that I bought for her as
+she went to meet Sylvester. He came back with a heart full of love, she said,
+and the lilacs are in her hair, her mouth, they are choking her armpits. The
+room is swimming with love and turtle piss and warm lilacs and the horses are
+galloping like mad. In the morning dirty teeth and scum on the
+window-panes; the little gate that leads to the mall is locked. People
+are going to work and the shutters are rattling like coats of mail. In the
+bookstore opposite the fountain is the story of Lake Tchad, the silent
+lizards, the gorgeous gamboge tints. All the letters I wrote her, drunken
+ones with a blunt stub, crazy ones with bits of charcoal, little pieces from
+bench to bench, firecrackers, doilies, tutti-frutti; they will be going over
+them now, together, and he will compliment me one day. He will say, as he
+flicks his cigar ash: "Really, you write quite well. Let's see, you're a
+Surrealist, aren't you?" Dry, brittle voice, teeth full of dandruff, solo for
+solar plexus, g for gaga.
+
+Up on the balcony with the rubber plant and the adagio going on down below.
+The keys are black and white, then black, then white, then white and black.
+And you want to know if you can play something for me. Yes, play something
+with those big thumbs of yours. Play the adagio since that's the only
+god-damned thing you know. Play it, and then cut off your big thumbs.
+
+That adagio! I don't know why she insists on playing it all the time. The old
+piano wasn't good enough for her; she had to rent a concert grand -- for the
+adagio! When I see her big thumbs pressing the keyboard and that silly rubber
+plant beside me I feel like that madman of the North who threw his clothes
+away and, sitting naked in the wintry boughs, threw nuts down into the
+herring-frozen sea. There is something exasperating about this movement,
+something abortively melancholy about it, as if it had been written in lava,
+as if it had the color of lead and milk mixed. And Sylvester, with his head
+cocked to one side like an auctioneer, Sylvester says: "Play that other one
+you were practising today." It's beautiful to have a smoking jacket, a good
+cigar and a wife who plays the piano. So relaxing. So lenitive. Between the
+acts you go out for a smoke and a breath of fresh air. Yes, her fingers are
+very supple, extraordinarily supple. She does batik work too. Would you like
+to try a Bulgarian cigarette? I say, pigeon-breast, what's that other
+movement I like so well? The scherzo! Ah, yes, the scherzo! Excellent, the
+scherzo! Count Waldemar von Schwisseneinzug speaking. Cool, dandruff eyes.
+Halitosis. Gaudy socks. And crotons in the pea soup, if you please. We always
+have pea soup Friday nights. Won't you try a little red wine? The red wine
+goes with the meat, you know. A dry, crisp voice. Have a cigar, won't you?
+Yes, I like my work, but I don't attach any importance to it. My next play
+will involve a pluralistic conception of the universe. Revolving drums with
+calcium lights. O'Neill is dead. I think, dear, you should lift your foot
+from the pedal more frequently. Yes, that part is very nice ... very
+nice, don't you think? Yes, the characters go around with microphones in
+their trousers. The locale is in Asia, because the atmospheric conditions are
+more conducive. Would you like to try a little Anjou? We bought it especially
+for you ...
+
+All through the meal this patter continues. It feels exactly as if he had
+taken out that circumcised dick of his and was peeing on us. Tania is
+bursting with the strain. Ever since he came back with a heart full of love
+this monologue has been going on. He talks while he's undressing, she tells
+me -- a steady stream of warm piss, as though his bladder had been punctured.
+When I think of Tania crawling into bed with this busted bladder I get
+enraged. To think that a poor, withered bastard with those cheap Broadway
+plays up his sleeve should be pissing on the woman I love. Calling for red
+wine and revolving drums and crotons in his pea soup! The cheek of him! To
+think that he can lie beside that furnace I stoked for him and do nothing but
+make water! My God, man, you ought to get down on your knees and thank me.
+Don't you see that you have a woman in your house now? Can't you see
+she's bursting? You telling me with those strangulated adenoids of yours --
+"well now, I'll tell you ... there's .two ways of looking at that ..." Fuck
+your two ways of looking at things! Fuck your pluralistic universe, and your
+Asiatic acoustics! Don't hand me your red wine or your Anjou ... hand
+her over ... she belongs to me! You ,go sit by the fountain, and let
+me smell the lilacs! Pick the dandruff from out of your eyes ... and
+take that damned adagio and wrap it in a pair of flannel pants! And the other
+little movement too ... all the little movements that you make with your weak
+bladder. You smile at me so confidently, so calculatingly. I'm flattering the
+ass off you, can't you tell? While I listen to your crap she's got her hand
+on me -- but you don't see that. You think I like to suffer -- that's my
+role, you say. O.K. Ask her about it! She'll tell you how I suffer. "You're
+cancer and delirium," she said over the phone the other day. She's got it
+now, the cancer and delirium, and soon you'll have to pick the scabs. Her
+veins are bursting, I tell you, and your talk is all sawdust. No matter how
+much you piss away you'll never plug up the holes. What did Mr. Wren say?
+Words are loneliness, I left a couple of words for you on the
+tablecloth last night -- you covered them with your elbows.
+
+He's put a fence around her as if she were a dirty, stinking bone of a
+saint. If he only had the courage to say 'Take her!" perhaps a miracle would
+occur. Just that. Take her! and I swear everything would come out all
+right. Besides, maybe I wouldn't take her -- did that ever occur to him, I
+wonder? Or I might take her for a while and hand her back, improved.
+But putting up a fence around her, that won't work. You can't put a fence
+around a human being. It ain't done any more ... You think, you poor,
+withered bastard, that I'm no good for her, that I might pollute her,
+desecrate her. You don't know how palatable is a polluted woman, how a
+change of semen can make a woman bloom! You think a heart full of love
+is enough, and perhaps it is, for the right woman, but you haven't got a
+heart any more ... you are nothing but a big, empty bladder. You are
+sharpening your teeth and cultivating your growl. You run at her heels like
+a watchdog and you piddle everywhere. She didn't take you for a watchdog
+... she took you for a poet. You were a poet once, she said. And now what
+are you? Courage, Sylvester, courage! Take the microphone out of your pants.
+Put your hind leg down and stop making water everywhere. Courage, I say,
+because she's ditched you already. She's contaminated, I tell you, and you
+might as well take down the fence. No use asking me politely if the coffee
+doesn't taste like carbolic acid: that won't scare me away. Put rat poison
+in the coffee, and a little ground glass. Make some boiling hot urine and
+drop a few nutmegs in it ...
+
+It is a communal life I have been living for the last few weeks. I have had
+to share myself with others, principally with some crazy Russians, a drunken
+Dutchman, and a big Bulgarian woman named Olga. Of the Russians there are
+chiefly Eugene and Anatole.
+
+It was just a few days ago that Olga got out of the hospital where she had
+her tubes burned out and lost a little excess weight. However she doesn't
+look as if she had gone through much suffering. She weighs almost as much as
+a camel-backed locomotive; she drips with perspiration, has halitosis, and
+still wears her Circassian wig that looks like excelsior. She has two big
+warts on her chin from which there sprouts a clump of little hairs; she is
+growing a moustache.
+
+The day after Olga was released from the hospital she commenced making shoes
+again. At six in the morning she is at her bench; she knocks out two pairs
+of shoes a day. Eugene complains that Olga is a burden, but the truth is
+that Olga is supporting Eugene and his wife with her two pairs of shoes a
+day. If Olga doesn't work there is no food. So everyone endeavours to pull
+Olga to bed on time, to give her enough food to keep going, etc.
+
+Every meal starts off with soup. Whether it be onion soup, tomato soup,
+vegetable soup, or what not, the soup always tastes the same. Mostly it
+tastes as if a dish rag had been stewed in it -- slightly sour, mildewed,
+scummy. I see Eugene hiding it away in the commode after the meal. It stays
+there, rotting away, until the next meal. The butter, too, is hidden away in
+the commode; after three days it tastes like the big toe of a cadaver.
+
+The smell of rancid butter frying is not particularly appetizing,
+especially when the cooking is done in a room in which there is not the
+slightest form of ventilation. No sooner than I open the door I feel ill.
+But Eugene, as soon as he hears me coming, usually opens the shutters and
+pulls back the bed-sheet which is strung up like a fishnet to keep out the
+sunlight. Poor Eugene! He looks about the room at the few sticks of
+furniture, at the dirty bed-sheets and the wash basin with the dirty water
+still in it, and he says: "I am a slave!" Every day he says it, not once,
+but a dozen times. And then he takes his guitar from the wall and sings.
+
+But about the smell of rancid butter ... There are good associations too.
+When I think of this rancid butter, I see myself standing in a little,
+old-world courtyard, a very Smelly, very dreary courtyard. Through the
+cracks in the shutters strange figures peer out at me ... old women with
+shawls, dwarfs, rat-faced pimps, bent Jews, midinettes, bearded idiots. They
+totter out into the courtyard to draw water or to rinse the slop pails. One
+day Eugene asked me if I would empty the pail for him. I took it to the
+corner of the yard. There was a hole in the ground and some dirty paper lying
+around the hole. The little well was slimy with excrement, which in English
+is shit. I tipped the pail and there was a foul, gurgling spash
+followed by another and unexpected splash. When I returned the soup was
+dished out. All through the meal I thought of my toothbrush -- it is getting
+old and the bristles get caught in my teeth.
+
+When I sit down to eat I always sit near the window. I am afraid to sit on
+the other side of the table -- it is too Close to the bed and the bed is
+crawling. I can see bloodstains on the gray sheets if I look that way, but
+I try not to look that way. I look out on the courtyard where they are
+rinsing the slop pails.
+
+The meal is never complete without music. As soon as the cheese is passed
+around Eugene jumps up and reaches for the guitar which hangs over the bed.
+It is always the same song. He says he has fifteen or sixteen songs in his
+repertoire, but I have never heard more than three. His favorite is
+Channant poeme d'amour. It is full of angoisse and
+tristesse.
+
+In the afternoon we go to the cinema which is cool and dark. Eugene sits at
+the piano in the big pit and I sit on a bench up front. The house is empty,
+but Eugene sings as if he had for audience all the crowned heads of Europe.
+The garden door is open and the odor of wet leaves sops in and the rain
+blends with Eugene's angoisse and tristesse. At midnight,
+after the spectators have saturated the hall with perspiration and foul
+breath, I return to sleep on a bench. The exit light, swimming in a halo of
+tobacco smoke, sheds a faint light on the lower corner of the asbestos
+curtain; I close my eyes every night on an artificial eye ...
+
+Standing in the courtyard with a glass eye; only half the world intelligible.
+The stones are wet and mossy and in the crevices are black toads. A big door
+bars the entrance to the cellar; the steps are slippery and soiled with
+bat-dung. The door bulges and sags, the hinges are falling off, but there is
+an enamelled sign on it, in perfect condition, which says: "Be sure to close
+the door." Why close the door? I can't make it out. I look again at the sign
+but it is removed; in its place there is a pane of colored glass. I take out
+my artificial eye, spit on it and polish it with my handkerchief. A woman is
+sitting on a dais above an immense carven desk; she has a snake around her
+neck. The entire room is lined with books and strange fish swimming in
+colored globes; there are maps and charts on the wall, maps of Paris before
+the plague, maps of the antique world, of Knossus and Carthage, of Carthage
+before and after the salting. In a corner of the room I see an iron bedstead
+and on it a corpse is lying; the woman gets up wearily, removes the corpse
+from the bed and absent-mindedly throws it out the window. She returns to the
+huge carven desk, takes a goldfish from the bowl and swallows it. Slowly the
+room begins to revolve and one by one the continents slide into the sea; only
+the woman is left, but her body is a mass of geography. I lean out the window
+and the Eiffel Tower is fizzing champagne; it is built entirely of numbers
+and shrouded in black lace. The sewers are gurgling furiously. There are
+nothing but roofs everywhere, laid out with execrable geometric cunning.
+
+I have been ejected from the world like a cartridge. A deep fog has settled
+down, the earth is smeared with frozen grease. I can feel the city
+palpitating, as if it were a heart just removed from a warm body. The
+windows of my hotel are festering and there is a thick, acrid stench as of
+chemicals burning. Looking into the Seine I see mud and desolation, street
+lamps drowning, men and women choking to death, the bridges covered with
+houses, slaughter-houses of love. A man is standing against a wall with an
+accordion strapped to his belly; his hands are cut off at the wrists, but
+the accordion writhes between his stamps like a sack of snakes. The universe
+has dwindled; it is only a block long and there are no stars, no trees, no
+rivers. The people who live here are dead; they make chairs which other
+people sit on in their dreams. In the middle of the street is a wheel and in
+the hub of the wheel a gallows is fixed. People already dead are trying
+frantically to mount the gallows, but the wheel is turning too fast ...
+
+Something was needed to put me right with myself. Last night I discovered
+it: Papini. It doesn't matter to me whether he's a chauvinist, a
+little Christer, or a nearsighted pedant. As a failure he's marvellous ...
+
+The books he read -- at eighteen! Not only Homer, Dante, Goethe, not only
+Aristotle, Plato, Epictetus, not only Rabelais, Cervantes, Swift, not only
+Walt Whitman, Edgar Allan Poe, Baudelaire, Villon, Carducci, Manzoni, Lope de
+Vega, not only Nietzsche, Schopenhauer, Kant, Hegel, Darwin, Spencer, Huxley
+-- not only these but all the small fry in between. This on page 18.
+Alors, on page 232 he breaks down and confesses. I know nothing, he
+admits. I know the titles, I have compiled bibliographies, I have written
+critical essays, I have maligned and defamed ... I can talk for five minutes
+or for five days, but then I give out, I am squeezed dry.
+
+Follows this: "Everybody wants to see me. Everybody insists on talking to
+me. People pester me and they pester others with inquiries about what I am
+doing. How am I? Am I quite well again? Do I still go for my walks in the
+country? Am I working? Have I finished my book? Will I begin another soon?
+
+"A skinny monkey of a German wants me to translate his works. A wildeyed
+Russian girl wants me to write an account of my life for her. An American
+lady wants the very latest news about me. An American gentleman will
+send his carriage to take me to dinner -- just an intimate, confidential talk,
+you know. An old schoolmate and chum of mine, of ten years ago, wants me to
+read him all that I write as fast as I write it. A painter friend I know
+expects me to pose for him by the hour. A newspaper man wants my present
+address. An acquaintance, a mystic, inquires about the state of my soul;
+another, more practical, about the state of my pocketbook. The president of
+my club wonders if I will make a speech for the boys! A lady, spiritually
+inclined, hopes I will come to her house for tea as often as possible. She
+wants to have my opinion of Jesus Christ, and -- what do I think of that new
+medium? ...
+
+"Great God! what have I turned into? What right have you people to clutter
+up my life, steal my time, probe my soul, suckle my thoughts, have me for
+your companion, confidant, and information bureau? What do you take me for?
+Am I an entertainer on salary, required every evening to play an
+intellectual farce under your stupid noses? Am I a slave, bought and paid
+for, to crawl on my belly in front of you idlers and lay at your feet all
+that I do and all that I know? Am I a wench in a brothel who is called upon
+to lift her skirts or take off her chemise at the bidding of the first man
+in a tailored suit who comes along?
+
+"I am a man who would live an heroic life and make the world more endurable
+in his own sight: If, in some moment of weakness, of relaxation, of need, I
+blow off steam -- a bit of red-hot rage cooled off in words -- a passionate
+dream, wrapped and tied in imagery -- well, take it or leave it ... but
+don't bother me!
+
+"I am a free man -- and I need my freedom. I need to be alone. I need to
+ponder my shame and my despair in seclusion; I need the sunshine and the
+paving stones of the streets without companions, without conversation, face
+to face with myself, with only the music of my heart for company. What do you
+want of me? When I have something to say, I put it in print. When I have
+something to give, I give it. Your prying curiosity turns my stomach! Your
+compliments humiliate me! Your tea poisons me! I owe nothing to any one. I
+would be responsible to God alone -- if He existed!"
+
+It seems to me Papini misses something by a hair's breadth when he talks of
+the need to be alone. It is not difficult to be alone if you are poor and a
+failure. An artist is always alone -- if he is an artist. No, what the
+artist needs is loneliness.
+
+The artist, I call myself. So be it. A beautiful nap this afternoon that put
+velvet between my vertebrae. Generated enough ideas to last me three days.
+Chock full of energy and nothing to do about it. Decide to go for a walk.
+In the street I change my mind. Decide to go to the movies. Can't go to the
+movies -- short a few sous. A walk then. At every movie house I stop and look
+at the billboards, then at the price list. Cheap enough, these opium
+joints, but I'm short just a few sous. If it weren't so late I might go back
+and cash an empty bottle.
+
+By the time I get to the Rue Amelie I've forgotten all about the movies. The
+Rue Amelie is one of my favorite streets. It is one of those streets which
+by good fortune the municipality has forgotten to pave. Huge cobblestones
+spreading convexly from one side of the street to the other. Only one block
+long and narrow. The Hotel Pretty is on this street. There is a little
+church, too, on the Rue Amelie. It looks as though it were made especially
+for the President of the Republic and his private family. It's good
+occasionally to see a modest little church. Paris is full of pompous
+cathedrals.
+
+Pont Alexandre III. A great wind-swept space approaching the bridge. Gaunt
+bare trees mathematically fixed in their iron grates; the gloom of the
+Invalides welling out of the dome and overflowing the dark streets adjacent
+to the Square. The morgue of poetry. They have him where they want him now,
+the great warrior, the last big man of Europe. He sleeps soundly in his
+granite bed. No fear of him turning over in his grave. The doors are well
+bolted, the lid is on tight. Sleep, Napoleon! It was not your ideas they
+wanted, it was only your corpse!
+
+The river is still swollen, muddy, streaked with lights. I don't know what
+it is rushes up in me at the sight of this dark, swift-moving current, but a
+great exultation lifts me up, affirms the deep wish that is in my never to
+leave this land. I remember passing this way the other morning on my way to
+the American Express, knowing in advance that there would be no mail for me,
+no check, no cable, nothing, nothing. A wagon from the Galeries Lafayette
+was rumbling over the bridge. The rain had stopped and the sun breaking
+through the soapy clouds touched the glistening rubble of roofs with a cold
+fire. I recall now how the driver leaned out and looked up the river towards
+Passy way. Such a healthy, simple, approving glance, as if he were saying to
+himself: "Ah, spring is coming!" And God knows, when spring comes to Paris
+the humblest mortal alive must feel that he dwells in paradise. But it was
+not only this -- it was the intimacy with which his eye rested upon the scene.
+It was his Paris. A man does not need to be rich, nor even a citizen,
+to feel this way about Paris. Paris is filled with poor people -- the proudest
+and filthiest lot of beggars that ever walked the earth, it seems to me. And
+yet they give the illusion of being at home. It is that which distinguishes
+the Parisian from all other metropolitan souls.
+
+When I think of New York I have a very different feeling. New York makes
+even a rich man feel his unimportance. New York is cold, glittering, malign.
+The buildings dominate. There is a sort of atomic frenzy to the activity
+going on; the more furious the pace, the more diminished the spirit. A
+constant ferment, but it might just as well be going on in a testtube.
+Nobody knows what it's all about. Nobody directs the energy. Stupendous.
+Bizarre. Baffling. A tremendous reactive urge, but absolutely
+uncoordinated.
+
+When I think of this city where I was born and raised, this Manhattan that
+Whitman sang of, a blind, white rage licks my guts. New York! The white
+prisons, the sidewalks swarming with maggots, the bread lines, the opium
+joints that are built like palaces, the kikes that are there, the lepers,
+the thugs, and above all, the ennui, the monotony of faces, streets,
+legs, houses, skyscrapers, meals, posters, jobs, crimes, loves ... A whole
+city erected over a hollow pit of nothingness. Meaningless. Absolutely
+meaningless. And Forty-Second Street! The top of the world, they call it.
+Where's the bottom then? You can walk along with your hand out and they'll
+put cinders in your cap. Rich or poor, they walk along with head thrown back
+and they almost break their necks looking up at their beautiful white
+prisons. They walk along like blind geese and the searchlights spray their
+empty faces with flecks of ecstasy.
+
+                                  * * *
+
+"Life," said Emerson, "consists in what a man is thinking all day." If that
+be so, then my life is nothing but a big intestine. I not only think about
+food all day, but I dream about it at night.
+
+But I don't ask to go back to America, to be put in double harness again, to
+work the treadmill. No, I prefer to be a poor man of Europe. God knows, I am
+poor enough; it only remains to be a man. Last week I thought the problem of
+living was about to be solved, thought I was on the way to becoming
+self-supporting. It happened that I ran across another Russian -- Serge is
+his name. He lives in Suresnes where there is a little colony of
+emigres and rundown artists. Before the revolution Serge was a captain
+in the Imperial Guard; he stands six foot three in his stockinged feet and
+drinks vodka like a fish. His father was an admiral, or something like that,
+on the battleship Potemkin.
+
+I met Serge under rather peculiar circumstances. Sniffing about for food I
+found myself towards noon the other day in the neighborhood of the Folies
+Bergere -- the back entrance, that is to say, in the narrow little lane with
+an iron gate at one end. I was dawdling about the stage entrance, hoping
+vaguely for a casual brush with one of the butterflies, when an open truck
+pulls up to the sidewalk. Seeing me standing there with my hands in my
+pockets the driver, who was Serge, asks me if I would give him a hand
+unloading the iron barrels. When he learns that I am an American and that I'm
+broke he almost weeps with joy. He has been looking high and low for an
+English teacher, it seems. I help him roll the barrels of insecticide inside
+and I look my fill at the butterflies fluttering about the wings. The
+incident takes on strange proportions to me -- the empty house, the sawdust
+dolls bouncing in the wings, the barrels of germicide, the battleship
+Potemkin -- above all. Serge's gentleness. He is big and tender, a man every
+inch of him, but with a woman's heart.
+
+In the cafe nearby -- Cafe des Artistes -- he proposes immediately to put me
+up; says he will put a mattress on the floor in the hallway. For the lessons
+he says he will give me a meal every day, a big Russian meal, or if for any
+reason the meal is lacking then five francs. It sounds wonderful to me --
+wonderful. The only question is, how will I get from Suresnes to the
+American Express every day.
+
+Serge insists that we begin at once -- he gives me the car fare to get out to
+Suresnes in the evening. I arrive a little before dinner, with my knapsack,
+in order to give Serge a lesson. There are some guests on hand already --
+seems as though they always eat in a crowd, everybody chipping in.
+
+There are eight of us at the table -- and three dogs. The dogs eat first. They
+eat oatmeal. Then we commence. We eat oatmeal too -- as an hors-d'oeuvre.
+"Chez nous," says Serge, with a twinkle in his eye, "c'est pour
+les chiens, les Quaker Oats. Ici pour le gentleman. Ca va." After the
+oatmeal, mushroom soup and vegetables; after that bacon omelette, fruit, red
+wine, vodka, coffee, cigarettes. Not bad, the Russian meal. Everyone talks
+with his mouth fall. Toward the end of the meal Serge's wife who is a lazy
+slut of an Armenian, flops on the couch and begins to nibble bonbons. She
+fishes around in the box with her fat fingers, nibbles a tiny piece to see
+if there is any juice inside, and then throws it on the floor for the dogs.
+
+The meal over, the guests rush away. They rush away precipitously, as if
+they feared a plague. Serge and I are left with the dogs -- his wife has
+fallen asleep on the couch. Serge moves about unconcernedly, scraping the
+garbage together for the dogs. "Dogs like very much," be says. "Very good
+for dogs. Little dog he has worms ... he too young yet." He bends down to
+examine some white worms lying on the carpet between the dog's paws. Tries
+to explain about the worms in English, but his vocabulary is lacking.
+Finally he consults the dictionary.
+
+"Ah," he says, looking at me exultantly, "tape-worms!" My response is
+evidently not very intelligent. Serge is confused. He gets down on his hands
+and knees to examine them better. He picks one up and lays it on the table
+beside the fruit. "Huh, him not very beeg," he grunts. "Next lesson you
+learn me worms, no? You are gude teacher. I make progress with you ..."
+
+Lying on the mattress in the hallway the odor of the germicide stifles me. A
+pungent, acrid odor that seems to invade every pore of my body. The food
+begins to repeat on me -- the quaker oats, the mushrooms, the bacon, the fried
+apples. I see the little tape-worm lying beside the fruit and all the
+varieties of worms that Serge drew on the tablecloth to explain what was the
+matter with the dog. I see the empty pit of the Folies Bergere and in every
+crevice there are cockroaches and lice and bedbugs; I see people scratching
+themselves frantically, scratching and scratching until the blood comes. I
+see the worms crawling over the scenery like an army of red ants, devouring
+everything in sight. I see the chorus girls throwing away their gauze
+tunics and running through the aisles naked; I see the spectators in the pit
+throwing off their clothes also and scratching each other like monkeys.
+
+I try to quiet myself. After all, this is a home I've found, and there's a
+meal waiting for me every day. And Serge is a brick, there's no doubt about
+that. But I can't sleep. It's like going to sleep in a morgue. The mattress
+is saturated with embalming fluid. It's a morgue for lice, bedbugs,
+cockroaches, tape-worms. I can't stand it. I won't stand it. After
+all I'm a man, not a louse.
+
+In the morning I wait for Serge to load the truck. I ask him to take me in
+to Paris. I haven't the heart to tell him I'm leaving. I leave the knapsack
+behind, with the few things that were left me. When we get to the Place
+Pereire I jump out. No particular reason for getting off here. No particular
+reason for anything. I'm free -- that's the main thing ...
+
+Light as a bird I flit about from one quarter to another. It's as though I
+had been released from prison. I look at the world with new eyes. Everything
+interests me profoundly. Even trifles. On the Rue du Faubourg Poissonniere
+I stop before the window of a physical culture establishment. There are
+photographs showing specimens of manhood "before and after." All frogs. Some
+of them are nude, except for a pince-nez or a beard. Can't understand how
+these birds fall for parallel bars and dumbbells. A frog should have just a
+wee bit of a paunch, like the Baron de Charlus. He should wear a beard and a
+pince-nez, but he should never be photographed in the nude. He should wear
+twinkling patent-leather boots and in the breast pocket of his sack coat
+there should be a white handkerchief protruding about three-quarters of an
+inch above the vent. If possible, he should have a red ribbon in his lapel,
+through the buttonhole. He should wear pajamas on going to bed.
+
+Approaching the Place Clichy toward evening I pass the little whore with the
+wooden stump who stands opposite the Gaumont Palace day in and day out. She
+doesn't look a day over eighteen. Has her regular customers, I suppose.
+After midnight she stands there in her black rig rooted to the spot. Back of
+her is the little alleyway that blazes like an inferno. Passing her now with
+a light heart she reminds me somehow of a goose tied to a stake, a goose
+with a diseased liver, so that the world may have its pate de foie
+gras. Must be strange taking that wooden stump to bed with you. One
+imagines all sorts of things -- splinters, etc. However, every man to his
+taste!
+
+Going down the Rue des Dames I bump into Peckover, another poor devil who
+works on the paper. He complains of getting only three or four hours' sleep
+a night -- has to get up at eight in the morning to work at a dentist's
+office. It isn't for the money he's doing it, so he explains -- it's for to
+buy himself a set of false teeth. "It's hard to read proof when you're
+dropping with sleep," he says. "The wife, she thinks I've got a cinch of it.
+What would we do if you lost your job? she says." But Peckover doesn't give
+a damn about the job; it doesn't even allow him spending money. He has to
+save his cigarette butts and use them for pipe tobacco. His coat is held
+together with pins. He has halitosis and his hands sweat. And only three
+hours' sleep a night. "It's no way to treat a man," he says. "And that boss
+of mine, he bawls the piss out of me if I miss a semicolon." Speaking of
+his wife he adds:
+
+"That woman of mine, she's got no fucking gratitude, I tell you!"
+
+In parting I manage to worm a franc fifty out of him. I try to squeeze
+another fifty centimes out of him but it's impossible. Anyway I've got
+enough for a coffee and croissants. Near the Gare St. Lazare there's
+a bar with reduced prices.
+
+As luck would have it I find a ticket in the lavabo for a concert.
+Light as a feather now I go there to the Salle Gaveau. The usher looks
+ravaged because I overlook giving him his little tip. Every time he passes
+me he looks at me inquiringly, as if perhaps I will suddenly remember.
+
+It's so long since I've sat in the company of well dressed people that I
+feel a bit panic-stricken. I can still smell the formaldehyde. Perhaps Serge
+makes deliveries here too. But nobody is scratching himself, thank God. A
+faint odor of perfume ... very faint. Even before the music begins there is
+that bored look on people's faces. A polite form of self-imposed torture,
+the concert. For a moment, when the conductor raps with his little wand,
+there is a tense spasm of concentration followed almost immediately by a
+general slump, a quiet vegetable sort of repose induced by the steady,
+uninterrupted drizzle from the orchestra. My mind is curiously alert; it's
+as though my skull had a thousand mirrors inside it. My nerves are taut,
+vibrant! the notes are like glass balls dancing on a million jets of water.
+I've never been to a concert before on such an empty belly. Nothing escapes
+me, not even the tiniest pin falling. It's as though I had no clothes on and
+every pore of my body was a window and all the windows open and the light
+flooding my gizzards. I can feel the light curving under the vault of my
+ribs and my ribs hang there over a hollow nave trembling with reverberations.
+How long this lasts I have no idea; I have lost all sense of time and place.
+After what seems like an eternity there follows an interval of
+semiconsciousness balanced by such a calm that I feel a great lake inside me,
+a lake of iridescent sheen, cool as jelly; and over this lake, rising in
+great swooping spirals, there emerge great flocks of birds, huge birds of
+passage with long slim legs and brilliant plumage. Flock after flock surge up
+from the cool, still surface of the lake and, passing under my clavicles,
+lose themselves in the white sea of space. And then slowly, very slowly, as
+if an old woman in a white cap were going the rounds of my body, slowly the
+windows are closed and my organs drop back into place. Suddenly the lights
+flare up and the man in the white box whom I had taken for a Turkish officer
+turns out to be a woman with a flower-pot on her head.
+
+There is a buzz now and all those who want to cough cough to their heart's
+content. There is the noise of feet shuffling and seats slamming, the
+steady, frittering noise of people moving about aimlessly, of people
+fluttering their programs and pretending to read and then dropping their
+programs and scuffling under their seats, thankful for even the slightest
+accident which will prevent them from asking themselves what they were
+thinking about because if they knew they were thinking about nothing they
+would go mad. In the harsh glare of the lights they look at each other
+vacuously and there is a strange tenseness with which they stare at one
+another. And the moment the conductor raps again they fall back into a
+cataleptic state -- they scratch themselves unconsciously or they remember
+suddenly a show-window in which there was displayed a scarf or a hat; they
+remember every detail of that window with amazing clarity, but where it was
+exactly, that they can't recall; and that bothers them, keeps them wide
+awake, restless, and they listen now with redoubled attention because they
+are wide awake and no matter how wonderful the music is they will not lose
+consciousness of that show-window and that scarf that was hanging there, or
+the hat.
+
+And this fierce attentiveness communicates itself; even the orchestra seems
+galvanized into an extraordinary alertness. The second number goes off like
+a top -- so fast indeed that when suddenly the music ceases and the lights go
+up some are stuck in their seats like carrots, their jaws working
+convulsively, and if you suddenly shouted in their ear Brahms, Beethoven,
+Mendeleieff, Herzegovina, they would answer without thinking -- 4, 967,
+289.
+
+By the time we get to the Debussy number the atmosphere is completely
+poisoned. I find myself wondering what it feels like, during intercourse, to
+be a woman -- whether the pleasure is keener, etc. Try to imagine something
+penetrating my groin, but have only a vague sensation of pain. I try
+to focus, but the music is too slippery. I can think of nothing but a vase
+slowly turning and the figures dropping off into space. Finally there is
+only light turning, and how does light turn, I ask myself. The man next to
+me is sleeping soundly. He looks like a broker, with his big paunch and his
+waxed moustache. I like him thus. I like especially that big paunch and all
+that went into the making of it. Why shouldn't he sleep soundly? If he wants
+to listen he can always rustle up the price of a ticket. I notice that the
+better dressed they are the more soundly they sleep. They have an easy
+conscience, the rich. If a poor man dozes off, even for a few seconds, he
+feels mortified; he imagines that he has committed a crime against the
+composer.
+
+In the Spanish number the house was electrified. Everybody sat on the edge
+of his seat -- the drums woke them up. I thought when the drums started it
+would keep up forever. I expected to see people fall out of the boxes or
+throw their hats away. There was something heroic about it and he could have
+driven us stark mad. Ravel, if he had wanted to. But that's not Ravel.
+Suddenly it all died down. It was as if he remembered, in the midst of his
+antics, that he had on a cut-away suit. He arrested himself. A great
+mistake, in my humble opinion. Art consists in going the full length. If
+you start with the drums you have to end with dynamite, or TNT. Ravel
+sacrificed something for form, for a vegetable that people must digest
+before going to bed.
+
+My thoughts are spreading. The music is slipping away from me, now that the
+drums have ceased. People everywhere are composed to order. Under the exit
+light is a Werther sunk in despair; he is leaning on his two elbows, his
+eyes are glazed. Near the door, huddled in a big cape, stands a Spaniard
+with a sombrero in his hand. He looks as if he were posing for the Balzac of
+Rodin. From the neck up he suggests Buffalo Bill. In the gallery opposite
+me, in the front row, sits a woman with her legs spread wide apart; she
+looks as though she had lock-jaw, with her neck thrown back and dislocated.
+The woman with the red hat who is dozing over the rail -- marvellous if she
+were to have a hemorrhage! if suddenly she spilled a bucketful on those
+stiff shirts below. Imagine these bloody no-accounts going home from the
+concert with blood on their dickies!
+
+Sleep is the keynote. No one is listening any more. Impossible to think and
+listen. Impossible to dream even when the music itself is nothing but a
+dream. A woman with white gloves holds a swan in her lap. The legend is that
+when Leda was fecundated she gave birth to twins. Everybody is giving birth
+to something -- everybody but the Lesbian in the upper tier. Her head is
+uptilted, her throat wide open; she is all alert and tingling with the
+shower of sparks that burst from the radium symphony. Jupiter is piercing
+her ears. Little phrases from California, whales with big fins, Zanzibar,
+the Alcazar. When along the Guadalquivir there were a thousand mosques
+a-shimmer. Deep in the icebergs and the days all lilac. The Money Street
+with two white hitching-posts. The gargoyles ... the man with the Jaworski
+nonsense ... the river lights ... the ...
+
+
+                               * * *
+
+In America I had a number of Hindu friends, some good, some bad, some
+indifferent. Circumstances had placed me in a position where fortunately I
+could be of aid to them; I secured jobs for them, I harbored them, and I fed
+them when necessary. They were very grateful, I must say, so much so, in
+fact, that they made my life miserable with their attentions. Two of them
+were saints, if I know what a saint is; particularly Gupte who was found one
+morning with his throat cut from ear to ear. In a little boarding house in
+Greenwich Village he was found one morning stretched out stark naked on the
+bed, his flute beside him, and his throat gashed, as I say, from ear to ear.
+It was never discovered whether he had been murdered or whether he had
+committed suicide. But that's neither here nor there ...
+
+I'm thinking back to the chain of circumstances which has brought me finally
+to Nanantatee's place. Thinking how strange it is that I should have
+forgotten all about Nanantatee until the other day when lying in a shabby
+hotel room on the Rue Cels. I'm lying there on the iron bed thinking what a
+zero I have become, what a cipher, what a nullity, when, bango! out pops the
+word: NONENTITY! That's what we called him in New York -- Nonentity.
+Mister Nonentity.
+
+I'm lying on the floor now in that gorgeous suite of rooms he boasted of when
+he was in New York. Nanantatee is playing the good Samaritan; he has given me
+a pair of itchy blankets, horse blankets they are, in which I curl up on the
+dusty floor. There are little jobs to do every hour of the day -- that is, if
+I am foolish enough to remain indoors. In the morning he wakes me rudely in
+order to have me prepare the vegetables for his lunch: onions, garlic, beans,
+etc. His friend. Kepi, warns me not to eat the food -- he says it's bad. Bad
+or good what difference? Food! That's all that matters. For a little
+food I am quite willing to sweep his carpets with a broken broom, to wash his
+clothes and to scrape the crumbs off the floor as soon as he has finished
+eating. He's become absolutely immaculate since my arrival: everything has to
+be dusted now, the chairs must be arranged a certain way, the clock must
+ring, the toilet must flush properly ... A crazy Hindu if ever there was
+one! And parsimonious as a string bean. I'll have a great laugh over it when
+I get out of his clutches, but just now I'm a prisoner, a man without caste,
+an untouchable...
+
+ If I fail to come back at night and roll up in the horse blankets he says
+to me on arriving: "Oh, so you didn't die then? I thought you had died."
+And though he knows I'm absolutely penniless he tells me every day about
+some cheap room he has just discovered in the neighborhood. "But I can't
+take a room yet, you know that," I say. And then, blinking his eyes like a
+Chink, he answers smoothly: "Oh, yes, I forgot that you had no money. I am
+always forgetting, Endree ... But when the cable comes ... when Miss Mona
+sends you the money, then you will come with me to look for a room, eh?" And
+in the next breath he urges me to stay as long as I wish -- "six months ...
+seven months, Endree ... you are very good for me here."
+
+Nanantatee is one of the Hindus I never did anything for in America. He
+represented himself to me as a wealthy merchant, a pearl merchant, with a
+luxurious suite of rooms on the Rue Lafayette, Paris, a villa in Bombay, a
+bungalow in Darjeeling. I could see from the first glance that he was a
+half-wit, but then half-wits sometimes have the genius to amass a fortune. I
+didn't know that he paid his hotel bill in New York by leaving a couple of
+fat pearls in the proprietor's hands. It seems amusing to me now that this
+little duck once swaggered about the lobby of that hotel in New York with an
+ebony Cane, bossing the bell-hops around, ordering luncheons for his guests,
+calling up the porter for theatre tickets, Denting a taxi by the day, etc.,
+etc., all without a sou in his pocket. Just a string of fat pearls around his
+neck which he cashed one by one as time wore on. And the fatuous way he used
+to pat me on the back, thank me for being so good to the Hindu boys -- "they
+are all very intelligent boys, Endree ... very intelligent!" Telling me that
+the good lord so-and-so would repay me for my kindness. That explains now why
+they used to giggle so, these intelligent Hindu boys, when I suggested that
+they touch Nanantatee for a five-spot.
+
+Curious now how the good lord so-and-so is requiting me for my benevolence.
+I'm nothing but a slave to this fat little duck. I'm at his beck and call
+continually. He needs me here -- he tells me so to my face. When he goes to
+the crap-can he shouts: "Endree, bring me a pitcher of water, please. I must
+wipe myself." He wouldn't think of using toilet paper, Nanantatee. Must be
+against his religion. No, he calls for a pitcher of water and a rag. He's
+delicate, the fat little duck. Sometimes when I'm drinking a cup of
+pale tea in which he has dropped a rose-leaf he comes alongside of me and
+lets a loud fart, right in my face. He never says "Excuse me!" The word must
+be missing from his Gujurati dictionary.
+
+The day I arrived at Nanantatee's apartment he was in the act of performing
+his ablutions, that is to say, he was standing over a dirty bowl trying to
+work his crooked arm around toward the back of his neck. Beside the bowl was
+a brass goblet which he used to change the water. He requested me to be
+silent during the ceremony. I sat there silently, as I was bidden, and
+watched him as he sang and prayed and spat now and then into the wash-bowl.
+So this is the wonderful suite of rooms he talked about in New York! The Rue
+Lafayette! It sounded like an important street to me back there in New York.
+I thought only millionaires and pearl merchants inhabited the street. It
+sounds wonderful, the Rue Lafayette, when you're on the other side of the
+water. So does Fifth Avenue, when you're over here. One can't imagine what
+dumps there are on these swell streets. Anyway, here I am at last, sitting
+in the gorgeous suite of rooms on the Rue Lafayette. And this crazy duck
+with his crooked arm is going through the ritual of washing himself. The
+chair on which I'm sitting is broken, the bedstead is falling apart, the
+wall-paper is in tatters, there is an open valise under the bed crammed with
+dirty wash. From where I sit I can glance at the miserable courtyard down
+below where the aristocracy of the Rue Lafayette sit and smoke their clay
+pipes. I wonder now, as he chants the doxology, what that bungalow in
+Darjeeling looks like. It's interminable, his chanting and praying.
+
+He explains to me that he is obliged to wash in a certain prescribed
+way -- his religion demands it. But on Sundays he takes a bath in the tin
+tub -- the Great I AM will wink at that, he says. When he's dressed he goes to
+the cupboard, kneels before a little idol on the third shelf, and repeats
+the mumbojumbo. If you pray like that every day, he says, nothing will
+happen to you. The good lord what's his name never forgets an obedient
+servant. And then he shows me the crooked arm which he got in a taxi
+accident on a day doubtless when he had neglected to rehearse the complete
+song and dance. His arm looks like a broken compass; it's not an arm any
+more, but a knuckle-bone with a shank attached. Since the arm has been
+repaired he has developed a pair of swollen glands in the armpit -- fat little
+glands, exactly like a dog's testicles. While bemoaning his plight he
+remembers suddenly that the doctor had recommended a more liberal diet. He
+begs me at once to sit down and make up a menu with plenty of fish and meat.
+"And what about oysters, Endree -- for le petit frere?" But all this is
+only to make an impression on me. He hasn't the slightest intention of
+buying himself oysters, or meat, or fish. Not as long as I am there, at
+least. For the time being we are going to nourish ourselves on lentils and
+rice and all the dry foods he has stored away, in the attic. And the butter
+he bought last week, that won't go to waste either. When he commences to
+cure the butter the smell is unbearable. I used to run out at first, when he
+started frying the butter, but now I stick it out. He'd be only too
+delighted if he could make me vomit up my meal -- that would be something else
+to put away in the cupboard along with the dry bread and the mouldy cheese
+and the little grease cakes that he makes himself out of the stale milk and
+the rancid butter.
+
+For the last five years, so it seems, he hasn't done a stroke of work,
+hasn't turned over a penny. Business has gone to smash. He talks to me about
+pearls in the Indian ocean -- big fat ones on which you can live for a
+lifetime. The Arabs are ruining the business, he says. But meanwhile he prays
+to the lord so-and-so every day, and that sustains him. He's on a marvellous
+footing with the deity: knows just how to cajole him, how to wheedle a few
+sous out of him. It's a pure commercial relationship. In exchange for that
+flummery before the cabinet every day he gets his ration of beans and garlic,
+to say nothing of the swollen testicles under his arm. He is confident that
+everything will turn out well in the end. The pearls will sell again some
+day, maybe five years hence, maybe twenty -- when the Lord Boomaroom wishes
+it. "And when the business goes, Endree, you will get ten per cent -- for
+writing the letters. But first, Endree, you must write the letter to find out
+if we can get credit from India. It will take about six months for an answer,
+maybe seven months ... the boats are not fast in India." He has no conception
+of time at all, the little duck. When I ask him if he has slept well he will
+say: "Ah, yes, Endree, I sleep very well ... I sleep sometimes ninety-two
+hours in three days."
+
+Mornings he is usually too weak to do any work. His arm! That poor broken
+crutch of an arm! I wonder sometimes when I see him twisting it around the
+back of his neck how he will ever get it into place again. If it weren't for
+that little paunch he carries he'd remind me of one of those contortionists
+at the Cirque Medrano. All he needs is to break a leg. When he sees me
+sweeping the carpet, when he sees what a cloud of dust I raise, he begins to
+cluck like a pygmy. "Good! Very good, Endree. And now I will pick up the
+knots." That means that there are a few crumbs of dust which I have
+overlooked; it is a polite way he has of being sarcastic.
+
+Afternoons there are always a few cronies from the pearl market dropping in
+to pay him a visit. They're all very suave, butter-tongued bastards with
+soft, doelike eyes; they sit around the table drinking the perfumed tea with
+a loud, hissing noise while Nanantatee jumps up and down like a
+jack-in-the-box or points to a crumb on the floor and says in his smooth
+slippery voice -- "Will you please to pick that up, Endree." When the guests
+arrive he goes unctuously to the cupboard and gets out the dry crusts of
+bread which he toasted maybe a week ago and which taste strongly now of the
+mouldy wood. Not a crumb is thrown away. If the bread gets too sour he takes
+it downstairs to the concierge who, so he says, has been very kind to him.
+According to him, the concierge is delighted to get the stale bread -- she
+makes bread pudding with it.
+
+One day my friend Anatole came to see me. Nanantatee was delighted.
+Insisted that Anatole stay for tea. Insisted that he try little grease
+cakes and the stale bread. "You must come every day," he says, "and teach me
+Russian. Fine language, Russian ... I want to speak it. How do you say that
+again, Endree -- borscht? You will write that down for me, please,
+Endree ..." And I must write it on the typewriter, no less, so that he can
+observe my technique. He bought the typewriter, after he had collected on
+the bad arm, because the doctor recommended it as a good exercise. But he
+got tired of the typewriter shortly -- it was an English typewriter.
+
+When he learned that Anatole played the mandolin he said: "Very good! You
+must come every day and teach me the music. I will buy a mandolin as soon as
+business is better. It is good for my arm." The next day he borrows a
+phonograph from the concierge. "You will please teach me to dance, Endree.
+My stomach is too big." I am hoping that he will buy a porterhouse steak
+some day so that I can say to him: "You will please bite it for me.
+Mister Nonentity. My teeth are not strong!"
+
+As I said a moment ago, ever since my arrival he has become extraordinarily
+meticulous. "Yesterday," he says, "you made three mistakes, Endree. First,
+you forgot to close the toilet door and so all night it makes boom-boom;
+second, you left the kitchen window open and so the window is cracked this
+morning. And you forgot to put out the milk bottle! Always you will put out
+the milk bottle please, before you go to bed, and in the morning you will
+please bring in the bread."
+
+Every day his friend Kepi drops in to see if any visitors have arrived from
+India. He waits for Nanantatee to go out and then he scurries to the cupboard
+and devours the sticks of bread that are hidden away in a glass jar. The food
+is no good, he insists, but he puts it away like a rat. Kepi is a scrounger,
+a sort of human tick who fastens himself to the hide of even the poorest
+compatriot. From Kepi's standpoint they are all nabobs. For a Manila cheroot
+and the price of a drink he will suck any Hindu's ass. A Hindu's mind you,
+but not an Englishman's. He has the address of every whore-house in Paris,
+and the rates. Even from the ten-franc points he gets his little commission.
+And he knows the shortest way to any place you want to go. He will ask you
+first if you want to go by taxi; if you say no, he will suggest the bus, and
+if that is too high then the tramway or the metro. Or he will offer to walk
+you there and save a franc or two, knowing very well that it will be
+necessary to pass a tabac on the way and that you will please be so
+good as to buy me a little cheroot.
+
+Kepi is interesting, in a way, because he has absolutely no ambition except
+to get a fuck every night. Every penny he makes, and they are damned few, he
+squanders in the dance-halls. He has a wife and eight children in Bombay,
+but that does not prevent him from proposing marriage to any little femme
+de chambre who is stupid and credulous enough to be taken in by him. He
+has a little room on the Rue Condorcet for which he pays sixty francs a
+month. He papered it all himself. Very proud of it, too. He uses
+violet-colored ink in his fountain-pen because it lasts longer. He shines
+his own shoes, presses his own pants, does his own laundry. For a little
+cigar, a cheroot, if you please, he will escort you all over Paris. If you
+stop to look at a shirt or a collar-button his eyes flash. "Don't buy it
+here," he will say. "They ask too much. I will show you a cheaper place."
+And before you have time to think about it he will whisk you away and
+deposit you before another shop-window where there are the same des and
+shirts and collar-buttons -- maybe it's the very same store! but you don't
+know the difference. When Kepi hears that you want to buy something his soul
+becomes animated. He will ask you so many questions and drag you to so many
+places that you are bound to get thirsty and ask him to have a drink,
+whereupon you will discover to your amazement that you are again standing
+in a tabac -- maybe the same tabac! -- and Kepi is saying
+again in that small unctuous voice: "Will you please be so good as to buy me
+a little cheroot?" No matter what you propose doing, even if it's only to
+walk around the corner. Kepi will economize for you. Kepi will show you the
+shortest way, the cheapest place, the biggest dish, because whatever you
+have to do you must pass a tabac, and whether there is a
+revolution or a lock-out or a quarantine Kepi must be at the Moulin Rouge
+or the Olympia or the Ange Rouge when the music strikes up.
+
+The other day he brought a book for me to read. It was about a famous suit
+between a holy man and the editor of an Indian paper. The editor, it seems,
+had openly accused the holy man of leading a scandalous life; he went
+further, and accused the holy man of being diseased. Kepi says it must have
+been the great French pox, but Nanantatee avers that it was the Japanese
+clap. For Nanantatee everything has to be a little exaggerated. At any rate,
+says Nanantatee cheerily: "You will please tell me what it says, Endree. I
+can't read the book -- it hurts my arm." Then, by way of encouraging me -- "it
+is a fine book about the fucking, Endree. Kepi has brought it for you. He
+thinks about nothing but the girls. So many girls he fucks -- just like
+Krishna. We don't believe in that business, Endree ..."
+
+A little later he takes me upstairs to the attic which is loaded down with
+tin cans and crap from India wrapped in burlap and firecracker paper. "Here
+is where I bring the girls," he says. And then rather wistfully: "I am not a
+very good fucker, Endree. I don't screw the girls any more. I hold them in
+my arms and I say the words. I like only to say the words now." It isn't
+necessary to listen any further: I know that he is going to tell me about
+his arm. I can see him lying there with that broken hinge dangling from the
+side of the bed. But to my surprise he adds: "I am no good for the fucking,
+Endree. I never was a very good fucker. My brother, he is good! Three times
+a day, every day! And Kepi, he is good -- just like Krishna."
+
+His mind is fixed now on the "fucking business." Downstairs, in the little
+room where he kneels before the open cabinet, he explains to me how it was
+when he was rich and his wife and children were here. On holidays he would
+take his wife to the House of All Nations and hire a room for the night.
+Every room was appointed in a different style. His wife liked it there very
+much. "A wonderful place for the fucking, Endree. I know all the rooms ..."
+
+The walls of the little room in which we are sitting are crammed with
+photographs. Every branch of the family is represented, it is like a
+cross-section of the Indian empire. For the most part the members of this
+genealogical tree look like withered leaves: the women are frail and they
+have a startled, frightened look in their eyes: the men have a keen,
+intelligent look, like educated chimpanzees. They are all there, about
+ninety of them, with their white bullocks, their dung-cakes, their skinny
+legs, their old-fashioned spectacles; in the background, now and then, one
+catches a glimpse of the parched soil, of a crumbling pediment, of an idol
+with crooked arms, a sort of human centipede. There is something so
+fantastic, so incongruous about this gallery that one is reminded
+inevitably of the great spawn of temples which stretch from the Himalayas
+to the tip of Ceylon, a vast jumble of architecture, staggering in beauty
+and at the same time monstrous, hideously monstrous because the fecundity
+which seethes and ferments in the myriad ramifications of design seems to
+have exhausted the very soil of India itself. Looking at the seething hive
+of figures which swarm the facades of the temples one is overwhelmed by the
+potency of these dark, handsome people who mingled their mysterious streams
+in a sexual embrace that has lasted thirty centuries or more. These frail
+men and women with piercing eyes who stare out of the photographs seem like
+the emaciated shadows of those virile, massive figures who incarnated
+themselves in stone and fresco from one end of India to the other in order
+that the heroic myths of the races who here intermingled should remain
+forever entwined in the hearts of their countrymen. When I look at only a
+fragment of these spacious dreams of stone, these toppling, sluggish
+edifices studded with gems, coagulated with human sperm, I am overwhelmed by
+the dazzling splendor of those imaginative flights which enabled half
+a billion people of diverse origins to thus incarnate the most fugitive
+expressions of their longing.
+
+It is a strange, inexplicable medley of feelings which assails me now as
+Nanantatee prattles on about the sister who died in child-birth. There she
+is on the wall, a frail, timid thing of twelve or thirteen clinging to the
+arm of a dotard. At ten years of age she was given in wedlock to this old
+roue who had already buried five wives. She had seven children, only one of
+whom survived her. She was given to the aged gorilla in order to keep the
+pearls in the family. As she was passing away, so Nanantatee puts it, she
+whispered to the doctor: "I am tired of this fucking ... I don't want to
+fuck any more, doctor." As he relates this to me he scratches his head
+solemnly with his withered arm. "The fucking business is bad, Endree," he
+says. "But I will give you a word that will always make you lucky; you must
+say it every day, over and over, a million times you must say it. It is the
+best word there is, Endree ... say it now ... OOMAHARUMOOMA!"
+
+"OOMARABOO ..."
+
+"No, Endree ... like this ... OOMAHARUMOOMA!"
+
+"OOMAMABOOMBA ..."
+
+"No, Endree ... like this ...
+
+"... but what with the murky light, the botchy print, the tattered cover,
+the jigjagged page, the fumbling fingers, the foxtrotting fleas, the
+lie-a-bed lice, the scum on his tongue, the drop in his eye, the lump in his
+throat, the drink in his pottle, the itch in his palm, the wail of his wind,
+the grief from his breath, the fog of his brainfag, the tic of his
+conscience, the height of his rage, the gush of his fundament, the fire in
+his gorge, the tickle of his tail, the rats in his garret, the hullabaloo
+and the dust in his ears, since it took him a month to steal a march, he was
+hardset to memorize more than a word a week."
+
+I suppose I would never have gotten out of Nanantatee's clutches if fate
+hadn't intervened. One night, as luck would have it. Kepi asked me if I
+wouldn't take one of his clients to a whore-house near by. The young man had
+just come from India and he had not very much money to spend. He was one of
+Gandhi's men, one of that little band who made the historic march to the sea
+during the salt trouble. A very gay disciple of Gandhi's I must say, despite
+the vows of abstinence he had taken. Evidently he hadn't looked at a woman
+for ages. It was all I could do to get him as far as the Rue Lafemere; he was
+like a dog with his tongue hanging out. And a pompous, vain little devil to
+boot! He had decked himself out in a corduroy suit, a beret, a cane, a
+Windsor tie; he had bought himself two fountain-pens, a kodak, and some fancy
+underwear. The money he was spending was a gift from the merchants of Bombay;
+they were sending him to England to spread the gospel of Gandhi.
+
+Once inside Miss Hamilton's joint he began to lose his sang-froid.
+When suddenly he found himself surrounded by a bevy of naked women he looked
+at me in consternation. "Pick one out," I said. "You can have your choice."
+He had become so rattled that he could scarcely look at them. "You do it for
+me," he murmured, blushing violently. I looked them over coolly and picked
+out a plump young wench who seemed full of feathers. We sat down in the
+reception room and waited for the drinks. The madame wanted to know why I
+didn't take a girl also. "Yes, you take one too," said the young Hindu. "I
+don't want to be alone with her." So the girls were brought in again and I
+chose one for myself, a rather tall, thin one with melancholy eyes. We were
+left alone, the four of us, in the reception room. After a few moments my
+young Gandhi leans over and whispers something in my ear. "Sure, if you like
+her better, take her," I said, and so, rather awkwardly and considerably
+embarrassed, I explained to the girls that we would like to switch. I saw at
+once that we had made a faux pas, but by now my young friend had
+become gay and lecherous and nothing would do but to get upstairs quickly
+and have it over with.
+
+We took adjoining rooms with a connecting door between. I think my companion
+had in mind to make another switch once he had satisfied his sharp, gnawing
+hunger. At any rate, no sooner had the girls left the room to prepare
+themselves than I hear him knocking on the door. "Where is the toilet,
+please?" he asks. Not thinking that it was anything serious I urge him to do
+in the bidet. The girls return with towels in their hands. I hear him
+giggling in the next room. As I'm putting on my pants suddenly I hear a
+commotion in the next room. The girl is bawling him out, calling him a pig, a
+dirty little pig. I can't imagine what he has done to warrant such an
+outburst. I'm standing there with one foot in my trousers listening
+attentively. He's trying to explain to her in English, raising his voice
+louder and louder until it becomes a shriek.
+
+I hear a door slam and in another moment the madame bursts into my room, her
+face as red as a beet, her arms gesticulating wildly. "You ought to be
+ashamed of yourself," she screams, "bringing a man like that to my place!
+He's a barbarian ... he's a pig ... he's a ... !" My companion is standing
+behind her, in the doorway, a look of utmost discomfiture on his face. "What
+did you do?" I ask.
+
+"What did he do?" yells the madame. "I'll show you ... Come here!" And
+grabbing me by the arm she drags me into the next room. "There! There!" she
+screams, pointing to the bidet.
+
+"Come on, let's get out," says the Hindu boy.
+
+"Wait a minute, you can't get out as easily as all that."
+
+The madame is standing by the bidet, fuming and spitting. The girls
+are standing there too, with towels in their hands. The five of us are
+standing there looking at the bidet. There are two enormous turds
+floating in the water. The madame bends down and puts a towel over it.
+"Frightful! Frightful!" she wails. "Never have I seen anything like this! A
+pig! A dirty little pig!"
+
+The Hindu boy looks at me reproachfully. "You should have told me!" he says.
+"I didn't know it wouldn't go down. I asked you where to go and you told me
+to use that." He is almost in tears.
+
+Finally the madame takes me to one side. She has become a little more
+reasonable now. After all, it was a mistake. Perhaps the gentlemen would like
+to come downstairs and order another drink -- for the girls. It was a great
+shock to the girls. They are not used to such things. And if the good
+gentlemen will be so kind as to remember the femme de chambre ... It
+is not so pretty for me femme de chambre -- that mess, that ugly mess.
+She shrugs her shoulders and winks her eye. A lamentable incident. But an
+accident. If the gentlemen will wait here a few moments the maid will bring
+the drinks. Would the gentlemen like to have some champagne? Yes?
+
+"I'd like to get out of here," says the Hindu boy weakly.
+
+"Don't you feel so badly about it," says the madame. "It is all over now.
+Mistakes will happen sometimes. Next time you will ask for the toilet." She
+goes on about the toilet -- one on every floor, it seems. And a bathroom too.
+"I have lots of English clients," she says. "They are all gentlemen. The
+gentleman is a Hindu? Charming people, the Hindus. So intelligent. So
+handsome."
+
+When we get into the street the charming young gentleman is almost weeping.
+He is sorry now that he bought a corduroy suit and the cane and the
+fountain-pens. He talks about the eight vows that he took, the control of
+the palate, etc. On the march to Dandi even a plate of ice cream it was
+forbidden to take. He tells me about the spinning wheel -- how the little band
+of Satyagrahists imitated the devotion of their master. He relates with
+pride how he walked beside the master and conversed with him. I have the
+illusion of being in the presence of one of the twelve disciples.
+
+During the next few days we see a good deal of each other; there are
+interviews to be arranged with the newspaper men and lectures to be given
+to the Hindus of Paris. It is amazing to see how these spineless devils
+order one another about; amazing also to see how ineffectual they are in all
+that concerns practical affairs. And the jealousy and the intrigues, the
+petty, sordid rivalries. Wherever there are ten Hindus together there is
+India with her sects and schisms, her racial, lingual, religious, political
+antagonisms. In the person of Gandhi they are experiencing for a brief
+moment the miracle of unity, but when he goes there will be a crash, an
+utter relapse into that strife and chaos so characteristic of the Indian
+people.
+
+The young Hindu, of course, is optimistic. He has been to America and he has
+been contaminated by the cheap idealism of the Americans, contaminated by
+the ubiquitous bath-tub, the five and ten cent store bric-a-brac, the
+bustle, the efficiency, the machinery, the high wages, the free libraries,
+etc., etc. His ideal would be to americanize India. He is not at all pleased
+with Gandhi's retrogressive mania. Forward, he says, just like a Y. M.
+C. A. man. As I listen to his tales of America I see how absurd it is to
+expect of Gandhi that miracle which will deroute the trend of destiny.
+India's enemy is not England, but America. India's enemy is the time spirit,
+the hand which cannot be turned back. Nothing will avail to offset this virus
+which is poisoning the whole world. America is the very incarnation of doom.
+She will drag the whole world down to the bottomless pit.
+
+He thinks the Americans are a very gullible people. He tells me about the
+credulous souls who succored him there -- the Quakers, the Unitarians, the
+Theosophists, the New Thoughters, the Seventh Day Adventists, etc. He knew
+where to sail his boat, this bright young man. He knew how to make the tears
+come to his eyes at the right moment; he knew how to take up a collection,
+how to appeal to the minister's wife, how to make love to the mother and
+daughter at the same time. To look at him you would think him a saint. And
+he is a saint, in the modern fashion; a contaminated saint who talks in one
+breath of love, brotherhood, bath-tubs, sanitation, efficiency, etc.
+
+The last night of his sojourn in Paris is given up to "the fucking
+business." He has had a full program all day -- conferences, cablegrams,
+interviews, photographs for the newspapers, affectionate farewells, advice
+to the faithful, etc., etc. At dinner time he decides to lay aside his
+troubles. He orders champagne with the meal, he snaps his fingers at the
+garcon and behaves in general like the boorish little peasant that he
+is. And since he has had a bellyful of all the good places he suggests now
+that I show him something more primitive. He would like to go to a very
+cheap place, order two or three girls at once. I steer him along the
+Boulevard de la Chapelle, warning him all the while to be careful of his
+pocket-book. Around Aubervilliers we duck into a cheap dive and immediately
+we've got a flock of them on our hands. In a few minutes he's dancing with a
+naked wench, a huge blonde with creases in her jowls. I can see her ass
+reflected a dozen times in the mirrors that line the room -- and those dark,
+bony fingers of his clutching her tenaciously. The table is full of beer
+glasses, the mechanical piano is wheezing and gasping. The girls who are
+unoccupied are sitting placidly on the leather benches, scratching themselves
+peacefully just like a family of chimpanzees. There is a sort of subdued
+pandemonium in the air, a note of repressed violence, as if the awaited
+explosion required the advent of some utterly minute detail, something
+microscopic but thoroughly unpremeditated, completely unexpected. In that
+sort of half-reverie which permits one to participate in an event and yet
+remain quite aloof, the little detail which was lacking began obscurely but
+insistently to coagulate, to assume a freakish, crystalline form, like the
+frost which gathers on the window-pane. And like those frost patterns which
+seem so bizarre, so utterly free and fantastic in design, but which are
+nevertheless determined by the most rigid laws, so this sensation which
+commenced to take form inside me seemed also to be giving obedience to
+ineluctable laws. My whole being was responding to the dictates of an
+ambiance which it had never before experienced; that which I could call
+myself seemed to be contracting, condensing, shrinking from the stale,
+customary boundaries of the flesh whose perimeter knew only the modulations
+of the nerve ends.
+
+And the more substantial, the more solid the core of me became, the more
+delicate and extravagant appeared the close, palpable reality out of which I
+was being squeezed. In the measure that I became more and more metallic, in
+the same measure the scene before my eyes became inflated. The state of
+tension was so finely drawn now that the introduction of a single foreign
+particle, even a microscopic particle, as I say, would have shattered
+everything. For the fraction of a second perhaps I experienced that utter
+clarity which the epileptic, it is said, is given to know. In that moment I
+lost completely the illusion of time and space: the world unfurled its drama
+simultaneously along a meridian which had no axis. In this sort of
+hair-trigger eternity I felt that everything was justified, supremely
+justified; I felt the wars inside me that had left behind this pulp and
+wrack; I felt the crimes that were seething here to emerge tomorrow in
+blatant screamers; I felt the misery that was grinding itself out with
+pestle and mortar, the long dull misery that dribbles away in dirty
+handkerchiefs. On the meridian of time there is no injustice: there
+is only the poetry of motion creating the illusion of truth and
+drama. If at any moment anywhere one comes face to face with the absolute
+that great sympathy which makes men like Gautama and Jesus seem divine
+freezes away; the monstrous thing is not that men have created roses out of
+this dung-heap, but that, for some reason or other, they should want
+roses. For some reason or other man looks for the miracle, and to accomplish
+it he will wade through blood. He will debauch himself with ideas, he will
+reduce himself to a shadow if for only one second of his life he can close
+his eyes to the hideousness of reality. Everything is endured, disgrace,
+humiliation, poverty, war, crime, ennui --in the belief that overnight
+something will occur, a miracle, which will render life tolerable. And all
+the while a meter is running inside and there is no hand that can reach in
+there and shut it off. All the while someone is eating the bread of life and
+drinking the wine, some dirty fat cockroach of a priest who hides away in the
+cellar guzzling it, while up above in the light of the street a phantom host
+touches the lips and the blood is pale as water. And out of the endless
+torment and misery no miracle comes forth, no microscopic vestige even of
+relief. Only ideas, pale, attenuated ideas which have to be fattened by
+slaughter; ideas which come forth like bile, like the guts of a pig when the
+carcass is ripped open.
+
+And so I think what a miracle it would be if this miracle which man attends
+eternally should turn out to be nothing more than these two enormous turds
+which the faithful disciple dropped in the bidet. What if at the last
+moment, when the banquet table is set and the cymbals clash, there should
+appear suddenly, and wholly without warning, a silver platter on which even
+the blind could see that there is nothing more, and nothing less, than two
+enormous lumps of shit. That, I believe would be more miraculous than
+anything which man has looked forward to. It would be miraculous because it
+would be undreamed of. It would be more miraculous than even the wildest
+dream because anybody could imagine the possibility but nobody ever
+has, and probably nobody ever again will.
+
+Somehow the realization that nothing was to be hoped for had a salutary
+effect upon me. For weeks and months, for years, in fact, all my life I had
+been looking forward to something happening, some extrinsic event that would
+alter my life, and now suddenly, inspired by the absolute hopelessness of
+everything, I felt relieved felt as though a great burden had been lifted
+from my shoulders. At dawn I parted company with the young Hindu, after
+touching him for a few francs, enough for a room. Walking toward Montparnasse
+I decided to let myself drift with the tide, to make not the least resistance
+to fate, no matter in what form it presented itself. Nothing that had
+happened to me thus far had been sufficient to destroy me; nothing had been
+destroyed except my illusions. I myself was intact. The world was intact.
+Tomorrow there might be a revolution, a plague, an earthquake; tomorrow there
+might not be left a single soul to whom one could turn for sympathy, for aid,
+for faith. It seemed to me that the great calamity had already manifested
+itself, that I could be no more truly alone than at this very moment. I made
+up my mind that I would hold on to nothing, that I would expect nothing, that
+henceforth I would live as an animal, a beast of prey, a rover, a plunderer.
+
+Even if war were declared, and it were my lot to go, I would grab the bayonet
+and plunge it, plunge it up to the hilt. And if rape were the order of the
+day then rape I would, and with a vengeance. At this very moment, in the
+quiet dawn of a new day, was not the earth giddy with crime and distress? Had
+one single element of man's nature been altered, vitally, fundamentally
+altered, by the incessant march of history? By what he calls the better part
+of his nature, man has been betrayed, that is all. At the extreme limits of
+his spiritual being man finds himself again naked as a savage. When he finds
+God, as it were, he has been picked clean: he is a skeleton. One must burrow
+into life again in order to put on flesh. The word must become flesh; the
+soul thirsts. On whatever crumb my eye fastens, I will pounce and devour. If
+to live is the paramount thing, then I will live, even if I must become a
+cannibal. Heretofore I have been trying to save my precious hide, trying to
+preserve the few pieces of meat that hid my bones. I am done with that. I
+have reached the limits of endurance. My back is to the wall; I can retreat
+no further. As far as history goes I am dead. If there is something beyond I
+shall have to bounce back. I have found God, but he is insufficient. I am
+only spiritually dead. Physically I am alive. Morally I am free. The world
+which I have departed is a menagerie. The dawn is breaking on a new world, a
+jungle world in which the lean spirits roam with sharp claws. If I am a hyena
+I am a lean and hungry one: I go forth to fatten myself.
+
+                                  * * *
+
+At one-thirty I called on Van Norden, as per agreement. He had warned me that
+if he didn't answer it would mean that he was sleeping with some one,
+probably his Georgia cunt.
+
+Anyway, there he was, tucked away comfortably, but with an air of weariness
+as usual. He wakes up, cursing himself, or cursing the job, or cursing life.
+He wakes up utterly bored and discomfited, chagrined to think that he did
+not die overnight.
+
+I sit down by the window and give him what encouragement I can. It is
+tedious work. One has to actually coax him out of bed. Mornings -- he means by
+mornings anywhere between one and five p.m. -- mornings, as I say, he gives
+himself up to reveries. Mostly it is about the past he dreams. About his
+"cunts." He endeavors to recall how they felt, what they said to him at
+certain critical moments, where he laid them, and so on. And as he lies
+there, grinning and cursing, he manipulates his fingers in that curious,
+bored way of his, as though to convey the impression that his disgust is too
+great for words. Over the bedstead hangs a douche-bag which he keeps for
+emergencies -- for the virgins whom he tracks down like a sleuth. Even
+after he has slept with one of these mythical creatures he will still refer
+to her as a virgin, and almost never by name. "My virgin," he will say, just
+as he says "my Georgia cunt." When he goes to the toilet he says:
+
+"If my Georgia cunt calls tell her to wait. Say I said so. And listen, you
+can have her if you like. I'm tired of her."
+
+He takes a squint at the weather and heaves a deep sigh. If it's rainy he
+says: "God damn this fucking climate, it makes one morbid." And if the sun
+is shining brightly he says: "God damn that fucking sun, it makes
+you blind." As he starts to shave he suddenly remembers that there is no
+clean towel. "God damn this fucking hotel, they're too stingy to give you a
+clean towel every day!" No matter what he does or where he goes things are
+out of joint. Either it's the fucking country or the fucking job, or else
+it's some fucking cunt who's put him on the blink.
+
+"My teeth are all rotten," he says, gargling his throat. "It's the fucking
+bread they give you to eat here." He opens his mouth wide and pulls his lower
+lip down. "See that? Pulled out six teeth yesterday. Soon I'll have to get
+another plate. That's what you get working for a living. When I was on the
+bum I had all my teeth, my eyes were bright and clear. Look at me now! It's a
+wonder I can make a cunt any more. Jesus, what I'd like is to find some rich
+cunt -- like that cute little prick, Carl. Did he ever show you the letters
+she sends him? Who is she, do you know? He wouldn't tell me her name, the
+bastard ... he's afraid I might take her away from him." He gargles his
+throat again and then he takes a long look at the cavities. "You're lucky,"
+he says ruefully. "You've got friends, at least. I haven't anybody, except
+that cute little prick who drives me bats about his rich cunt."
+
+"Listen," he says, "do you happen to know a cunt by the name of Norma? She
+hangs around the Dome all day. I think she's queer. I had her up here
+yesterday, tickling her ass. She wouldn't let me do a thing. I had her on the
+bed ... I even had her drawers off ... and then I got disgusted. Jesus, I
+can't bother struggling that way any more. It isn't worth it. Either they do
+or they don't -- it's foolish to waste time wrestling with them. While you're
+struggling with a little bitch like that there may be a dozen cunts on the
+terrasse just dying to be laid. It's a fact. They all come over here
+to get laid. They think it's sinful here ... the poor boobs! Some of
+these school-teachers from out West, they're honestly virgins ... I mean it!
+They sit around on their can all day thinking about it. You don't have to
+work over them very much. They're dying for it. I had a married woman the
+other day who told me she hadn't had a lay for six months. Can you imagine
+that? Jesus, she was hot! I thought she'd tear the cock off me. And groaning
+all the time. 'Do you? Do you?' She kept saying that all the time,
+like she was nuts. And you know what that bitch wanted to do? She wanted to
+move in here. Imagine that! Asking me if I loved her. I didn't even know her
+name. I never know their names ... I don't want to. The married ones! Christ,
+if you saw all the married cunts I bring up here you'd never have any more
+illusions. They're worse than the virgins, the married ones. They don't wait
+for you to start things -- they fish it out for you themselves. And then they
+talk about love afterwards. It's disgusting. I tell you, I'm actually
+beginning to hate cunt!"
+
+He looks out the window again. It's drizzling. It's been drizzling this way
+for the last five days.
+
+"Are we going to the Dome, Joe?" I call him Joe because he calls me Joe.
+When Carl is with us he is Joe too. Everybody is Joe because it's easier
+that way. It's also a pleasant reminder not to take yourself too seriously.
+Anyway, Joe doesn't want to go to the Dome -- he owes too much money there.
+He wants to go to the Coupole. Wants to take a little walk first around the
+block.
+
+"But it's raining, Joe."
+
+"I know, but what the hell! I've got to have my constitutional. I've got to
+wash the dirt out of my belly." When he says this I have the impression that
+the whole world is wrapped up there inside his belly, and that it's rotting
+there.
+
+As he's putting on his things he falls back again into a semi-comatose
+state. He stands there with one arm in his coat sleeve and his hat on
+ass-ways and he begins to dream aloud -- about the Riviera, about the sun,
+about lazing one's life away. "All I ask of life," he says, "is a bunch of
+books, a bunch of dreams, and a bunch of cunt." As he mumbles this
+meditatively he looks at me with the softest, the most insidious smile. "Do
+you like that smile?" he says. And then disgustedly -- "Jesus, if I could only
+find some rich cunt to smile at that way!"
+
+"Only a rich cunt can save me now," he says with an air of utmost weariness.
+"One gets tired of chasing after new cunts all the time. It gets mechanical.
+The trouble is, you see, I can't fall in love. I'm too much of an egoist.
+Women only help me to dream, that's all. It's a vice, like drink or opium.
+I've got to have a new one every day; if I don't I get morbid. I think too
+much. Sometimes I'm amazed at myself, how quick I pull it off -- and how
+little it really means. I do it automatically like. Sometimes I'm not
+thinking about a woman at all, but suddenly I notice a woman looking at me
+and then bango! it starts all over again. Before I know what I'm doing I've
+got her up to the room. I don't even remember what I say to them. I bring
+them up to the room, give them a pat on the ass, and before I know what it's
+all about it's over. It's like a dream ... Do you know what I mean?"
+
+He hasn't much use for the French girls. Can't stand them. "Either they want
+money or they want you to marry them. At bottom they're all whores. I'd
+rather wrestle with a virgin," he says. "They give you a little illusion.
+They put up a fight at least." Just the same, as we glance over the
+terrasse there is hardly a whore in sight whom he hasn't fucked at
+some time or other. Standing at the bar he points them out to me, one by
+one, goes over them anatomically, describes their good points and their bad.
+"They're all frigid," he says. And then begins to mould his hands, thinking
+of the nice, juicy virgins who are just dying for it.
+
+In the midst of his reveries he suddenly arrests himself, and grabbing my arm
+excitedly he points to a whale of a woman who is just lowering herself into a
+seat. "There's my Danish cunt," he grunts. "See that ass? Danish. How
+that woman loves it! She just begs me for it. Come over here ... look at her
+now, from the side! Look at that ass, will you? It's enormous. I tell you,
+when she climbs over me I can hardly get my arms around it. It blots out the
+whole world. She makes me feel like a little bug crawling inside her. I don't
+know why I fall for her -- I suppose it's that ass. It's so incongruous like.
+And the creases in it! You can't forget an ass like that. It's a fact ... a
+solid fact. The others, they may bore you, or they may give you a moment's
+illusion, but this one -- with her ass! -- zowie, you can't obliterate her ...
+it's like going to bed with a monument on top of you."
+
+The Danish cunt seems to have electrified him. He's lost all his sluggishness
+now. His eyes are popping out of his head. And of course one thing reminds
+him of another. He wants to get out of the fucking hotel because the noise
+bothers him. He wants to write a book too so as to have something to occupy
+his mind. But then the goddamned job stands in the way. "It takes it out of
+you, that fucking job! I don't want to write about Montparnasse ... I want to
+write my life, my thoughts. I want to get the dirt out of my belly ...
+Listen, get that one over there! I had her a long time ago. She used to be
+down near Les Halles. A funny bitch. She lay on the edge of the bed and
+pulled her dress up. Ever try it that way? Not bad. She didn't hurry me
+either. She just lay back and played with her hat while I slugged away at
+her. And when I come she says sort of bored like -- Are you through? Like it
+didn't make any difference at all. Of course, it doesn't make any difference,
+I know that god-damn well ... but the cold blooded way she had ... I sort of
+liked it ... it was fascinating, you know? When she goes to wipe herself she
+begins to sing. Going out of the hotel she was still singing. Didn't even say
+Au revoir! Walks off swinging her hat and humming to herself like.
+That's a whore for you! A good lay though. I think I liked her better than my
+virgin. There's something depraved about screwing a woman who doesn't give a
+fuck about it. It heals your blood ..." And then, after a moment's meditation
+-- "Can you imagine what she'd be like if she had any feelings?"
+
+"Listen," he says, "I want you to come to the Club with me tomorrow
+afternoon ... there's a dance on."
+
+"I can't tomorrow, Joe. I promised to help Carl out..."
+
+"Listen, forget that prick! I want you to do me a favor.
+It's like this" -- he commences to mould his hands again. "I've got a cunt
+lined up ... she promised to stay with me on my night off. But I'm not
+positive about her yet. She's got a mother you see ... some shit of a
+painter, she chews my ear off every time I see her. I think the truth is,
+the mother's jealous. I don't think she'd mind so much if I gave her a lay
+first. You know how it is ... Anyway, I thought maybe you wouldn't mind
+taking the mother ... she's not so bad ... if I hadn't seen the daughter I
+might have considered her myself. The daughter's nice and young, fresh like,
+you know what I mean? There's a clean smell to her ..."
+
+"Listen, Joe, you'd better find somebody else ..."
+
+"Aw, don't take it like that! I know how you feel about it. It's only a
+little favor I'm asking you to do for me. I don't know how to get rid of the
+old hen. I thought first I'd get her drunk and ditch her -- but I don't think
+the young one'd like that. They're sentimental like. They come from Minnesota
+or somewhere. Anyway, come around tomorrow and wake me up, will you?
+Otherwise I'll oversleep. And besides, I want you to help me find a room. You
+know I'm helpless. Find me a room in a quiet street, somewhere near here.
+I've got to stay around here ... I've got credit here. Listen, promise me
+you'll do that for me. I'll buy you a meal now and then. Come around anyway,
+because I go nuts talking to these foolish cunts. I want to talk to you about
+Havelock Ellis. Jesus, I've had the book out for three weeks now and I
+haven't looked at it. You sort of rot here. Would you believe it, I've never
+been to the Louvre -- nor the Comedie Francaise. Is it worth going to those
+joints? Still, it sort of takes your mind off things, I suppose. What do you
+do with yourself all day? Don't you get bored? What do you do for a lay?
+Listen ... come here! Don't run away yet ... I'm lonely. Do you know
+something -- if this keeps up another year I'll go nuts. I've got to get out
+of this fucking country. There's nothing for me here. I know it's lousy now,
+in America, but just the same ... You go queer over here ... all these cheap
+shits sitting on their ass all day bragging about their work and none of them
+is worth a stinking damn. They're all failures -- that's why they come over
+here. Listen, Joe, don't you ever get homesick? You're a funny guy ... you
+seem to like it over here. What do you see in it... I wish you'd tell me. I
+wish to Christ I could stop thinking about myself. I'm all twisted up inside
+... it's like a knot in there ... Listen, I know I'm boring the shit out of
+you, but I've got to talk to someone. I can't talk to those guys upstairs ...
+you know what those bastards are like ... they all take a by-line. And Carl,
+the little prick, he's so god-damned selfish. I'm an egotist, but I'm not
+selfish. There's a difference. I'm a neurotic, I guess. I can't stop thinking
+about myself. It isn't that I think myself so important.... I simply can't
+think about anything else, that's all. If I could fall in love with a woman
+that might help some. But I can't find a woman who interests me. I'm in a
+mess, you can see that can't you? What do you advise me to do? What would you
+do in my place? Listen, I don't want to hold you back any longer, but wake me
+up tomorrow -- at one-thirty -- will you? I'll give you something extra if
+you'll shine my shoes. And listen, if you've got an extra shirt, a clean one,
+bring it along, will you? Shit, I'm grinding my balls off on that job, and it
+doesn't even give me a clean shirt. They've got us over here like a bunch of
+niggers. Ah, well, shit! I'm going to take a walk ... wash the dirt out of my
+belly. Don't forget, tomorrow!"
+
+For six months or more it's been going on, this correspondence with the rich
+cunt, Irene. Recently I've been reporting to Carl every day in order to bring
+the affair to a head, because as far as Irene is concerned this thing could
+go on indefinitely. In the last few days there's been a perfect avalanche of
+letters exchanged; the last letter we dispatched was almost forty pages long,
+and written in three languages. It was a pot-pourri, the last letter
+-- tag ends of old novels, slices from the Sunday supplement, reconstructed
+versions of old letters to Liona and Tania, garbled transliterations of
+Rabelais and Petronius -- in short, we exhausted ourselves. Finally Irene
+decides to come out of her shell. Finally a letter arrives giving a
+rendez-vous at her hotel. Carl is pissing in his pants. It's one thing to
+write letters to a woman you don't know; it's another thing entirely to call
+on her and make love to her. At the last moment he's quaking so that I almost
+fear I'll have to substitute for him. When we get out of the taxi in front of
+her hotel he's trembling so much that I have to walk him around the block
+first. He's already had two Pernods, but they haven't made the slightest
+impression on him. The sight of the hotel itself is enough to crush him: it's
+a pretentious place with one of those huge empty lobbies in which
+Englishwomen sit for hours with a blank look. In order to make sure that he
+wouldn't run away I stood by while the porter telephoned to announce him.
+Irene was there, and she was waiting for him. As he got into the lift he
+threw me a last despairing glance, one of those mute appeals which a dog
+makes when you put a noose around its neck. Going through the revolving door
+I thought of Van Norden ...
+
+I go back to the hotel and wait for a telephone call. He's only got an
+hour's time and he's promised to let me know the results before going to
+work. I look over the carbons of the letters we sent her. I try to imagine
+the situation as it actually is, but it's beyond me. Her letters are much
+better than ours -- they're sincere, that's plain. By now they've sized each
+other up. I wonder if he's still pissing in his pants.
+
+The telephone rings. His voice sounds queer, squeaky, as though he were
+frightened and jubilant at the same time. He asks me to substitute for him
+at the office. "Tell the bastard anything! Tell him I'm dying ..."
+
+"Listen, Carl ... can you tell me ...?"
+
+"Hello! Are you Henry Miller?" It's a woman's voice. It's Irene. She's
+saying hello to me. Her voice sounds beautiful over the phone ... beautiful.
+For a moment I'm in a perfect panic. I don't know what to say to her. I'd
+like to say: "Listen, Irene, I think you're beautiful ... I think you're
+wonderful." I'd like to say one true thing to her, no matter how
+silly it would sound, because now that I hear her voice everything is
+changed. But before I can gather my wits Carl is on the phone again and he's
+saying in that queer squeaky voice: "She likes you, Joe. I told her all
+about you ..."
+
+At the office I have to hold copy for Van Norden. When it comes time for the
+break he pulls me aside. He looks glum and ravaged.
+
+"So he's dying, is he, the little prick? Listen, what's the low-down on
+this?"
+
+"I think he went to see his rich cunt," I answer calmly.
+
+"What! You mean he called on her?" He seems beside himself. "Listen,
+where does she live? What's her name?" I pretend ignorance. "Listen," he
+says, "you're a decent guy. Why the hell don't you let me in on this
+racket?"
+
+In order to appease him I promise finally that I'll tell him everything as
+soon as I get the details from Carl. I can hardly wait myself until I see
+Carl.
+
+Around noon next day I knock at his door. He's up already and lathering his
+beard. Can't tell a thing from the
+expression on his face. Can't even tell whether he's going to tell me the
+truth. The sun is streaming in through the open window, the birds are
+chirping, and yet somehow, why it is I don't know, the room seems more
+barren and poverty-stricken than ever. The floor is slathered with lather,
+and on the rack there are the two dirty towels which are never changed. And
+somehow Carl isn't changed either, and that puzzles me more than anything.
+This morning the whole world ought to be changed, for bad or good, but
+changed, radically changed. And yet Carl is standing there lathering his
+face and not a single detail is altered.
+
+"Sit down ... sit down there on the bed," he says. "You're going to hear
+everything ... but wait first ... wait a little." He commences to lather his
+face again, and then to hone his razor. He even remarks about the water ...
+no hot water again.
+
+"Listen, Carl, I'm on tenter-hooks. You can torture me afterwards, if you
+like, but tell me now, tell me one thing ... was it good or bad?"
+
+He turns away from the mirror with brush in hand and gives me a strange
+smile. "Wait! I'm going to tell you everything ..."
+
+"That means it was a failure."
+
+"No," he says, drawing out his words. "It wasn't a failure, and it wasn't a
+success either ... By the way, did you fix it up for me at the office? What
+did you tell them?"
+
+I see it's no use trying to pull it out of him. When he gets good and ready
+he'll tell me. Not before. I lie back on the bed, silent as a clam. He goes
+on shaving.
+
+Suddenly, apropos of nothing at all, he begins to talk -- disconnectedly at
+first, and then more and more clearly, emphatically, resolutely. It's a
+struggle to get it out, but he seems determined to relate everything; he
+acts as if he were getting something off his conscience. He even reminds me
+of the look he gave me as he was going up the elevator shaft. He dwells on
+that lingeringly, as though to imply that everything were contained in that
+last moment, as though, if he had to the power to alter things, he would
+never have put foot outside the elevator.
+
+She was in her dressing sack when he called. There was a bucket of champagne
+on the dresser. The room was rather dark and her voice was lovely. He gives
+me all the details about the room, the champagne, how the garcon
+opened it, the noise it made, the way her dressing sack rustled when she came
+forward to greet him -- he tells me everything but what I want to hear.
+
+It was about eight when he called on her. At eight-thirty he was nervous,
+thinking about the job. "It was about nine when I called you, wasn't it?" he
+says.
+
+"Yes, about that."
+
+"I was nervous, see ..."
+
+"I know that. Go on ..." I don't know whether to believe him or not,
+especially after those letters we concocted. I don't even know whether I've
+heard him accurately, because what he's telling me sounds utterly fantastic.
+And yet it sounds true too, knowing the sort of guy he is. And then I
+remember his voice over the telephone, that strange mixture of fright and
+jubilation. But why isn't he more jubilant now? He keeps smiling all the
+time, smiling like a rosy little bed-bug that has had its fill.
+
+"It was nine o'clock," he says once again, "when I called you up, wasn't it?"
+I nod my head wearily. Yes, it was nine o'clock. He is certain now that it
+was nine o'clock because he remembers having taken out his watch. Anyway,
+when he looked at his watch again it was ten o'clock. At ten o'clock she was
+lying on the divan with her boobies in her hands. That's the way he gives it
+to me -- in driblets. At eleven o'clock it was all settled; they were going
+to run away, to Borneo. Fuck the husband! She never loved him anyway. She
+would never have written the first letter if the husband wasn't old and
+passionless. "And then she says to me: 'But listen, dear, how do you know you
+won't grow tired of me?' "
+
+At this point I burst out laughing. This sounds preposterous to me, I can't
+help it. "And you said?"
+
+"What did you expect me to say? I said: how could anyone ever grow tired of
+you?"
+
+And then he describes to me what happened after that, how he bent down and
+kissed her breasts, and how, after he had kissed them fervidly, he stuffed
+them back into her corsage, or whatever it is they call these things. And
+after that another coupe of champagne.
+
+Around midnight the garcon arrives with beer and sandwiches -- caviar
+sandwiches. And all the while, so he says, he has been dying to take a leak.
+He had one hard-on, but it faded out. All the while his bladder is fit to
+burst, but he imagines, the cute little prick that he is, that the situation
+calls for delicacy.
+
+At one-thirty she's for hiring a carriage and driving through the Bois. He
+has only one thought in his head -- how to take a leak? "I love you ... I
+adore you," he says. "I'll go anywhere you say -- Istamboul, Singapore,
+Honolulu. Only I must go now ... It's getting late."
+
+He tells me all this in his dirty little room, with the sun pouring in and
+the birds chirping away like mad. I don't yet know whether she was beautiful
+or not. He doesn't know himself, the imbecile. He rather thinks she wasn't.
+The room was dark and then there was the champagne and his nerves all
+frazzled.
+
+"But you ought to know something about her -- if this isn't all a god-damned
+lie!"
+
+"Wait a minute," he says. "Wait ... let me think! No, she wasn't beautiful.
+I'm sure of that now. She had a streak of gray hair over her forehead ... I
+remember that. But that wouldn't be so bad -- I had almost forgotten it you
+see. No, it was her arms -- they were thin ... they were thin and brittle." He
+begins to pace back and forth. -- Suddenly, he stops dead. "If she were only
+ten years younger!" he exclaims. "If she were ten years younger I might
+overlook the streak of gray hair ... and even the brittle arms. But she's
+too old. You see, with a cunt like that every year counts now. She won't be
+just one year older next year -- she'll be ten years older. Another year hence
+and she'll be twenty years older. And I'll be getting younger looking all
+the time -- at least for another five years ..."
+
+"But how did it end?" I interrupt.
+
+"That's just it ... it didn't end. I promised to see her Tuesday around five
+o'clock. That's bad, you know! There were lines in her face which will look
+much worse in daylight. I suppose she wants me to fuck her Tuesday. Fucking
+in the day-time -- you don't do it with a cunt like
+that. Especially in a hotel like that. I'd rather do it on my night off ...
+but Tuesday's not my night off. And that's not all. I promised her a letter
+in the meantime. How am I going to write her a letter now? I haven't
+anything to say ... Shit! If only she were ten years younger. Do you think I
+should go with her ... to Borneo or wherever it is she wants to take me?
+What would I do with a rich cunt like that on my hands? I don't know how to
+shoot. I am afraid of guns and all that sort of thing. Besides, she'll be
+wanting me to fuck her night and day ... nothing but hunting and fucking
+all the time ... I can't do it!"
+
+"Maybe it won't be so bad as you think. She'll buy you ties and all sorts of
+things ..."
+
+"Maybe you'll come along with us, eh? I told her all about you ..."
+
+"Did you tell her I was poor? Did you tell her I needed things?"
+
+"I told her everything. Shit, everything would be fine, if she were just a
+few years younger. She said she was turning forty. That means fifty or
+sixty. It's like fucking your own mother ... you can't do it ... it's
+impossible."
+
+"But she must have had some attractiveness ... you were kissing her breasts,
+you said."
+
+"Kissing her breasts -- what's that? Besides it was dark, I'm telling you."
+
+Putting on his pants a button falls off. "Look at that, will you. It's
+falling apart, the god-damned suit. I've worn it for seven years now ... I
+never paid for it either. It was a good suit once, but it stinks now. And
+that cunt would buy me suits too, all I wanted most likely. But that's what
+I don't like, having a woman shell out for me. I never did that in my life.
+That's your idea. I'd rather live alone. Shit, this is a good room,
+isn't it? What's wrong with it? It's a damned sight better than her room,
+isn't it? I don't like her fine hotel. I'm against hotels like that. I told
+her so. She said she didn't care where she lived ... said she'd come and
+live with me if I wanted her to. Can you picture her moving in here with her
+big trunks and her hat-boxes and all that crap she drags around with her?
+She has too many things -- too many dresses and bottles and all that. It's
+like a clinic, her room. If she gets a little scratch on her finger it's
+serious.
+
+And then she has to be massaged and her hair has to be waved and she mustn't
+eat this and she mustn't eat that. Listen, Joe, she'd be all right if she
+were just a little younger. You can forgive a young cunt anything. A young
+cunt doesn't have to have any brains. They're better without brains. But an
+old cunt, even if she's brilliant, even if she's the most charming woman in
+the world, nothing makes any difference. A young cunt is an investment; an
+old cunt is a dead loss. All they can do for you is buy you things. But that
+doesn't put meat on their arms or juice between the legs. She isn't bad,
+Irene. In fact, I think you'd like her. With you it's different. You don't
+have to fuck her. You can afford to like her. Maybe you wouldn't like all
+those dresses and the bottles and what not, but you could be tolerant. She
+wouldn't bore you, that I can tell you. She's even interesting, I might say.
+But she's withered. Her breasts are all right yet -- but her arms! I told her
+I'd bring you around some day. I talked a lot about you ... I didn't know
+what to say to her. Maybe you'd like her, especially when she's dressed. I
+don't know ..."
+
+"Listen, she's rich, you say? I'll like her! I don't care how old she is, so
+long as she's not a hag ..."
+
+"She's not a hag! What are you talking about? She's charming, I tell you.
+She talks well. She looks well too ... only her arms ..."
+
+"All right, if that's how it is, I'll fuck her -- if you don't want
+to. Tell her that. Be subtle about it, though. With a woman like that you've
+got to do things slowly. You bring me around and let things work out for
+themselves. Praise the shit out of me. Act jealous like ... Shit, maybe we'll
+fuck her together ... and we'll go places and we'll eat together ... and
+we'll drive and hunt and wear nice things. If she wants to go to Borneo let
+her take us along. I don't know how to shoot either, but that doesn't matter.
+She doesn't care about that either. She just wants to be fucked that's all.
+You're talking about her arms all the time. You don't have to look at her
+arms all the time, do you? Look at this bedspread! Look at the mirror! Do you
+call this living? Do you want to go on being delicate and live like a louse
+all your life? You can't even pay your hotel bill ... and you've got a job
+too. This is no way to live. I don't care if she's seventy years old -- it's
+better than this ..."
+
+"Listen, Joe, you fuck her for me ... then everything'll be fine. Maybe
+I'll fuck her once in a while too ... on my night off. It's four days now
+since I've had a good shit. There's something sticking to me, like grapes ..."
+
+"You've got the piles, that's what."
+
+"My hair's falling out too ... and I ought to see the dentist. I feel as
+though I were falling apart. I told her what a good guy you are ... You'll
+do things for me, eh? You're not too delicate, eh? If we go to Borneo I
+won't have haemorrhoids any more. Maybe I'll develop something else ...
+something worse ... fever perhaps ... or cholera. Shit, it is better to die
+of a good disease like that than to piss your life away on a newspaper with
+grapes up your ass and buttons falling off your pants. I'd like to be rich,
+even if it were only for a week, and then go to a hospital with a good
+disease, a fatal one, and have flowers in the room and nurses dancing
+around and telegrams coming. They take good care of you if you're rich. They
+wash you with cotton batting and they comb your hair for you. Shit, I know
+all that. Maybe I'd be lucky and not die at all. Maybe I'd be a cripple all
+my life .. . maybe I'd be paralyzed and have to sit in a wheel-chair. But
+then I'd be taken care of just the same ... even if I had no more money. If
+you're an invalid -- a real one -- they don't let you starve. And you get
+a clean bed to lie in ... and they change the towels every day. This way
+nobody gives a fuck about you, especially if you have a job. They think a
+man should be happy if he's got a job. What would you rather do -- be a
+cripple all your life, or have a job ... or marry a rich cunt? You'd rather
+marry a rich cunt, I can see that. You only think about food. But supposing
+you married her and then you couldn't get a hard-on any more -- that happens
+sometimes -- what would you do then? You'd be at her mercy. You'd have to eat
+out of her hand, like a little poodle dog. You'd like that, would you? Or
+maybe you don't think of those things? I think of everything. I
+think of the suits I'd pick out and the places I'd like to go to, but I also
+think of the other thing. That's the important thing. What good are the
+fancy ties and the fine suits if you can't get a hard-on any more? You
+couldn't even betray her -- because she'd be on your heels all the time. No,
+the best thing would be to marry her and then get a disease right away. Only
+not syphilis. Cholera, let's say, or yellow fever. So that if a miracle did
+happen and your life was spared you'd be a cripple for the rest of your
+days. Then you wouldn't have to worry about fucking her any more, and you
+wouldn't have to worry about the rent either. She'd probably buy you a fine
+wheel-chair with rubber tires and all sorts of levers and what not. You
+might even be able to use your hands -- I mean enough to be able to write. Or
+you could have a secretary, for that matter. That's it -- that's the best
+solution for a writer. What does a guy want with his arms and legs? He
+doesn't need arms and legs to write with. He needs security ... peace ...
+protection. All those heroes who parade in wheel-chairs -- it's too bad
+they're not writers. If you could only be sure, when you go off to war,
+that you'd have only your legs blown off ... if you could be sure of that
+I'd say let's have a war tomorrow. I wouldn't give a fuck about the
+medals -- they could keep the medals. All I'd want is a good wheel-chair and
+three meals a day. Then I'd give them something to read, those pricks!"
+
+The following day, at one-thirty, I call on Van Norden. It's his day off, or
+rather his night off. He has left word with Carl that I am to help him move
+today.
+
+I find him in a state of unusual depression. He hasn't slept a wink all
+night, he tells me. There's something on his mind, something that's eating
+him up. It isn't long before I discover what it is; he's been waiting
+impatiently for me to arrive in order to spill it.
+
+"That guy," he begins, meaning Carl, "that guy's an artist. He described
+every detail minutely. He told it to me with such accuracy that I know it's
+all a god-damned lie ... but I can't dismiss it from my mind. You know how
+my minds works!"
+
+He interrupts himself to inquire if Carl has told me the whole story. There
+isn't the least suspicion in his mind that Carl may have told me one thing
+and him another. He seems to think that the story was invented expressly to
+torture him. He doesn't seem to mind so much that it's a
+fabrication. It's the "images," as he says, which Carl left in his mind,
+that get him. The images are real, even if the whole story is false. And
+besides, the fact that there actually is a rich cunt on the scene and that
+Carl actually paid her a visit, that's undeniable. What actually happened is
+secondary; he takes it for granted that Carl put the boots to her. But what
+drives him desperate is the thought that what Carl has described to him
+might have been possible.
+
+"It's just like that guy," he says, "to tell me he put it to her six or
+seven times. I know that's a lot of shit and I don't mind that so much, but
+when he tells me that she hired a carriage and drove him out to the Bois and
+that they used the husband's fur-coat for a blanket, that's too much. I
+suppose he told you about the chauffeur waiting respectfully ... and listen,
+did he tell you how the engine purred all the time? Jesus, he built that up
+wonderfully. It's just like him to think of a detail like that ... it's one
+of those little details which makes a thing psychologically real ... you
+can't get it out of your head afterwards. And he tells it to me so smoothly,
+so naturally ... I wonder, did he think it up in advance or did it just pop
+out of his head like that, spontaneously? He's such a cute little liar you
+can't walk away from him ... it's like he's writing you a letter, one of
+those flower-pots that he makes overnight. I don't understand how a guy can
+write such letters ... I don't get the mentality behind it ... it's a form a
+masturbation ... what do you think?"
+
+But before I have an opportunity to venture an opinion, or even to laugh in
+his face, Van Norden goes on with his monologue.
+
+"Listen, I suppose he told you everything ... did he tell you how he stood
+on the balcony in the moonlight and kissed her? That sounds banal when you
+repeat it, but the way that guy describes it ... I can just see the little
+prick standing there with the woman in his arms and already he's writing
+another letter to her, another flower-pot about the roof-tops and all that
+crap he steals from his French authors. That guy never says a thing that's
+original, I found that out. You have to get a clue like ... find out whom
+he's been reading lately ... and it's hard to do that because he's so damned
+secretive. Listen, if I didn't know that you went there with him, I wouldn't
+believe that the woman existed. A guy like that could write letters to
+himself. And yet he's lucky ... he's so damned tiny, so frail, so romantic-looking,
+that women fall for him now and then ... they sort of adopt him ... they feel
+sorry for him, I guess. And some cunts like to receive flower-pots ... it
+makes them feel important ... But this woman's an intelligent woman, so he
+says. You ought to know, you've seen her letters. What do you suppose a woman
+like that saw in him? I can understand her falling for the letters ... but
+how do you suppose she felt when she saw him?
+
+"But listen, all that's beside the point. What I'm getting at is the way he
+tells it to me. You know how he embroiders things ... well, after that scene
+on the balcony -- he gives me that like an hors d'oeuvre, you know -- after
+that, so he says, they went inside and he unbuttoned her pajamas. What are
+you smiling for? Was he shitting me about that?"
+
+"No, no! You're giving it to me exactly as he told me. Go ahead ..."
+
+"After that" -- here Van Norden has to smile himself -- "after that, mind you,
+he tells me how she sat in the chair with her legs up ... not a stitch on
+... and he's sitting on the floor looking up at her, telling her how
+beautiful she looks ... did he tell you that she looked like a Matisse ...
+Wait a minute ... I'd like to remember exactly what he said. He had some
+cute little phrase there about an odalisque ... what the hell's an
+odalisque anyway? He said it in French, that's why it's hard to remember the
+fucking thing ... but it sounded good. It sounded just like the sort of
+thing he might say. And she probably thought it was original with him ... I
+suppose she thinks he's a poet or something. But listen, all this is nothing
+... I make allowance for his imagination. It's what happened after that
+that drives me crazy. All night long I've been tossing about, playing with
+these images he left in my mind. I can't get it out of my head. It sounds so
+real to me that if it didn't happen I could strangle the bastard. A guy has
+no right to invent things like that. Or else he's diseased ...
+
+"What I'm getting at is that moment when, he says, he got down on his knees
+and with those two skinny fingers of his he spread her cunt open. You
+remember that? He says she was sitting there with her legs dangling over the
+arms of the chair and suddenly, he says, he got an inspiration. This was
+after he had given her a couple of lays already ... after he had made that
+little spiel about Matisse. He gets down on his knees -- get this! -- and
+with his two fingers ... just the tips of them, mind you ... he opens the
+little petals ... squish-squish ... just like that. A sticky little
+sound ... almost inaudible. Squish-squish! Jesus, I've been hearing
+it all night long! And then he says -- as if that weren't enough for me -- then
+he tells me he buried his head in her muff. And when he did that, so help me
+Christ, if she didn't swing her legs around his neck and lock him there.
+That finished me! Imagine it! Imagine a fine, sensitive woman like
+that swinging her legs around his neck\ There's something poisonous
+about it. It's so fantastic that it sounds convincing. If he had only told
+me about the champagne and the ride in the Bois and even that scene on the
+balcony I could have dismissed it. But this thing is so incredible that it
+doesn't sound like a lie, any more. I can't believe that he ever read
+anything like that anywhere, and I can't see what could have put the idea
+into his head unless there was some truth in it. With a little prick like
+that, you know, anything can happen. He may not have fucked her at all, but
+she may have let him diddle her ... you never know with these rich cunts
+what they might expect you to do ..."
+
+When he finally pulls himself out of bed and starts to shave the afternoon
+is already well advanced. I've finally succeeded in switching his mind to
+other things, to the moving principally. The maid comes in to see if he's
+ready -- he's supposed to have vacated the room by noon. He's just in the act
+of slipping into his trousers. I'm a little surprised that he doesn't
+excuse himself, or turn away. Seeing him standing there nonchalantly
+buttoning his fly as he gives her orders I begin to titter. "Don't mind
+her," he says, throwing her a look of supreme contempt, "she's just a big
+sow. Give her a pinch in the ass, if you like. She won't say anything." And
+then addressing her, in English, he says: "Come here, you bitch, put your
+hand on this!" At this I can't restrain myself any longer. I burst out
+laughing, a fit of hysterical laughter which infects the maid also, though
+she doesn't know what it's all about.
+
+
+The maid commences to take down the pictures and photographs, mostly of
+himself, which line the walls. "You," he says, jerking his thumb,
+"come here! Here's something to remember me by" -- ripping a photograph off
+the wall -- "when I go you can wipe your ass with it. See," he says, turning
+to me, "she's a dumb bitch. She wouldn't look any more intelligent if I said
+it in French." The maid stands there with her mouth open; she is evidently
+convinced that he is cracked. "Hey!" he yells at her as if she were hard of
+healing. "Hey, you! Yes, you! Like this ... !" and he takes
+the photograph, his own photograph, and wipes his ass with it. "Comme
+ca! Savvy? You've got to draw pictures for her," he says, thrusting his
+lower lip forward in absolute disgust.
+
+He watches her helplessly as she throws his things into the big valises.
+"Here, put these in too," he says, handing her a tooth-brush and the
+douche-bag. Half of his belongings are lying on the floor. The valises are
+crammed full and there is nowhere to put the paintings and the books and the
+bottles that are half empty. "Sit down a minute," he says. "We've got plenty
+of time. We've got to think this thing out. If you hadn't come around I'd
+never have gotten out of here. You see how helpless I am. Don't let me
+forget to take the bulbs out ... they belong to me. That waste-basket
+belongs to me too. They expect you to live like pigs, these bastards." The
+maid has gone downstairs to get some twine ... "Wait till you see ...
+she'll charge me for the twine even if it's only three sous. They wouldn't
+sew a button on your pants here without charging for it. The lousy, dirty
+scroungers!" He takes a bottle of Calvados from the mantelpiece and nods to
+me to grab the other. "No use carrying these to the new place. Let's finish
+them off now. But don't give her a drink! That bastard, I wouldn't
+leave her a piece of toilet-paper. I'd like to ruin the joint before I go.
+Listen ... piss on the floor, if you like. I wish I could take a crap in the
+bureau drawer." He feels so utterly disgusted with himself and everything
+else that he doesn't know what to do by way of venting his feelings. He
+walks over to the bed with the bottle in his hand and pulling back the
+covers he sprinkles Calvados over the mattress. Not content with that he
+digs his heel into the mattress. Unfortunately there's no mud
+on his heels. Finally he takes the sheet and cleans his shoes with it.
+"That'll give them something to do," he mutters vengefully. Then, taking a
+good swig, he throws his head back and gargles his throat, and after he's
+gargled it good and proper he spits it out on the mirror. "There, you cheap
+bastards! Wipe that off when I go!" He walks back and forth mumbling to
+himself. Seeing his torn socks lying on the floor he picks them up and tears
+them to bits. The paintings enrage him too. He picks one up -- a portrait of
+himself done by some Lesbian he knew and he puts his foot through it. "That
+bitch! You know what she had the nerve to ask me? She asked me to turn over
+my cunts to her after I was through with them. She never gave me a sou for
+writing her up. She thought I honestly admired her work. I wouldn't have
+gotten that painting out of her if I hadn't promised to fix her up with that
+cunt from Minnesota. She was nuts about her ... used to follow us around
+like a dog in heat ... we couldn't get rid of the bitch! She bothered the
+life out of me. I got so that I was almost afraid to bring a cunt up here
+for fear that she'd bust in on me. I used to creep up here like a burglar
+and lock the door behind me as soon as I got inside ... She and that Georgia
+cunt -- they drive me nuts. The one is always in heat and the other is always
+hungry. I hate fucking a woman who's hungry. It's like you push a feed
+inside her and then you push it out again ... Jesus, that reminds me of
+something ... where did I put that blue ointment? That's important. Did you
+ever have those things? It's worse than having a dose. And I don't know
+where I got them from either. I've had so many women up here in the last
+week or so I've lost track of them. Funny too, because they all smelled so
+fresh. But you know how it is ..."
+
+The maid has piled his things up on the sidewalk. The patron looks on
+with a surly air. When everything has been loaded into the taxi there is only
+room for one of us inside. As soon as we commence to roll Van Norden gets out
+a newspaper and starts bundling up his pots and pans; in the new place all
+cooking is strictly forbidden. By the time we reach our destination all his
+luggage has come undone; it wouldn't be quite so embarrassing if the madame
+had not stuck her head out of the doorway just as we rolled up. "My God!" she
+exclaims, "what in the devil is all this? What does it mean?" Van Norden is
+so intimidated that he can think of nothing more to say than "C'est moi
+... c'est moi, madame!" And turning to me he mumbles savagely: "That
+cluck! Did you notice her face? She's going to make it hard for me."
+
+The hotel lies back of a dingy passage and forms a rectangle very much on
+the order of a modern penitentiary. The bureau is large and gloomy, despite
+the brilliant reflections from the tile walls. There are bird cages hanging
+in the windows and little enamel signs everywhere begging the guests in an
+obsolete language not to do this and not to forget that. It is almost
+immaculately clean but absolutely poverty-stricken, threadbare, woe-begone.
+The upholstered chairs are held together with wired thongs;
+they remind one unpleasantly of the electric chair. The room he is going to
+occupy is on the fifth floor. As we climb the stairs Van Norden informs me
+that Maupassant once lived here. And in the same breath he remarks that
+there is a peculiar odor in the hall. On the fifth floor a few window-panes
+are missing; we stand a moment gazing at the tenants across the court. It
+is getting toward dinner-time and people are straggling back to their rooms
+with that weary, dejected air which comes from earning a living honestly.
+Most of the windows are wide open: the dingy rooms have the appearance of so
+many yawning mouths. The occupants of the rooms are yawning too, or else
+scratching themselves. They move about listlessly and apparently without
+much purpose; they might just as well be lunatics.
+
+As we turn down the corridor towards room 57, a door suddenly opens in front
+of us and an old hag with matted hair and the eyes of a maniac peers out.
+She startles us so that we stand transfixed. For a full minute the three of
+us stand there powerless to move or even to make an intelligent gesture.
+Back of the old hag I can see a kitchen table and on it lies a baby all
+undressed, a puny little brat no bigger than a plucked chicken. Finally the
+old one picks up a slop-pail by her side and makes a move forward. We stand
+aside to let her pass and as the door closes behind her the baby lets out a
+piercing scream. It is room number 56, and between 56 and 57 is the toilet
+where the old hag is emptying her slops.
+
+Ever since we have mounted the stairs Van Norden has kept silence. But his
+looks are eloquent. When he opens the door of 57 I have for a fleeting moment
+the sensation of going mad. A huge mirror covered with green gauze and tipped
+at an angle of 45 degrees hangs directly opposite the entrance over a
+baby-carriage which is filled with books. Van Norden doesn't even crack a
+smile; instead he walks nonchalantly over to the baby-carriage and picking up
+a book begins to skim it through, much as a man would enter the public
+library and go unthinkingly to the rack nearest to hand. And perhaps this
+would not seem so ludicrous to me if I had not espied at the same time a pair
+of handle-bars resting in the corner. They look so absolutely peaceful and
+contented, as if they had been dozing there for years, that suddenly it seems
+to me as if we had been standing in this room, in exactly this position, for
+an incalculably long time, that it was a pose we had struck in a dream from
+which we never emerged, a dream which the least gesture, the wink of an eye
+even, will shatter. But more remarkable still is the remembrance that
+suddenly floats up of an actual dream which occurred only the other night, a
+dream in which I saw Van Norden in just such a corner as is occupied now by
+the handle-bars, only instead of the handle-bars there was a woman crouching
+with her legs drawn up. I see him standing over the woman with that alert,
+eager look in his eye, which comes when he wants something badly. The street
+in which this is going on is blurred -- only the angle made by two walls is
+clear, and the cowering figure of the woman. I can see him going at her in
+that quick, animal way of his, reckless of what's going on about him,
+determined only to have his way. And a look in his eye as though to say --
+"you can kill me afterwards, but just let me get it in ... I've got to get it
+in!" And there he is, bent over her, their heads knocking against the wall,
+he has such a tremendous erection that it's simply impossible to get it in
+her. Suddenly, with that disgusted air which he knows so well how to summon,
+he picks himself up and adjusts his clothes. He is about to walk away when
+suddenly he notices that his penis is lying on the sidewalk. It is about the
+size of a sawed-off broom-stick. He picks it up nonchalantly and slings it
+under his arm. As he walks off I notice two huge bulbs, like tulip bulbs,
+dangling from the end of the broom-stick, and I can hear him muttering to
+himself "flower-pots ... flower-pots."
+
+The garcon arrives panting and sweating. Van Norden looks at him
+uncomprehendingly. The madame now marches in and walking straight up to Van
+Norden she takes the book out of his hand, thrusts it in the baby-carriage,
+and without saying a word, wheels the baby-carriage into the hallway.
+
+"This is a bug-house," says Van Norden, smiling distressedly. It is such a
+faint, indescribable smile that for a moment the dream feeling comes back
+and it seems to me that we are standing at the end of a long corridor at the
+end of which is a corrugated mirror. And down this corridor, swinging his
+distress like a dingy lantern. Van Norden staggers, staggers in and out as
+here and there a door opens and a hand yanks him in or a hoof pushes him
+out. And the further off he wanders the more lugubrious is his distress; he
+wears it like a lantern which the cyclists hold between their teeth on a
+night when the pavement is wet and slippery. In and out of the dingy rooms
+he wanders, and when he sits down the chair collapses, when he opens his
+valise there is only a tooth-brush inside. In every room there is a mirror
+before which he stands attentively and chews his rage, and from the
+constant chewing, from the grumbling and mumbling and the muttering and
+cursing his jaws have gotten unhinged and they sag badly and, when he rubs
+his beard, pieces of his jaw crumble away and he's so disgusted with himself
+that he stamps on his own jaw, grinds it to bits with his big heels.
+
+Meanwhile the luggage is being hauled in. And things begin to look crazier
+even than before -- particularly when he attaches his exerciser to the
+bedstead and begins his Sandow exercises. "I like this place," he says,
+smiling at the garcon. He takes his coat and vest off. The
+garcon is watching him with a puzzled air; he has a valise in one hand
+and the douche-bag in the other. I'm standing apart in the ante-chamber
+holding the mirror with the green gauze. Not a single object seems to possess
+a practical use. The ante-chamber itself seems useless, a sort of vestibule
+to a barn. It is exactly the same sort of sensation which I get when I enter
+the Comedie Francaise or the Palais Royal Theatre; it is a world of
+bric-a-brac, of trapdoors, of arms and busts and waxed floors, of candelabras
+and men in armor, of statues without eyes and love letters lying in glass
+cases. Something is going on, but it makes no sense; it's like finishing the
+half-empty bottle of Calvados because there's no room in the valise.
+
+Climbing up the stairs, as I said a moment ago, he had mentioned the fact
+that Maupassant used to live here. The coincidence seems to have made an
+impression upon him. He would like to believe that it was in this very room
+that Maupassant gave birth to some of those gruesome tales on which his
+reputation rests. "They lived like pigs, those poor bastards," he says. We
+are sitting at the round table in a pair of comfortable old arm-chairs that
+have been trussed up with thongs and braces; the bed is right beside as, so
+close indeed that we can put our feet on it. The armoire stands in a
+corner behind us, also conveniently within reach. Van Norden has emptied his
+dirty wash on the table; we sit here with our feet buried in his dirty socks
+and shirts, and smoke contentedly. The sordidness of the place seems to have
+worked a spell on him: he is content here. When I get up to switch on the
+light he suggests that we play a game of cards before going out to
+eat. And so we sit there by the window, with the dirty wash strewn
+over the floor and the Sandow exerciser hanging from the chandelier, and we
+play a few rounds of two-handed pinochle. Van Norden has put away his pipe
+and packed a wad of snuff on the under side of his lower lip. Now and then
+he spits out of the window, big healthy gobs of brown juice which resound
+with a smack on the pavement below. He seems content now.
+
+"In America," he says, "you wouldn't dream of living in a joint like this.
+Even when I was on the bum I slept in better rooms than this. But here it
+seems natural -- it's like the books you read. If I ever go back there I'll
+forget all about this life, just like you forget a bad dream. I'll probably
+take up the old life again just where I left off... if I ever get back.
+Sometimes I lie in bed dreaming about the past and it's so vivid to me that I
+have to shake myself in order to realize where I am. Especially when I have a
+woman beside me; a woman can set me off better than anything. That's all I
+want of them -- to forget myself. Sometimes I get so lost in my reveries that
+I can't remember the name of the cunt or where I picked her up. That's funny,
+eh? It's good to have a fresh warm body beside you when you wake up in the
+morning. It gives you a clean feeling. You get spiritual like ... until they
+start pulling that mushy crap about love et cetera. Why do all these cunts
+talk about love so much, can you tell me that? A good lay isn't enough for
+them apparently ... they want your soul too ..."
+
+Now this word soul, which pops up frequently in Van Norden's soliloquies,
+used to have a droll effect upon me at first. Whenever I heard the word soul
+from his lips I would get hysterical; somehow it seemed like a false coin,
+more particularly because it was usually accompanied by a gob of brown
+juice which left a trickle down the corner of his mouth. And as I never
+hesitated to laugh in his face it happened invariably that when this little
+word bobbed up Van Norden would pause just long enough for me to burst into
+a cackle and then, as if nothing had happened, he would resume his
+monologue, repeating the word more and more frequently and each time with a
+more caressing emphasis. It was the soul of him that women were trying to
+possess -- that he made clear to me. He had explained it over and over again,
+but he comes back to it afresh each time like a paranoiac to his obsession.
+In a sense Van Norden is mad, of that I'm convinced. His one fear is to be
+left alone, and this fear is so deep and so persistent that even when he is
+on top of a woman, even when he has welded himself to her, he cannot escape
+the prison which he has created for himself. "I try all sorts of things," he
+explains to me. "I even count sometimes, or I begin to think of a problem in
+philosophy, but it doesn't work. It's like I'm two people, and one of them
+is watching me all the time. I get so god-damned mad at myself that I could
+kill myself ... and in a way, that's what I do every time I have an orgasm.
+For one second like I obliterate myself. There's not even one me then ...
+there's nothing ... not even the cunt. It's like receiving communion.
+Honest, I mean that. For a few seconds afterwards I have a fine spiritual
+glow ... and maybe it would continue that way indefinitely -- how can you
+tell? -- if it weren't for the fact that there's a woman beside you and then
+the douche-bag and the water running ... all those little details that make
+you desperately self-conscious, desperately lonely. And for that one moment
+of freedom you have to listen to all that love crap ... it drives me nuts
+sometimes ... I want to kick them out immediately ... I do now and then. But
+that doesn't keep them away. They like it, in fact. The less you notice them
+the more they chase after you. There's something perverse about women ...
+they're all masochists at heart."
+
+"But what is it you want of a woman, then?" I demand.
+
+   He begins to mould his hands; his lower lip droops. He looks completely
+frustrated. When eventually he succeeds in stammering out a few broken
+phrases it's with the conviction that behind his words lies an overwhelming
+futility. "I want to be able to surrender myself to a woman," he blurts out.
+"I want her to take me out of myself. But to do that, she's got to be better
+than I am; she's got to have a mind, not just a cunt. She's got to make me
+believe that I need her, that I can't live without her. Find me a cunt like
+that, will you? If you could do that I'd give you my job. I wouldn't care
+then what happened to me: I wouldn't need a job or friends or books or
+anything. If she could only make me believe that there was something more
+important on earth than myself. Jesus, I hate myself! But I hate these
+bastardly cunts even more -- because they're none of them any good.
+
+  "You think I like myself," he continues. "That shows how little you know
+about me. I know I'm a great guy ... I wouldn't have these problems if there
+weren't something to me. But what eats me up is that I can't express myself.
+People think I'm a cunt-chaser. That's how shallow they are, these high-brows
+who sit on the terrasse all day chewing the psychologic cud ... That's
+not so bad, eh -- psychologic cud? Write it down for me. I'll use it in my
+column next week ... By the way, did you ever read Stekel? Is he any good? It
+looks like nothing but case histories to me. I wish to Christ I could get up
+enough nerve to visit an analyst... a good one, I mean. I don't want to see
+these little shysters with goatees and frock coats, like your friend Boris.
+How do you manage to tolerate those guys? Don't they bore you stiff? You talk
+to anybody, I notice. You don't give a god-damn. Maybe you're right. I wish I
+weren't so damned critical. But these dirty little Jews who hang around the
+Dome, Jesus, they give me the creeps. They sound just like textbooks. If I
+could talk to you every day maybe I could get things off my chest. You're a
+good listener. I know you don't give a damn about me, but you're patient. And
+you don't have any theories to exploit. I suppose you put it all down
+afterwards in that notebook of yours. Listen, I don't mind what you say about
+me, but don't make me out to be a cunt-chaser -- it's too simple. Some day
+I'll write a book about myself, about my thoughts. I don't mean just a piece
+of introspective analysis ... I mean that I'll lay myself down on the
+operating table and I'll expose my whole guts ... every god-damned thing. Has
+anybody ever done that before? -- What the hell are you smiling at? Does it
+sound naif?"
+
+I'm smiling because whenever we touch on the subject of this book which he is
+going to write some day things assume an incongruous aspect. He has only to
+say "my book" and immediately the world shrinks to the private dimensions of
+Van Norden and Co. The book must be absolutely original, absolutely perfect.
+That is why, among other things, it is impossible for him to get started on
+it. As soon as he gets an idea he begins to question it. He remembers that
+Dostoievski used it, or Hamsun, or somebody else. "I'm not saying that I want
+to be better than them, but I want to be different," he explains. And so,
+instead of tackling his book, he reads one author after another in order to
+make absolutely certain that he is not going to tread on their private
+property. And the more he reads the more disdainful he becomes. None of them
+are satisfying; none of them arrive at that degree of perfection which he has
+imposed on himself. And forgetting completely that he has not written as much
+as a chapter he talks about them condescendingly, quite as though there
+existed a shelf of books bearing his name, books which everyone is familiar
+with and the titles of which it is therefore superfluous to mention. Though
+he has never overtly lied about this fact, nevertheless it is obvious that
+the people whom he buttonholes in order to air his private philosophy, his
+criticism, and his grievances, take it for granted that behind his loose
+remarks there stands a solid body of work. Especially the young and foolish
+virgins whom he lures to his room on the pretext of reading to them his
+poems, or on the still better pretext of asking their advice. Without the
+least feeling of guilt or self-consciousness he will hand them a piece of
+soiled paper on which he has scribbled a few lines -- the basis of a new
+poem, as he puts it -- and with absolute seriousness demand of them an honest
+expression of opinion. As they usually have nothing to give by way of
+comment, wholly bewildered as they are by the utter senselessness of the
+lines. Van Norden seizes the occasion to expound to them his view of art, a
+view, needless to say, which is spontaneously created to suit the event. So
+expert has he become in this role that the transition from Ezra Pound's
+cantos to the bed is made as simply and naturally as a modulation from one
+key to another; in fact, if it were not made there would be a discord, which
+is what happens now and then when he makes a mistake as regards those
+nit-wits whom he refers to as "push-overs." Naturally, constituted as he is,
+it is with reluctance that he refers to these fatal errors of judgment. But
+when he does bring himself to confess to an error of this kind it is with
+absolute frankness; in fact, he seems to derive a perverse pleasure in
+dwelling upon his inaptitude. There is one woman, for example, whom he has
+been trying to make for almost ten years now -- first in America, and finally
+here in Paris. It is the only person of the opposite sex with whom he has a
+cordial, friendly relationship. They seem not only to like each other, but to
+understand each other. At first it seemed to me that if he could really make
+this creature his problem might be solved. All the elements for a successful
+union were there -- except the fundamental one. Bessie was almost as unusual
+in her way as himself. She had as little concern about giving herself to a
+man as she has about the dessert which follows the meal. Usually she singled
+out the object of her choice and made the proposition herself. She was not
+bad-looking, nor could one say that she was good-looking either. She had a
+fine body, that was the chief thing -- and she liked it, as they say.
+
+They were so chummy, these two, that sometimes, in order to gratify her
+curiosity (and also in the vain hope of inspiring her by his prowess). Van
+Norden would arrange to hide her in his closet during one of his seances.
+After it was over Bessie would emerge from her hiding-place and they would
+discuss the matter casually, that is to say, with an almost total
+indifference to everything except "technique." Technique was one of her
+favorite terms, at least in those discussions which I was privileged to
+enjoy. "What's wrong with my technique?" he would say. And Bessie would
+answer: "You're too crude. If you ever expect to make me you've got to
+become more subtle."
+
+There was such a perfect understanding between them, as I say, that often
+when I called for Van Norden at one-thirty, I would find Bessie sitting on
+the bed, the covers thrown back and Van Norden inviting her to stroke his
+penis ... "just a few silken strokes," he would say, "so as I'll have the
+courage to get up." Or else he would urge her to blow on it, or failing
+that, he would grab hold of himself and shake it like a dinner-bell, the two
+of them laughing fit to die. "I'll never make this bitch," he would say.
+"She has no respect for me. That's what I get for taking her into my
+confidence." And then abruptly he might add: "What do you make of that
+blonde I showed you yesterday?" Talking to Bessie, of course. And Bessie
+would jeer at him, telling him he had no taste. "Aw, don't give me that
+line," he would say. And then playfully, perhaps for the thousandth time,
+because by now it had become a standing joke between them -- "Listen, Bessie,
+what about a quick lay? Just one little lay ... no." And when this had
+passed off in the usual manner he would add, in the same tone: "Well, what
+about him? Why don't you give him a lay?"
+
+The whole point about Bessie was that she couldn't, or just wouldn't, regard
+herself as a lay. She talked about passion, as if it were a brand new word.
+She was passionate about things, even a little thing like a lay. She had to
+put her soul into it.
+
+"I get passionate too sometimes," Van Norden would say.
+
+"Oh, you," says Bessie. You're just a worn-out satyr. You don't know
+the meaning of passion. When you get an erection you think you're
+passionate."
+
+"All right, maybe it's not passion ... but you can't get passionate
+without having an erection, that's true isn't it?"
+
+All this about Bessie, and the other women whom he drags to this room day in
+and out, occupies my thoughts as we walk to the restaurant. I have adjusted
+myself so well to his monologues that without interrupting my own reveries I
+make whatever comment is required automatically, the moment I hear his
+voice die out. It is a duet, and like most duets moreover in that one
+listens attentively only for the signal which announces the advent of one's
+own voice. As it is his night off, and as I have promised to keep him
+company, I have already dulled myself to his queries. I know that before the
+evening is over I shall be thoroughly exhausted; if I am lucky, that is, if
+I can worm a few francs out of him on some pretext or other, I will duck him
+the moment he goes to the toilet. But he knows my propensity for slipping
+away, and, instead of being insulted, he simply provides against the
+possibility by guarding his sous. If I ask him for money to buy cigarettes
+he insists on going with me to purchase them. He will not be left alone, not
+for a second. Even when he has succeeded in grabbing off a woman, even then
+he is terrified to be left alone with her. If it were possible he would have
+me sit in the room while he puts on the performance. It would be like asking
+me to wait while he took a shave.
+
+On his night off Van Norden generally manages to have at least fifty francs
+in his pocket, a circumstance which does not prevent him from making a touch
+whenever he encounters a prospect. "Hello," he says, "give me twenty francs
+... I need it." He has a way of looking panic-stricken at the same time. And
+if he meets with a rebuff he becomes insulting. "Well, you can buy a drink
+at least." And when he gets his drink he says more graciously -- "Listen, give
+me five francs then ... give me two francs ..." We go from bar to bar
+looking for a little excitement and always accumulating a few more francs.
+At the Coupole we stumble into a drunk from the newspaper. One of the
+upstairs guys. There's just been an accident at the office, he informs us.
+One of the proofreaders fell down the elevator shaft. Not expected to live.
+
+At first Van Norden is shocked, deeply shocked. But when he learns that it
+was Peckover, the Englishman, he looks relieved. "The poor bastard," he
+says, "he's better off dead than alive. He just got his false teeth the
+other day too ..."
+
+The allusion to the false teeth moves the man upstairs to tears. He relates
+in a slobbery way a little incident connected with the accident. He is
+upset about it, more upset about this little incident than about the
+catastrophe itself. It seems that Peckover, when he hit the bottom of the
+shaft, regained consciousness before anyone could reach him. Despite the
+fact that his legs were broken and his ribs busted, he had managed to rise
+to all fours and grope about for his false teeth. In the ambulance he was
+crying out in his delirium for the teeth he had lost. The incident was
+pathetic and ludicrous at the same time. The guy from upstairs hardly knew
+whether to laugh or to weep as he related it. It was a delicate moment
+because with a drunk like that one false move and he'd crash a bottle over
+your skull. He had never been particularly friendly with Peckover -- as a
+matter of fact, he had scarcely ever set foot in the proof-reading
+department: there was an invisible wall between the guys upstairs and the
+guys down below. But now, since he had felt the touch of death, he wanted to
+display his comradeship. He wanted to weep, if possible, to show that he was
+a regular guy. And Joe and I, who knew Peckover well and who knew also that
+he wasn't worth a good god-damn, even a few tears, we felt annoyed with this
+drunken sentimentality. We wanted to tell him so too, but with a guy like
+that you can't afford to be honest; you have to buy a wreath and go to the
+funeral and pretend that you're miserable. And you have to congratulate him
+too for the delicate obituary he's written. He'll be carrying his delicate
+little obituary around with him for months, praising the shit out of himself
+for the way he handled the situation. We felt all that, Joe and I, without
+saying a word to each other. We just stood there and listened with a
+murderous, silent contempt. And as soon as we could break away we did so; we
+left him there at the bar blubbering to himself over his Pernod.
+
+Once out of his sight we began to laugh hysterically. The false teeth! No
+matter what we said about the poor devil, and we said some good things about
+him too, we always came back to the false teeth. There are people in this
+world who cut such a grotesque figure that even death renders them
+ridiculous. And the more horrible the death the more ridiculous they seem.
+It's no use trying to invest the end with a little dignity -- you have to be a
+liar and a hypocrite to discover anything tragic in their going. And since
+we didn't have to put on a false front we could laugh about the incident to
+our heart's content. We laughed all night about it, and in between times, we
+vented our scorn and disgust for the guys upstairs, the fat-heads who were
+trying to persuade themselves, no doubt, that Peckover was a fine fellow and
+that his death was a catastrophe. All sorts of funny recollections came to
+our minds -- the semicolons that he overlooked and for which they bawled the
+piss out of him. They made his life miserable with their rucking little
+semi-colons and the fractions which he always got wrong. They were even
+going to fire him once because he came to work with a boozy breath. They
+despised him because he always looked so miserable and because he had
+eczema and dandruff. He was just a nobody, as far as they were concerned,
+but, now that he was dead, they would all chip in lustily and buy him a huge
+wreath and they'd put his name in big type in the obituary column. Anything
+to throw a little reflection on themselves; they'd make him out to be a
+big shit if they could. But unfortunately, with Peckover, there was
+little they could invent about him. He was a zero, and even the fact that he
+was dead wouldn't add a cipher to his name.
+
+"There's only one good aspect to it," says Joe. "You may get his job. And if
+you have any luck, maybe you'll fall down the elevator shaft and break your
+neck too. We'll buy you a nice wreath, I promise you that."
+
+Towards dawn we're sitting on the terrasse of the D6me. We've
+forgotten about poor Peckover long ago.
+We've had a little excitement at the Bal Negre and Joe's mind has slipped
+back to the eternal preoccupation: cunt. It's at this hour, when his night
+off is almost concluded, that his restlessness mounts to a fever pitch. He
+thinks of the women he passed up earlier in the evening and of the steady
+ones whom he might have had for the asking, if it weren't that he was fed up
+with them. He is reminded inevitably of his Georgia cunt -- she's been
+hounding him lately, begging him to take her in, at least until she can find
+herself a job. "I don't mind giving her a feed once in a while," he says,
+"but I couldn't take her on as a steady thing . .. she'd ruin it for my
+other cunts." What gripes him most about her is that she doesn't put on any
+flesh. "It's like taking a skeleton to bed with you," he says. "The other
+night I took her on -- out of pity -- and what do you think the crazy bitch
+had done to herself? She had shaved it clean ... not a speck of hair on it!
+Did you ever have a woman who shaved her twat? It's repulsive, ain't it? And
+it's funny, too. Sort of mad like. It doesn't look like a twat any more: it's
+like a dead clam or something." He describes to me how, his curiosity
+aroused, he got out of bed and searched for his flashlight. "I made her hold
+it open and I trained the flashlight on it. You should have seen me ... it
+was comical. I got so worked up about it that I forgot all about her. I never
+in my life looked at a cunt so seriously. You'd imagine I'd never seen one
+before. And the more I looked at it the less interesting it became. It only
+goes to show that there's nothing to it after all, especially when it's
+shaved. It's the hair that makes it mysterious. That's why a statue leaves
+you cold. Only once I saw real cunt on a statue -- that was by Rodin. You
+ought to see it some time ... she has her legs spread wide apart ... I don't
+think there was any head on it. Just a cunt you might say. Jesus, it looked
+ghastly. The thing is this -- they all look alike. When you look at them with
+their clothes on you imagine all sorts of things; you give them an
+individuality like, which they haven't got, of course. There's just a crack
+there between the legs and you get all steamed up about it -- you don't even
+look at it half the time. You know it's there and all you think about is
+getting your ramrod inside; it's as though your penis did the thinking for
+you. It's an illusion! You get all burned up about nothing ... about a crack
+with hair on it, or without hair. It's so absolutely meaningless that it
+fascinated me to look at it. I must have studied it for ten minutes or more.
+When you look at it that way, sort of detached like, you get funny notions in
+your head. All that mystery about sex and then you discover that it's
+nothing, just a blank. Wouldn't it be funny if you found a harmonica inside
+... or a calendar? But there's nothing there ... nothing at all. It's
+disgusting. It almost drove me mad ... Listen, do you know what I did
+afterwards? I gave her a quick lay and then I turned my back on her. Yeah, I
+picked up a book and I read. You can get something out of a book, even a bad
+book ... but a cunt, it's just a sheer loss of time ..."
+
+It just so happened that as he was concluding his speech a whore gave us the
+eye. Without the slightest transition he says to me abruptly: "Would you
+like to give her a tumble? It won't cost much ... she'll take the two of us
+on." And without waiting for a reply he staggers to his feet and goes over
+to her. In a few minutes he comes back. "It's all fixed," he says. "Finish
+your beer. She's hungry. There's nothing doing any more at this hour ...
+she'll take the both of us for fifteen francs. We'll go to my room ... it'll
+be cheaper."
+
+On the way to the hotel the girl is shivering so that we have to stop and
+buy her a coffee. She's a rather gentle sort of creature and not at all bad
+to look at. She evidently knows Van Norden, knows there's nothing to
+expect from him but the fifteen francs. "You haven't got any dough," he
+says, mumbling to me under his breath. As I haven't a centime in my pocket I
+don't quite see the point of this, until he bursts out "For Christ's sake,
+remember that we're broke. Don't get tenderhearted when we get upstairs.
+She's going to ask you for a little extra -- I know this cunt! I could get her
+for ten francs, if I wanted to. There's no use spoiling them ..."
+
+"Il est mechant, celui-la," she says to me, gathering the drift of his
+remarks in her dull way.
+
+"Non, il n'est pas mechant, il est tres gentil."
+
+She shakes her head laughingly. "Je le connais bien, ce
+type." And then she commences a hard luck story, about the hospital
+and the back rent and the baby in the country. But she doesn't overdo it.
+She knows that our ears are stopped; but the misery is there inside her,
+like a stone, and there's no room for any other thoughts. She isn't trying
+to make an appeal to our sympathies -- she's just shifting this big weight
+inside her from one place to another. I rather like her. I hope to Christ
+she hasn't got a disease ...
+
+In the room she goes about her preparations mechanically. "There isn't a
+crust of bread about by any chance?" she inquires, as she squats over the
+bidet. Van Norden laughs at this. "Here, take a drink," he says,
+shoving a bottle at her. She doesn't want anything to drink; her stomach's
+already on the bum, she complains.
+
+"That's just a line with her," says Van Norden. "Don't let her work on your
+sympathies. Just the same. I wish she'd talk about something else. How the
+hell can you get up any passion when you've got a starving cunt on your
+hands?"
+
+Precisely! We haven't any passion either of us. And as for her, one might as
+well expect her to produce a diamond necklace as to show a spark of
+passion. But there's the fifteen francs and something has to be done about
+it. It's like a state of war; the moment the condition is precipitated
+nobody thinks about anything but peace, about getting it over with. And yet
+nobody has the courage to lay down his arms, to say, "I'm fed up with it ...
+I'm through." No, there's fifteen francs somewhere, which nobody gives a
+damn about any more and which nobody is going to get in the end anyhow, but
+the fifteen francs is like the primal cause of things and rather than listen
+to one's own voice, rather than walk out of the primal cause, one surrenders
+to the situation, one goes on butchering and butchering and the more
+cowardly one feels the more heroically does he behave, until a day when the
+bottom drops out and suddenly all the guns are silenced and the
+stretcher-bearers pick up the maimed and bleeding heroes and pin medals on
+their chest. Then one has the rest of his life to think about the fifteen
+francs. One hasn't any eyes or arms or legs, but he has the consolation of
+dreaming for the rest of his days about the fifteen francs which everybody
+has forgotten.
+
+It's exactly like a state of war -- I can't get it out of my head. The way
+she works over me, to blow a spark of passion into me, makes me think what a
+damned poor soldier I'd be if I was ever silly enough to be trapped like this
+and dragged to the front. I know for my part that I'd surrender everything,
+honor included, in order to get out of the mess. I haven't any stomach for
+it, and that's all there is to it. But she's got her mind set on the fifteen
+francs and if I don't want to fight about it she's going to make me fight.
+But you can't put fight into a man's guts if he hasn't any fight in him.
+There are some of us so cowardly that you can't even make heroes of us, not
+even if you frighten us to death. We know too much, maybe. There are some of
+us who don't live in the moment, who live a little ahead, or a little behind.
+My mind is on the peace treaty all the time. I can't forget that it was the
+fifteen francs which started all the trouble. Fifteen francs! What does
+fifteen francs mean to me, particularly since it's not my fifteen francs?
+
+Van Norden seems to have a more normal attitude about it. He doesn't care a
+rap about the fifteen francs either now; it's the situation itself which
+intrigues him. It seems to call for a show of mettle -- his manhood is
+involved. The fifteen francs are lost, whether we succeed or not. There's
+something more involved -- not just manhood perhaps, but will. It's like a
+man in the trenches again: he doesn't know any more why he should go on
+living, because if he escapes now he'll only be caught later, but he goes on
+just the same, and even though he has the soul of a cockroach and has
+admitted as much to himself, give him a gun or a knife or even just his bare
+nails, and he'll go on slaughtering and slaughtering, he'd slaughter a
+million men rather than stop and ask himself why.
+
+As I watch Van Norden tackle her, it seems to me that I'm looking at a
+machine whose cogs have slipped. Left to themselves, they could go on this
+way forever, grinding and slipping, without ever anything happening. Until a
+hand shuts the motor off. The sight of them coupled like a pair of goats
+without the least spark of passion, grinding and grinding away for no reason
+except the fifteen francs, washes away every bit of feeling I have, except
+the inhuman one of satisfying my curiosity. The girl is lying on the edge of
+the bed and Van Norden is bent over her like a satyr with his two feet
+solidly planted on the floor. I am sitting on a chair behind him, watching
+their movements with a cool, scientific detachment; it doesn't matter to me
+if it should last forever. It's like watching one of those crazy machines
+which throw the newspaper out, millions and billions and trillions of them
+with their meaningless head-lines. The machine seems more sensible, crazy as
+it is, and more fascinating to watch, than the human beings and the events
+which produced it. My interest in Van Norden and the girl is nil; if I could
+sit like this and watch every single performance going on at this minute all
+over the world my interest would be even less than nil. I wouldn't be able to
+differentiate between this phenomenon and the rain falling or a volcano
+erupting. As long as that spark of passion is missing there is no human
+significance in the performance. The machine is better to watch. And these
+two are like a machine which has slipped its cogs. It needs the touch of a
+human hand to set it right. It needs a mechanic.
+
+I get down on my knees behind Van Norden and I examine the machine more
+attentively. The girl throws, her head on one side and gives me a despairing
+look. "It's no use," she says. "It's impossible." Upon which Van Norden sets
+to work with renewed energy, just like an old billy goat. He's such an
+obstinate cuss that he'll break his horns rather than give up. And he's
+getting sore now because I'm tickling him in the rump.
+
+"For God's sake, Joe, give it up! You'll kill the poor girl."
+
+"Leave me alone," he grunts. "I almost got it in that time."
+
+The posture and the determined way in which he blurts this out suddenly
+brings to my mind, for the second time, the remembrance of my dream. Only
+now it seems as though that broomstick, which he had so nonchalantly slung
+under his arm, as he walked away, is lost forever. It is like the sequel to
+the dream -- the same Van Norden, but minus the primal cause. He's like a hero
+come back from the war, a poor maimed bastard living out the reality of his
+dreams. Wherever he sits himself the chair collapses; whatever door he
+enters the room is empty; whatever he puts in his mouth leaves a bad taste.
+Everything is just the same as
+it was before; the elements are unchanged, the dream is no different than
+the reality. Only, between the time he went to sleep and the time he woke
+up, his body was stolen. He's like a machine throwing out newspapers,
+millions and billions of them every day, and the front page is loaded with
+catastrophes, with riots, murders, explosions, collisions, but he doesn't
+feel anything. If somebody doesn't turn the switch off he'll never know
+what it means to die; you can't die if your own proper body has been stolen.
+You can get over a cunt and work away like a billy-goat until eternity; you
+can go to the trenches and be blown to bits; nothing will create that spark
+of passion if there isn't the intervention of a human hand. Somebody has to
+put his hand into the machine and let it be wrenched off if the cogs are to
+mesh again. Somebody has to do this without hope of reward, without concern
+over the fifteen francs; somebody whose chest is so thin that a medal would
+make him hunchbacked. And somebody has to throw a feed into a starving cunt
+without fear of pushing it out again. Otherwise this show'll go on forever.
+There's no way out of the mess ...
+
+After sucking the boss's ass for a whole week -- it's the thing to do here --
+I managed to land Peckover's job. He died all right, the poor devil, a few
+hours after he hit the bottom of the shaft. And just as I predicted, they
+gave him a fine funeral, with solemn mass, huge wreaths, and everything.
+Tout compris. And after the ceremonies they regaled themselves, the
+upstairs guys, at a bistrot. It was too bad Peckover couldn't have had
+just a little snack -- he would have appreciated it so much to sit with the
+men upstairs and hear his own name mentioned so frequently.
+
+I must say, right at the start, that I haven't a thing to complain about.
+It's like being in a lunatic asylum, with permission to masturbate for the
+rest of your life. The world is brought right under my nose and all that is
+requested of me is to punctuate the calamities. There is nothing in which
+these slick guys upstairs do not put their fingers: no joy, no misery passes
+unnoticed. They live among the hard facts of life, reality, as it is called.
+It is the reality of a swamp and they are like frogs who have nothing better
+to do than to croak. The more they croak the more real life becomes. Lawyer,
+priest, doctor, politician, newspaper man -- these are the quacks who have
+their fingers on the pulse of the world. A constant atmosphere of calamity.
+It's marvellous. It's as if the barometer never changed, as if the flag were
+always at half-mast. One can see now how the idea of heaven takes hold of
+men's consciousness, how it gains ground even when all the props have been
+knocked from under it. There must be another world beside this swamp in which
+everything is dumped pell-mell. It's hard to imagine what it can be like,
+this heaven that men dream about. A frog's heaven, no doubt. Miasma, scum,
+pond lilies, stagnant water. Sit on a lily-pad unmolested and croak all day.
+Something like that, I imagine.
+
+They have a wonderful therapeutic effect upon me, these catastrophes which I
+proof-read. Imagine a state of perfect immunity, a charmed existence, a life
+of absolute security in the midst of poison bacilli. Nothing touches me,
+neither earthquakes nor explosions nor riots nor famine nor collisions nor
+wars nor revolutions. I am inoculated against every disease, every calamity,
+every sorrow and misery. It's the culmination of a life of fortitude. Seated
+at my little niche all the poisons which the world gives off each day pass
+through my hands. Not even a finger-nail gets stained. I am absolutely
+immune. I am even better off than a laboratory attendant, because there are
+no bad odors here, just the smell of lead burning. The world can blow
+up -- I'll be here just the same to put in a comma or a semi-colon. I may even
+touch a little overtime, for with an event like that there's bound to be a
+final extra. When the world blows up and the final edition has gone to press
+the proof-readers will quietly gather up all commas, semi-colons, hyphens,
+asterisks, brackets, parentheses, periods, exclamation marks, etc., and put
+them in a little box over the editorial chair. Comme, ca tout est regle
+...
+
+None of my companions seem to understand why I appear so contented. They
+grumble all the time, they have ambitions, they want to show their pride and
+spleen. A good proof-reader has no ambitions, no pride, no spleen. A good
+proof-reader is a little like God Almighty, he's in the world but not of it.
+He's for Sundays only. Sunday is his night off. On Sundays he steps down from
+his pedestal and shows his ass to the faithful. Once a week he listens in on
+all the private grief and misery of the world; it's enough to last him for
+the rest of the week. The rest of the week he remains in the frozen winter
+marshes, an absolute, an impeccable absolute, with only a vaccination mark to
+distinguish him from the immense void.
+
+The greatest calamity for a proof-reader is the threat of losing his job.
+When we get together in the break the question that sends a shiver down our
+spines is: what'll you do if you lose your job? For the man in the paddock,
+whose duty it is to sweep up the manure, the supreme terror is the
+possibility of a world without horses. To tell him that it is disgusting to
+spend one's life shoveling up hot turds is a piece of imbecility. A man can
+get to love shit if his livelihood depends on it, if his happiness is
+involved.
+
+This life which, if I were still a man with pride, honor, ambition and so
+forth, would seem like the bottom rung of degradation, I welcome now, as an
+invalid welcomes death. It's a negative reality, just like death -- a sort of
+heaven without the pain and terror of dying. In this chthonian world the
+only thing of importance is orthography and punctuation. It doesn't matter
+what the nature of the calamity is, only whether it is spelled right.
+Everything is on one level, whether it be the latest fashion for evening
+gowns, a new battleship, a plague, a high explosive, an astronomic
+discovery, a bank run, a railroad wreck, a bull market, a hundred to one
+shot, an execution, a stick-up, an assassination, or what. Nothing escapes
+the proofreader's eye, but nothing penetrates his bullet-proof vest. To the
+Hindoo Agha Mir, Madame Scheer (formerly Miss Esteve) writes saying she is
+quite satisfied with his work. "I was married June 6th and I thank you. We
+are very happy and I hope that thanks to your power it will be so forever. I
+am sending you by telegraph money order the sum of ... to reward you ..."
+The Hindoo Agha Mir foretells your future and reads all your thoughts in a
+precise and inexplicable way. He will advise you, will help you rid
+yourself of all your worries and troubles of all kinds, etc. Call or
+write 20 Avenue Mac-Mahon, Paris.
+
+He reads all your thoughts in a marvellous way! I take it, that means
+without exception, from the most trivial thoughts to the most shameless. He
+must have a lot of time on his hands, this Agha Mir. Or does he only
+concentrate on the thoughts of those who send money by telegraph money
+order? In the same edition I notice a headline announcing that "the universe
+is expanding so fast it may burst" and underneath it is the photograph of a
+splitting headache. And then there is a spiel about the pearl, signed Tecla.
+The oyster produces both, he informs all and sundry. Both the "wild" or
+Oriental pearl, and the "cultured" pearl. On the same day, at the Cathedral
+of Trier, the Germans are exhibiting the Coat of Christ; it's the first time
+it's been taken out of the moth-balls in forty-two years. Nothing said about
+the pants and vest. In Salzburg, also the same day, two mice were born in a
+man's stomach, believe it or not. A famous movie actress is shown with her
+legs crossed: she is taking a rest in Hyde Park, and underneath a well-known
+painter remarks "I'll admit that Mrs. Coolidge has such charm and
+personality that she would have been one of the 12 famous Americans, even
+had her husband not been President." From an interview with Mr. Humhal, of
+Vienna, I glean the following ... "Before I stop," said Mr. Humhal, "I'd
+like to say that faultless cut and fit does not suffice; the proof of good
+tailoring is seen in the wearing. A suit must bend to the body, yet keep its
+line when the wearer is walking or sitting." And whenever there is an
+explosion in a coal mine -- a British coal mine -- notice please that the
+King and Queen always send their condolences promptly, by telegraph.
+And they always attend the important races, though the other day, according
+to the copy, it was at the Derby, I believe, "heavy rains began to fall,
+much to the surprise of the King and Queen." More heartrending, however, is
+an item like this: "It is claimed in Italy that the persecutions are not
+against the Church, but nevertheless they are conducted against the most
+exquisite parts of the Church. It is claimed that they are not against the
+Pope, but they are against the very heart and eyes of the Pope."
+
+    I had to travel precisely all around the world to find just such a
+comfortable, agreeable niche as this. It seems incredible almost. How could I
+have foreseen, in America, with all those firecrackers they put up your ass
+to give you pep and courage, that the ideal position for a man of my
+temperament was to look for orthographic mistakes? Over there you think of
+nothing but becoming President of the United States some day. Potentially
+every man is presidential timber. Here it's different. Here every man is
+potentially a zero. If you become something or somebody it is an accident, a
+miracle. The chances are a thousand to one that you will never leave your
+native village. The chances are a thousand to one that you'll have your legs
+shot off or your eyes blown out. Unless the miracle happens and you find
+yourself a general or a rear-admiral.
+
+But it's just because the chances are all against you, just because there is
+so little hope, that life is sweet over here. Day by day. No yesterdays and
+no tomorrows. The barometer never changes, the flag is always at halfmast.
+You wear a piece of black crape on your arm, you have a little ribbon in
+your button-hole, and, if you are lucky enough to afford it, you buy
+yourself a pair of artificial light-weight limbs, aluminium preferably.
+Which does not prevent you from enjoying an aperitif or looking at
+the animals in the zoo or flirting with the vultures who sail up and down
+the boulevards always on the alert for fresh carrion. Time passes. If you're
+a stranger and your papers are in order you can expose yourself to infection
+without fear of being contaminated. It is better, if possible, to have a
+proof-reader's job. Comme ca, tout s'arrange. That means, that if you
+happen to be strolling home at three in the morning and you are intercepted
+by the bicycle cops, you can snap your fingers at them. In the morning,
+when the market is in swing, you can buy Belgian eggs, at fifty centimes a
+piece. A proof-reader doesn't get up usually until noon, or a little after.
+It's well to choose a hotel near a cinema, because if you have a tendency to
+oversleep the bells will wake you up in time for the matinee. Or if you can't
+find a hotel near a cinema, choose one near a cemetery, it comes to the same
+thing. Above all, never despair. Il ne faut jamais desesperer.
+
+Which is what I try to din into Carl and Van Norden every night. A world
+without hope, but no despair. It's as though I had been converted to a new
+religion, as though I were making an annual novena every night to Our Lady of
+Solace. I can't imagine what there would be to gain if I were made editor of
+the paper, or even President of the United States. I'm up a blind alley, and
+it's cosy and comfortable. With a piece of copy in my hand I listen to the
+music around me, the hum and drone of voices, the tinkle of the linotype
+machines, as if there were a thousand silver bracelets passing through a
+wringer;  now and then a rat  scurries past our  feet or a cockroach descends
+the wall in front of us, moving nimbly and gingerly on his delicate legs. The
+events of the day are slid under your nose,  quietly, unostentatiously,  with,
+now and then, a by-line to mark the presence of a human hand, an ego, a touch
+of vanity. The procession passes serenely, like a cortege entering the
+cemetery gates. The paper under the copy desk is so thick that it almost
+feels like a carpet with a soft nap. Under Van Norden's desk it is stained
+with brown juice. Around eleven o'clock the peanut vendor arrives, a half-wit
+of an Armenian who is also content with his lot in life.
+
+Now and then I get a cablegram from Mona saying that she's arriving on me
+next boat. "Letter following," it always says. It's been going on like this
+for nine months, but I never see her name in the list of boat arrivals, nor
+does the garcon ever bring me a letter on a silver platter. I haven't
+any more expectations in that direction either. If she ever does arrive she
+can look for me downstairs, just behind the lavatory. She'll probably tell
+me right away that it's unsanitary. That's the first thing that strikes an
+American woman about Europe -- that it's unsanitary. Impossible for them to
+conceive of a Paradise without modern plumbing. If they find a bed-bug they
+want to write a letter immediately to the Chamber of Commerce. How am I ever
+going to explain to her that I'm contented here? She'll say I've become a
+degenerate. I know her line from beginning to end. She'll want to look for a
+studio with a garden attached -- and a bath-tub to be sure. She wants to be
+poor in a romantic way. I know her. But I'm prepared for her this time.
+
+There are days, nevertheless, when the sun is out and I get off the beaten
+path and think about her hungrily. Now and then, despite my grim
+satisfaction, I get to thinking about another way of life, get to wondering
+if it would make a difference having a young, restless creature by my side.
+The trouble is I can hardly remember what she looks like, nor even how it
+feels to have my arms around her. Everything that belongs to the past seems
+to have fallen into the sea; I have memories, but the images have lost their
+vividness, they seem dead and desultory, like time-bitten mummies stuck in a
+quagmire. If I try to recall my life in New York I get a few splintered
+fragments, nightmarish and covered with verdigris. It seems as if my own
+proper existence had come to an end somewhere, just where exactly I can't
+make out. I'm not an American any more, nor a New Yorker, and even less a
+European, or a Parisian. I haven't any allegiance, any responsibilities, any
+hatreds, any worries, any prejudices, any passion. I'm neither for nor
+against. I'm neutral.
+
+When we walk home of a night, the three of us, it often happens after the
+first spasms of disgust that we get to talking about the condition of things
+with the enthusiasm which only those who bear no active part in life can
+muster. What seems strange to me sometimes, when I crawl into bed, is that
+all this enthusiasm is engendered just to kill time, just to
+annihilate the three-quarters of an hour which it requires to walk from the
+office to Montparnasse. We might have the most brilliant, the most feasible
+ideas for the amelioration of this or that, but there is no vehicle to hitch
+them to. And what is more strange is that the absence of any relationship
+between ideas and living causes us no anguish, no discomfort. We have become
+so adjusted that, if tomorrow we were ordered to walk on our hands, we
+would do so without the slightest protest. Provided, of course, that the
+paper came out as usual. And that we touched our pay regularly. Otherwise
+nothing matters. Nothing. We have become Orientalized. We have become
+coolies, white collar coolies, silenced by a handful of rice each day. A
+special feature in American skulls, I was reading the other day, is the
+presence of the epactal bone, or os Incae, in the occiput. The
+presence of this bone, so the savant went on to say, is due to a
+persistence of the transverse occiputal suture which is usually closed in
+foetal life. Hence it is a sign of arrested development and indicative of an
+inferior race. "The average cubical capacity of
+the American skull," so he went on to say, "falls below that of the white,
+and rises above that of the black race. Taking both sexes, the Parisians of
+to-day have a cranial capacity of 1.448 cubic centimeters; the Negroes 1.344
+centimeters: the American Indians 1.376." From all of which I deduce nothing
+because I am an American and not an Indian. But it's cute to explain things
+that way, by a bone, an os Incae, for example. It doesn't disturb his
+theory at all to admit that single examples of Indian skulls have yielded
+the extraordinary capacity of 1.920 cubic centimeters, a cranial capacity
+not exceeded in any other race. What I note with satisfaction is that the
+Parisians, of both sexes, seem to have a normal cranial capacity. The
+transverse occiputal suture is evidently not so persistent with them. They
+know how to enjoy an aperitif and they don't worry if the houses are
+unpainted. There's nothing extraordinary about their skulls, so far as
+cranial indices go. There must be some other explanation for the art of
+living which they have brought to such a degree of perfection.
+
+At Monsieur Paul's, the bistrot across the way, there is a back room
+reserved for the newspapermen where we can eat on credit. It is a pleasant
+little room with saw-dust on the floor and flies in season and out. When I
+say that it is reserved for the newspapermen I don't mean to imply that we
+eat in privacy; on the contrary, it means that we have the privilege of
+associating with the whores and pimps who form the more substantial element
+of Monsieur Paul's clientele. The arrangement suits the guys upstairs to a
+T, because they're always on the look-out for tail, and even those who have
+a steady little French girl are not averse to making a switch now and then.
+The principal thing is not to get a dose; at times it would seem  as if an
+epidemic had swept the office, or perhaps it might be explained by the fact
+that they all sleep with the same woman. Anyhow, it's gratifying to observe
+how miserable they can look when they are obliged to sit beside a pimp who,
+despite the little hardships of his profession, lives a life of luxury by
+comparison.
+
+I'm thinking particularly now of one tall, blonde fellow who delivers the
+Havas messages by bicycle. He is always a little late for his meal, always
+perspiring profusely and his face covered with grime. He has a fine, awkward
+way of strolling in, saluting everybody with two fingers and making a bee
+line for the sink which is just between the toilet and the kitchen. As he
+wipes his face he gives the edibles a quick inspection; if he sees a nice
+steak lying on the slab he picks it up and sniffs it, or he will dip the
+ladle into the big pot and try a mouthful of soup. He's like a fine
+bloodhound, his nose to the ground all the time. The preliminaries over,
+having made pipi and blown his nose vigorously, he walks nonchalantly over to
+his wench and gives her a big, smacking kiss together with an affectionate
+pat on the rump. Her, the wench, I've never seen look anything but immaculate
+-- even at three a.m., after an evening's work. She looks exactly as if she
+had just stepped out of a Turkish Bath. It's a pleasure to look at such
+healthy brutes, to see such repose, such affection, such appetite as they
+display. It's the evening meal I'm speaking of now, the little snack that she
+takes before entering upon her duties. In a little while she will be obliged
+to take leave of her big blonde brute, to flop somewhere on the boulevard and
+sip her digestif. If the job is irksome or wearing or exhaustive, she
+certainly doesn't show it. When the big fellow arrives, hungry as a wolf, she
+puts her arms around him and kisses him hungrily -- his eyes, nose, cheeks,
+hair, the back of his neck ... she'd kiss his ass if it could be done
+publicly. She's grateful to him, that's evident. She's no wage-slave. All
+through the meal she laughs convulsively. You wouldn't think she had a care
+in the world. And now and then, by way of affection, she gives him a
+resounding slap in the face, such a whack as would knock a proofreader
+spinning.
+
+They don't seem to be aware of anything but themselves and the food that
+they pack away in shovelsful. Such perfect contentment, such harmony, such
+mutual understanding, it drives Van Norden crazy to watch them. Especially
+when she slips her hand in the big fellow's fly and caresses it, to which he
+generally responds by grabbing her teat and squeezing it playfully.
+
+There is another couple who arrive usually about the same time and they
+behave just like two married people.
+They have their spats, they wash their linen in public and after they've
+made things disagreeable for themselves and everybody else, after threats
+and curses and reproaches and recriminations, they make up for it by billing
+and cooing, just like a pair of turtle doves. Lucienne, as he calls her, is
+a heavy, platinum blonde with a cruel, saturnine air. She has a full
+under-lip which she chews venomously when her temper runs away with her.
+And a cold, beady eye, a sort of faded china blue, which makes him sweat
+when she fixes him with it. But she's a good sort, Lucienne, despite the
+condor-like profile which she presents to us when the squabbling begins.
+Her bag is always full of dough, and if she deals it out cautiously, it is
+only because she doesn't want to encourage him in his bad habits. He has a
+weak character; that is, if one takes Lucienne's tirades seriously. He will
+spend fifty francs of an evening while waiting for her to get through. When
+the waitress comes to take his order he has no appetite. "Ah, you're not
+hungry again!" growls Lucienne. "Humpf! You were waiting for me, I suppose,
+on the Faubourg Montmartre. You had a good time, I hope, while I slaved for
+you. Speak, imbecile, where were you?"
+
+When she flares up like that, when she gets enraged, he looks up at her
+timidly and then, as if he had decided that silence was the best course, he
+lets his head drop and he fiddles with his napkin. But this little gesture,
+which she knows so well and which of course is secretly pleasing to her
+because she is convinced now that he is guilty, only increases Lucienne's
+anger. "Speak, imbecile!" she shrieks. And with a squeaky, timid
+little voice he explains to her woefully that while waiting for her he got
+so hungry that he was obliged to stop off for a sandwich and glass of beer.
+It was just enough to ruin his appetite -- he says it dolefully, though it's
+apparent that food just now is the least of his worries. "But" -- and he tries
+to make his voice sound more convincing -- "I was waiting for you all the
+time," he blurts out.
+
+"Liar!" she screams. "Liar! Ah, fortunately, I too am a liar ... a good
+liar. You make me ill with your petty little lies. Why don't you tell me
+a big lie?"
+
+He hangs his head again and absent-mindedly he gathers a few crumbs and
+puts them to his mouth. Whereupon she slaps his hand. "Don't do that! You
+make me tired. You're such an imbecile. Liar! Just you wait! I have more to
+say. I am a liar too, but I am not an imbecile."
+
+In a little while, however, they are sitting close together, their hands
+locked, and she is murmuring softly:
+"Ah, my little rabbit, it is hard to leave you now. Come here, kiss me! What
+are you going to do this evening? Tell me the truth, my little one ... I am
+sorry that I have such an ugly temper." He kisses her timidly, just like a
+little bunny with long pink ears; gives her a little peck on the lips as if
+he were nibbling a cabbage leaf. And at the same time his bright round eyes
+fall caressingly on her purse which is lying open beside her on the bench.
+He is only waiting for the moment when he can graciously give her the slip;
+he is itching to get away, to sit down in some quiet cafe on the Rue du
+Faubourg-Montmartre.
+
+I know him, the innocent little devil, with his round, frightened eyes of a
+rabbit. And I know what a devil's street is the Faubourg Montmartre with its
+brass plates and rubber goods, the lights twinkling all night and sex
+running through the street like a sewer. To walk from the Rue Lafayette to
+the boulevard is like running the gauntlet; they attach themselves to you
+like barnacles, they eat into you like ants, they coax, wheedle, cajole,
+implore, beseech, they try it out in German, English, Spanish, they show
+you their torn hearts and their busted shoes, and long after you've chopped
+the tentacles away, long after the fizz and sizzle has died out, the
+fragrance of the lavabo clings to your nostrils -- it is the odor of
+the Parfum de Danse whose effectiveness is guaranteed only for
+a distance of twenty centimeters. One could piss away a whole lifetime in
+that little stretch between the boulevard and the Rue Lafayette. Every bar
+is alive, throbbing, the dice loaded; the cashiers are perched like vultures
+on their high stools and the money they handle has a human stink to it.
+There is no equivalent in the Banque de France for the blood money that
+passes currency here, the money that glistens with human sweat, that passes
+like a forest fire from hand to hand and leaves behind it a smoke and
+stench. A man who can walk through the Faubourg Montmartre at night without
+panting or sweating, without a prayer or a curse on his
+lips, a man like that has no balls, and if he has, then he ought to be
+castrated.
+
+Supposing the timid little rabbit does spend fifty francs of an evening
+while waiting for his Lucienne? Supposing he does get hungry and buy a
+sandwich and a glass of beer, or stop and chat with somebody else's trollop?
+You think he ought to be weary of that round night after night? You think it
+ought to weigh on him, oppress him, bore him to death? You don't think that
+a pimp is inhuman, I hope? A pimp has his private grief and misery too,
+don't you forget. Perhaps he would like nothing better than to stand on the
+corner every night with a pair of white dogs and watch them piddle. Perhaps
+he would like it if, when he opened the door, he would see her there reading
+the Paris-Soir, her eyes already a little heavy with sleep. Perhaps
+it isn't so wonderful, when he bends over his Lucienne, to taste another
+man's breath. Better maybe to have only three francs in your pocket and a
+pair of white dogs that piddle on the corner than to taste those bruised
+lips. Bet you, when she squeezes him tight, when she begs for that little
+package of love which only he knows how to deliver, bet you he fights like a
+thousand devils to pump it up, to wipe out that regiment that has marched
+between her legs. Maybe when he takes her body and practises a new tune,
+maybe it isn't all passion and curiosity with him, but a fight in the dark,
+a fight singlehanded against the army that rushed the gates, the army that
+walked over her, trampled her, that left her with such a devouring hunger
+that not even a Rudolph Valentine could appease her. When I listen to the
+reproaches that are levelled against a girl like Lucienne, when I hear her
+being denigrated or despised because she is cold and mercenary, because she
+is too mechanical, or because she's in too great a hurry, or because this or
+because that, I say to myself, hold on there bozo, not so fast! Remember
+that you're far back in the procession; remember that a whole army corps
+has laid siege to her, that she's been laid waste, plundered and pillaged. I
+say to myself, listen, bozo, don't begrudge the fifty francs you hand her
+because you know her pimp is pissing it away in the Faubourg Montmartre.
+It's her money and her pimp. It's blood money. It's money
+that'll never be taken out of circulation because there's nothing in the
+Banque de Prance to redeem it with.
+
+That's how I think about it often when I'm seated in my little niche
+juggling the Havas reports or untangling the cables from Chicago, London,
+and Montreal. In between the rubber and silk markets and the Winnipeg
+grains there oozes a little of the fizz and sizzle of the Faubourg
+Montmartre. When the bonds go weak and spongy and the pivotals balk and the
+volatiles effervesce, when the grain market slips and slides and the bulls
+commence to roar, when every fucking calamity, every ad, every sport item
+and fashion article, every boat arrival, every travelogue, every tag of
+gossip has been punctuated, checked, revised, pegged and wrung through the
+silver bracelets, when I hear the front page being hammered into whack and
+see the frogs dancing around like drunken squibs, I think of Lucienne
+sailing down the boulevard with her wings outstretched, a huge silver condor
+suspended over the sluggish tide of traffic, a strange bird from the tips
+of the Andes with a rose-white belly and a tenacious little knob. Sometimes
+I walk home alone and I follow her through the dark streets, follow her
+through the court of the Louvre, over the Pont des Arts, through the arcade,
+through the fents and slits, the somnolence, the drugged whiteness, the
+grill of the Luxembourg, the tangled boughs, the snores and groans, the
+green slats, the strum and tinkle, the points of the stars, the spangles,
+the jetties, the blue and white striped awnings that she brushed with the
+tips of her wings.
+
+In the blue of an electric dawn the peanut shells look wan and crumpled;
+along the beach at Montpamasse the waterlilies bend and break. When the tide
+is on the ebb and only a few syphilitic mermaids are left stranded in the
+muck, the Dome looks like a shooting gallery that's been struck by a
+cyclone. Everything is slowly dribbling back to the sewer. For about an hour
+there is a death-like calm during which the vomit is mopped up. Suddenly the
+trees begin to screech. From one end of the boulevard to the other a
+demented song rises up. It is like the signal that announces the close of
+the exchange. What hopes there were are swept up. The moment has come to
+void the last bagful of usine. The day is sneaking in like a leper ...
+
+One of the things to guard against when you work nights is not to break your
+schedule; if you don't get to bed before the birds begin to screech it's
+useless to go to bed at all. This morning, having nothing better to do, I
+visited the Jardin des Plantes. Marvellous pelicans here from
+Chapultepec and peacocks with studded fans that look at you with silly eyes.
+Suddenly it began to rain.
+
+Returning to Montpamasse in the bus I noticed a little French woman opposite
+me who sat stiff and erect as if she were getting ready to preen herself.
+She sat on the edge of the seat as if she feared to crush her gorgeous tail.
+Marvellous, I thought, if suddenly she shook herself and from her
+derriere there sprung open a huge studded fan with long silken
+plumes.
+
+At the Cafe de l'Avenue, where I stop for a bite, a woman with a swollen
+stomach tries to interest me in her condition. She would like me to go to a
+room with her and while away an hour or two. It is the first time I have
+ever been propositioned by a pregnant woman: I am almost tempted to try it.
+As soon as the baby is born and handed over to the authorities she will go
+back to her trade, she says. She makes hats. Observing that my interest is
+waning she takes my hand and puts it on her abdomen, I feel something
+stirring inside. It takes my appetite away.
+
+I have never seen a place like Paris for varieties of sexual provender. As
+soon as a woman loses a front tooth or an eye or a leg she goes on the
+loose. In America she'd starve to death if she had nothing to recommend her
+but a mutilation. Here it is different. A missing tooth or a nose eaten away
+or a fallen womb, any misfortune that aggravates the natural homeliness of a
+female, seems to be regarded as an added spice, a stimulant for the jaded
+appetites of the male.
+
+I am speaking naturally of that world, which is peculiar to the big cities,
+the world of men and women whose last drop of juice has been squeezed out by
+the machine -- the martyrs of modern progress. It is this mass of bones and
+collar buttons which the painter finds so difficult to put flesh on.
+
+It is only later, in the afternoon, when I find myself in an art gallery on
+the Rue de Seze, surrounded by the men and women of Matisse, that I am drawn
+back again to the proper precincts of the human world. On the threshold of
+that big hall whose walls are now ablaze, I pause a moment to recover from
+the shock which one experiences when the habitual gray of the world is rent
+asunder and the color of life splashes forth in song and poem. I find myself
+in a world so natural, so complete, that I am lost. I have the sensation of
+being immersed in the very plexus of life, focal from whatever place,
+position or attitude I take my stance. Lost as when once I sank into the
+quick of a budding grove and seated in the dining room of that enormous
+world of Balbec, I caught for the first time the profound meaning of those
+interior stills which manifest their presence through the exorcism of sight
+and touch. Standing on the threshold of that world which Matisse has created
+I re-experienced the power of that revelation which had permitted Proust to
+so deform the picture of life that only those who, like himself, are
+sensible to the alchemy of sound and sense, are capable of transforming the
+negative reality of life into the substantial and significant outlines of
+art. Only those who can admit the light into their gizzards can translate
+what is there in the heart. Vividly now I recall how the glint and sparkle
+of light caroming from the massive chandeliers splintered and ran blood,
+flecking the tips of the waves that beat monotonously on the dull gold
+outside the windows. On the beach, masts and chimneys interlaced, and like a
+fuliginous shadow the figure of Albertine gliding through the surf, fusing
+into the mysterious quick and prism of a protoplasmic realm, uniting her
+shadow to the dream and harbinger of death. With the close of day, pain
+rising like a mist from the earth, sorrow closing in, shuttering the endless
+vista of sea and sky. Two waxen hands lying lifelessly on the bedspread and
+along the pale veins the fluted murmur of a shell repeating the legend of
+its birth.
+
+In every poem by Matisse there is the history of a particle of human flesh
+which refused the consummation of death. The whole run of flesh, from hair
+to nails, expresses the miracle of breathing, as if the inner eye, in its
+thirst for a greater reality, had converted the pores of the flesh into
+hungry seeing mouths. By whatever vision one passes there is the odor and the
+sound of voyage. It is impossible to gaze at even a corner of his dreams
+without feeling the lift of the wave and the cool of the flying spray. He
+stands at the helm peering with steady blue eyes into the portfolio, of time.
+Into what distant corners has he not thrown his long, slanting gaze? Looking
+down the vast promontory of his nose he has beheld everything -- the
+Cordilleras falling away into the Pacific, the history of the diaspora done
+in vellum, shutters fluting the froufrou of the beach, the piano curving like
+a conch, corollas giving out diapasons of light, chameleons squirming under
+the book-press, seraglios expiring in oceans of dust, music issuing like fire
+from the hidden chromosphere of pain, spore and madrepore fructifying the
+earth, navels vomiting their bright spawn of anguish ... He is a bright sage,
+a dancing seer who, with a sweep of the brush, removes the ugly scaffold to
+which the body of a man is chained by the incontrovertible facts of life. He
+it is, if any man to-day possesses the gift, who knows where to dissolve the
+human figure, who has the courage to sacrifice an harmonious line in order to
+detect the rhythm and murmur of the blood, who takes the light that has been
+refracted inside him and lets it flood the keyboard of color. Behind the
+minutiae, the chaos, the mockery of life, he detects the invisible pattern;
+he announces his discoveries in the metaphysical pigment of space. No
+searching for formulae, no crucifixion of ideas, no compulsion other than to
+create. Even as the world goes to smash there is one man who remains at the
+core, who becomes more solidly fixed and anchored, more centrifugal as the
+process of dissolution quickens.
+
+More and more the world resembles an entomologist's dream. The earth is
+moving out of its orbit, the axis has shifted; from the north the snow blows
+down in huge knife-blue drifts. A new ice age is setting in, the transverse
+sutures are closing up and everywhere throughout the corn belt the foetal
+world is dying, turning to dead mastoid. Inch by inch the deltas are drying
+out and the river-beds are smooth as glass. A new day is dawning, a
+metallurgical day, when the earth shall clink with showers of bright yellow
+ore. As the thermometer drops, the form of the world grows blurred; osmosis
+there still is, and here and there articulation, but at the periphery the
+veins are all varicose, at the periphery the light-waves bend and the sun
+bleeds like a broken rectum.
+
+At the very hub of this wheel which is falling apart, is Matisse. And he
+will keep on rolling until everything that has gone to make up the wheel has
+disintegrated. He has already rolled over a goodly portion of the globe,
+over Persia and India and China, and like a magnet he has attached to
+himself microscopic particles from Kurd, Beluchistan, Timbuctoo, Somaliland,
+Angkor, Tierra del Fuego. The odalisques he has studded with malachite and
+jasper, their flesh veiled with a thousand eyes, perfumed eyes dipped in the
+sperm of whales. Wherever a breeze stirs there are breasts as cool as jelly,
+white pigeons come to flutter and rut in the ice-blue veins of the
+Himalayas.
+
+The wallpaper with which the men of science have covered the world of
+reality is falling to tatters. The grand whorehouse which they have made of
+life requires no decoration; it is essential only that the drains function
+adequately. Beauty, that feline beauty which has us by the balls in
+America, is finished. To fathom the new reality it is first necessary to
+dismantle the drains, to lay open the gangrened ducts which compose the
+genito-urinary system that supplies the excreta of art. The odor of the day
+is permanganate and formaldehyde. The drains are clogged with strangled
+embryos.
+
+The world of Matisse is still beautiful in an old-fashioned bedroom way.
+There is not a ball-bearing in evidence, nor a boiler-plate, nor a piston,
+nor a monkey-wrench. It is the same old world that went gayly to the Bois in
+the pastoral days of wine and fornication. I find it soothing and refreshing
+to move amongst these creatures with live, breathing pores whose background
+is stable and solid as light itself. I feel it poignantly when I walk along
+the Boulevard de la Madeleine and the whores rustle beside me, when just to
+glance at them causes me to tremble. Is it because they are exotic or
+well-nourished? No, it is rare to find a beautiful woman along the Boulevard
+de la Madeleine. But in Matisse, in the exploration of his brush, there is the
+trembling glitter of a worid which
+demands only the presence of the female to crystallize the most fugitive
+aspirations. To come upon a woman offering herself outside a urinal, where
+there are advertised cigarette papers, rum, acrobats, horse-races, where the
+heavy foliage of the trees breaks the heavy mass of walls and roofs, is an
+experience that begins where the boundaries of the known world leave off. In
+the evening now and then, skirting the cemetery walls, I stumble upon the
+phantom odalisques of Matisse fastened to the trees, their tangled manes
+drenched with sap. A few feet away, removed by incalculable aeons of time,
+lies the prone and mummy-swathed ghost of Baudelaire, of a whole world that
+will belch no more. In the dusky corners of cafes are men and women with
+hands locked, their loins slather-flecked; nearby stands the garcon with his
+apron full of sous, waiting patiently for the entr'acte in order to fall
+upon his wife and gouge her. Even as the worid falls apart the Paris that
+belongs to Matisse shudders with bright, gasping orgasms, the air itself is
+steady with a stagnant sperm, the trees tangled like hair. On its wobbly
+axle the wheel rolls steadily downhill; there are no brakes, no
+ball-bearings, no balloon tires. The wheel is falling apart, but the
+revolution is intact ...
+
+
+
+
+
+
+
+                                  * * *
+
+
+Out of a clear sky there comes one day a letter from Boris whom I have not
+seen for months and months. It is a strange document and I don't pretend to
+understand it all clearly. "What happened between us -- at any rate, as far
+as I go -- is that you touched me, touched my life, that is, at the one point
+where I am still alive: my death. By the emotional flow I went through
+another immersion. I lived again, alive. No longer by reminiscence, as I do
+with others, but alive."
+
+That's how it began. Not a word of greeting, no date, no address. Written in
+a thin, pompous scrawl on ruled paper torn out of a blank book. "That is
+why, whether you like me or not -- deep down I rather think you hate me -- you
+are very close to me. By you I know how I died: I see myself dying again: I
+am dying. That is something. More than to be dead simply. That may
+be the reason why I am so afraid to see you: you may have played the trick
+on me, and died. Things happen so fast nowadays."
+
+I'm reading it over, line by line, standing by the stones. It sounds nutty to
+me, all this palaver about life and death and things happening so fast.
+Nothing is happening that I can see, except the usual calamities on the front
+page. He's been living all by himself for the last six months, tucked away in
+a cheap little room -- probably holding telepathic communication with
+Cronstadt. He talks about the line falling back, the sector evacuated, and so
+on and so forth, as though he were dug into a trench and writing a report to
+headquarters. He probably had his frock coat on when he sat down to pen his
+missive, and he probably rubbed his hands a few times as he used to do when a
+customer was calling to rent the apartment.
+
+"The reason I wanted you to commimt suicide ..." he begins again. At tnat I
+burst out laughing. He used to walk up and down with one hand stuck in the
+tail-flap of his frock coat at the Villa Borghese, or at Cronstadt's --
+wherever there was deck space, as it were -- and reel off this nonsense about
+living and dying to his heart's content. I never understood a word of it, I
+must confess, but it was a good show and, being a Gentile, I was naturally
+interested in what went on in that menagerie of a brain-pan. Sometimes he
+would lie on his couch full length, exhausted by the surge of ideas that
+swept through his noodle. His feet just grazed the book rack where he kept
+his Plato and Spinoza -- he couldn't understand why I had no use for them. I
+must say he made them sound interesting, though what it was all about I
+hadn't the least idea. Sometimes I would glance at a volume furtively, to
+check up on these wild ideas which he imputed to them -- but the connection
+was frail, tenuous. He had a language all his own, Boris, that is, when I had
+him alone; but when I listened to Cronstadt it seemed to me that Boris had
+plagiarized his wonderful ideas. They talked a sort of higher mathematics,
+these two. Nothing of flesh and blood ever crept in; it was weird, ghostly,
+ghoulishly abstract. When they got on to the dying business it sounded a
+little more concrete: after all, a cleaver or a meat-axe has to have a
+handle. I enjoyed those sessions immensely. It was the first time in my life
+that death had ever seemed fascinating to me -- all these abstract deaths
+which involved a bloodless sort of agony. Now and then they would compliment
+me on being alive, but in such a way that I felt embarrassed. They made me
+feel that I was alive in the nineteenth century, a sort of atavistic remnant,
+a romantic shred, a soulful pithecanthropus erectus. Boris especially
+seemed to get a great kick out of touching me: he wanted me to be alive so
+that he could die to his heart's content. You would think that all those
+millions in the street were nothing but dead cows the way he looked at me and
+touched me. But the letter ... I'm forgetting the letter ...
+
+"The reason why I wanted you to commit suicide that evening at the
+Cronstadts', when Moldorf became God, was that I was very close to you then.
+Perhaps closer than I shall ever be. And I was afraid, terribly afraid, that
+some day you'd go back on me, die on my hands. And I would be left high and
+dry with my idea of you simply, and nothing to sustain it. I should never
+forgive you for that."
+
+Perhaps you can visualize him saying a thing like that! Myself it's not
+clear what his idea of me was, or at any rate, it's clear that I was just
+pure idea, an idea that kept itself alive without food. He never attached
+much importance, Boris, to the food problem. He tried to nourish me with
+ideas. Everything was idea. Just the same, when he had his heart set on
+renting the apartment, he wouldn't forget to put a new washer in the toilet.
+Anyway, he didn't want me to die on his hands. "You must be life for me to
+the very end," so he writes. "That is the only way in which you can sustain
+my idea of you. Because you have gotten, as you see, tied up with something
+so vital to me, I do not think I shall ever shake you off. Nor do I wish to.
+I want you to live more vitally every day, as I am dead. That is why, when I
+speak of you to others, I am just a bit ashamed. It's hard to talk of one's
+self so intimately."
+
+                              * * *
+
+You would imagine perhaps that he was anxious to see me, or that he would
+like to know what I was doing -- but no, not a line about the concrete or the
+personal, except in this living-dying language, nothing but this little
+message from the trenches, this whiff of poison gas to apprise all and
+sundry that the war was still on. I sometimes ask myself how it happens that
+I attract nothing but crack-brained individuals, neurasthenics, neurotics,
+psychopaths -- and Jews especially. There must be something in a healthy
+Gentile that excites the Jewish mind, like when he sees sour black bread.
+There was Moldorf, for example, who had made himself God, according to
+Boris and Cronstadt. He positively hated me, the little viper -- yet he
+couldn't stay away from me. He came round regularly for his little dose of
+insults -- it was like a tonic to him. In the beginning, it's true, I was
+lenient with him; after all, he was paying me to listen to him. And though I
+never displayed much sympathy I knew how to be silent when it involved a
+meal and a little pin money. After a while, however, seeing what a masochist
+he was, I permitted myself to laugh in his face now and then; that was like a
+whip for him, it made the grief and agony gush forth with renewed vigor. And
+perhaps everything would have gone smoothly between us if he had not felt it
+his duty to protect Tania. But Tania being a Jewess, that brought up a moral
+question. He wanted me to stick to Mlle. Claude for whom, I must admit, I had
+a genuine affection. He even gave me money occasionally to sleep with her.
+Until he realized that I was a hopeless lecher.
+
+I mention Tania now because she's just got back from Russia -- just a few
+days ago. Sylvester remained behind to worm his way into a job. He's given up
+literature entirely. He's dedicated himself to the new Utopia. Tania wants me
+to go back there with her, to the Crimea preferably, and start a new life. We
+had a fine drinking bout up in Carl's room the other day, discussing the
+possibilities. I wanted to know what I could do for a living back there -- if
+I could be a proof-reader, for example. She said I didn't need to worry about
+what I would do -- they would find a job for me as long as I was earnest and
+sincere. I tried to look earnest, but I only succeeded in looking pathetic.
+They don't want to see sad faces, in Russia; they want you to be cheerful,
+enthusiastic, light-hearted, optimistic. It sounded very much like America to
+me. I wasn't born with this kind of enthusiasm. I didn't let on to her, of
+course, but secretly I was praying to be left alone, to go back to my little
+niche, and to stay there until the war breaks out. All this hocus-pocus about
+Russia disturbed me a little. She got so excited about it, Tania, that we
+finished almost a half dozen bottles of vin ordinaire. Carl was
+jumping about like a cockroach. He has just enough Jew in him to lose his
+head over an idea like Russia. Nothing would do but to many us off --
+immediately. "Hitch up!" he says, "you have nothing to lose!" And then he
+pretends to run a little errand so that we can pull off a fast one. And while
+she wanted it all right, Tania, still that Russia business had gotten so
+solidly planted in her skull that she pissed the interval away chewing my ear
+off, which made me somewhat grumpy and ill at ease. Anyway, we had to think
+about eating and getting to the office, so we piled into a taxi on the
+Boulevard Edgar-Quinet, just a stone's throw away from the cemetery, and off
+we whizzed. It was just a nice hour to spin through Paris in an open cab, and
+the wine rolling around in our tanks made it seem even more lovely than
+usual. Carl was sitting opposite us, on the strapontin, his face as
+red as a beet. He was happy, the poor bastard, thinking what a glorious new
+life he would lead on the other side of Europe. And at the same time he felt
+a bit wistful, too -- I could see that. He didn't really want to leave Paris,
+any more than I did. Paris hadn't been good to him, any more than it had to
+me, or to anybody, for that matter, but when you've suffered and endured
+things here it's then that Paris takes hold of you, grabs you by the balls,
+you might say, like some lovesick bitch who'd die rather than let you get out
+of her hands. That's how it looked to him, I could see that. Rolling over the
+Seine he had a big foolish grin on his face and he looked around at the
+buildings and the statues as though he were seeing them in a dream. To me it
+was like a dream too: I had my hand in Tania's bosom and I was squeezing her
+titties with all my might and I noticed the water under the bridge and the
+barges and Notre Dame down below, just like the post-cards show it, and I was
+thinking drunkenly to myself that's how one gets fucked, but I was sly about
+it too and I knew I wouldn't ever trade all this whirling about my head for
+Russia or heaven or anything on earth. It was a fine afternoon, I was
+thinking to myself, and soon we'd be pushing a feed down our bellies and what
+could we order as a special treat, some good heavy wine that would drown out
+all this Russia business. With a woman like Tania, full of sap and
+everything, they don't give a damn what happens to you once they get an idea
+in their heads. Let them go far enough and they'll pull the pants off you,
+right in the taxi. It was grand though, milling through the traffic, our
+faces all smudged with rouge and the wine gurgling like a sewer inside us,
+especially when we swung into the Rue Laffitte which is just wide enough to
+frame the little temple at the end of the street and above it the
+Sacre-Coeur, a kind of exotic jumble of architecture, a lucid French idea
+that gouges right through your drunkenness and leaves you swimming helplessly
+in the past, in a fluid dream that makes you wide awake and yet doesn't jar
+your nerves.
+
+
+x x x
+
+
+
+
+With Tania back on the scene, a steady job, the drunken talk about Russia,
+the walks home at night, and Paris in full summer, life seems to lift its
+head a little higher. That's why perhaps, a letter such as Boris sent me
+seems absolutely cock-eyed. Most every day I meet Tania around five o'clock,
+to have a Porto with her, as she calls it. I let her take me to places I've
+never seen before, the swell bars around the Champs-Elysees where the sound
+of jazz and baby voices crooning seems to soak right through the mahogany
+woodwork. Even when you go to the lavabo these pulpy, sappy strains
+pursue you, come floating into the cabinet through the ventilators and make
+life all soft soap and iridescent bubbles. And whether it's because
+Sylvester is away and she feels free now, or whatever it is, Tania certainly
+tries to behave like an angel. "You treated me lousy just before I went
+away," she says to me one day. "Why did you want to act that way? I never
+did anything to hurt you, did I?" We were getting sentimental, what with the
+soft lights and that creamy, mahogany music seeping through the place. It
+was getting near time to go to work and we hadn't eaten yet. The stubs were
+lying there in front of us -- six francs, four-fifty, seven francs,
+two-fifty -- I was counting them up mechanically and wondering too at the same
+time if I would like it better being a bartender. Often like that, when she
+was talking to me, gushing about Russia, the future, love, and all that
+crap, I'd get to thinking about the most irrelevant things, about shining
+shoes or being a lavatory attendant, particularly I suppose because it was
+so cosy in these joints that she dragged me to and it never occurred to me
+that I'd be stone sober and perhaps old and bent ... no, I imagined always
+that the future, however modest, would be in just this sort of ambiance,
+with the same tunes playing through my head and the glasses clinking and
+behind every shapely ass a trail of perfume a yard wide that would take the
+stink out of life, even downstairs in the lavabo.
+
+The strange thing is it never spoiled me trotting around to the swell bars
+with her like that. It was hard to leave her, certainly. I used to lead her
+around to the porch of a church near the office and standing there in the
+dark we'd take a last embrace, she whispering to me "Jesus, what am I going
+to do now?" She wanted me to quit the job so as I could make love night and
+day; she didn't even care about Russia any more, just so long as we were
+together. But the moment I left her my head cleared. It was another kind of
+music, not so croony but good just the same, which greeted my ears when I
+pushed through the swinging door. And another kind of perfume, not just a
+yard wide, but omnipresent, a sort of sweat and patchouli that seemed to come
+from the machines. Coming in with a skinful, as I usually did, it was like
+dropping suddenly to a low altitude. Generally I made a beeline for the
+toilet -- that braced me up rather. It was a little cooler there, or else the
+sound of water running made it seem so. It was always a cold douche, the
+toilet. It was real. Before you got inside you had to pass a line of
+Frenchmen peeling off their clothes. Ugh! but they stank, those devils! And
+they were well paid for it, too. But there they were, stripped down, some in
+long underwear, some with beards, most of them pale, skinny rats with lead in
+their veins. Inside the toilet you could take an inventory of their idle
+thoughts. The walls were crowded with sketches and epithets, all of them
+jocosely obscene, easy to understand, and on the whole rather jolly and
+sympathetic. It must have required a ladder to reach certain spots, but I
+suppose it was worth while doing it even looking at it from just the
+psychological viewpoint. Sometimes, as I stood there taking a leak, I
+wondered what an impression it would make on those swell dames whom I
+observed passing in and out of the beautiful lavatories on the
+Champs-Elysees. I wondered if they would carry their tails so high if they
+could see what was thought of an ass here. In their world, no doubt,
+everything was gauze and velvet -- or they made you think so with the fine
+scents they gave out, swishing past you. Some of them hadn't always been such
+fine ladies either; some of them swished up and down like that just to
+advertise their trade. And maybe, when they were left alone with themselves,
+when they talked out loud in the privacy of their boudoirs, maybe some
+strange things fell out of their mouths too; because in that world, just as
+in every world, the greater part of what happens is just muck and filth,
+sordid as any garbage can, only they are lucky enough to be able to put
+covers over the can.
+
+As I say, that afternoon life with Tania never had any bad effect upon me.
+Once in a while I'd get too much of a skinful and I'd have to stick my
+finger down my throat -- because it's hard to read proof when you're not all
+there. It requires more concentration to detect a missing comma than to
+epitomize Nietzche's philosophy. You can be brilliant sometimes, when you're
+drunk, but brilliance is out of place in the proof-reading department.
+Dates, fractions, semi-colons -- these are the things that count. And these
+are the things that are most difficult to track down when your mind is all
+ablaze. Now and then I made some bad blunders, and if it weren't that I had
+learned how to kiss the boss's ass, I would have been fired, that's certain.
+I even got a letter one day from the big mogul upstairs, a guy I never even
+met, so high up he was, and between a few sarcastic phrases about my more
+than ordinary intelligence, he hinted pretty plainly that I'd better learn
+my place and toe the mark or there'd be what's what to pay. Frankly, that
+scared the shit out of me. After that I never used a polysyllabic word in
+conversation; in fact, I hardly ever opened my trap all night. I played the
+high-grade moron, which is what they wanted of us. Now and then, to sort of
+flatter the boss, I'd go up to him and ask him politely what such and such a
+word might mean. He liked that. He was a sort of dictionary and time-table,
+that guy. No matter how much beer he guzzled during the break -- and he made
+his own private breaks too, seeing as how he was running the show -- you could
+never trip him up on a date or a definition. He was born to the job. My only
+regret was that I knew too much. It leaked out now and then, despite all the
+precautions I took. If I happened to come to work with a book under my arm
+this boss of ours would notice it, and if it were a good book it made him
+venomous. But I never did anything intentionally to displease him; I liked
+the job too well to put a noose around my neck. Just the same it's hard to
+talk to a man when you have nothing in common with him; you betray yourself,
+even if you use only monosyllabic words. He knew god-damn well, the boss,
+that I didn't take the least bit of interest in his yams; and yet,
+explain it how you will, it gave him pleasure to wean me away from my dreams
+and fill me full of dates and historical events. It was his way of taking
+revenge, I suppose.
+
+The result was that I developed a bit of a neurosis. As soon as I hit the
+air I became extravagant. It wouldn't matter what the subject of
+conversation happened to be, as we started back to Montparnasse in the early
+morning, I'd soon turn the fire-hose on it, squelch it, in order to trot out
+my perverted dreams. I liked best talking about those things which none of
+us knew anything about. I had cultivated a mild sort of insanity, echolalia,
+I think it's called. All the tag-ends of a night's proofing danced on the
+tip of my tongue. Dalmatia -- I had held copy of an ad for that
+beautiful jewelled resort. All right, Dalmatia. You take a train and
+in the morning your pores are perspiring and the grapes are bursting their
+skins. I could reel it off about Dalmatia from the grand boulevard to
+Cardinal Mazarin's palace, further, if I chose to. I don't even know where
+it is on the map, and I don't want to know ever, but at three in the morning
+with all that lead in your veins and your clothes saturated with sweat and
+patchouli and the clink of bracelets passing through the wringer and those
+beer yams that I was braced for, little things like geography, costume,
+speech, architecture don't mean a god-damn thing. Dalmatia belongs to a
+certain hour of the night when those high goings are snuffed out and the
+court of the Louvre seems so wonderfully ridiculous that you feel like
+weeping for no reason at all, just because it's so beautifully silent, so
+empty, so totally unlike the front page and the guys upstairs rolling the
+dice. With that little piece of Dalmatia resting on my throbbing nerves like
+a cold knife-blade I could experience the most wonderful sensations of
+voyage. And the funny thing is again that I could travel all around the
+globe but America would never enter my mind; it was even further lost than
+a lost continent, because with the lost continents I felt some mysterious
+attachment, whereas with America I felt nothing, nothing at all. Now and
+then, it's true, I did think of Mona, not as of a person in a definite aura
+of time and space, but separately, detached, as though she had blown up into
+a great cloud-like form that blotted out the past. I couldn't allow myself
+to think about her very
+long; if I had I would have jumped off the bridge. It's strange. I had
+become so reconciled to this life without her, and yet if I thought about
+her only for a minute it was enough to pierce the bone and marrow of my
+contentment and shove me back again into the agonizing gutter of my
+wretched past.
+
+For seven years I went about, day and night, with only one thing on my
+mind -- her. Were there a Christian so faithful to his God as I was to
+her we would all be Jesus Christs to-day. Day and night I thought of her,
+even when I was deceiving her. And now sometimes, in the very midst of
+things, sometimes when I feel that I am absolutely free of it all,
+suddenly, in rounding a corner perhaps, there will bob up a little square, a
+few trees and a bench, a deserted spot where we stood and had it out, where
+we drove each other crazy with bitter, jealous scenes. Always some deserted
+spot, like the Place de l'Estrapade, for example, or those dingy, mournful
+streets off the Mosque or along that open tomb of an Avenue de Breteuil
+which at ten o'clock in the evening is so silent, so dead, that it makes
+one think of murder or suicide, anything that might create a vestige of
+human drama. When I realize that she is gone, perhaps gone forever, a great
+void opens up and I feel that I am falling, falling, falling into deep,
+black space. And this is worse than tears, deeper than regret or pain or
+sorrow; it is the abyss into which Satan was plunged. There is no climbing
+back, no ray of light, no sound of human voice or human touch of hand.
+
+How many thousand times, in walking through the streets at night, have I
+wondered if the day would ever come again when she would be at my side: all
+those yearning looks I bestowed on the buildings and statues, I had looked
+at them so hungrily, so desperately, that by now my thoughts must have
+become a part of the very buildings and statues, they must be saturated with
+my anguish. I could not help but reflect also that when we had walked side
+by side through these mournful, dingy streets now so saturated with my dream
+and longing, she had observed nothing, felt nothing: they were like any
+other streets to her, a little more sordid perhaps, and that is all. She
+wouldn't remember that at a certain corner I had
+stopped to pick up her hairpin, or that, when I bent down to tie her laces,
+I remarked the spot on which her foot had rested and that it would remain
+there forever, even after the cathedrals had been demolished and the whole
+Latin civilization wiped out forever and ever.
+
+Walking down the Rue Lhomond one night in a fit of unusual anguish and
+desolation, certain things were revealed to me with poignant clarity.
+Whether it was that I had so often walked this street in bitterness and
+despair or whether it was the remembrance of a phrase which she had dropped
+one night as we stood at the Place Lucien-Herr I do not know. "Why don't you
+show me that Paris," she said, "that you have written about?" One thing I
+know, that at the recollection of these words I suddenly realized the
+impossibility of ever revealing to her that Paris which I had gotten to
+know, the Paris whose arrondissements are undefined, a Paris that has
+never existed except by virtue of my loneliness, my hunger for her. Such a
+huge Paris! It would take a lifetime to explore it again. This Paris, to
+which I alone had the key, hardly lends itself to a tour, even with the best
+of intentions; it is a Paris that has to be lived, that has to be
+experienced each day in a thousand different forms of torture, a Paris that
+grows inside you like a cancer, and grows and grows until you are eaten away
+by it.
+
+Stumbling down the Rue Mouffetard, with these reflections stirring in my
+brain, I recalled another strange item out of the past, out of that
+guide-book whose leaves she had asked me to turn but which, because the
+covers were so heavy, I then found impossible to pry open. For no reason at
+all -- because at the moment my thoughts were occupied with Salavin in whose
+sacred precincts I was now meandering -- for no reason at all, I say, there
+came to mind the recollection of a day when, inspired by the plaque which I
+passed day in and day out, I impulsively entered the Pension Orfila and
+asked to see the room Strindberg had occupied. Up to that time nothing very
+terrible had befallen me, though I had already lost all my worldly
+possessions and had known what it was to walk the streets in hunger and in
+fear of the police. Up to then I had not found a single friend in Paris, a
+circumstance which was not so much depressing as bewildering, for
+wherever I have roamed in this world the easiest thing for me to discover
+has been a friend. But in reality, nothing very terrible had happened to me
+yet. One can live without friends, as one can live without love, or even
+without money, that supposed sine qua non. One can live in Paris -- I
+discovered that! --on just grief and anguish. A bitter nourishment -- perhaps
+the best there is for certain people. At any rate, I had not yet come to the
+end of my rope. I was only flirting with disaster. I had time and sentiment
+enough to spare to peep into other people's lives, to dally with the dead
+stuff of romance which, however morbid it may be, when it is wrapped between
+the covers of a book, seems deliciously remote and anonymous. As I was
+leaving the place I was conscious of an ironic smile hovering over my lips,
+as though I were saying to myself "Not yet, the Pension Orfila!
+
+Since then, of course, I have learned what every madman in Paris discovers
+sooner or later -- that there are no ready-made infernos for the tormented.
+
+It seems to me I understand a little better now why she took such huge
+delight in reading Strindberg. I can see her looking up from her book after
+reading a delicious passage and, with tears of laughter in her eyes,
+saying to me: "You're just as mad as he was ... you want to be
+punished!" What a delight that must be to the sadist when she discovers her
+own proper masochist! When she bites herself, as it were, to test the
+sharpness of her teeth. In those days, when I first knew her, she was
+saturated with Strindberg. That wild carnival of maggots which he revelled
+in, that eternal duel of the sexes, that spiderish ferocity which had
+endeared him to the sodden oafs of the northland, it was that which had
+brought us together. We came together in a dance of death and so quickly was
+I sucked down into the vortex that when I came to the surface again I could
+not recognize the world. When I found myself loose the music had ceased; the
+carnival was over and I had been picked clean ...
+
+After leaving the Pension Orfila that afternoon I went to the library and
+there, after bathing in the Ganges and pondering over the signs of the
+zodiac, I began to reflect on the meaning of that inferno which Strindberg
+had so mercilessly depicted. And, as I ruminated, it began to
+grow clear to me, the mystery of his pilgrimage, the flight which the poet
+makes over the face of the earth and then, as if he had been ordained to
+re-enact a lost drama, the heroic descent to the very bowels of the earth,
+the dark and fearsome sojourn in the belly of the whale, the bloody struggle
+to liberate himself, to emerge clean of the past, a bright, gory sun-god
+cast up on an alien shore. It was no mystery to me any longer why he and
+others (Dante, Rabelais, Van Gogh, etc., etc.) had made their pilgrimage to
+Paris. I understood then why it is that Paris attracts the tortured, the
+hallucinated, the great maniacs of love. I understood why it is that here,
+at the very hub of the wheel, one can embrace the most fantastic, the most
+impossible theories, without finding them in the least strange; it is here
+that one reads again the books of his youth and the enigmas take on new
+meanings, one for every white hair. One walks the streets knowing that he
+is mad, possessed, because it is only too obvious that these cold,
+indifferent faces are the visages of one's keepers. Here all boundaries fade
+away and the world reveals itself for the mad slaughter-house that it is.
+The treadmill stretches away to infinitude, the hatches are closed down
+tight, logic runs rampant, with bloody cleaver flashing. The air is chill
+and stagnant, the language apocalyptic. Not an exit sign anywhere; no issue
+save death. A blind alley at the end of which is a scaffold.
+
+An eternal city, Paris! More eternal than Rome, more splendorous than
+Nineveh. The very navel of the world to which, like a blind and faltering
+idiot, one crawls back on hands and knees. And like a cork that has drifted
+finally to the dead center of the ocean, one floats here in the scum and
+wrack of the seas, listless, hopeless, heedless even of a passing Columbus.
+The cradles of civilization are the putrid sinks of the world, the
+charnel-house to which the stinking wombs confide their bloody packages of
+flesh and bone.
+
+The streets were my refuge. And no man can understand the glamor of the
+streets until he is obliged to take refuge in them, until he has become a
+straw that is tossed here and there by every zephyr that blows. One passes
+along a street on a wintry day and, seeing a dog for sale, one is moved to
+tears. While across the way, cheerful as a cemetery, stands a miserable hut
+that calls itself "Hotel du Tombeau des Lapins." That makes one laugh, laugh
+fit to die. Until one notices that there are hotels everywhere, for rabbits,
+dogs, lice, emperors, cabinet ministers, pawnbrokers, horse-knackers, and so
+on. And almost every other one is an "Hotel de l'Avenir." Which makes one
+more hysterical still. So many hotels of the future! No hotels in the past
+participle, no subjunctive modes, no conjunctivitis. Everything is hoary,
+grisly, bristling with merriment, swollen with the future, like a gumboil.
+Drunk with this lecherous eczema of the future, I stagger over to the Place
+Violet, the colors all mauve and slate, the doorways so low that only dwarfs
+and goblins could hobble in; over the dull cranium of Zola the chimneys are
+belching pure coke, while the Madonna of Sandwiches listens with cabbage ears
+to the bubbling of the gas tanks, those beautiful bloated toads which squat
+by the roadside.
+
+Why do I suddenly recollect the Passage des Thermopyples? Because that day a
+woman addressed her puppy in the apocalyptic language of the
+slaughter-house, and the little bitch, she understood what this greasy slut
+of a midwife was saying. How that depressed me! More even than the sight of
+those whimpering curs that were being sold on the Rue Brancion, because it
+was not the dogs which filled me so with pity, but the huge iron railing,
+those rusty spikes which seemed to stand between me and my rightful life. In
+the pleasant little lane near the Abattoir de Vaugirard (Abattoir
+Hippophagique), which is called the Rue des Perichaux, I had noticed here
+and there signs of blood. Just as Strindberg in his madness had recognized
+omens and portents in the very flagging of the Pension Orfila, so, as I
+wandered aimlessly through this muddy lane bespattered with blood, fragments
+of the past detached themselves and floated listlessly before my eyes,
+taunting me with the direst forebodings. I saw my own blood being spilled,
+the muddy road stained with it, as far back as I could remember, from the
+very beginning doubtless. One is ejected into the world like a dirty little
+mummy; the roads are slippery with blood and no one knows why it should be
+so. Each one is travelling his own way and, though the earth be rotting with
+good things, there is no time to pluck the fruits; the procession scrambles
+toward the exit sign, and such a panic is there, such a sweat to
+escape, that the weak and the helpless are trampled into the mud and their
+cries are unheard.
+
+My world of human beings had perished; I was utterly alone in the world and
+for friends I had the streets, and the streets spoke to me in that sad,
+bitter language compounded of human misery, yearning, regret, failure,
+wasted effort. Passing under the viaduct along the Rue Broca, one night
+after I had been informed that Mona was ill and starving, I suddenly
+recalled that it was here in the squalor and gloom of this sunken street,
+terrorized perhaps by a premonition of the future, that Mona clung to me
+and with a quivering voice begged me to promise that I would never leave
+her, never, no matter what happened. And, only a few days later, I stood on
+the platform of the Gare St. Lazare and I watched the train pull out, the
+train that was bearing her away; she was leaning out of the window, just as
+she had leaned out of the window when I left her in New York, and there was
+that same, sad, incrustable smile on her face, the last-minute look which is
+intended to convey so much, but which is only a mask that is twisted by a
+vacant smile. Only a few days before, she had clung to me desperately and
+then something happened, something which is not even clear to me now, and
+of her own volition she boarded the train and she was looking at me again
+with that sad, enigmatic smile which baffles me, which is unjust, unnatural,
+which I distrust with all my soul. And now it is I, standing in the shadow
+of the viaduct, who reach out for her, who cling to her desperately and
+there is that same inexplicable smile on my lips, the mask that I have
+clamped down over my grief. I can stand here and smile vacantly, and no
+matter how fervid my prayers, no matter how desperate my longing, there is
+an ocean between us; there she will stay and starve, and here I shall walk
+from one street to the next, the hot tears scalding my face.
+
+It is that sort of cruelty which is embedded in the streets, it is
+that which stares out from the walls and terrifies us when suddenly
+we respond to a nameless fear, when suddenly our souls are invaded by a
+sickening panic. It is that which gives the lampposts their ghoulish
+twists, which makes them beckon to us and lure us to
+their strangling grip; it is that which makes certain houses appear
+like the guardians of secret crimes and their blind windows like the empty
+sockets of eyes that have seen too much. It is that sort of thing, written
+into the human physiognomy of the streets which makes me flee when overhead
+I suddenly see inscribed "Impasse Satan." That which makes me shudder when
+at the very entrance to the Mosque I observe that it is written: "Mondays
+and Thursdays tuberculosis; Wednesdays and Fridays syphilis."
+In every Metro station there are grinning skulls that greet you with
+"Defendez-vous centre la syphilis!" Wherever there are walls, there
+are posters with bright venomous crabs heralding the approach of cancer. No
+matter where you go, no matter what you touch, there is cancer and syphilis.
+It is written in the sky; it flames and dances, like an evil portent. It has
+eaten into our souls and we are nothing but a dead thing like the moon.
+
+                                    * * *
+
+I think it was the fourth of July when they took the chair from under my ass
+again. Not a word of warning. One of the big mucky-mucks from the other side
+of the water had decided to make economies; cutting down on proofreaders
+and helpless little dactylos enabled him to pay the expenses of his
+trips back and forth and the palatial quarters he occupied at the Ritz.
+After paying what little debts I had accumulated among the linotype
+operators and a good-will token at the bistrot across the way, in
+order to preserve my credit, there was scarcely anything left out of my
+final pay. I had to notify the patron of the hotel that I would be
+leaving; I didn't tell him why because he'd have been worried about his
+measly two hundred francs.
+
+"What'll you do if you lose your job?" That was the phrase that rung in my
+ears continually. Ca y est maintenant! Ausgespielt! Nothing to
+do but get down into the street again, walk, hang around, sit on benches,
+kill time. By now, of course, my face was familiar in Montparnasse; for a
+while I could pretend that I was still working on the paper. That would make
+it a little easier to bum a breakfast or a dinner. It was Summer time and
+the tourists were pouring in. I had schemes up my sleeve for mulcting them.
+"What'll you do ... ?" Well, I wouldn't starve, that's one thing. If I
+should do nothing else but concentrate on food that would prevent me from
+falling to pieces. For a week or two I could still go to Monsieur Paul's and
+have a square meal every evening; he wouldn't know whether I was working or
+not. The main thing is to eat. Trust to Providence for the rest!
+
+Naturally, I kept my ears open for anything that sounded like a little
+dough. And I cultivated a whole new set of acquaintances -- bores whom I had
+sedulously
+avoided heretofore, drunks whom I loathed, artists who had a little money,
+Guggenheim prize men, etc. It's not hard to make friends when you squat on a
+terrasse twelve hours a day. You get to know every sot in
+Montparnasse. They cling to you like lice, even if you have nothing to offer
+them but your ears.
+
+Now that I had lost my job Carl and Van Norden had a new phrase for me:
+"What if your wife should arrive now?" Well, what of it? Two mouths to feed,
+instead of one. I'd have a companion in misery. And, if she hadn't lost her
+good looks, I'd probably do better in double harness than alone: the world
+never permits a good-looking woman to starve. Tania I couldn't depend on to
+do much for me; she was sending money to Sylvester. I had thought at first
+that she might let me share her room, but she was afraid of compromising
+herself; besides, she had to be nice to her boss.
+
+The first people to turn to when you're down and out are the Jews. I had
+three of them on my hands almost at once. Sympathetic souls. One of them was
+a retired fur merchant who had an itch to see his name in the papers;
+he proposed that I write a series of articles under his name for a Jewish
+daily in New York. I had to scout around the Dome and the Coupole searching
+for prominent Jews. The first man I picked on was a celebrated
+mathematician; he couldn't speak a word of English. I had to write about the
+theory of shock from the diagrams he left on the paper napkins; I had to
+describe the movements of the astral bodies and demolish the Einsteinian
+conception at the same time. All for twenty-five francs. When I saw my
+articles in the newspaper I couldn't read them; but they looked impressive,
+just the same, especially with the pseudonym of the fur merchant attached.
+
+I did a lot of pseudonymous writing during this period. When the big new
+whorehouse opened up on the Boulevard Edgar-Quinet, I got a little
+rake-off, for writing the pamphlets. That is to say, a bottle of champagne
+and a free fuck in one of the Egyptian rooms. If I succeeded in bringing a
+client I was to get my commission, just like Kepi got his in the old days.
+One night I brought Van Norden; he was going to let me earn a little money
+by enjoying himself upstairs. But when the Madame learned
+that he was a newspaper man she wouldn't hear of taking money from him; it
+was a bottle of champagne again and a free fuck. I got nothing out of it. As
+a matter of fact, I had to write the story for him because he couldn't think
+how to get round the subject without mentioning the kind of place it was.
+One thing after another like that. I was getting fucked good and proper.
+
+The worst job of all was a thesis I undertook to write for a deaf and dumb
+psychologist. A treatise on the care of crippled children. My head was full
+of diseases and braces and work-benches and fresh air theories; it took
+about six weeks off and on, and then, to rub it in, I had to
+proof-read the god-damned thing. It was in French, such a French as I've
+never in my life seen or heard. But it brought me in a good breakfast every
+day, an American breakfast, with orange juice, oatmeal, cream, coffee, now
+and then, ham and eggs for a change. It was the only period of my Paris
+days that I ever indulged in a decent breakfast, thanks to the crippled
+children of Rockaway Beach, the East Side, and all the coves and inlets
+bordering on these sore points.
+
+Then one day I fell in with a photographer; he was making a collection of
+the slimy joints of Paris for some degenerate in Munich. He wanted to know
+if I would pose for him with my pants down, and in other ways. I thought of
+those skinny little runts, who look like bell-hops and messenger boys, that
+one sees on pornographic post-cards in little book-shop windows
+occasionally, the mysterious phantoms who inhabit the Rue de la Lune and
+other malodorous quarters of the city. I didn't like very much the idea of
+advertising my physog in the company of these elite. But, since I was
+assured that the photographs were for a strictly private collection, and
+since it was destined for Munich, I gave my consent. When you're not in your
+home town you can permit yourself little liberties, particularly for such a
+worthy motive as earning your daily bread. After all, I hadn't been so
+squeamish, come to think of it, even in New York. There were nights when I
+was so damned desperate, back there, that I had to go out right in my own
+neighborhood and panhandle.
+
+We didn't go to the show places familiar to the tourists,
+but to the little joints where the atmosphere was more congenial, where we
+could play a game of cards in the afternoon before getting down to work. He
+was a good companion, the photographer. He knew the city inside out, the
+walls particularly; he talked to me about Goethe often, and the days of the
+Hohenstaufen, and the massacre of the Jews during the reign of the Black
+Death. Interesting subjects, and always related in some obscure way to the
+things he was doing. He had ideas for scenarios too, astounding ideas, but
+nobody had the courage to execute them. The sight of a horse split-open like
+a saloon door, would inspire him to talk of Dante or Leonardo da Vinci or
+Rembrandt; from the slaughter-house at Villette he would jump into a cab and
+rush me to the Trocadero Museum, in order to point out a skull or a mummy
+that had fascinated him. We explored the 5th, the 13th, the 19th and the
+20th arrondissements thoroughly. Our favorite resting places were
+lugubrious little spots such as the Place Nationale, Place des Peupliers,
+Place Contrescarpe, Place Paul-Verlaine. Many of these places were already
+familiar to me, but all of them I now saw in a different light owing to the
+rare flavor of his conversation. If today I should happen to stroll down
+the Rue du Chateau-des-Renders, for example, inhaling the fetid stench of
+the hospital beds with which the 13th arrondissement reeks, my
+nostrils would undoubtedly expand with pleasure, because, compounded with
+that odor of stale piss and formaldehyde, there would be the odors of our
+imaginative voyages through the charnel house of Europe which the Black
+Death had created.
+
+Through him I got to know a spiritual-minded individual named Kruger, who was
+a sculptor and painter. Kruger took a shine to me for some reason or other;
+it was impossible to get away from him once he discovered that I was willing
+to listen to his "esoteric" ideas. There are people in this world for whom
+the word "esoteric" seems to act as a divine ichor. Like "settled" for Herr
+Peeperkorn of the Magic Mountain. Kruger was one of those saints who
+have gone wrong, a masochist, an anal type whose law is scrupulousness,
+rectitude and conscientiousness, who on an off day would knock a man's teeth
+down his throat without a qualm. He seemed to think I was ripe to move on to
+another plane, "a higher plane," as he put it. I was ready to move on
+to any plane he designated, provided that one didn't eat less or drink less.
+He chewed my head off about the "threadsoul," the "causal body," "ablation,"
+the Upanishads, Plodnus, Krishnamurti, "the Karmic vestiture of the soul,"
+"the nirvanic consciousness," all that flapdoodle which blows out of the East
+like a breath from the plague. Sometimes he would go into a trance and talk
+about his previous incarnations, how he imagined them to be, at least. Or he
+would relate his dreams which, so far as I could see, were thoroughly
+insipid, prosaic, hardly worth even the attention of a Freudian, but, for
+him, there were vast esoteric marvels hidden in their depths which I had to
+aid him to decipher. He had turned himself inside out, like a coat whose nap
+is worn off.
+
+Little by little, as I gained his confidence, I wormed my way into his heart.
+I had him at such a point that he would come running after me, in the street,
+to inquire if he could lend me a few francs. He wanted to hold me together in
+order to survive the transition to a higher plane. I acted like a pear that
+is ripening on the tree. Now and then I had relapses and I would confess my
+need for more earthly nourishment -- a visit to the Sphinx or the Rue St.
+Apolline where I knew he repaired in weak moments when the demands of the
+flesh had become too vehement.
+
+As a painter he was nil; as a sculptor less than nil. He was a good
+housekeeper, that I'll say for him. And an economical one to boot. Nothing
+went to waste, not even the paper that meat was wrapped in. Friday nights he
+threw open his studio to his fellow artists; there was always plenty to
+drink and good sandwiches, and if by chance there was anything left over I
+would come round the next day to polish it off.
+
+Back of the Bal Bullier was another studio I got into the habit of
+frequenting -- the studio of Mark Swift. If he was not a genius he was
+certainly an eccentric, this caustic Irishman. He had for a model a Jewess
+whom he had been living with for years; he was now tired of her and was
+searching for a pretext to get rid of her. But as he had eaten up me dowry
+which she had originally brought with her, he was puzzled as to how to
+disembarrass himself of her without making restitution. The simplest thing
+was to so antagonize her that she would choose starvation rather than support
+his cruelties.
+
+She was rather a fine person, his mistress; the worst that one could say
+against her was that she had lost her shape, and her ability to
+support him any longer. She was a painter herself and, among those who
+professed to know, it was said that she had far more talent than he. But no
+matter how miserable he made life for her she was just; she would never allow
+anyone to say that he was not a great painter. It was because he really has
+genius, she said, that he was such a rotten individual. One never saw her
+canvases on the wall -- only his. Her things were stuck away in the kitchen.
+Once it happened, in my presence, that someone insisted on seeing her work.
+The result was painful. "You see this figure," said Swift, pointing to one of
+her canvases with his big foot. "The man standing in the doorway there is
+just about to go out for a leak. He won't be able to find his way back
+because his head is on wrong ... Now take that nude over there ... It was all
+right until she started to paint the cunt. I don't know what she was thinking
+about, but she made it so big that her brush slipped and she couldn't get it
+out again."
+
+By way of showing us what a nude ought to be like he hauls out a huge canvas
+which he had recently completed. It was a picture of her, a splendid
+piece of vengeance inspired by a guilty conscience. The work of a madman --
+vicious, petty, malign, brilliant. You had the feeling that he had spied on
+her through the keyhole, that he had caught her in an off moment, when she
+was picking her nose absent-mindedly, or scratching her ass. She sat there
+on the horsehair sofa, in a room without ventilation, an enormous room
+without a window; it might as well have been the anterior lobe of the
+pineal gland. Back of her ran the zigzag stairs leading to the balcony; they
+were covered with a bilious-green carpet, such a green as could only emanate
+from a universe that had been pooped out. The most prominent thing was her
+buttocks, which were lop-sided and full of scabs; she seemed to have slightly
+raised her ass from the sofa, as if to let a loud fart. Her face he had
+idealized: it looked sweet and virginal, pure as a cough-drop. But her bosom
+was distended, swollen with sewer-gas; she seemed
+
+to be swimming in a menstrual sea, an enlarged foetus with the dull, syrupy
+look of an angel.
+
+Nevertheless one couldn't help but like him. He was an indefatigable worker,
+a man who hadn't a single thought in his head but paint. And cunning as a
+lynx withal. It was he who put it into my head to cultivate the friendship
+of Fillmore, a young man in the diplomatic service who had found his way
+into the little group that surrounded Kruger and Swift. "Let him help you,"
+he said. "He doesn't know what to do with his money."
+
+When one spends what he has on himself, when one has a thoroughly good time
+with his own money, people are apt to say "he doesn't know what to do with
+his money." For my part, I don't see any better use to which one can put
+money. About such individuals one can't say that they're generous or stingy.
+They put money into circulation -- that's the principal thing. Fillmore knew
+that his days in France were limited; he was determined to enjoy them. And
+as one always enjoys himself better in the company of a friend it was only
+natural that he should turn to one like myself, who had plenty of time on
+his hands, for that companionship which he needed. People said he was a
+bore, and so he was, I suppose, but when you're in need of your food you can
+put up with worse things than being bored. After all, despite the fact that
+he talked incessantly, and usually about himself or the authors whom he
+admired slavishly -- such birds as Anatole France and Joseph Conrad -- he
+nevertheless made my nights interesting in other ways. He liked to dance, he
+liked good wines, and he liked women. That he liked Byron also, and Victor
+Hugo, one could forgive; he was only a few years out of college and he had
+plenty of time ahead of him to be cured of such tastes. What he had that I
+liked was a sense of adventure.
+
+We got even better acquainted, more intimate, I might say, due to a peculiar
+incident that occurred during my brief sojourn with Kruger. It happened just
+after the arrival of Collins, a sailor whom Fillmore had got to know on the
+way over from America. The three of us used to meet regularly on the
+terrasse of the Rotonde before going to dinner. It was always
+Pernod, a drink which put Collins in good humor and provided a base, as it
+were,
+for the wine and beer and fines, etc., which had to be guzzled
+afterwards. All during Collins's stay in Paris I lived like a duke; nothing
+but fowl and good vintages and desserts that I hadn't even heard of before.
+A month of this regimen and I should have been obliged to go to Baden-Baden
+or Vichy or Aix-les-Bains. Meanwhile Kruger was putting me up at his studio.
+I was getting to be a nuisance because I never showed up before three a.m.
+and it was difficult to rout me out of bed before noon. Overtly Kruger never
+uttered a word of reproach but his manner indicated plainly enough that I
+was becoming a bum.
+
+One day I was taken ill. The rich diet was taking effect upon me. I don't
+know what ailed me, but I couldn't get out of bed. I had lost all my
+stamina, and with it whatever courage I possessed. Kruger had to look after
+me, had to make broths for me, and so on. It was a trying period for him,
+more particularly because he was just on the verge of giving an important
+exhibition at his studio, a private showing to some wealthy connoisseurs
+from whom he was expecting aid. The cot on which I lay was in the studio;
+there was no other room to put me in.
+
+The morning of the day he was to give his exhibition, Kruger awoke
+thoroughly disgruntled. If I had been able to stand on my feet I know he
+would have given me a clout in the jaw and kicked me out. But I was
+prostrate, and weak as a cat. He tried to coax me out of bed, with the idea
+of locking me up in the kitchen upon the arrival of his visitors. I realized
+that I was making a mess of it for him. People can't look at pictures and
+statues with enthusiasm when a man is dying before their eyes. Kruger
+honestly thought I was dying. So did I. That's why, despite my feeling of
+guilt, I couldn't muster any enthusiasm when he proposed calling for the
+ambulance and having me shipped to the American Hospital. I wanted to die
+there, comfortably, right in the studio; I didn't want to be urged to get up
+and find a better place to die in. I didn't care where I died, really, so
+long as it wasn't necessary to get up.
+
+When he heard me talk this way Kruger became alarmed. Worse than having a
+sick man in his studio should the visitors arrive, was to have a dead man.
+That would completely ruin his prospects, slim as they were. He didn't
+put it that way to me, of course, but I could see from his agitation that
+that was what worried him. And that made me stubborn. I refused to let him
+call the hospital. I refused to let him call a doctor. I refused everything.
+
+He got so angry with me finally that, despite my protestations, he began to
+dress me. I was too weak to resist. All I could do was to murmur
+weakly -- "you bastard, you!" Though it was warm outdoors I was shivering like
+a dog. -- After he had completely dressed me he flung an overcoat over me and
+slipped outside to telephone. "I won't go! I won't go!" I kept saying but he
+simply slammed the door on me. He came back in a few minutes and, without
+addressing a word to me, busied himself about the studio. Last minute
+preparations. In a little while there was a knock on the door. It was
+Fillmore. Collins was waiting downstairs, he informed me.
+
+The two of them, Fillmore and Kruger, slipped their arms under me and
+hoisted me to my feet. As they dragged me to the elevator Kruger softened
+up. "It's for your own good," he said. "And besides, it wouldn't be fair to
+me. You know what a struggle I've had all these years. You ought to think
+about me too." He was actually on the point of tears.
+
+Wretched and miserable as I felt, his words almost made me smile. He was
+considerably older than I, and even though he was a rotten painter, a rotten
+artist all the way through, he deserved a break -- at least once in a
+lifetime.
+
+"I don't hold it against you," I muttered. "I understand how it is."
+
+"You know I always liked you," he responded. "When you get better you can
+come back here again ... you can stay as long as you like."
+
+"Sure, I know ... I'm not going to croak yet," I managed to get out.
+
+Somehow, when I saw Collins down below my spirits revived. If ever any one
+seemed to be thoroughly alive, healthy, joyous, magnanimous, it was he. He
+picked me up as if I were a doll and laid me out on the seat of the cab --
+gently too, which I appreciated after the way Kruger had manhandled me.
+
+When we drove up to the hotel -- the hotel that Collins was stopping at --
+there was a bit of a discussion with the proprietor, during which I lay
+stretched out on the sofa in the bureau. I could hear Collins saying to the
+patron that it was nothing ... just a little breakdown ... be all
+right in a few days. I saw him put a crisp bill in the man's hands and then,
+turning swiftly and lithely, he came back to where I was and said: "Come on,
+buck up! Don't let him think you're croaking." And with that, he yanked me to
+my feet and, bracing me with one arm, escorted me to the elevator.
+
+Don't let him think you're croaking! Obviously it was bad taste to
+die on people's hands. One should die in the bosom of his family, in
+private, as it were. His words were encouraging. I began to see it all as a
+bad joke. Upstairs, with the door closed, they undressed me and put me
+between the sheets. "You can't die now, god-damn it!" said Collins warmly.
+"You'll put me in a hole ... Besides, what the hell's the matter with you?
+Can't stand good living? Keep your chin up! You'll be eating a porterhouse
+steak in a day or two. You think you're ill! Wait, by Jesus until you get a
+dose of syphilis! That's something to make you worry ..." And he began to
+relate, in a humorous way, his trip down the Yangtsze-Kaing, with hair
+falling out and teeth rotting away. In the feeble state that I was in, the
+yam that he spun had an extraordinarily soothing effect upon me. It took me
+completely out of myself. He had guts, this guy. Perhaps he put it on a bit
+thick, for my benefit, but I wasn't listening to him critically at the
+moment. I was all ears and eyes. I saw the dirty yellow mouth of the river,
+the lights going up at Hankow, the sea of yellow faces, the sampans shooting
+down through the gorges and the rapids flaming with the sulphurous breath of
+the dragon. What a story! The coolies swarming around the boat each day,
+dredging for the garbage that was flung overboard, Tom Slattery rising up on
+his death-bed to take a last look at the lights of Hankow, the beautiful
+Eurasian who lay in a dark room and filled his veins with poison, the
+monotony of blue jackets and yellow faces, millions and millions of them
+hollowed out by famine, ravaged by disease, subsisting on rats and dogs and
+roots, chewing the grass off the earth, devouring their own children. It was
+hard to imagine that this man's body had once been a mass of sores, that he
+had been shunned like a leper; his voice was so quiet and gentle, it was as
+though his spirit had been cleansed by all the suffering he had endured. As
+he reached for his drink his face grew more and more soft and his words
+actually seemed to caress me. And all the while China hanging over us like
+Fate itself. A China rotting away, crumbling to dust like a huge dinosaur,
+yet preserving to the very end the glamor, the enchantment, the mystery, the
+cruelty of her hoary legends.
+
+I could no longer follow his story; my mind had slipped back to a Fourth of
+July when I bought my first package of firecrackers and with it the long
+pieces of punk which break so easily, the punk that you blow on to get a
+good red glow, the punk whose smell sticks to your fingers for days and
+makes you dream of strange things. The Fourth of July the streets are
+littered with bright red paper stamped with black and gold figures and
+everywhere there are tiny firecrackers which have the most curious
+intestines; packages and packages of them, all strung together by their
+thin, flat, little gutstrings, the color of human brains. All day long there
+is the smell of powder and punk and the gold dust from the bright red
+wrappers sticks to your fingers. One never thinks of China, but it is there
+all the time on the tips of your fingers and it makes your nose itchy; and
+long afterwards, when you have forgotten almost what a firecracker smells
+like, you wake up one day with gold-leaf choking you and the broken pieces
+of punk waft back their pungent odor and the bright red wrappers give you a
+nostalgia for a people and a soil you have never known, but which is in your
+blood, mysteriously there in your blood, like the sense of time or space, a
+fugitive, constant value to which you turn more and more as you get old,
+which you try to seize with your mind, but ineffectually, because in
+everything Chinese there is wisdom and mystery and you can never grasp it
+with two hands or with your mind but you must let it rub off, let it stick
+to your fingers, let it slowly infiltrate your veins.
+
+A few weeks later, upon receipt of a pressing invitation from Collins who had
+returned to Le Havre, Fillmore and I boarded the train one morning, prepared
+to spend the week-end with him. It was the first time I had been outside of
+Paris since my arrival here. We were in fine fettle, drinking Anjou all the
+way to the coast. Collins had given us the address of a bar where we were to
+meet; it was a place called Jimmie's Bar, which everyone in Le Havre was
+supposed to know.
+
+We got into an open barouche at the station and started on a brisk trot for
+the rendez-vous; there was still a half bottle of Anjou left which we
+polished off as we rode along. Le Havre looked gay, sunny; the air was
+bracing, with that strong salty tang which almost made me homesick for New
+York. There were masts and hulls cropping up everywhere, bright bits of
+bunting, big open squares and high-ceilinged cafes such as one only sees in
+the provinces. A fine impression immediately; the city was welcoming us with
+open arms.
+
+Before we ever reached the bar we saw Collins coming down the street on a
+trot, heading for the station, no doubt, and a little late as usual.
+Fillmore immediately suggested a Pernod; we were all slapping each other on
+the back, laughing and spitting, drunk already from the sunshine and the
+salt sea air. Collins seemed undecided about the Pernod at first. He had a
+little dose of clap, he informed us. Nothing very serious -- "a strain" most
+likely. He showed us a bottle he had in his pocket -- "Venetienne" it was
+called, if I remember rightly. The sailors' remedy for clap.
+
+We stopped off at a restaurant to have a little snack before repairing to
+Jimmie's place. It was a huge tavern with big, smoky rafters and tables
+creaking with food. We drank copiously of the wines that Collins
+recommended. Then we sat down on a terrasse and had coffee and
+liqueurs. Collins was talking about the Baron de Charlus, a man after his
+own heart, he said. For almost a year now he had been staying at Le Havre,
+going through the money that he had accumulated during his bootlegging days.
+His tastes were simple -- food, drink, women and books. And a private bath!
+That he insisted on.
+
+We were still talking about the Baron de Charlus when we arrived at Jimmie's
+Bar. It was late in the afternoon and the place was just beginning to fill
+up. Jimmie was there, his face red as a beet, and beside him was his
+spouse, a fine, buxom Frenchwoman with glittering eyes. We were given a
+marvellous reception all around. There were Pernods in front of us again,
+the gramophone was shrieking, people were jabbering away in English and
+French and Dutch and Norwegian and Spanish, and Jimmie and his wife, both of
+them looking very brisk and dapper, were slapping and kissing each other
+heartily and raising their glasses and clinking them -- altogether such a
+bubble and blabber of merriment that you felt like pulling off your clothes
+and doing a war dance. The women at the bar had gathered around like flies.
+If we were friends of Collins that meant we were rich. It didn't matter that
+we had come in our old clothes; all Anglais dressed like that. I
+hadn't a sou in my pocket, which didn't matter, of course, since I was the
+guest of honor. Nevertheless I felt somewhat embarrassed with two
+stunning-looking whores hanging on my arms waiting for me to order
+something. I decided to take the bull by the horns. You couldn't tell any
+more which drinks were on the house and which were to be paid for. I had to
+be a gentleman, even if I didn't have a sou in my pocket.
+
+Yvette -- that was Jimmie's wife -- was extraordinarily gracious and friendly
+with us. She was preparing a little spread in our honor. It would take a
+little while yet. We were not to get too drunk -- she wanted us to
+enjoy the meal. The gramophone was going like wild and Fillmore had begun to
+dance with a beautiful mulatto who had on a tight velvet dress that revealed
+all her charms. Collins slipped over to my side and whispered a few words
+about the girl at my side. "The madame will invite her to dinner,"
+he said, "if you'd like to have her." She was an ex-whore who owned a
+beautiful home on the outskirts of the city. The mistress of a sea captain
+now. He was away and there was nothing to fear. "If she likes you she'll
+invite you to stay with her," he added.
+
+That was enough for me. I turned at once to Marcelle and began to flatter the
+ass off her. We stood at the corner of the bar, pretending to dance, and
+mauled each other ferociously. Jimmie gave me a big horse-wink and nodded his
+head approvingly. She was a lascivious bitch, this Marcelle, and pleasant at
+the same time. She soon got rid of the other girl, I noticed, and then we
+settled down for a long and intimate conversation which was interrupted
+unfortunately by the announcement that dinner was ready.
+
+There were about twenty of us at the table, and Marcelle and I were placed
+at one end opposite Jimmie and his wife. It began with the popping of
+champagne corks and was quickly followed by drunken speeches, during the
+course of which Marcelle and I played with each other under the table. When
+it came my turn to stand up and deliver a few words I had to hold the napkin
+in front of me. It was painful and exhilarating at the same time. I had to
+cut the speech very short because Marcelle was tickling me in the crotch all
+the while.
+
+The dinner lasted until almost midnight. I was looking forward to spending
+the night with Marcelle in that beautiful home up on the cliff. But it was
+not to be. Collins had planned to show us about and I couldn't very well
+refuse. "Don't worry about her," he said. "You'll have a bellyful of it
+before you leave. Tell her to wait here for you until we get back."
+
+She was a bit peeved at this, Marcelle, but when we informed her that we
+had several days ahead of us she brightened up. When we got outdoors
+Fillmore very solemnly took us by the arm and said he had a little
+confession to make. He looked pale and worried.
+
+"Well, what is it?" said Collins cheerfully. "Spit it out!"
+
+Fillmore couldn't spit it out like that, all at once. He hemmed and hawed
+and finally he blurted out -- "Well, when I went to the closet just a minute
+ago I noticed something ..."
+
+"Then you've got it!" said Collins triumphantly, and with that he flourishes
+the bottle of "Venetienne."
+
+"Don't go to a doctor," he added venomously.
+"They'll bleed you to death, the greedy bastards. And don't stop drinking
+either. That's all hooey. Take this twice a day ... shake it well before
+using. And nothing's worse than worry, do you understand? Come on now. I'll
+give you a syringe and some permanganate when we get back."
+
+And so we started out into the night, down towards the waterfront where there
+was the sound of music and shouts and drunken oaths, Collins talking quietly
+all the while about this and that, about a boy he had fallen in love with,
+and the devil's time he had to get out of the scrape when the parents got
+wise to it. From that he switched back to the Baron de Charlus and then to
+Kurtz who had gone up the river and got lost. His favorite theme. I liked the
+way Collins moved against this background of literature continuously; it was
+like a millionaire who never stepped out of his Rolls Royce. There was no
+intermediate realm for him between reality and ideas. When we entered the
+whorehouse on the Quai Voltaire, after he had flung himself on the divan and
+rung for girls and for drinks, he was still paddling up the river with Kurtz,
+and only when the girls had flopped on the bed beside him and stuffed his
+mouth with kisses did he cease his divagations. Then, as if he had suddenly
+realized where he was, he turned to the old mother who ran the place and gave
+her an eloquent spiel about his two friends who had come down from Paris
+expressly to see the joint. There were about half a dozen girls in the room,
+all naked and all beautiful to look at, I must say. They hopped about like
+birds while the three of us tried to maintain a conversation with the
+grandmother. Finally the latter excused herself and told us to make ourselves
+at home. I was altogether taken in by her, so sweet and amiable she was, so
+thoroughly gentle and maternal. And what manners! If she had been a little
+younger I would have made overtures to her. Certainly you would not have
+thought that we were in a "den of vice," as it is called.
+
+Anyway we stayed there an hour or so, and as I was the only one in condition
+to enjoy the privileges of the house, Collins and Fillmore remained
+downstairs chattering with the girls. When I returned I found the two of
+them stretched out on the bed; the girls had formed a semi-circle about the
+bed and were singing with the most angelic voices the chorus of Roses in
+Picardy. We were sentimentally depressed when we left the house --
+Fillmore particularly. Collins swiftly steered us to a rough joint which was
+packed with drunken sailors on shore leave and there we sat awhile enjoying
+the homosexual rout that was in full swing. When we sallied out we had to
+pass through the red-light district where there were more grandmothers with
+shawls about their necks sitting
+on the doorsteps fanning themselves and nodding pleasantly to the
+passersby. All such good-looking, kindly souls, as if they were keeping
+guard over a nursery. Little groups of sailors came swinging along and
+pushed their way noisily inside the gaudy joints. Sex everywhere: it was
+slopping over, a neap-tide that swept the props from under the city. We
+piddled along at the edge of the basin where everything was jumbled and
+tangled; you had the impression that all these ships, these trawls and
+yachts and schooners and barges, had been blown ashore by a violent storm.
+
+In the space of forty-eight hours so many things had happened that it seemed
+as if we had been in Le Havre a month or more. We were planning to leave
+early Monday morning, as Fillmore had to be back on the job. We spent Sunday
+drinking and carousing, clap or no clap. That afternoon Collins confided to
+us that he was thinking of returning to his ranch in Idaho; he hadn't been
+home for eight years and he wanted to have a look at the mountains again
+before making another voyage East. We were sitting in a whorehouse at the
+time, waiting for a girl to appear; he had promised to slip her some
+cocaine. He was fed up with Le Havre, he told us. Too many vultures hanging
+around his neck. Besides, Jimmie's wife had fallen in love with him and she
+was making things hot for him with her jealous fits. There was a scene
+almost every night. She had been on her good behavior since we arrived, but
+it wouldn't last, he promised us. She was particularly jealous of a Russian
+girl who came to the bar now and then when she got tight. A troublemaker. On
+top of it all he was desperately in love with this boy whom he had told us
+about the first day. "A boy can break your heart," he said. "He's so damned
+beautiful! And so cruel!" We had to laugh at this. It sounded preposterous.
+But Collins was in earnest.
+
+Around midnight Sunday Fillmore and I retired; we had been given a room
+upstairs over the bar. It was sultry as the devil, not a breath of air
+stirring. Through the open windows we could hear them shouting downstairs and
+the gramophone going continually. All of a sudden a storm broke -- a regular
+cloudburst. And between the thunderclaps and the squalls that lashed the
+window-panes there came to our ears the sound of another storm raging
+downstairs at the bar. It sounded frightfully close and sinister; the women
+were shrieking at the tops of their lungs, bottles were crashing, tables were
+upset and there was that familiar, nauseating thud that the human body makes
+when it crashes to the floor.
+
+About six o'clock Collins stuck his head in the door. His face was all
+plastered and one arm was stuck in a sling. He had a big grin on his face.
+
+"Just as I told you," he said. "She broke loose last night. Suppose you
+heard the racket?"
+
+We got dressed quickly and went downstairs to say good-bye to Jimmie. The
+place was completely demolished, not a bottle left standing, not a chair
+that wasn't broken. The mirror and the show-window were smashed to bits.
+Jimmie was making himself an egg-nog.
+
+On the way to the station we pieced the story together. The Russian girl had
+dropped in after we toddled off to bed and Yvette had insulted her promptly,
+without even waiting for an excuse. They had commenced to pull each other's
+hair and in the midst of it a big Swede had stepped in and given the Russian
+girl a sound slap in the jaw -- to bring her to her senses. That started the
+fireworks. Collins wanted to know what right this big stiff had to interfere
+in a private quarrel. He got a poke in the jaw for an answer, a good one that
+sent him flying to the other end of the bar. "Serves you right!" screamed
+Yvette, taking advantage of the occasion to swing a bottle at the Russian
+girl's head. And at that moment the thunderstorm broke loose. For a while
+there was a regular pandemonium, the women all hysterical and hungry to seize
+the opportunity to pay off private grudges. Nothing like a nice bar-room
+brawl ... so easy to stick a knife in a man's back or club him with a bottle
+when he's lying under a table. The poor Swede had found himself in a hornet's
+nest; everyone in the place hated him, particularly his shipmates. They
+wanted to see him done in. And so they locked the door and pushing the tables
+aside they made a little space in front of the bar where the two of them
+could have it out. And they had it out! They had to carry the poor devil to
+the hospital when it was over. Collins had come off rather lucky -- nothing
+more than a sprained wrist and a couple of fingers out of joint, a bloody
+nose and a black eye. Just a few scratches, as he put it. But if he ever
+signed up with that Swede he was going to murder him. It wasn't finished yet.
+He promised us that.
+
+And that wasn't the end of the fracas either. After that Yvette had to go
+out and get liquored up at another bar. She had been insulted and she was
+going to put an end to things. And so she hires a taxi and orders the driver
+to ride out to the edge of the cliff overlooking the water. She was going to
+kill herself, that's what she was going to do. But then she was so drunk
+that when she tumbled out of the cab she began to weep and before any one
+could stop her she had begun to peel her clothes off. The driver brought her
+home that way, half-naked, and when Jimmie saw the condition she was in he
+was so furious with her that he took his razorstrop and he belted the piss
+out of her, and she liked it, the bitch that she was. "Do it some more!" she
+begged, down on her knees as she was and clutching him around the legs with
+her two arms. But Jimmie had enough of it. "You're a dirty old sow!" he said
+and with his foot he gave her a shove in the guts that took the wind out of
+her and -- a bit of her sexy nonsense too.
+
+It was high time we were leaving. The city looked different in me early
+morning light. The last thing we talked about, as we stood there waiting for
+the train to pull out, was Idaho. The three of us were Americans. We came
+from different places, each of us, but we had something in common -- a whole
+lot, I might say. We were getting sentimental, as Americans do when it comes
+time to part. We were getting quite foolish about the cows and sheep and the
+big open spaces where men are men and all that crap. If a boat had swung
+along instead of the train we'd have hopped aboard and said good-bye to it
+all. But Collins was never to see America again, as I learned later; and
+Fillmore ... well, Fillmore had to take his punishment too, in a way that
+none of us could have suspected then. It's best to keep America just like
+that, always in the background, a sort of picture post-card which you look
+at in a weak moment. Like that, you imagine it's always there waiting for
+you, unchanged, unspoiled, a big patriotic open space with cows and sheep and
+tenderhearted men ready to bugger everything in sight, man, woman or beast.
+It doesn't exist, America. It's a name you give to an abstract idea ...
+
+x x x
+
+
+
+
+
+Paris is like a whore. From a distance she seems ravishing, you can't wait
+until you have her in your arms. And five minutes later you feel empty,
+disgusted with yourself. You feel tricked.
+
+I returned to Paris with money in my pocket -- a few hundred francs, which
+Collins had shoved in my pocket just as I was boarding the train. It was
+enough to pay for a room and at least a week's good rations. It was more
+than I had had in my hands at one time for several years. I felt elated, as
+though perhaps a new life was opening before me. I wanted to conserve it
+too, so I looked up a cheap hotel over a bakery on the Rue du Chateau, just
+off the Rue de Vanves, a place that Eugene had pointed out to me once. A few
+yards away was the bridge that spans the Montparnasse tracks. A familiar
+quarter.
+
+I could have had a room here for a hundred francs a month, a room without
+any conveniences to be sure -- without even a window -- and perhaps I would
+have taken it, just to be sure of a place to flop for a while, had it not
+been for the fact that in order to reach this room I would have been obliged
+to first pass through the room of a blind man. The thought of passing his
+bed every night had a most depressing effect upon me. I decided to look
+elsewhere. I went over to the Rue Cels, just behind the cemetery, and I
+looked at a sort of rat-trap there with balconies, running around the
+court-yard. There were bird-cages suspended from the balcony too, all along
+the lower tier. A cheerful sight perhaps, but to me it seemed like the
+public ward in a hospital. The proprietor didn't seem to have all his wits
+either. I decided to wait for the night, to have a good look around, and
+then choose some attractive little joint in a quiet side street.
+At dinner time I spent fifteen francs for a meal, just about twice the
+amount I had planned to allot myself. That made me so wretched that I
+wouldn't allow myself to sit down for a coffee, even despite the fact that
+it had begun to drizzle. No, I would walk about a bit and then go quietly to
+bed, at a reasonable hour. I was already miserable, trying to husband my
+resources this way. I had never in my life done it; it wasn't in my nature.
+
+Finally it began to come down in bucketsful. I was glad. That would give me
+the excuse I needed to duck somewhere and stretch my legs out. It was still
+too early to go to bed. I began to quicken my pace, heading back towards the
+Boulevard Raspail. Suddenly a woman comes up to me and stops me, right in
+the pouring rain. She wants to know what time it is. I told her I didn't
+have a watch. And then she bursts out, just like this: "Oh, my good sir, do
+you speak English by chance?" I nod my head. It's coming down in torrents
+now. "Perhaps, my dear good man, you would be so kind as to take me to a
+cafe. It is raining so and I haven't the money to sit down anywhere. You
+will excuse me, my dear sir, but you have such a kind face ... I knew you
+were English right away." And with this she smiles at me, a strange,
+half-demented smile. "Perhaps you could give me a little advice, dear sir.
+I am all alone in the world ... my God, it is terrible to have no money ..."
+
+This "dear sir" and "kind sir" and "my good man," etc., had me on the verge
+of hysteria. I felt sorry for her and yet I had to laugh. I did laugh. I
+laughed right in her face. And then she laughed too, a weird, high-pitched
+laugh, off-key, an altogether unexpected piece of cachinnation. I caught her
+by the arm and we made a bolt for it to the nearest cafe. She was still
+giggling when we entered the bistrot. "My dear good sir," she began
+again, "perhaps you think I am not telling you the truth. I am a good girl
+... I come of a good family. Only" -- and here she gave me that wan, broken
+smile again -- "only I am so misfortunate as not to have a place to sit down."
+At this I began to laugh again. I couldn't help it -- the phrases she used,
+the strange accent, the crazy hat she had on, that demented smile ...
+"Listen," I interrupted, "what nationality are you?"
+"I'm English," she replied. "That is, I was born in Poland, but my father
+is Irish."
+
+"So that makes you English?"
+
+"Yes," she said, and she began to giggle again, sheepishly, and with a
+pretense of being coy.
+
+"I suppose you know a nice little hotel where you could take me?" I said
+this, not because I had any intention of going with her, but just to spare
+her the usual preliminaries.
+
+"Oh, my dear sir," she said, as though I had made the most grievous error,
+"I'm sure you don't mean that! I'm not that kind of a girl. You were joking
+with me, I see that. You're so good ... you have such a kind face. I would
+not dare to speak to a Frenchman as I did to you. They insult you right away
+..."
+
+She went on in this vein for some time. I wanted to break away from her. But
+she didn't want to be left alone. She was afraid -- her papers were not in
+order. Wouldn't I be good enough to walk her to her hotel? Perhaps I could
+"lend" her fifteen or twenty francs, to quiet the patron? I walked
+her to the hotel where she said she was stopping and I put a fifty francs
+bill in her hand. Either she was very clever, or very innocent -- it's hard to
+tell sometimes -- but, at any rate, she wanted me to wait until she ran to
+the bistrot for change. I told her not to bother. And with that she
+seized my hand impulsively and raised it to her lips. I was flabbergasted. I
+felt like giving her every damned thing I had. That touched me, that crazy
+little gesture. I thought to myself, it's good to be rich once in a while,
+just to get a new thrill like that. Just the same, I didn't lose my head.
+Fifty francs! That was quite enough to squander on a rainy night. As I
+walked off she waved to me with that crazy little bonnet which she didn't
+know how to wear. It was as though we were old playmates. I felt foolish and
+giddy. "My dear kind sir ... you have such a gentle face ... you are so
+good, etc." I felt like a saint.
+
+When you feel all puffed up inside it isn't so easy to go to bed right away.
+You feel as though you ought to atone for such unexpected bursts of
+goodness. Passing the "Jungle" I caught a glimpse of the dance floor; women
+with bare backs and ropes of pearls choking them -- or so it looked -- were
+wiggling their beautiful bottoms at me. Walked right up to the bar and
+ordered a coupe of champagne. When the music stopped, a beautiful
+blonde -- she looked like a Norwegian -- took a seat right beside me. The place
+wasn't as crowded or as gay as it had appeared from outside. There were only
+a half dozen couples in the place -- they must have all been dancing at once. I
+ordered another coupe of champagne in order not to let my courage
+dribble away.
+
+When I got up to dance with the blonde there was no one on the floor but us.
+Any other time I would have been self-conscious, but the champagne and the
+way she clung to me, the dimmed lights and the solid feeling of security
+which the few hundred francs gave me, well ... We had another dance
+together, a sort of private exhibition, and then we fell into conversation.
+She had begun to weep -- that was how it started. I thought possibly she had
+had too much to drink, so I pretended not to be concerned. And meanwhile I
+was looking around to see if there was any other timber available. But the
+place was thoroughly deserted.
+
+The thing to do when you're trapped is to breeze -- at once. If you don't,
+you're lost. What retained me, oddly enough, was the thought of paying for a
+hat check a second time. One always lets himself in for it because of a
+trifle.
+
+The reason she was weeping, I discovered soon enough, was because she had
+just buried her child. She wasn't Norwegian either, but French, and a
+midwife to boot. A chic midwife, I must say, even with the tears running
+down her face. I asked her if a little drink would help to console her,
+whereupon she very promptly ordered a whisky and tossed it off in the wink
+of an eye. "Would you like another?" I suggested gently. She thought she
+would, she felt so rotten, so terribly dejected. She thought she would like
+a package of Camels too. "No, wait a minute," she said, "I think I'd rather
+have les Pall Mall." Have what you like, I thought, but stop weeping,
+for Christ's sake, it gives me the willies. I jerked her to her feet for
+another dance. On her feet she seemed to be another person. Maybe grief makes
+one more lecherous, I don't know. I murmured something about breaking away.
+"Where to?" she said eagerly. "Oh, anywhere. Some quiet place where we can
+talk."
+
+I went to the toilet and counted the money over again. I hid the hundred
+franc notes in my fob pocket and kept a fifty franc note and the loose
+change in my trousers pocket. I went back to the bar determined to talk
+turkey.
+
+She made it easier for me because she herself introduced the subject. She
+was in difficulties. It was not only that she had just lost her child, but
+her mother was home, ill, very ill, and there was the doctor to pay and
+medicine to be bought, and so on and so forth. I didn't believe a word of
+it, of course. And since I had to find a hotel for myself, I suggested that
+she come along with me and stay the night. A little economy there, I thought
+to myself. But she wouldn't do that. She insisted on going home, said she
+had an apartment to herself -- and besides she had to look after her mother.
+On reflection I decided that it would be still cheaper sleeping at her
+place, so I said yes and let's go immediately. Before going, however, I
+decided it was best to let her know just how I stood, so that there
+wouldn't be any squawking at the last minute. I thought she was going to
+faint when I told her how much I had in my pocket. "The likes of it!" she
+said. Highly insulted she was. I thought there would be a scene ...
+Undaunted, however, I stood my ground. "Very well, then, I'll leave you," I
+said quietly. "Perhaps I've made a mistake."
+
+"I should say you have!" she exclaimed, but clutching me by the sleeve at
+the same time. "Ecoute, cheri... sois raisonnable!" When I heard that
+all my confidence was restored. I knew that it would be merely a question of
+promising her a little extra and everything would be O. K. "All right," I
+said wearily, "I'll be nice to you, you'll see."
+
+"You were lying to me, then?" she said.
+
+"Yes," I smiled, "I was just lying ..."
+
+Before I had even put my hat on she had hailed a cab. I heard her give the
+Boulevard de Clichy for an address. That was more than the price of a room,
+I thought to myself. Oh well, there was time yet ... we'd see. I don't know
+how it started any more but soon she was raving to me about Henry Bordeaux.
+(I have yet to meet a whore who doesn't know of Henry Bordeaux!) But this one
+was genuinely inspired; her language was beautiful now, so tender, so
+discerning, that I was debating how much to give her. It seemed to me that I
+had heard her say -- "quand il n'y aura plus de temps." It sounded like
+that, anyway. In the state I was in, a phrase like that was worth a hundred
+francs. I wondered if it was her own or if she had pulled it from Henry
+Bordeaux. Little matter. It was just the right phrase with which to roll up
+to the foot of Montmartre. "Good evening, mother," I was saying to myself,
+"daughter and I will look after you -- quand il n 'y aura plus de
+temps!" She was going to show me her diploma, too, I remembered that.
+
+She was all aflutter, once the door had closed behind us. Distracted.
+Wringing her hands and striking Sarah Bernhardt poses, half undressed too,
+and pausing between times to urge me to hurry, to get undressed, to do this
+and do that. Finally, when she had stripped down and was poking about with a
+chemise in her hand, searching for her kimono, I caught hold of her and gave
+her a good squeeze. She had a look of anguish on her face when I released
+her. "My God! My God! I must go downstairs and have a look at mother!" she
+exclaimed. "You can take a bath if you like, cheri. There! I'll be
+back in a few minutes." At the door I embraced her again. I was in my
+underclothes and I had a tremendous erection. Somehow all this anguish and
+excitement, all the grief and histrionics, only whetted my appetite. Perhaps
+she was just going downstairs to quiet her maquereau. I had a feeling
+that something unusual was happening, some sort of drama which I would read
+about in the morning paper. I gave the place a quick inspection. There were
+two rooms and a bath, not badly furnished. Rather coquettish. There was her
+diploma on the wall -- "first class," as they all read. And there was the
+photograph of a child, a little girl with beautiful locks, on the dresser. I
+put the water on for a bath, and then I changed my mind. If something were
+to happen and I were found in the tub ... I didn't like the idea. I paced
+back and forth, getting more and more uneasy as the minutes rolled by.
+
+When she returned she was even more upset than before. "She's going to die
+... she's going to die!" she kept wailing. For a moment I was almost on the
+point of leaving. How the hell can you climb over a woman when her mother's
+dying downstairs, perhaps right beneath you? I put my arms around her, half
+in sympathy and half determined to get what I had come for. As we stood thus
+she murmured, as if in real distress, her need for the money I had promised
+her. It was for "maman." Shit, I didn't have the heart to haggle about
+a few francs at that moment. I walked over to the chair where my clothes were
+lying and I wiggled a hundred franc note out of my fob pocket, carefully
+keeping my back turned to her just the same. And, as a further precaution, I
+placed my pants on the side of the bed where I knew I was going to flop. The
+hundred francs wasn't altogether satisfactory to her, but I could see from
+the feeble way that she protested that it was quite enough. Then, with an
+energy that astonished me, she flung off her kimono and jumped into bed. As
+soon as I had put my arms around her and pulled her to me she reached for the
+switch and out went the lights. She embraced me passionately, and she groaned
+as all French cunts do when they get you in bed. She was getting me
+frightfully roused with her carrying-on; that business of turning out the
+lights was a new one to me ... it seemed like the real thing. But I was
+suspicious too, and as soon as I could manage conveniently I put my hand out
+to feel if my trousers were still there on the chair.
+
+I thought we were settled for the night. The bed felt very comfortable,
+softer than the average hotel bed -- and the sheets were clean, I had noticed
+that. If only she wouldn't squirm so! You would think she hadn't slept with
+a man for a month. I wanted to stretch it out. I wanted full value for my
+hundred francs. But she was mumbling all sorts of things in that crazy bed
+language which goes to your blood even more rapidly when it's in the dark. I
+was putting up a stiff fight, but it was impossible with her groaning and
+gasping going on, and her muttering: "Vite cheri! Vite cheri! Oh, c'est
+bon! Oh, oh! Vite, vite, cheri!" I tried to count but it was like a fire
+alarm going off. "Vile, cheri!" and this time she gave such a gasping
+shudder that bango! I heard the stars chiming and there was my hundred francs
+gone and the fifty that I had forgotten all about and the lights were on
+again and with the same alacrity that she had bounced into bed she was
+bouncing out again and grunting and squealing like an old sow. I lay back and
+puffed a cigarette, gazing ruefully at my pants the while; they were terribly
+wrinkled. In a moment she was back again, wrapping the kimono around her, and
+telling me in that agitated way which was getting on my nerves that I should
+make myself at home. "I'm going downstairs to see mother," she said. "Mais
+faites comme chez vous, cheri. Je reviens tout de suite."
+
+After a quarter of an hour had passed I began to feel thoroughly restless. I
+went inside and I read through a letter that was lying on the table. It was
+nothing on any account -- a love letter. In the bathroom I examined all the
+bottles on the shelf; she had everything a woman requires to make herself
+smell beautiful. I was still hoping that she would come back and give me
+another fifty francs' worth. But time dragged on and there was no sign of
+her. I began to grow alarmed. Perhaps there was someone dying
+downstairs. Absent-mindedly, out of a sense of self-preservation, I suppose,
+I began to put my things on. As I was buckling my belt it came to me like a
+flash how she had stuffed the hundred franc note into her purse. In the
+excitement of the moment she had thrust the purse in the wardrobe, on the
+upper shelf. I remembered the gesture she made -- standing on her tip-toes
+and reaching for the shelf. It didn't take me a minute to open the wardrobe
+and feel around for the purse. It was still there. I opened it hurriedly and
+saw my hundred franc note lying snugly between the silk coverlets. I put the
+purse back just as it was, slipped into my coat and shoes, and then I went
+to the landing and listened intently. I couldn't hear a sound. Where she had
+gone to, Christ only knows. In a jiffy I was back at the wardrobe and
+fumbling with her purse. I pocketed the hundred francs and all the loose
+change besides. Then, closing the door silently. I tip-toed down the stairs
+and when once I had hit the street I walked just as fast as my legs would
+carry me. At the Cafe Boudon I stopped for a bite. The whores there having a
+gay time pelting a fat man who had fallen asleep over his meal. He was sound
+asleep; snoring, in fact, and yet his jaws were working away mechanically.
+The place was in an uproar.
+
+There were shouts of "All aboard!" and then a concerted banging of knives
+and forks. He opened his eyes for a moment, blinked stupidly, and then his
+head rolled forward again on his chest. I put the hundred franc bill
+carefully away in my fob pocket and counted the change. The din around me
+was increasing and I had difficulty to recall exactly whether I had seen
+"first-class" on her diploma or not. It bothered me. About her mother I
+didn't give a damn. I hoped she had croaked by now. It would be strange if
+what she had said were true. Too good to believe. Vite cheri ... vite.
+vite! And that other half-wit with her "my good sir" and "you have such
+a kind face"! I wondered if she had really taken a room in that hotel we
+stopped by.
+
+x x x
+
+
+
+It was along toward the close of Summer when Fillmore invited me to come and
+live with him. He had a studio apartment overlooking the cavalry barracks
+just off the Place Dupleix. We had seen a lot of each other ever since the
+little trip to Le Havre. If it hadn't been for Fillmore I don't know where I
+should be to-day -- dead, most likely.
+
+"I would have asked you long before," he said, "if it hadn't been for that
+little bitch Jackie. I didn't know how to get her off my hands."
+
+I had to smile. It was always like that with Fillmore. He had a genius for
+attracting homeless bitches. Anyway, Jackie had finally cleared out of her
+own accord. The rainy season was coming on the long, dreary stretch of
+grease and fog and squirts of rain that make you damp and miserable. An
+execrable place in the winter, Paris! A climate that eats into your soul,
+that leaves you bare as the Labrador coast. I noticed with some anxiety
+that the only means of heating the place was the little stove in the studio.
+However, it was still comfortable. And the view from the studio window was
+superb.
+
+In the morning Fillmore would shake me roughly and leave a ten franc note on
+the pillow. As soon as he had gone I would settle back for a final snooze.
+Sometimes I would lie abed till noon. There was nothing pressing, except to
+finish the book, and that didn't worry me much because I was already
+convinced that nobody would accept it anyway. Nevertheless, Fillmore was much
+impressed by it. When he arrived in the evening with a bottle under his arm
+the first thing he did was to go to the table and see how many pages I had
+knocked off. At first I enjoyed the show of enthusiasm but later, when I was
+running dry, it made me devilishly uneasy to see him poking around, searching
+for the pages that were supposed to trickle out of me like water from a tap.
+When there was nothing to show I felt exactly like some bitch whom he had
+harbored. He used to say about Jackie, I remembered -- "it would have been
+all right if only she had slipped me a piece of ass once in a while." If I
+had been a woman I would have been only too glad to slip him a piece of ass:
+it would have been much easier than to feed him the pages which he expected.
+
+Nevertheless, he tried to make me feel at ease. There was always plenty of
+food and wine, and now and then he would insist that I accompany him to a
+dancing. He was fond of going to a nigger joint on the Rue d'Odessa
+where there was a good-looking mulatto who used to come home with us
+occasionally. The one thing that bothered him was that he couldn't find a
+French girl who liked to drink. They were all too sober to satisfy him -- He
+liked to bring a woman back to the studio and guzzle it with her before
+getting down to business. He also liked to have her think that he was an
+artist. As the man from whom he had rented the place was a painter, it was
+not difficult to create an impression; the canvases which we had found in
+the armoire were soon stuck about the place and one of the unfinished
+ones conspicuously mounted on the easel. Unfortunately they were all of a
+Surrealistic quality and the impression they created was usually
+unfavorable. Between a whore, a concierge and a cabinet minister there is
+not much difference in taste where pictures are concerned. It was a matter
+of great relief to Fillmore when Mark Swift began to visit us regularly with
+the intention of doing my portrait. Fillmore had a great admiration for
+Swift. He was a genius, he said. And though there was something ferocious
+about everything he tackled nevertheless when he painted a man or an object
+you could recognize it for what it was.
+
+At Swift's request I had begun to grow a beard. The shape of my skull, he
+said, required a beard. I had to sit by the window with the Eiffel Tower in
+back of me because he wanted the Eiffel Tower in the picture too. He also
+wanted the typewriter in the picture. Kruger got the habit of dropping in
+too about this time; he maintained that Swift knew nothing about painting. It
+exasperated him to see things out of proportion. He believed in Nature's
+laws, implicitly. Swift didn't give a fuck about Nature; he wanted to paint
+what was inside his head. Anyway, there was Swift's portrait of me stuck on
+the easel now, and though everything was out of proportion, even a cabinet
+minister could see that it was a human head, a man with a beard. The
+concierge, indeed, began to take a great interest in the picture; she thought
+the likeness was striking. And she liked the idea of showing the Eiffel Tower
+in the background.
+
+Things rolled along this way peacefully for about a month or more. The
+neighborhood appealed to me, particularly at night when the full squalor
+and lugubriousness of it made itself felt. The little Place, so charming and
+tranquil at twilight, could assume the most dismal, sinister character when
+darkness came on. There was that long, high wall covering one side of the
+barracks against which there was always a couple embracing each other
+furtively -- often in the rain. A depressing sight to see two lovers squeezed
+against a prison wall under a gloomy street light: as if they had been
+driven right to the last bounds. What went on inside the enclosure was also
+depressing. On a rainy day I used to stand by the window and look down on
+the activity below, quite as if it were something going on on another
+planet. It seemed incomprehensible to me. Everything done according to
+schedule, but a schedule that must have been devised by a lunatic. There
+they were, floundering around in the mud, the bugles blowing, the horses
+charging -- all within four walls. A sham battle. A lot of tin soldiers who
+hadn't the least interest in learning how to kill or how to polish their
+boots or curry-comb the horses. Utterly ridiculous the whole thing, but part
+of the scheme of things. When they had nothing to do they looked even more
+ridiculous; they scratched themselves, they walked about with their hands in
+their pockets, they looked up at the sky. And when an officer came along
+they clicked their heels and saluted. A madhouse, it seemed to me. Even the
+horses looked silly. And then sometimes the artillery was dragged out and
+they went clattering down the street on parade and people stood and gaped and
+admired the fine uniforms. To me they always looked like an army corps in
+retreat; something shabby, bedraggled, crestfallen about them, their uniforms
+too big for their bodies, all the alertness, which as individuals they
+possess to such a remarkable degree, gone now.
+
+When the sun came out, however, things looked different. There was a ray of
+hope in their eyes, they walked more elastically, they showed a little
+enthusiasm. Then the color of things peeped out graciously and there was that
+fuss and bustle so characteristic of the French; at the bistrot on the
+corner they chattered gaily over their drinks and the officers seemed more
+human, more French, I might say. When the sun comes out, any spot in Paris
+can look beautiful; and if there is a bistrot with an awning rolled
+down, a few tables on the sidewalk and colored drinks in the glasses, then
+people look altogether human. And they are human -- the finest people
+in the world when the sun shines! So intelligent, so indolent, so carefree!
+It's a crime to herd such a people into barracks, to put them through
+exercises, to grade them into privates and sergeants and colonels and what
+not.
+
+As I say, things were rolling along smoothly. Now and then Carl came along
+with a job for me, travel articles which he hated to do himself. They only
+paid fifty francs a piece, but they were easy to do because I had only to
+consult the back issues and revamp the old articles. People only read these
+things when they were sitting on a toilet or killing time in a waiting
+room. The principal thing was to keep the adjectives well furbished -- the
+rest was a matter of dates and statistics. If it was an important article
+the head of the department signed it himself; he was a half-wit who couldn't
+speak any language well, but who knew how to find fault. If he found a
+paragraph that seemed to him well written he would say -- "Now that's the way
+I want you to write! That's beautiful. You have my permission to use it in
+your book." These beautiful paragraphs we sometimes lifted from the
+encyclopaedia or an old guide book. Some of them Carl did put into his
+book -- they had a Surrealistic character.
+
+Then one evening, after I had been out for a walk, I open the door and a
+woman springs out of the bed-room. "So you're the writer!" she exclaims at
+once, and she looks at my beard as if to corroborate her impression. "What a
+horrid beard!" she says. "I think you people must be crazy around here."
+Fillmore is trailing after her with a blanket in his hand. "She's a
+princess," he says, smacking his lips as if he had just tasted some rare
+caviar. The two of them were dressed for the street; I couldn't understand
+what they were doing with the bed-clothes. And then it occurred to me
+immediately that Fillmore must have dragged her into the bed-room to show her
+his laundry bag. He always did that with a new woman, especially if she was a
+Francaise. "No tickee, no shirtee!" that's what was stitched on the
+laundry bag, and somehow Fillmore had an obsession for explaining this motto
+to every female who arrived. But this dame was not a Francaise -- he
+made that clear to me at once. She was Russian -- and a princess, no less.
+
+He was bubbling over with excitement, like a child that has just found a new
+toy. "She speaks five languages!" he said, obviously overwhelmed by such an
+accomplishment.
+
+"Non, four!" she corrected promptly.
+
+"Well, four then ... Anyway, she's a damned intelligent girl. You ought to
+hear her speak."
+
+The princess was nervous -- she kept scratching her thigh and rubbing her
+nose. "Why does he want to make his bed now?" she asked me abruptly. "Does he
+think he will get me that way? He's a big child. He behaves disgracefully. I
+took him to a Russian restaurant and he danced like a nigger." She wiggled
+her bottom to illustrate. "And he talks too much. Too loud. He talks
+nonsense." She swished about the room, examining the paintings and the books,
+keeping her chin well up all the time but scratching herself intermittently.
+Now and then she wheeled around like a battleship and delivered a broadside.
+Fillmore kept following her about with a bottle in one hand and a glass in
+the other. "Stop following me like that!" she exclaimed. "And haven't you
+anything to drink but this? Can't you get a bottle of champagne? I must have
+some champagne. My nerves! My nerves!"
+
+Fillmore tries to whisper a few words in my ear. "An actress ... a movie
+star ... some guy jilted her and she can't get over it ... I'm going to get
+her cockeyed ..."
+
+"I'll clear out then," I was saying, when the princess interrupted us with a
+shout.
+
+"Why do you whisper like that?" she cried, stamping her foot. "Don't you know
+that's not polite? And you, I thought you were going to take me out? I
+must get drunk to-night, I have told you that already."
+
+"Yes, yes," said Fillmore, "we're going in a minute. I just want another
+drink."
+
+"You're a pig!" she yelled. "But you're a nice boy too. Only you're loud.
+You have no manners." She turned to me. "Can I trust him to behave himself?
+I must get drunk to-night but I don't want him to disgrace me. Maybe I will
+come back here afterwards. I would like to talk to you. You seem more
+intelligent."
+
+As they were leaving the princess shook my hand cordially and promised to
+come for dinner some evening -- "when I will be sober," she said.
+
+"Fine!" I said. "Bring another princess along -- or a countess, at least. We
+change the sheets every Saturday."
+
+About three in the morning Fillmore staggers in ... alone. Lit up like an
+ocean liner, and making a noise like a blind man with his cracked cane. Tap,
+tap, tap, down the weary lane ... "Going straight to bed," he says, as he
+marches past me. 'Tell you all about it tomorrow." He goes inside to his
+room and throws back the covers. I hear him groaning -- "what a woman! what a
+woman!" In a second he's out again, with his hat on and the cracked cane in
+his hand. "I knew something like that was going to happen. She's crazy!"
+
+He rummages around in the kitchen a while and then comes back to the studio
+with a bottle of Anjou. I have to sit up and down a glass with him.
+
+As far as I can piece the story together the whole thing started at the
+Rond-Point des Champs Elysees where he had dropped off for a drink on his
+way home. As usual at that hour the terrasse was crowded with
+buzzards. This one was sitting right on the aisle with a pile of saucers in
+front of her; she was getting drunk quietly all by herself when Fillmore
+happened along and caught her eye. "I'm drunk," she giggled, "won't you sit
+down?" And then, as though it were the most natural thing in the world to
+do, she began right off the bat with the yam about her movie
+director, how he had given her the go-by and how she had thrown herself in
+the Seine and so forth and so on. She couldn't remember any more which
+bridge it was, only that there was a crowd around when they fished her out
+of the water. Besides, she didn't see what difference it made which bridge
+she threw herself from -- why did he ask such questions? She was laughing
+hysterically about it, and then suddenly she had a desire to be off -- she
+wanted to dance. Seeing him hesitate she opens her bag impulsively and pulls
+out a hundred francs note. The next moment, however, she decided that a
+hundred francs wouldn't go very far. "Haven't you any money at all?" she
+said. No, he hadn't very much in his pocket, but he had a checkbook at home.
+So they made a dash for the checkbook and then, of course, I had to happen
+in just as he was explaining to her the "No tickee, no shirtee" business.
+
+On the way home they had stopped off at the Poisson d'Or for a little snack
+which she had washed down with a few vodkas. She was in her element there
+with everyone kissing her hand and murmuring Princesse, Princesse.
+Drunk as she was, she managed to collect her dignity. "Don't wiggle your
+behind like that!" she kept saying, as they danced.
+
+It was Fillmore's idea, when he brought her back to the studio, to stay
+there. But, since she was such an intelligent girl and so erratic, he had
+decided to put up with her whims and postpone the grand event. He had even
+visualized the prospect of running across another princess and bringing the
+two of them back. When they started out for the evening, therefore, he was
+in a good humor and prepared, if necessary, to spend a few hundred francs
+on her. After all, one doesn't run across a princess every day.
+
+This time she dragged him to another place, a place where she was still
+better known and where there would be no trouble in cashing a check, as she
+said. Everybody was in evening clothes and there was more spine-breaking,
+hand-kissing nonsense as the waiter escorted them to a table.
+
+In the middle of a dance she suddenly walks off the floor, with tears in her
+eyes. "What's the matter?" he said, "what did I do this time?" and
+instinctively he put his
+hand to his backside, as though perhaps it might still be wiggling. "It's
+nothing," she said. "You didn't do anything. Come, you're a nice boy," and
+with that she drags him on to the floor again and begins to dance with
+abandon. "But what's the matter with you?" he murmured. "It's nothing," she
+repeated. "I saw somebody, that's all." And then, with a sudden spurt of
+anger -- "why do you get me drunk? Don't you know it makes me crazy?"
+
+"Have you got a check?" she says. "We must get out of here." She called the
+waiter over and whispered to him in Russian. "Is it a good check?" she
+asked, when the waiter had disappeared. And then, impulsively: "Wait for me
+downstairs in the cloak-room. I must telephone somebody."
+
+After the waiter had brought the change Fillmore sauntered leisurely
+downstairs to the cloak-room to wait for her. He strode up and down, humming
+and whistling softly, and smacking his lips in anticipation of the caviar to
+come. Five minutes passed. Ten minutes. Still whistling softly. When twenty
+minutes had gone by and still no princess he at last grew suspicious. The
+cloak-room attendant said that she had left long ago. He dashed outside.
+There was a nigger in livery standing there with a big grin on his face. Did
+the nigger know where she had breezed to? Nigger grins. Nigger says: "Ah
+heerd Coupole, dassall sir!"
+
+At the Coupole, downstairs, he finds her sitting in front of a cocktail with
+a dreamy, trance-like expression on her face. She smiles when she sees him.
+
+"Was that a decent thing to do," he says, "to run away like that? You might
+have told me that you didn't like me ..."
+
+She flared up at this, got theatrical about it. And after a lot of gushing
+she commenced to whine and slobber. "I'm crazy," she blubbered. "And you're
+crazy too. You want me to sleep with you, and I don't want to sleep with
+you." And then she began to rave about her lover, the movie director whom
+she had seen on the dance floor. That's why she had to run away from the
+place. That's why she took drugs and got drunk every night. That's why she
+threw herself in the Seine. She babbled on this way about how crazy she was
+and then suddenly she had an idea. "Let's go to
+Bricktop's!" There was a man there whom she knew ... he had promised her a
+job once. She was certain he would help her.
+
+"What's it going to cost?" asked Fillmore cautiously.
+
+It would cost a lot, she let him know that immediately. "But listen, if you
+take me to Bricktop's, I promise to go home with you." She was honest enough
+to add that it might cost him five or six hundred francs. "But I'm worth it!
+You don't know what a woman I am. There isn't another woman like me in all
+Paris ..."
+
+"That's what you think!" His Yankee blood was coming to the fore.
+"But I don't see it. I don't see that you're worth anything. You're just a
+poor crazy son-of-a-bitch. Frankly, I'd rather give fifty francs to some
+poor French girl; at least they give you something in return."
+
+She hit me ceiling when he mentioned the French girls. "Don't talk to me
+about those women! I hate them! They're stupid ... they're ugly ... they're
+mercenary. Stop it, I tell you!"
+
+In a moment she had subsided again. She was on a new tack. "Darling," she
+murmured, "you don't know what I look like when I'm undressed. I'm
+beautiful!." And she held her breasts with her two hands.
+
+But Fillmore remained unimpressed. "You're a bitch!" he said coldly. "I
+wouldn't mind spending a few hundred francs on you, but you're crazy. You
+haven't even washed your face. Your breath stinks. I don't give a damn
+whether you're a princess or not ... I don't want any of your high-assed
+Russian variety. You ought to get out in the street and hustle for it.
+You're no better than any little French girl. You're not as good. I wouldn't
+piss away another sou on you. You ought to go to America -- that's the place
+for a blood-sucking leech like you ..."
+
+She didn't seem to be at all put out by this speech. "I think you're just a
+little afraid of me," she said.
+
+"Afraid of you? Of you?"
+
+"You're just a lime boy," she said. "You have no manners. When you know me
+better you will talk differently ... Why don't you try to be nice? If you
+don't want to go with me to-night, very well. I will be at the Rond-Point
+tomorrow between five and seven. I like you."
+
+"I don't intend to be at the Rond-Point tomorrow, or any other night. I don't
+want to see you again ... ever. I'm through with you. I'm going out and find
+myself a nice little French girl. You can go to hell!"
+
+She looked at him and smiled wearily. "That's what you say now. But wait!
+Wait until you've slept with me. You don't know yet what a beautiful body I
+have. You think the French girls know how to make love ... wait! I will make
+you crazy about me. I like you. Only you're uncivilized. You're just a boy.
+You talk too much ..."
+
+"You're crazy," said Fillmore. "I wouldn't fall for you if you were
+the last woman on earth. Go home and wash your face." He walked off without
+paying for the drinks.
+
+In a few days, however, the princess was installed. She's a genuine
+princess, of that we're pretty certain. But she has the clap. Anyway, life
+is far from dull here. Fillmore had bronchitis, the princess, as I was
+saying, has the clap, and I have the piles. Just exchanged six empty bottles
+at the Russian epicene across the way. Not a drop went down my
+gullet. No meat, no wine, no rich game, no women. Only fruit and paraffin
+oil, arnica drops and adenalin ointment. And not a chair in the joint that's
+comfortable enough. Right now, looking at the princess, I'm propped up like
+a pasha. Pasha! That reminds me of her name: Macha. Doesn't sound so damned
+aristocratic to me. Reminds me of The Living Corpse.
+
+At first I thought it was going to be embarrassing, a menage a trois,
+but not at all. I thought when I saw her move in that it was all up with me
+again, that I should have to find another place, but Fillmore soon gave me
+to understand that he was only putting her up until she got on her feet.
+With a woman like her I don't know what an expression like that means; as
+far as I can see she's been standing on her head all her life. She says the
+revolution drove her out of Russia, but I'm sure if it hadn't been the
+revolution it would have been something else. She's under the impression
+that she's a great actress; we never contradict her in anything she says
+because it's time wasted. Fillmore finds her amusing. When he leaves for the
+office in the morning he drops ten francs on her pillow and ten francs on
+mine; at night the three of us go to the Russian restaurant down below. The
+neighborhood is full of Russians and Macha has already found a place
+
+where she can run up a little credit. Naturally ten francs a day isn't
+anything for a princess; she wants caviar now and then and champagne, and
+she needs a complete new wardrobe in order to get a job in the movies again.
+She has nothing to do now except to kill time. She's putting on fat.
+
+This morning I had quite a fright. After I had washed my face I grabbed her
+towel by mistake. We can't seem to train her to put her towel on the right
+hook. And when I bawled her out for it she answered smoothly: "My dear, if
+one can become blind from that I would have been blind years ago."
+
+And then there's the toilet, which we all have to use. I try speaking to her
+in a fatherly way about the toilet seat. "Oh zut!" she says. "If you are so
+afraid I'll go to a cafe." But it's not necessary to do that, I explain.
+Just use ordinary precautions. "Tut tut!" she says, "I won't sit down then
+... I'll stand up."
+
+Everything is cockeyed with her around. First she wouldn't come across
+because she had the monthlies. For eight days that lasted. We were beginning
+to think she was faking it. But no, she wasn't faking. One day, when I was
+trying to put the place in order, I found some cotton batting under the bed
+and it was stained with blood. With her everything goes under the bed:
+orange peel, wadding, corks, empty bottles, scissors, used condoms, books,
+pillows ... She makes the bed only when it's time to retire. Most of the
+time she lies abed reading her Russian papers. "My dear," she says to me,
+"if it weren't for my papers I wouldn't get out of bed at all." That's it
+precisely! Nothing but Russian newspapers. Not a scratch of toilet paper
+around -- nothing but Russian newspapers with which to wipe your ass.
+
+Anyway, speaking of her idiosyncrasies, after the menstrual flow was over,
+after she had rested properly and put a nice layer of fat around her belt,
+still she wouldn't come across. Pretended that she only liked women. To take
+on a man she had to first be properly stimulated. Wanted us to take her to a
+bawdy house where they put on the dog and man act. Or better still, she
+said, would be Leda and the swan: the flapping of the wings excited
+her terribly.
+
+One night, to test her out, we accompanied her to a
+place that she suggested. But before we had a chance to broach the subject
+to the madame, a drunken Englishman, who was sitting at the next table, fell
+into a conversation with us. He had already been upstairs twice but he
+wanted another try at it. He had only about twenty francs in his pocket, and
+not knowing any French, he asked us if we would help him to bargain with the
+girl he had his eye on. Happened she was a negress, a powerful wench from
+Martinique, and beautiful as a panther. Had a lovely disposition too. In
+order to persuade her to accept the Englishman's remaining sous, Fillmore
+had to promise to go with her himself soon as she got through with the
+Englishman. The princess looked on, heard everything that was said, and
+then got on her high horse. She was insulted. "Well," said Fillmore, "you
+wanted some excitement -- you can watch me do it!" She didn't want to watch
+him -- she wanted to watch a drake. "Well, by Jesus," he said, "I'm as good
+as a drake any day ... maybe a little better." Like that, one word led to
+another, and finally the only way we could appease her was to call one of
+the girls over and let them tickle each other... When Fillmore came back
+with the negress her eyes were smouldering. I could see from the way
+Fillmore looked at her that she must have given an unusual performance and I
+began to feel lecherous myself. Fillmore must have sensed how I felt, and
+what an ordeal it was to sit and look on all night, for suddenly he pulled a
+hundred franc note out of his pocket and slapping it in front of me, he
+said: "Look here, you probably need a lay more than any of us. Take that and
+pick someone out for yourself." Somehow that gesture endeared him more to me
+than anything he had ever done for me, and he had done considerable. I
+accepted the money in the spirit it was given and promptly signalled to the
+negress to get ready for another lay. That enraged the Princess more than
+anything, it appeared. She wanted to know if there wasn't anyone in the
+place good enough for us except this negress. I told her bluntly NO. And it
+was so -- the negress was the queen of the harem. You had only to look at her
+to get an erection. Her eyes seemed to be swimming in sperm. She was drunk
+with all the demands made upon her. She couldn't walk straight any more -- at
+least, it seemed that way to me. Going up the narrow winding stairs behind
+her I couldn't resist the temptation to slide my hand up her crotch; we
+continued up the stairs that way, she looking back at me with a cheerful
+smile and wiggling her ass a bit when it tickled her too much.
+
+It was a good session all around. Everyone was happy. Macha seemed to be in
+a good mood too. And so the next evening, after she had had her ration of
+champagne and caviar, after she had given us another chapter out of the
+history of her life, Fillmore went to work on her. It seemed as though he
+was going to get his reward at last. She had ceased to put up a fight any
+more. She lay back with her legs apart and she let him fool around and fool
+around and then, just as he was climbing over her, just as he was going to
+slip it in, she informs him nonchalantly that she has a dose of clap. He
+rolled off her like a log. I heard him fumbling around in the kitchen for
+the black soap he used on special occasions, and in a few moments he was
+standing by my bed with a towel in his hands and saying -- "can you beat that?
+that son-of-a-bitch of a princess has the clap!" He seemed pretty well
+scared about it. The princess meanwhile was munching an apple and calling
+for her Russian newspapers. It was quite a joke to her. "There are worse
+things than that," she said, lying there in her bed and talking to us
+through the open door. Finally Fillmore began to see it as a joke too and
+opening another bottle of Anjou he poured out a drink for himself and
+quaffed it down. It was only about one in the morning and so he sat there
+talking to me for a while. He wasn't going to be put off by a thing like
+that, he told me. Of course, he had to be careful... there was the old dose
+which had come on in Le Havre. He couldn't remember any more how that
+happened. Sometimes when he got drunk he forgot to wash himself. It wasn't
+anything very terrible, but you never knew what might develop later. He
+didn't want any one massaging his prostate gland. No, that he didn't relish.
+The first dose he ever got was at college. Didn't know whether the girl had
+given it to him or he to the girl; there was so much funny work going on
+about the campus you didn't know whom to believe. Nearly all the co-eds had
+been knocked up some time or other. Too damned ignorant... even the profs
+were ignorant. One of the profs had himself castrated, so the rumor went...
+
+Anyway, the next night he decided to risk it -- with a condom. Not much risk
+in that, unless it breaks. He had bought himself some of the long fish-skin
+variety -- they were the most reliable, he assured me. But then, that didn't
+work either. She was too tight. "Jesus, there's nothing abnormal about me,"
+he said. "How do you make that out? Somebody got inside her all right to
+give her that dose. He must have been abnormally small."
+
+So, one thing after another failing, he just gave it up altogether. They
+lie there now like brother and sister, with incestuous dreams. Says Macha,
+in her philosophic way: "In Russia it often happens that a man sleeps with a
+woman without touching her. They can go on that way for weeks and weeks and
+never think anything about it. Until paff! once he touches her ... paff!
+paff! After that it's paff, paff, paff!"
+
+All efforts are concentrated now on getting Macha into shape. Fillmore
+thinks if he cures her of the clap she may loosen up. A strange idea. So
+he's bought her a douche bag, a stock of permanganate, a whirling syringe
+and other little things which were recommended to him by a Hungarian doctor,
+a little quack of an abortionist over near the Place d'Aligre. It seems his
+boss had knocked up a sixteen year old girl once and she had introduced him
+to the Hungarian; and then after that the boss had a beautiful chancre and
+it was the Hungarian again. That's how one gets acquainted in
+Paris -- genito-urinary friendships. Anyway, under our strict supervision,
+Macha is taking care of herself. The other night, though, we were in a
+quandary for a while. She stuck the suppository inside her and then she
+couldn't find the string attached to it. "My God!" she was yelling, "where
+is that string? My God! I can't find the string!"
+
+"Did you look under the bed?" said Fillmore. Finally she quieted down. But
+only for a few minutes. The next thing was: "My God! I'm bleeding again. I
+just had my period and now there are gouttes again. It must be that
+cheap champagne you buy. My God, do you want me to bleed to death?" She comes
+out with a kimono on and a towel stuck between her legs, trying to look
+dignified as usual. "My whole life is just like that," she says. "I'm a
+neurasthenic. The whole day running around and at night I'm drunk again. When
+I came to Paris I was still an innocent girl. I read only Villon and
+Beaudelaire. But as I had then 300,000 Swiss francs in the bank I was crazy
+to enjoy myself, because in Russia they were always strict with me. And as I
+was even more beautiful then than I am now I had all the men falling at my
+feet." Here she hitched up the slack which had accumulated around her belt.
+"You mustn't think I had a stomach like that when I came here ... that's from
+all the poison I was given to drink ... those horrible aperitifs which
+the French are so crazy to drink ... So then I met my movie director and he
+wanted that I should play a part for him. He said I was the most gorgeous
+creature in the world and he was begging me to sleep with him every night. I
+was a foolish young virgin and so I permitted him to rape me one night. I
+wanted to be a great actress and I didn't know that he was full of poison. So
+he gave me the clap ... and now I want that he should have it back again.
+It's all his fault that I committed suicide in the Seine ... Why are you
+laughing? Don't you believe that I committed suicide? I can show you the
+newspapers ... there is my picture in all the papers. I will show you the
+Russian papers some day ... they wrote about me wonderfully ... But darling,
+you know that first I must have a new dress. I can't vamp this man with these
+dirty rags I am in. Besides, I still owe my dressmaker 12,000 francs ..."
+
+From here on it's a long story about the inheritance which she is trying to
+collect. She has a young lawyer, a Frenchman, who is rather timid, it seems,
+and he is trying to win back her fortune. From time to time he used to give
+her a hundred francs or so on account. "He's stingy, like all the French
+people," she says. "And I was so beautiful, too, that he couldn't keep his
+eyes off me. He kept begging me always to fuck him. I got so sick and tired
+of listening to him that one night I said yes, just to keep him quiet, and
+so as I wouldn't lose my hundred francs now and then." She paused a moment
+to laugh hysterically. "My dear," she continued, "it was too funny for words
+what happened to him. He calls me up on the phone one day and he says: "I
+must see you right away ... it's very important." And when I see him he shows
+me a paper from the doctor -- and it's gonorrhea! My dear, I laughed in his
+face. How should I know that I still had the clap? "You wanted to fuck me and
+so I fucked you!" That made him quiet. That's how it goes in life: you don't
+suspect anything, and then all of a sudden paff, paff, paff! He was such a
+fool that he fell in love with me all over again. Only he begged me to behave
+myself and not run around Montparnasse all night drinking and fucking. He
+said I was driving him crazy. He wanted to marry me and then his family heard
+about me and they persuaded him to go to Indo-China ..."
+
+From this Macha calmly switches to an affair she had with a Lesbian. "It was
+very funny, my dear, how she picked me up one night. I was at the 'Fetiche'
+and I was drunk as usual. She took me from one place to the other and she
+made love to me under the table all night until I couldn't stand it any
+more. Then she took me to her apartment and for two hundred francs I let her
+suck me off. She wanted me to live with her but I didn't want to have her
+suck me off every night ... it makes you too weak. Besides, I can tell you
+that I don't care so much for Lesbians as I used to. I would rather sleep
+with a man even though it hurts me. When I get terribly excited I can't hold
+myself back any more ... three, four, five times ... just like that! Paff,
+paff, paff! And then I bleed and that is very unhealthy for me because I am
+inclined to be anaemic. So you see why once in a while I must let myself be
+sucked by a Lesbian ..."
+
+                               * * *
+
+When the cold weather set in the princess disappeared. It was getting
+uncomfortable with just a little coal stove in the studio; the bed-room was
+like an ice-box and the kitchen was hardly any better. There was just a
+little space around the stove where it was actually warm. So Macha had found
+herself a sculptor who was castrated. She told us about him before she left.
+After a few days she tried coming back to us, but Fillmore wouldn't hear of
+it. She complained that the sculptor kept her awake all night kissing her.
+And then there was no hot water for her douches. But finally she decided
+that it was just as well she didn't come back. "I won't have that
+candle-stick next to me any more," she said. "Always that candlestick ...
+it made me nervous. If you had only been a fairy I would have stayed with
+you ..."
+
+With Macha gone our evenings took on a different character. Often we sat by
+the fire drinking hot toddies and discussing the life back there in the
+States. We talked about it as if we never expected to go back there again.
+Fillmore had a map of New York City which he had tacked on the wall; we used
+to spend whole evenings discussing the relative virtues of Paris and New
+York. And inevitably there always crept into our discussions the figure of
+Whitman, that one lone figure which America has produced in the course of
+her brief life. In Whitman the whole American scene comes to life, her past
+and her future, her birth and her death. Whatever there is of value in
+America Whitman has expressed, and there is nothing more to be said. The
+future belongs to the machine, to the robots. He was the Poet of the Body
+and the Soul, Whitman. The first and the last poet. He is almost
+undecipherable today, a monument covered with rude hieroglyphs for which
+there is no key. It seems strange almost to mention his
+name over here. There is no equivalent in the languages of Europe for the
+spirit which he immortalized. Europe is saturated with art and her soil is
+full of dead bones and her museums are bursting with plundered treasures,
+but what Europe has never had is a free, healthy spirit, what you might call
+a MAN. Goethe was the nearest approach, but Goethe was a stuffed shirt, by
+comparison. Goethe was a respectable citizen, a pedant, a bore, a universal
+spirit, but stamped with the German trade-mark, with the double eagle. The
+serenity of Goethe, the calm, Olympian attitude, is nothing more than the
+drowsy stupor of a German bourgeois deity. Goethe is an end of something.
+Whitman is a beginning.
+
+After a discussion of this sort I would sometimes put on my things and go
+for a walk, bundled up in a sweater, a spring overcoat of Fillmore's and a
+cape over that. A foul, damp cold against which there is no protection
+except a strong spirit. They say America is a country of extremes, and it
+is true that the thermometer registers degrees of cold which are practically
+unheard of here; but the cold of a Paris winter is a cold unknown to
+America, it is psychological, an inner as well as an outer cold. If it never
+freezes here it never thaws either. Just as the people protect themselves
+against the invasion of their privacy, by their high walls, their bolts and
+shutters, their growling, evil-tongued, slatternly concierges, so they have
+learned to protect themselves against the cold and heat of a bracing,
+vigorous climate. They have fortified themselves: protection is the
+keyword. Protection and security. In order that they may rot in comfort. On
+a damp winter's night it is not necessary to look at the map to discover the
+latitude of Paris. It is a northern city, an outpost erected over a swamp
+filled in with skulls and bones. Along the boulevards there is a cold
+electrical imitation of heat. Tout Va Bien in ultraviolet rays that
+make the clients of the Dupont chain cafes look like gangrened cadavers.
+Tout Via Bien! That's the motto that nourishes the forlorn beggars
+who walk up and down all night under the drizzle of the violet rays.
+Wherever there are lights there is a little heat. One gets warm from
+watching the fat, secure bastards down their grogs, their steaming black
+coffees.
+
+Where the lights are there are people on the sidewalks, jostling one
+another, giving off a little animal heat through their dirty underwear and
+their foul, cursing breaths. Maybe for a stretch of eight or ten blocks
+there is a semblance of gaiety, and then it tumbles back into night, dismal,
+foul, black night like frozen fat in a soup tureen. Blocks and blocks of
+jagged tenements, every window closed tight, every shop front barred and
+bolted. Miles and miles of stone prisons without the faintest glow of
+warmth; the dogs and the cats are all inside with the canary birds. The
+cockroaches and the bedbugs too are safely incarcerated. Tout Va
+Bien. If you haven't a sou why just take a few old newspapers and make
+yourself a bed on the steps of a cathedral. The doors are well bolted and
+there will be no draughts to disturb you. Better still is to sleep outside
+the Metro doors; there you will have company. Look at them on a rainy night,
+lying there stiff as mattresses -- men, women, lice, all huddled together and
+protected by the newspapers against spittle and the vermin that walks
+without legs. Look at them under the bridges or under the market sheds. How
+vile they look in comparison with the clean, bright vegetables stacked up
+like jewels. Even the dead horses and the cows and sheep hanging from the
+greasy hooks look more inviting. At least we will eat these tomorrow and
+even the intestines will serve a purpose. But these filthy beggars lying in
+the rain, what purpose do they serve? what good can they do us? They make us
+bleed for five minutes, that's all.
+
+Oh, well, these are night thoughts produced by walking in the rain after two
+thousand years of Christianity. At least now the birds are well provided
+for, and the cats and dogs. Every time I pass the concierge's window and
+catch the full icy impact of her glance I have an insane desire to throttle
+all the birds in creation. At the bottom of every frozen heart there is a
+drop or two of love -- just enough to feed the birds.
+
+Still I can't get it out of my mind what a discrepancy there is between
+ideas and living. A permanent dislocation, though we try to cover the two
+with a bright awning. And it won't go. Ideas have to be wedded to action; if
+there is no sex, no vitality in them, there is no action. Ideas cannot exist
+alone in the vacuum of the mind. Ideas are related to living: liver ideas,
+kidney ideas, interstitial ideas, etc. If it were only for the sake of an
+idea Copernicus would not have smashed the existent macrocosm and Columbus
+would have foundered in the Sargasso Sea. The aesthetics of the idea breeds
+flower-pots and flower-pots you put on the window-sill. But if there be no
+rain or sun of what use putting flower-pots outside the window?
+
+Fillmore is full of ideas about gold. The "mythos" of gold, he calls it. I
+like "mythos" and I like the idea of gold, but I am not obsessed by the
+subject and I don't see why we should make flower-pots, even of gold. He
+tells me that the French are hoarding their gold away in watertight
+compartments deep below the surface of the earth; he tells me that there is a
+little locomotive which runs around in these subterranean vaults and
+corridors. I like the idea enormously. A profound, uninterrupted silence in
+which the gold softly snoozes at a temperature of 17 ^ degrees Centigrade. He
+says an army working 46 days and 37 hours would not be sufficient to count
+all the gold that is sunk beneath the Bank of France, and that there is a
+reserve supply of false teeth, bracelets, wedding rings, etc. Enough food
+also to last for eighty days and a lake on top of the gold pile to resist the
+shock of high explosives. Gold, he says, tends to become more and more
+invisible, a myth, and no more defalcations. Excellent! I am wondering what
+will happen to the world when we go off the gold standard in ideas, dress,
+morals, etc. The gold standard of love!
+
+Up to the present, my idea in collaborating with myself has been to get off
+the gold standard of literature. My idea briefly has been to present a
+resurrection of the emotions, to depict the conduct of a human being in the
+stratosphere of ideas, that is, in the grip of delirium. To paint a
+pre-Socratic being, a creature part goat, part Titan. In short, to erect a
+world on the basis of the omphalos, not on an abstract idea nailed to
+a cross. Here and there you may have come across neglected statues, oases
+untapped, windmills overlooked by Cervantes, rivers that run uphill, women
+with five and six breasts ranged longitudinally along the torso. (Writing to
+Gauguin, Strindberg said: "J'ai vu des arbres que ne retrouverait aucun
+botaniste, des animaux que Cuvier n'a jamais soupconnes et des hommes que
+vous seul avez pu creer.")
+
+When Rembrandt hit par he went below with the gold ingots and the pemmican
+and the portable beds. Gold is a night word belonging to the chthonian mind:
+it has dream in it and mythos. We are reverting to alchemy, to that fake
+Alexandrian wisdom which produced our inflated symbols. Real wisdom is
+being stored away in the sub-cellars by the misers of learning. The day is
+coming when they will be circling around in the middle air with magnetizers;
+to find a piece of ore you will have to go up ten thousand feet with a pair
+of instruments -- in a cold latitude preferably -- and establish telepathic
+communication with the bowels of the earth and the shades of the dead. No
+more Klondikes. No more bonanzas. You will have to learn to sing and caper a
+bit, to read the zodiac and study your entrails. All the gold that is being
+tucked away in the pockets of the earth will have to be re-mined;
+all this symbolism will have to be dragged out again from the bowels of men.
+But first the instruments must be perfected. First it is necessary to
+invent better airplanes, to distinguish where the noise comes from
+and not go daffy just because you hear an explosion under your ass. And
+secondly it will be necessary to get adapted to the cold layers of the
+stratosphere, to become a cold-blooded fish of the air. No reverence. No
+piety. No longing. No regrets. No hysteria. Above all, as Philippe Datz
+says -- "NO DISCOURAGEMENT!"
+
+These are sunny thoughts inspired by a Vermouth Cassis at the Place de la
+Trinite. A Saturday afternoon and a "misfire" book in my hands. Everything
+swimming in a divine mucopus. The drink leaves a bitter herbish taste in my
+mouth, the lees of our great Western civilization, rotting now like the
+toe-nails of the saints. Women are passing by -- regiments of them -- all
+swinging their asses in front of me; the chimes are ringing and the buses
+are climbing the sidewalk and bussing one another. The garcon wipes the
+table with a dirty rag while the patronne tickles the cash-register
+with fiendish glee. A look of vacuity on my face, blotto, vague in acuity,
+biting the asses that brush by me. In the belfry opposite a hunchback
+strikes with a golden mallet and the pigeons scream alarum. I open the book
+-- the book which Nietzsche called "the best German book there is" -- and it
+says:
+
+"MEN WILL BECOME MORE CLEVER AND MORE ACUTE; BUT NOT BETTER, HAPPIER, AND
+STRONGER IN ACTION ---- OR, AT LEAST, ONLY AT EPOCHS. I FORESEE THE TIME WHEN
+GOD WILL HAVE NO MORE JOY IN THEM, BUT WILL BREAK UP EVERYTHING FOR A
+RENEWED CREATION. I AM CERTAIN THAT EVERYTHING IS PLANNED TO THIS END, AND
+THAT THE TIME AND HOUR IN THE DISTANT FUTURE FOR THE OCCURRENCE OF THIS
+RENOVATING EPOCH ARE ALREADY FIXED. BUT A LONG TIME WILL ELAPSE FIRST, AND
+WE MAY STILL FOR THOUSANDS AND THOUSANDS OF YEARS AMUSE OURSELVES ON THIS
+DEAR OLD SURFACE."
+
+Excellent! At least a hundred years ago there was a man who had vision
+enough to see that the world was pooped out. Our Western world! -- When
+I see the figures of men and women moving listlessly behind their prison
+walls, sheltered, secluded for a few brief hours, I am appalled by the
+potentialities for drama that are still contained in these feeble bodies.
+Behind the gray walls there are human sparks, and yet never a conflagration.
+Are these men and women, I ask myself, or are these shadows, shadows of
+puppets dangled by invisible strings? They move in freedom apparently, but
+they have nowhere to go. In one realm only are they free and there they may
+roam at will -- but they have not yet learned how to take wing. So far there
+have been no dreams that have taken wing. Not one man has been born light
+enough, gay enough, to leave the earth! The eagles who flapped their
+mighty pinions for a while came crashing heavily to earth. They made us
+dizzy with the flap and whir of their wings. Stay on the earth, you eagles
+of the future! The heavens have been explored and they are empty. And what
+lies under the earth is empty too, filled with bones and shadows. Stay on
+the earth and swim another few hundred thousand years!
+
+And now it is three o'clock in the morning and we have a couple of trollops
+here who are doing somersaults on the bare floor. Fillmore is walking around
+naked with a goblet in his hand, and that paunch of his is drumtight, hard as
+a fistula. All the Pernod and champagne and cognac and Anjou which he guzzled
+from three in the afternoon on, is gurgling in his trap like a sewer. The
+girls are putting their ears to his belly as if it were a music-box. Open his
+mouth with a button-hook and drop a slug in the slot. When the sewer gurgles
+I hear the bats flying out of the belfry and the dream slides into artifice.
+
+The girls have undressed and we are examining the floor to make sure that
+they won't get any splinters in their ass. They are still wearing their
+high-heeled shoes. But the ass! The ass is worn down, scraped, sandpapered,
+smooth, hard, bright as a billiard ball or the skull of a leper. On the wall
+is Mona's picture: she is facing northeast on a line with Cracow written in
+green ink. To the left of her is the Dordogne, encircled with a red pencil.
+Suddenly I see a dark, hairy crack in front of me set in a bright, polished
+billiard ball; the legs are holding me like a pair of scissors. A glance at
+that dark, unstitched wound and a deep fissure in my brain opens up: all the
+images and memories that had been laboriously or absent-mindedly assorted,
+labelled, documented, filed, sealed and stamped break forth pellmell like
+ants pouring out of a crack in the sidewalk; the world ceases to revolve,
+time stops, the very nexus of my dreams is broken and dissolved and my guts
+spill out in a grand schizophrenic rush, an evacuation that leaves me face
+to face with the Absolute. I see again the great sprawling mothers of
+Picasso, their breasts covered with spiders, their legend hidden deep in the
+labyrinth. And Molly Bloom lying on a dirty mattress for eternity. On the
+toilet door red chalk cocks and the madonna uttering the diapason of woe. I
+hear a wild, hysterical laugh, a room full of lockjaw, and the body that was
+black glows like phosphorus. Wild, wild, utterly uncontrollable laughter,
+and that crack laughing at me too, laughing through the mossy whiskers, a
+laugh that creases the bright, polished surface of the billiard ball. Great
+whore and mother of man with gin in her veins. Mother of all harlots, spider
+rolling us in your logarithmic grave, insatiable one, fiend whose laughter
+rives me! I look down into that sunken crater, world lost and without
+traces, and I hear the bells chiming, two nuns at the Palace Stanislas and
+the smell of rancid butter under their dresses, manifesto never printed
+because it was raining, war fought to further the cause of plastic surgery,
+the Prince of Wales flying around the world decorating the graves of unknown
+heroes. Every bat flying out of the belfry a lost cause, every whoop-la a
+groan over the radio from the private trenches of the damned. Out of that
+dark, unstitched wound, that sink of abominations, that cradle of
+black-thronged cities where the music of ideas is drowned in cold fat, out of
+strangled Utopias is born a clown, a being divided between beauty and
+ugliness, between light and chaos, a clown who when he looks down and
+sidelong is Satan himself and when he looks upward sees a buttered angel, a
+snail with wings.
+
+When I look down into that crack I see an equation sign, the world at
+balance, a world reduced to zero and no trace of remainder. Not the zero on
+which Van Norden turned his flashlight, not the empty crack of the
+prematurely disillusioned man, but an Arabian zero rather, the sign from
+which spring endless mathematical worlds, the fulcrum which balances the
+stars and the light dreams and the machines lighter than air and the
+light-weight limbs and the explosives that produced them. Into that crack I
+would like to penetrate up to the eyes, make them waggle ferociously, dear,
+crazy, metallurgical eyes. When the eyes waggle then will I hear again
+Dostoievski's words, hear them rolling on page after page, with minutest
+observation, with maddest introspection, with all the undertones of misery
+now lightly, humorously touched, now swelling like an organ note until the
+heart bursts and there is nothing left but a blinding, scorching light, the
+radiant light that carries off the fecundating seeds of the stars. The story
+of art whose roots lie in massacre.
+
+When I look down into this fucked-out cunt of a whore I feel the whole world
+beneath me, a world tottering and crumbling, a world used up and polished
+like a leper's skull. If there were a man who dared to say all that he
+thought of this world there would not be left him a square foot of ground to
+stand on. When a man appears the world bears down on him and breaks his
+back. There are always too many rotten pillars left standing, too much
+festering humanity for man to bloom. The superstructure is a lie and the
+foundation is a huge quaking fear. If at intervals of centuries there does
+appear a man with a desperate, hungry look in his eye, a man who would turn
+the world upside down in order to create a new race, the love
+that he brings to the world is turned to bile and he becomes a scourge. If
+now and then we encounter pages that explode, pages that wound and sear,
+that wring groans and tears and curses, know that they come from a man with
+his back up, a man whose only defense left are his words and his words are
+always stronger than the lying, crushing weight of the world, stronger than
+all the racks and wheels which the cowardly invent to crush out the miracle
+of personality. If any man ever dared to translate all that is in his
+heart, to put down what is really his experience, what is truly his truth, I
+think then the world would go to smash, that it would be blown to
+smithereens and no god, no accident, no will could ever again assemble the
+pieces, the atoms, the indestructible elements that have gone to make up the
+world.
+
+In the four hundred years since the last devouring soul appeared, the last
+man to know the meaning of ecstasy, there has been a constant and steady
+decline of man in art, in thought, in action. The world is pooped out: there
+isn't a dry fart left. Who that has a desperate, hungry eye can have the
+slightest regard for these existent governments, laws, codes, principles,
+ideals, ideas, totems, and taboos? If anyone knew what it meant to read the
+riddle of that thing which to-day is called a "crack" or a "hole," if any
+one had the least feeling of mystery about the phenomena which are labelled
+"obscene," this world would crack asunder. It is the obscene horror, the
+dry, fucked-out aspect of things which makes this crazy civilization look
+like a crater. It is this great yawning gulf of nothingness which the
+creative spirits and mothers of the race carry between their legs. When a
+hungry, desperate spirit appears and makes the guinea pigs squeal it is
+because he knows where to put the live wire of sex, because he knows that
+beneath the hard carapace of indifference there is concealed the ugly gash,
+the wound that never heals. And he puts the live wire right between the
+legs; he hits below the belt, scorches the very gizzards. It is no use
+putting on rubber gloves; all that can be coolly and intellectually handled
+belongs to the carapace and a man who is intent on creation always dives
+beneath, to the open wound, to the festering obscene horror. He hitches his
+dynamo to the tenderest parts; if only blood and pus
+gush forth, it is something. The dry, fucked-out crater is obscene. More
+obscene than anything is inertia. More blasphemous than the bloodiest oath
+is paralysis. If there is only a gaping wound left then it must gush forth
+though it produce nothing but toads and bats and homunculi.
+
+Everything is packed into a second which is either consummated or not
+consummated. The earth is not an arid plateau of health and comfort, but a
+great sprawling female with velvet torso that swells and heaves with ocean
+billows; she squirms beneath a diadem of sweat and anguish. Naked and sexed
+she rolls among the clouds in the violet light of the stars. All of her,
+from the generous breasts to her glearning thighs, blazes with furious
+ardor. She moves amongst the seasons and the years with a grand whoop-la
+that seizes the torso with paroxysmal fury, that shakes the cobwebs out of
+the sky; she subsides on her pivotal orbits with volcanic tremors. She is
+like a doe at times, a doe that has fallen into a snare and lies waiting
+with beating heart for the cymbals to crash and the dogs to bark. Love and
+hate, despair, pity, rage, disgust -- what are these amidst the fornications
+of the planets? What is war, disease, cruelty, terror, when night presents
+the ecstasy of myriad blazing suns? What is this chaff we chew in our sleep
+if it is not the remembrance of fang-whorl and star cluster?
+
+She used to say to me, Mona, in her fits of exaltation, "you're a great human
+being," and though she left me here to perish, though she put beneath my feet
+a great howling pit of emptiness, the words that lie at the bottom of my soul
+leap forth and they light the shadows below me. I am one who was lost in the
+crowd, whom the fizzing lights made dizzy, a zero who saw everything about
+him reduced to mockery. Passed me men and women ignited with sulphur, porters
+in calcium livery opening the jaws of hell, fame walking on crutches,
+dwindled by the skyscrapers, chewed to a frazzle by the spiked mouth of the
+machines. I walked between the tall buildings towards the cool of the river
+and I saw the lights shoot up between the ribs of the skeletons like rockets.
+If I was truly a great human being, as she said, then what was the meaning of
+this slavering idiocy about me? I was a man with body and soul, I had a heart
+that was not protected by a steel vault. I had moments of ecstasy and I sang
+with burning sparks. I sang of the Equator, her red-feathered legs and the
+islands dropping out of sight. But nobody heard. A gun fired across the
+Pacific falls into space because the earth is round and pigeons fly upside
+down. I saw her looking at me across the table with eyes turned to grief;
+sorrow spreading inward flattened its nose against her spine; the marrow
+churned to pity had turned liquid. She was light as a corpse that floats in
+the Dead Sea. Her fingers bled with anguish and the blood turned to drool.
+With the wet dawn came the tolling of bells and along the fibres of my nerves
+the bells played ceaselessly and their tongues pounded in my heart and
+clanged with iron malice. Strange that the bells should toll so, but stranger
+still the body bursting, this woman turned to night and her maggot words
+gnawing through the mattress. I moved along under the Equator, heard the
+hideous laughter of the green-jawed hyaena, saw the jackal with silken tail
+and the dick-dick and the spotted leopard, all left behind in the Garden of
+Eden. And then her sorrow widened, like the bow of a dreadnought and the
+weight of her sinking flooded my ears. Slime-wash and sapphires slipping,
+sluicing through the gay neurones, and the spectrum spliced and the gunwales
+dipping. Soft as lion-pad I heard the gun-carriages turn, saw them vomit and
+drool: the firmament sagged and all the stars turned black. Black ocean
+bleeding and the brooding stars breeding chunks of fresh-swollen flesh while
+overhead the birds wheeled and out of the hallucinated sky fell the balance
+with mortar and pestle and the bandaged eyes of justice. All that is here
+related moves with imaginary feet along the parallels of dead orbs; all that
+is seen with the empty sockets bursts like flowering grass. Out of
+nothingness arises the sign of infinity; beneath the ever-rising spirals
+slowly sinks the gaping hole. The land and the water make numbers joined, a
+poem written with flesh and stronger than steel or granite. Through endless
+night the earth whirls towards a creation unknown ...
+
+To-day I awoke from a sound sleep with curses of joy on my lips, with
+gibberish on my tongue, repeating to myself like a litany -- "Fay ce que
+vouldras! ... fay ce que vouldras!" Do anything, but let it produce joy.
+Do anything, but let it yield ecstasy. So much crowds into my head when I say
+this to myself: images, gay ones, terrible ones, maddening ones, the wolf and
+the goat, the spider, the crab, syphilis with her wings outstretched and the
+door of the womb always on the latch, always open, ready like the tomb. Lust,
+crime, holiness: the lives of my adored ones, the failures of my adored ones,
+the words they left behind them, the words they left unfinished; the good
+they dragged after them and the evil, the sorrow, the discord, the rancor,
+the strife they created. But above all, the ecstasy!
+
+Things, certain things about my old idols bring the tears to my eyes: the
+interruptions, the disorder, the violence, above all, the hatred they
+aroused. When I think of their deformities, of the monstrous styles they
+chose, of the flatulence and tediousness of their works, of all the chaos
+and confusion they wallowed in, of the obstacles they heaped up about them,
+I feel an exaltation. They were all mired in their own dung. All men who
+over-elaborated. So true is it that I am almost tempted to say:
+
+"Show me a man who over-elaborates and I will show you a great man!" What is
+called their "over-elaboration" is my meat: it is the sign of struggle, it is
+struggle itself with all the fibres clinging to it, the very aura and
+ambiance of the discordant spirit. And when you show me a man who expresses
+himself perfectly I will not say that he is not great, but I will say that I
+am unattracted ... I miss the cloying qualities. When I reflect that the task
+which the artist implicitly sets himself is to overthrow existing values, to
+make of the chaos about him an order which is his own, to sow strife and
+ferment so that by the emotional release those who are dead may be restored
+to life, then it is that I run with joy to the great and imperfect ones,
+their confusion nourishes me, their stuttering is like divine music to my
+ears. I see in the beautifully bloated pages that follow the interruptions
+the erasure of petty intrusions, of the dirty foot-prints, as it were, of
+cowards, liars, thieves, vandals, calumniators. I see in the swollen muscles
+of their lyric throats the staggering effort that must be made to turn the
+wheel over, to pick up the pace where one has left off. I see that behind the
+daily annoyances and intrusions, behind the cheap, glittering malice of the
+feeble and inert, there stands the symbol of life's frustrating power, and
+that he who would create order, he who would sow strife and discord, because
+he is imbued with will, such a man must go again and again to the stake and
+the gibbet. I see that behind the nobility of his gestures there lurks the
+spectre of the ridiculousness of it all -- that he is not only sublime, but
+absurd.
+
+Once I thought that to be human was the highest aim a man could have, but I
+see now that it was meant to destroy me. To-day I am proud to say that I am
+inhuman, that I belong not to men and governments, that I have nothing
+to do with creeds and principles. I have nothing to do with the creaking
+machinery of humanity -- I belong to the earth! I say that lying on my pillow
+and I can feel the horns sprouting from my temples. I can see about me all
+those cracked forbears of mine dancing around the bed, consoling me, egging
+me on, lashing me with their serpent tongues, grinning and leering at me with
+their skulking skulls. I am inhuman! I say it with a mad, hallucinated
+grin, and I will keep on saying it though it rains crocodiles. Behind my
+words are all those grinning, leering, skulking skulls, some dead and
+grinning a long time, some grinning as if they had lock-jaw, some grinning
+with the grimace of a grin, the foretaste and aftermath of what is always
+going on. Clearer man all I see my own grinning skull, see the skeleton
+dancing in the wind, serpents issuing from the rotted tongue and the bloated
+pages of ecstasy slimed with excrement. And I join my slime, my excrement, my
+madness, my ecstasy to the great circuit which flows through the subterranean
+vaults of the flesh. All this unbidden, unwanted, drunken vomit will flow on
+endlessly through the minds of those ho come in the inexhaustible vessel that
+contains the history of the race. Side by side with the human race there runs
+another race of beings, the inhuman ones, the race of artists who, goaded by
+unknown impulses, take the listless mass of humanity and by the fever and
+ferment with which they imbue it turn this soggy dough into bread and the
+bread into wine and the wine into song. Out of the dead compost and the inert
+slag they breed a song that contaminates. I see this other race of
+individuals ransacking the universe, turning everything upside down, their
+feet always moving in blood and tears, their hands always empty, always
+clutching and grasping for the beyond, for the god out of reach: slaying
+everything within reach in order to quiet the monster that gnaws at their
+vitals. I see that when they tear hair with the effort to comprehend, to
+seize this, forever unattainable, I see that when they bellow like crazed
+beasts and rip and gore, I see that this is right, that there is no other
+path to pursue. A man who belongs to this race must stand up on the high
+place with gibberish in his mouth and rip out his entrails. It is right and
+just, because he must! And anything that falls short of this frightening
+spectacle, anything less shuddering, less terrifying, less mad, less
+intoxicated, less contaminating, is not art. The rest is counterfeit. The
+rest is human. The rest belongs to life and lifelessness.
+
+When I think of Stavrogin for example, I think of some divine monster
+standing on a high place and flinging to us his torn bowels. In The
+Possessed the earth quakes: it is not the catastrophe that befalls the
+imaginative individual, but a cataclysm in which a large portion of humanity
+is buried, wiped out for ever. Stavrogin was Dostoievski and Dostoievski was
+the sum of all those contradictions which either paralyze a man or lead him
+to the heights. There was no world too low for him to enter, no place too
+high for him to fear to ascend. He went the whole gamut, from the abyss to
+the stars. It is a pity that we shall never again have the opportunity to
+see a man placed at the very core of mystery and, by his flashes,
+illuminating for us the depth and immensity of the darkness.
+
+To-day I am aware of my lineage. I have no need to consult my horoscope or
+my genealogical chart. What is written in the stars, or in my blood, I know
+nothing of. I know that I spring from the mythological founders of the race.
+The man who raises the holy bottle to his lips, the criminal who kneels in
+the market-place, the innocent one who discovers that all corpses
+stink, the madman who dances with lightning in his hands, the friar who
+lifts his skirts to pee over the world, the fanatic who ransacks libraries
+in order to find the Word -- all these are fused in me, all these make my
+confusion, my ecstasy. If I am inhuman it is because my world has slopped
+over its human bounds, because to be human seems like a poor, sorry,
+miserable affair, limited by the senses, restricted by moralities and
+codes, defined by platitudes and isms. I am pouring the juice of the grape
+down my gullet and I find wisdom in it, but my wisdom is not born of the
+grape, my intoxication owes nothing to wine....
+
+I want to make a detour of those lofty arid mountain ranges where one dies
+of thirst and cold, that "extra-temporal" history, that absolute of time and
+space where there exists neither man, beast, nor vegetation, where one goes
+crazy with loneliness, with language that is mere words, where everything is
+unhooked, ungeared, out of joint with the times. I want a world of men and
+women, of trees that do not talk (because there is too much talk in the
+world as it is!) of rivers that carry you to places, not rivers that are
+legends, but rivers that put you in touch with other men and women, with
+architecture, religion, plants, animals -- rivers that have boats on them and
+in which men drown, drown not in myth and legend and books and dust of the
+past, but in time and space and history. I want rivers that make oceans
+such as Shakespeare and Dante, rivers which do not dry up in the void of the
+past. Oceans, yes! Let us have more oceans, new oceans that blot out the
+past, oceans that create new geological formations, new topographical vistas
+and strange, terrifying continents, oceans that destroy and preserve at the
+same time, oceans that we can sail on, take off to new discoveries, new
+horizons. Let us have more oceans, more upheavals, more wars, more
+holocausts. Let us have a world of men and women with dynamos between their
+legs, a world of natural fury, of passion, action, drama, dreams, madness, a
+world that produces ecstasy and not dry farts. I believe that to-day more
+than ever a book should be sought after even if it has only one great
+page in it: we must search for fragments, splinters, toe-nails, anything
+that has ore in it, anything that is capable of resuscitating the body and
+soul.
+
+It may be that we are doomed, that there is no hope for us, any of us,
+but if that is so then let us set up a last agonizing, blood-curdling howl, a
+screech of defiance, a war-whoop! Away with lamentation! Away with elegies
+and dirges! Away with biographies and histories, and libraries and museums!
+Let the dead eat the dead. Let us living ones dance about the rim of the
+crater, a last expiring dance. But a dance!
+
+"I love everything that flows," said the great blind Milton of our times. I
+was thinking of him this morning when I awoke with a great bloody shout of
+joy: I was thinking of his rivers and trees and all that world of night
+which he is exploring. Yes, I said to myself, I too love everything that
+flows: rivers, sewers, lava, semen, blood, bile, words, sentences. I love
+the amniotic fluid when it spills out of the bag. I love the kidney with its
+painful gallstones, its gravel and what-not; I love the urine that pours out
+scalding and the clap that runs endlessly; I love the words of hysterics and
+the sentences that flow on like dysentery and mirror all the sick images of
+the soul; I love the great rivers like the Amazon and the Orinoco, where
+crazy men like Moravagine float on through dream and legend in an open boat
+and drown in the blind mouths of the river. I love everything that flows,
+even the menstrual flow that carries away the seed unfecund. I love scripts
+that flow, be they hieratic, esoteric, perverse, polymorph, or unilateral. I
+love everything that flows, everything that has time in it and becoming,
+that brings us back to the beginning where there is never end: the violence
+of the prophets, the obscenity that is ecstasy, the wisdom of the fanatic,
+the priest with his rubber litany, the foul words of the whore, the spittle
+that floats away in the gutter, the milk of the breast and the bitter honey
+that pours from the womb, all that is fluid, melting, dissolute and
+dissolvent, all the pus and dirt that in flowing is purified, that loses its
+sense of origin, that makes the great circuit toward death and dissolution.
+The great incestuous wish is to flow on, one with time, to merge the great
+image of the beyond with the here and now. A fatuous, suicidal wish that is
+constipated by words and paralyzed by thought.
+
+
+                              * * *
+
+
+     It was close to dawn on Christmas Day when we came home from the Rue
+d'Odessa with a couple of negresses from the telephone company. The fire was
+out and we were all so tired that we climbed into bed with our clothes on.
+The one I had, who had been like a bounding leopard all evening, fell sound
+asleep as I was climbing over her. For a while I worked over her as one
+works over a person who has been drowned or asphyxiated. Then I gave it up
+and fell sound asleep myself.
+
+    All during the holidays we had champagne morning, noon and night -- the
+cheapest and the best champagne. With the turn of the year I was to leave
+for Dijon where I had been offered a trivial post as exchange professor of
+English, one of those Franco-American amity arrangements which is supposed
+to promote understanding and good will between sister republics. Fillmore
+was more elated than I by the prospect -- he had good reason to be. For me it
+was just a transfer from one purgatory to another. There was no future
+ahead of me; there wasn't even a salary attached to the job. One was
+supposed to consider himself fortunate to enjoy the privilege of spreading
+the gospel of Franco-American amity. It was a job for a rich man's son.
+
+The night before I left we had a good time. About dawn it began to snow: we
+walked about from one quarter to another taking a last look at Paris.
+Passing through the Rue St. Dominique we suddenly fell upon a little square
+and there was the Eglise Ste. Clotilde. People were going to mass. Fillmore,
+whose head was still a little cloudy, was bent on going to mass too. "For
+the fun of it!" as he put it. I felt somewhat uneasy about it; in the first
+place I had never attended a mass, and in the second
+place I looked seedy and felt seedy. Fillmore, too, looked rather battered,
+even more disreputable than myself; his big slouch hat was on assways and
+his overcoat was still full of sawdust from the last joint we had been in.
+However, we marched in. The worst they could do would be to throw us out.
+
+I was so astounded by the sight that greeted my eyes that I lost all
+uneasiness. It took me a little while to get adjusted to the dim light. I
+stumbled around behind Fillmore, holding his sleeve. A weird, unearthly
+noise assailed my ears, a sort of hollow drone that rose up out of the cold
+flagging. A huge, dismal tomb it was with mourners shuffling in and out. A
+sort of ante-chamber to the world below. Temperature about 55 or 60
+Fahrenheit. No music except this undefinable dirge manufactured in the
+sub-cellar -- like a million heads of cauliflower wailing in the dark. People
+in shrouds were chewing away with that hopeless, dejected look of beggars
+who hold out their hands in a trance and mumble an unintelligible appeal.
+
+That this sort of thing existed I knew, but then one also knows that there
+are slaughterhouses and morgues and dissecting rooms. One instinctively
+avoids such places. In the street I had often passed a priest with a little
+prayer book in his hands laboriously memorizing his lines. Idiot, I
+would say to myself, and let it go at that. In the street one meets with all
+forms of dementia and the priest is by no means the most striking. Two
+thousand years of it has deadened us to the idiocy of it. However, when you
+are suddenly transported to the very midst of his realm, when you see the
+little world in which the priest functions like an alarm clock, you are apt
+to have entirely different sensations.
+
+For a moment all this slaver and twitching of the lips almost began to have
+a meaning. Something was going on, some kind of dumb show which, not
+rendering me wholly stupefied, held me spellbound. All over the world,
+wherever there are these dim-lit tombs, you have this incredible
+spectacle -- the same mean temperature, the same crepuscular glow, the same
+buzz and drone. All over Christendom, at certain stipulated hours, people in
+black are grovelling before the altar where the priest stands up
+with a little book in one hand and a dinner bell or atomizer in the other
+and mumbles to them in a language which, even if it were comprehensible, no
+longer contains a shred of meaning. Blessing them, most likely. Blessing the
+country, blessing the ruler, blessing the firearms and the battleships and
+the ammunition and the hand grenades. Surrounding him on the altar are
+little boys dressed like angels of the Lord who sing alto and soprano.
+Innocent lambs. All in skirts, sexless, like the priest himself who is
+usually flat-footed and nearsighted to boot. A fine epicene caterwauling.
+Sex in a jock-strap, to the tune of J.-mol.
+
+I was taking it in as best I could in the dim light. Fascinating and
+stupefying at the same time. All over the civilized world, I thought to
+myself. All over the world. Marvelous. Rain or shine, hail, sleet, snow,
+thunder, lightning, war, famine, pestilence -- makes not the slightest
+difference. Always the same mean temperature, the same mumbo-jumbo, the same
+high-laced shoes and the little angels of the Lord singing soprano and alto.
+Near the exit a little slot-box -- to carry on the heavenly work. So that
+God's blessing may rain down upon king and country and battleships and high
+explosives and tanks and aeroplanes, so that the worker may have more
+strength in his arms, strength to slaughter horses and cows and sheep,
+strength to punch holes in iron girders, strength to sew buttons on other
+people's pants, strength to sell carrots and sewing machines and automobiles,
+strength to exterminate insects and clean stables and unload garbage cans and
+scrub lavatories, strength to write headlines and chop tickets in the subway.
+Strength ... strength. All that lip-chewing and horn-swoggling just to
+furnish a little strength!
+
+We were moving about from one spot to another, surveying the scene with
+that clearheadedness which comes after an all-night session. We must have
+made ourselves pretty conspicuous shuffling about that way with our coat
+collars turned up and never once crossing ourselves and never once moving
+our lips except to whisper some callous remark. Perhaps everything would
+have passed off without notice if Fillmore hadn't insisted on walking past
+the altar in the midst of the ceremony. He was looking for the exit, and he
+thought while he was at it, I suppose, that he would take a good squint at
+the holy of holies, get a close-up on it, as it were. We had gotten safely by
+and were marching toward a crack of light which must have been the way out
+when a priest suddenly stepped out of the gloom and blocked our path. Wanted
+to know where we were going and what we were doing. We told him politely
+enough that we were looking for the exit. We said "exit" because at the
+moment we were so flabbergasted that we couldn't think of the French for
+exit. Without a word of response he took us firmly by the arm and, opening
+the door, a side door it was, he gave us a push and out we tumbled into the
+blinding light of day. It happened so suddenly and unexpectedly that when we
+hit the sidewalk we were in a daze. We walked a few paces, blinking our eyes,
+and then instinctively we both turned round; the priest was still standing on
+the steps, pale as a ghost and scowling like the devil himself. He must have
+been sore as hell. Later, thinking back on it, I couldn't blame him for it.
+But at that moment, seeing him with his long skirts and the little skull cap
+on his cranium, he looked so ridiculous that I burst out laughing. I looked
+at Fillmore and he began to laugh too. For a full minute we stood there
+laughing right in the poor bugger's face. He was so bewildered, I guess, that
+for a moment he didn't know what to do; suddenly, however, he started down
+the steps on the run, shaking his fist at us as if he were in earnest. When
+he swung out of the enclosure he was on the gallop. By this time some
+preservative instinct warned me to get a move on. I grabbed Fillmore by the
+coat sleeve and started to run. He was saying, like an idiot: "No, no! I
+won't run!" -- "Come on!" I yelled, "we'd better get out of here. That guy's
+mad clean through." And off we ran, beating it as fast as our legs would
+carry us.
+
+On the way to Dijon, still laughing about the affair, my thoughts reverted
+to a ludicrous incident, of a somewhat similar nature, which occurred during
+my brief sojourn in Florida. It was during the celebrated boom when, like
+thousands of others, I was caught with my pants down. Trying to extricate
+myself I got caught, along with a friend of mine, in the very neck of the
+bottle. Jacksonville, where we were marooned for about six weeks, was
+practically in a state of siege. Every bum on earth, and a lot of guys who
+had never been bums before, seemed to have drifted into Jacksonville. The
+Y.M.C.A., the Salvation Army, the fire houses and police stations, the
+hotels, the lodging houses, everything was full up. Complet
+absolutely, and signs everywhere to that effect. The residents of
+Jacksonville had become so hardened that it seemed to me as if they were
+walking around in coats of mail. It was the old business of food again. Food
+and a place to flop. Food was coming up from below in trainloads -- oranges and
+grapefruit and all sorts of juicy edibles. We used to pass by the freight
+sheds looking for rotten fruit -- but even that was scarce.
+
+One night, in desperation, I dragged my friend Joe to a synagogue, during
+the service. It was a reformed congregation and the rabbi impressed me
+rather favorably. The music got me too -- that piercing lamentation of the
+Jews. As soon as the service was over I marched to the rabbi's study and
+requested an interview with him. He received me decently enough -- until I
+made clear my mission. Then he grew absolutely frightened. I had only asked
+him for a hand-out on behalf of my friend Joe and myself. You would have
+thought, from the way he looked at me, that I had asked to rent the
+synagogue as a bowling alley. To cap it all, he suddenly asked me
+point-blank if I was a Jew or not. When I answered no, he seemed perfectly
+outraged. Why, pray, had I come to a Jewish pastor for aid? I told him
+naively that I had always had more faith in the Jews than in the Gentiles. I
+said it modestly, as if it were one of my peculiar defects. It was the truth
+too. But he wasn't a bit flattered. No, siree. He was horrified. To get rid
+of me he wrote out a note to the Salvation Army people. "That's the place
+for you to address yourself," he said, and brusquely turned away to tend his
+flock.
+
+The Salvation Army, of course, had nothing to offer us. If we had had a
+quarter apiece we might have rented a mattress on the floor. But we hadn't a
+nickel between us. We went to the park and stretched ourselves out on a
+bench. It was raining and so we covered ourselves with newspapers. Weren't
+there more than a half hour, I imagine, when a cop came along and, without
+a word of warning, gave us such a sound fanning that we were up and on
+our feet in a jiffy, and dancing a bit too, though we weren't in any mood
+for dancing. I felt so goddamned sore and miserable, so dejected, so lousy,
+after being whacked over the ass by that half-witted bastard, that I could
+have blown up the City Hall.
+
+The next morning, in order to get even with these hospitable sons of
+bitches, we presented ourselves bright and early at the door of a Catholic
+priest. This time I let Joe do the talking. He was Irish and he had a bit of
+brogue. He had very soft, blue eyes, too, and he could make them water a bit
+when he wanted to. A sister in black opened the door for us; she didn't ask
+us inside, however. We were to wait in the vestibule until she went and
+called for the good father. In a few minutes he came, the good father,
+puffing like a locomotive. And what was it we wanted disturbing his likes at
+that hour of the morning? Something to eat and a place to flop, we answered
+innocently. And where did we hail from, the good father wanted to know at
+once. From New York. From New York, eh? Then ye'd better be gettin' back
+there as fast as ye kin, me lads, and without another word the big, bloated
+turnip-faced bastard shoved the door in our face.
+
+About an hour later, drifting around helplessly like a couple of drunken
+schooners, we happened to pass by the rectory again. So help me God if the
+big, lecherous-looking turnip wasn't backing out of the alley in a
+limousine! As he swung past us he blew a cloud of smoke into our eyes. As
+though to say -- "That for you!" A beautiful limousine it was, with a
+couple of spare tires in the back, and the good father sitting at the wheel
+with a big cigar in his mouth. Must have been a Corona-Corona, so fat and
+luscious it was. Sitting pretty he was, and no two ways about it. I couldn't
+see whether he had skirts on or not. I could only see the gravy trickling
+from his lips -- and the big cigar with that fifty cent aroma.
+
+All the way to Dijon I got to reminiscing about the past. I thought of all
+the things I might have said and done, which I hadn't said or done, in the
+bitter, humiliating moments when just to ask for a crust of bread is to
+make yourself less than a worm. Stone sober as I was, I was still smarting
+from those old insults and injuries. I could still feel that whack over the
+ass which the cop gave me in the park -- though that was a mere bagatelle, a
+little dancing lesson, you might say. All over the States I wandered, and
+into Canada and Mexico. The same story everywhere. If you want bread you've
+got to get in harness, get in lock-step. Over all the earth a gray desert, a
+carpet of steel and cement. Production! More nuts and bolts, more barbed
+wire, more dog-biscuits, more lawn-mowers, more ball-bearings, more high
+explosives, more tanks, more poison gas, more soap, more tooth-paste, more
+newspapers, more education, more churches, more libraries, more museums.
+Forward! Time presses. The embryo is pushing through the neck of the
+womb, and there's not even a gob of spit to ease the passage, A dry,
+strangulating birth. Not a wail, not a chirp. Salut au monde! Salute
+of twenty-one guns bombinating from the rectum. "I wear my hat as I please,
+indoors or out," said Walt. That was a time when you could still get a hat to
+fit your head. But time passes. To get a hat that fits now you have to walk
+to the electric chair. They give you a skull cap. A tight fit, what? But no
+matter! It fits.
+
+You have to be in a strange country like France, walking the meridian that
+separates the hemispheres of life and death, to know what incalculable
+vistas yawn ahead. The body electric! The democratic soul! Flood-tide!
+Holy Mother of God, what does this crap mean? The earth is parched and
+cracked. Men and women come together like broods of vultures over a stinking
+carcass, to mate and fly apart again. Vultures who drop from the clouds like
+heavy stones. Talons and beak, that's what we are! A huge intestinal
+apparatus with a nose for dead meat. Forward! Forward without pity,
+without compassion, without love, without forgiveness. Ask no quarter and
+give none! More battleships, more poison gas, more high explosives! More
+gonococci! More streptococci! More bombing machines! More and more of
+it -- until the whole fucking works is blown to smithereens, and the earth with
+it!
+
+Stepping off the train I knew immediately that I had made a fatal mistake.
+The Lycee was a little distance from the station; I walked down the main
+street in the early dusk of winter, feeling my way towards my destination.
+A light snow was falling, the trees sparkled with frost. Passed a couple of
+huge, empty cafes that looked like dismal waiting rooms. Silent, empty
+gloom -- that's how it impressed me. A hopeless, jerk-water town where mustard
+is turned out in carload lots, in vats and tuns and barrels and pots and
+cute-looking little jars.
+
+The first glance at the Lycee sent a shudder through me. I felt so undecided
+that at the entrance I stopped to debate whether I would go in or not. But
+as I hadn't the price of a return ticket there wasn't much use debating the
+question. I thought for a moment of sending a wire to Fillmore, but then I
+was stomped to know what excuse to make. The only thing to do was to walk in
+with my eyes shut.
+
+It happened that M. le Proviseur was out -- his day off, so they said. A
+little hunchback came forward and offered to escort me to the office of M.
+le Censeur, second in charge. I walked a little behind him, fascinated by
+the grotesque way in which he hobbled along. He was a little monster, such
+as can be seen on the porch of any half-assed cathedral in Europe.
+
+The office of M. le Censeur was large and bare. I sat down in a stiff chair
+to wait while the hunchback darted off to search for him. I almost felt at
+home. The atmosphere of the place reminded me vividly of certain charity
+bureaus back in the States where I used to sit by the hour waiting for some
+mealy-mouthed bastard to come and cross-examine me.
+
+Suddenly the door opened and, with a mincing step, M. le Censeur came
+prancing in. It was all I could do to suppress a titter. He had on just such
+a frock coat as Boris used to wear, and over his forehead there hung a bang,
+a sort of spitcurl such as Smerdiakov might have worn. Grave and brittle,
+with a lynx-like eye, he wasted no words of cheer on me. At once he brought
+forth the sheets on which were written the names of the students, the hours,
+the classes, etc., all in a meticulous hand. He told me how much coal and
+wood I was allowed and after that he promptly informed me that I was at
+liberty to do as I pleased in my spare time. This last was the first good
+thing I had heard him say. It sounded so reassuring that I quickly said a
+prayer for France -- for the army and navy, the educational system, the
+bistrots, the whole goddamned works.
+
+This fol-de-rol completed, he rang a little bell, whereupon the hunchback
+promptly appeared to escort me to the office of M. l'Econome. Here
+the atmosphere was somewhat different. More like a freight-station,
+with bills of lading and rubber stamps everywhere, and pasty-faced clerks
+scribbling away with broken pens in huge, cumbersome ledgers. My dole of
+coal and wood portioned out, off we marched, the hunchback and I, with a
+wheelbarrow, towards the dormitory. I was to have a room on the top floor,
+in the same wing as the pions. The situation was taking on a humorous
+aspect. I didn't know what the hell to expect next. Perhaps a spittoon. The
+whole thing smacked very much of preparation for a campaign; the only things
+missing were a knapsack and rifle -- and a brass slug.
+
+The room assigned to me was rather large, with a small stove to which was
+attached a crooked pipe that made an elbow just over the iron cot. A big
+chest for the coal and wood stood near the door. The windows gave out on a
+row of forlorn little houses all made of stone in which lived the grocer, the
+baker, the shoemaker, the butcher, etc. -- all imbecilic-looking clodhoppers.
+I glanced over the rooftops towards the bare hills where a train was
+clattering. The whistle of the locomotive screamed mournfully and
+hysterically.
+
+After the hunchback had made the fire for me I inquired about the grub. It
+was not quite time for dinner. I flopped on the bed, with my overcoat on,
+and pulled the covers over me. Beside me was the eternal rickety night table
+in which the piss pot is hidden away. I stood the alarm on the table and
+watched the minutes ticking off. Into the well of the room a bluish light
+filtered in from the street. I listened to the trucks rattling by as I gazed
+vacantly at the stove pipe, at the elbow where it was held together with
+bits of wire. The coal chest intrigued me. Never in my life had I occupied a
+room with a coal chest. And never in my life had I built a fire or taught
+children. Nor, for that matter, never in my life had I worked without pay.
+I felt free and chained at the same time -- like one feels just before
+election, when all the crooks have been nominated and you are beseeched to
+vote for the right man. I felt like a hired man, like a jack-of-all-trades,
+like a hunter, like a rover, like a galley-slave, like a pedagogue, like a
+worm and a louse. I was free, but my limbs were shackled. A democratic soul
+with a free meal ticket, but no power of locomotion, no voice. I felt like a
+jelly-fish nailed to a plank. Above all, I felt hungry. The hands were
+moving slowly. Still ten more minutes to kill before the fire alarm would go
+off. The shadows in the room deepened. It grew frightfully silent, a tense
+stillness that tautened my nerves. Little dabs of snow clung to the
+window-panes. Far away a locomotive gave out a shrill scream. Then a dead
+silence again. The stove had commenced to glow, but there was no heat
+coming from it. I began to fear that I might doze off and miss the dinner.
+That would mean lying awake on an empty belly all night. I got
+panic-stricken.
+
+Just a moment before the gong went off I jumped out of bed and, locking the
+door behind me, I bolted downstairs to the courtyard. There I got lost. One
+quadrangle after another, one staircase after another. I wandered in and out
+of the buildings searching frantically for the refectory. Passed a long
+line of youngsters marching in a column to God knows where; they moved along
+like a chain-gang, with a slave-driver at the head of the column. Finally I
+saw an energetic-looking individual, with a derby, heading towards me. I
+stopped him to ask the way to the refectory. Happened I stopped the right
+man. It was M. le Proviseur, and he seemed delighted to have stumbled on
+me. Wanted to know right away if I were comfortably settled, if there was
+anything more he could do for me. I told him everything was O. K. Only it
+was a bit chilly, I ventured to add. He assured me that it was rather
+unusual, this weather. Now and then the fogs came on and a bit of snow, and
+then it became unpleasant for a while, and so on and so forth. All the while
+he had me by the arm, guiding me towards the refectory. He seemed like a
+very decent chap. A regular guy, I thought to myself. I even went so far as
+to imagine that I might get chummy with him later on, that he'd invite me to
+his room on a bitter cold night and make a hot grog for me. I imagined all
+sorts of friendly things in the few moments it required to reach the door of
+the refectory. Here, my mind racing on at a mile a minute, he suddenly shook
+hands with me and, doffing his hat, bade me good night. I was so bewildered
+that I tipped my hat also. It was the regular thing to do, I soon found out.
+Whenever you pass a prof, or even M. l'Econome, you doff the hat. Might pass
+the same guy a dozen times a day. Makes no difference. You've got to give
+the salute, even though your hat is worn out. It's the polite thing to do.
+
+Anyway, I had found the refectory. Like an East Side clinic it was, with
+tiled walls, bare light, and marble-topped tables. And of course a big stove
+with an elbow-pipe. The dinner wasn't served yet. A cripple was running in
+and out with dishes and knives and forks and bottles of wine. In a corner
+several young men conversing animatediy. I went up to them and introduced
+myself. They gave me a most cordial reception. Almost too cordial, in fact.
+I couldn't quite make it out. In a jiffy the room began to fill up; I was
+presented from one to the other quickly. Then they formed a circle about me
+and, filling the glasses, they began to sing....
+
+"L'autre soir l'idee m'est venue Cre nom de Zeus d'enculer un pendu;
+Le vent se leve sur la potence, Voila. mon pendu qui se balance, J'ai du
+l'enculer en sautant, Cre nom de Zeus, on est jamais content.
+
+"Baiser dans un con trop petit, Cre nom de Zeus, on s'ecorche le vit;
+Baiser dans un con trop large, On ne sail pas oil l'on decharge;
+Se branler etant bien emmerdant, Cre nom de Zeus, on est jamais content."
+
+With this, Quasimodo announced the dinner. They were a cheerful group, les
+surveillants. There was Kroa who belched like a pig and always let out a
+loud fart when he sat down to table. He could fart thirteen times in
+succession, they informed me. He held the record. Then there was Monsieur le
+Prince, an athlete who was fond of wearing a tuxedo in the evening when he
+went to town; he had a beautiful complexion, just like a girl, and never
+touched the wine nor read anything that might tax his brain. Next him sat
+Petit Paul, from the Midi, who thought of nothing but cunt all the time; he
+used to say every day -- "a partir de jeudi je ne parlerai plus de
+femmes." He and Monsieur le Prince were inseparable. Then there was
+Passeleau, a veritable young scallywag who was studying medicine and who
+borrowed right and left; he talked incessantly of Ronsard, Villon and
+Rabelais. Opposite me sat Mollesse, agitator and organizer of the
+pions, who insisted on weighing the meat to see if it wasn't short a
+few grams. He occupied a little room in the infirmary. His supreme enemy was
+Monsieur l'Econome, which was nothing particularly to his credit since
+everybody hated this individual. For companion Mollesse had one called Le
+Penible, a dour-looking chap with a hawk-like profile who practised the
+strictest economy and acted as money-lender. He was like an engraving by
+Albrecht Durer -- a composite of all the dour, sour, morose, bitter,
+unfortunate, unlucky and introspective devils who compose the pantheon of
+Germany's medieval knights. A Jew, no doubt. At any rate, he was killed in an
+automobile accident shortly after my arrival, a circumstance which left me
+twenty-three francs to the good. With the exception of Renaud who sat beside
+me, the others have faded out of my memory; they belonged to that category of
+colorless individuals who make up the world of engineers, architects,
+dentists, pharmacists, teachers, etc. There was nothing to distinguish them
+from the clods whom they would later wipe their boots on. They were zeros in
+every sense of the word, ciphers who form the nucleus of a respectable and
+lamentable citizenry. They ate with their heads down and were always the
+first to clamor for a second helping. They slept soundly and never
+complained; they were neither gay nor miserable. The indifferent ones whom
+Dante consigned to the vestibule of Hell. The upper-crusters.
+
+It was the custom after dinner to go immediately to town, unless one was on
+duty in the dormitories. In the center of town were the cafes -- huge, dreary
+halls where the somnolent merchants of Dijon gathered to play cards and
+listen to music. It was warm in the cafes, that is the best I can say for
+them. The seats were fairly comfortable, too. And there were always a few
+whores about who, for a glass of beer or a cup of coffee, would sit and chew
+the fat with you. The music, on the other hand, was atrocious. Such music! On
+a winter's night, in a dirty hole like Dijon, nothing can be more harassing,
+more nerve-racking, than the sound of a French orchestra. Particularly one of
+those lugubrious female orchestras with everything coming in squeaks and
+farts, with a dry, algebraic rhythm and the hygienic consistency of
+tooth-paste. A wheezing and scraping performed at so many francs the hour --
+and the devil take the hindmost! The melancholy of it! As if old Euclid had
+stood up on his hind legs and swallowed Prussic acid. The whole realm of Idea
+so thoroughly exploited by the reason that there is nothing left of which to
+make music except the empty slats of the accordion, through which the wind
+whistles and tears the ether to tatters. However, to speak of music in
+connection with this outpost is like dreaming of champagne when you are in
+the death-cell. Music was the least of my worries. I didn't even think of
+cunt, so dismal, so chill, so barren, so gray was it all. On the way home the
+first night I noticed on the door of a cafe an inscription from the
+Gargantua. Inside the cafe it was like a morgue. However,
+forward!
+
+I had plenty of time on my hands and not a sou to spend. Two or three hours
+of conversational lessons a day, and that was all. And what use was it,
+teaching these poor bastards English? I felt sorry as hell for them. All
+morning plugging away on John Gilpin's Ride, and in the afternoon
+coming to me to practise a dead language. I thought of the good time I had
+wasted reading Vergil or wading through such incomprehensible nonsense as
+Hermann und Dorotea. The insanity of it! Learning, the empty
+bread-basket! I thought of Carl who can recite Faust backwards, who
+never writes a book without praising the shit out of his immortal,
+incorruptible Goethe. And yet he hadn't sense enough to take on a rich cunt
+and get himself a change of underwear. There's something obscene in this
+love of the past which ends in bread-lines and dug-outs. Something obscene
+about this spiritual racket which permits an idiot to sprinkle holy water
+over Big Berthas and dreadnoughts and high explosives. Every
+man with a bellyful of the classics is an enemy to the human race.
+
+Here was I, supposedly to spread the gospel of Franco-American amity -- the
+emissary of a corpse who, after he had plundered right and left, after he
+had caused untold suffering and misery, dreamed of establishing universal
+peace. Pfui! What did they expect me to talk about, I wonder? About
+Leaves of Grass, about the tariff walls, about the Declaration of
+Independence, about the latest gang war? What? Just what, I'd like to know.
+Well, I'll tell you -- I never mentioned these things. I started right off the
+bat with a lesson in the physiology of love. How the elephants make
+love -- that was it! It caught like wildfire. After the first day there were
+no more empty benches. After that first lesson in English they were standing
+at the door waiting for me. We got along swell together. They asked all
+sorts of questions, as though they had never learned a damned thing. I let
+them fire away. I taught them to ask still more ticklish questions. Ask
+anything! -- that was my motto. I'm here as a plenipotentiary from the
+realm of free spirits. I'm here to create a fever and a ferment. "In some
+way," says an eminent astronomer, "the material universe appears to be
+passing away like a tale that is told, dissolving into nothingness like a
+vision." That seems to be the general feeling underlying the empty
+bread-basket of learning. Myself, I don't believe it. I don't believe a
+fucking thing these bastards try to shove down our throats.
+
+Between sessions, if I had no book to read, I would go upstairs to the
+dormitory and chat with the pions. They were delightfully ignorant of
+all that was going on -- especially in the world of art. Almost as ignorant
+as the students themselves. It was as if I had gotten into a private little
+madhouse with no exit signs. Sometimes I snooped around under the arcades,
+watching the kids marching along with huge hunks of bread stuck in their
+dirty mugs. I was always hungry myself, since it was impossible for me to
+go to breakfast which was handed out at some ungodly hour of the morning,
+just when the bed was getting toasty. Huge bowls of blue coffee with chunks
+of white bread and no butter to go with it. For lunch, beans or lentils with
+bits of meat thrown in to make it look appetizing. Food fit for a chain-gang,
+for rock-breakers. Even the wine was lousy. Things were either diluted or
+bloated. There were calories, but no cuisine. M. l'Econome was responsible
+for it all. So they said. I don't believe that, either. He was paid to keep
+our heads just above the water line. He didn't ask if we were suffering from
+piles or carbuncles; he didn't inquire if we had delicate palates or the
+intestines of wolves. Why should he? He was hired at so many grams the plate
+to produce so many kilowatts of energy. Everything in terms of horse power.
+It was all carefully reckoned in the fat ledgers which the pasty-faced clerks
+scribbled in morning, noon and night. Debit and credit, with a red line down
+the middle of the page.
+
+Roaming around the quadrangle with an empty belly most of the time I got to
+feel slightly mad. Like Charles the Silly, poor devil -- only I had no Odette
+Champsdivers with whom to play stink-finger. Half the time I had to grub
+cigarettes from the students, and during the lessons sometimes I munched a
+bit of dry bread with them. As the fire was always going out on me I soon
+used up my allotment of wood. It was the devil's own time coaxing a little
+wood out of the ledger clerks. Finally I got so riled up about it that I
+would go out in the street and hunt for firewood, like an Arab. Astonishing
+how little firewood you could pick up in the streets of Dijon. However,
+these little foraging expeditions brought me into strange precincts: Got to
+know the little street named after a M. Philibert Papillon -- a dead musician,
+I believe -- where there was a cluster of whorehouses. It was always more
+cheerful hereabouts; there was the smell of cooking, and wash hanging out to
+dry. Once in a while I caught a glimpse of the poor half-wits who lounged
+about inside. They were better off than the poor devils in the center of
+town whom I used to bump into whenever I walked through a department store.
+I did that frequently in order to get warm. They were doing it for the same
+reason, I suppose. Looking for someone to buy them a coffee. They looked a
+little crazy, with the cold and the loneliness. The whole town looked a bit
+crazy when the blue of evening settled over it. You could walk up and down
+the main drive any Thursday in the week till doomsday and never meet an
+expansive soul. Sixty or seventy thousand people -- perhaps more -- wrapped in
+woolen underwear and nowhere to go and nothing to do. Turning out mustard by
+the carload. Female orchestras grinding out The Merry Widow. Silver
+service in the big hotels. The ducal palace rotting away, stone by stone,
+limb by limb. The trees screeching with frost. A ceaseless clatter of wooden
+shoes. The University celebrating the death of Goethe, or the birth, I don't
+remember which. (Usually it's the deaths that are celebrated.) Idiotic
+affair, anyway. Everybody yawning and stretching.
+
+Coming through the high driveway into the quadrangle a sense of abysmal
+futility always came over me. Outside bleak and empty; inside, bleak and
+empty. A scummy sterility hanging over the town, a fog of book-learning.
+Slag and cinders of the past. Around the interior courts were ranged the
+class rooms, little shacks such as you might see in the North woods, where
+the pedagogues gave free rein to their vices. On the black-board the futile
+abracadabra which the future citizens of the republic would have to spend
+their lives forgetting. Once in a while the parents were received in the big
+reception room just off the driveway, where there were busts of the heroes
+of antiquity, such as Moliere, Racine, Corneille, Voltaire, etc., all the
+scarecrows whom the cabinet ministers mention with moist lips whenever an
+immortal is added to the waxworks. (No bust of Villon, no bust of Rabelais,
+no bust of Rimbaud.) Anyway, they met here in solemn conclave, the parents
+and the stuffed shirts whom the State hires to bend the minds of the young.
+Always this bending process, this landscape gardening to make the mind more
+attractive. And the youngsters came too, occasionally -- the little sunflowers
+who would soon be transplanted from the nursery in order to decorate the
+municipal grassplots. Some of them were just rubber plants easily dusted
+with a torn chemise. All of them jerking away for dear life in the
+dormitories as soon as night came on. The dormitories! where the red lights
+glowed, where the bell rang like a fire-alarm, where the treads were
+hollowed out in the scramble to reach the educational cells.
+
+Then there were the profs! During the first few days I got so far as to shake
+hands with a few of them, and of course there was always the salute with the
+hat when we passed under the arcades. But as for a heart-to-heart talk, as
+for walking to the corner and having a drink together, nothing doing. It was
+simply unimaginable. Most of them looked as though they had had the shit
+scared out of them. Anyway, I belonged to another hierarchy. They wouldn't
+even share a louse with the likes of me. They made me so damned irritated,
+just to look at them, that I used to curse them under my breath when I saw
+them coming. I used to stand there, leaning against a pillar, with a
+cigarette in the corner of my mouth and my hat down over my eyes, and when
+they got within hailing distance I would let squirt a good gob and up with
+the hat I didn't even bother to open my trap and bid them the time of the
+day. Under my breath I simply said: "Fuck you, Jack!" and let it go at that.
+
+After a week it seemed as if I had been here all my life. It was like a
+bloody, fucking nightmare that you can't throw off. Used to fall into a coma
+thinking about it. Just a few days ago I had arrived. Nightfall. People
+scurrying home like rats under the foggy lights. The trees glittering with
+diamond-pointed malice. I thought it all out, a thousand times or more.
+From the station to the Lycee it was like a promenade through the Danzig
+Corridor, all deckle-edged, crannied, nerve-ridden. A lane of dead bones, of
+crooked, cringing figures buried in shrouds. Spines made of sardine bones.
+The Lycee itself seemed to rise up out of a lake of thin snow, an inverted
+mountain that pointed down toward the center of the earth where God or the
+Devil works always in a strait-jacket grinding grist for that paradise which
+is always a wet dream. If the sun ever shone I don't remember it. I remember
+nothing but the cold greasy fogs that blew in from the frozen marshes over
+yonder where the railroad tracks burrowed into the lurid hills. Down near
+the station was a canal, or perhaps it was a river, hidden away under a
+yellow sky, with little shacks pasted slap-up against the rising ledge of
+the banks. There was a barracks too somewhere, it struck me, because every
+now and then I met little yellow men from Cochin-China -- squirmy, opium-faced
+runts peeping out of their baggy uniforms like dyed skeletons packed in
+excelsior. The whole god-damned medievalism of the place was infernally
+ticklish and restive, rocking back and forth with low moans, jumping out at
+you from the eaves, hanging like broken-necked criminals from the gargoyles.
+I kept looking back all the time, kept walking like a crab that you prong
+with a dirty fork. All those fat little monsters, those slab-like effigies
+pasted on the facade of the Eglise St. Michel, they were following me down
+the crooked lanes and around corners. The whole facade of St. Michel seemed
+to open up like an album at night, leaving you face to face with the horrors
+of the printed page. When the lights went out and the characters faded away
+flat, dead as words, then it was quite magnificent, the facade; in every
+crevice of the old gnarled front there was the hollow chant of the nightwind
+and over the lacy rubble of cold stiff vestments there was a cloudy
+absinthe-like drool of fog and frost.
+
+Here, where the church stood, everything seemed turned hind side front. The
+church itself must have been twisted off its base by centuries of progress
+in the rain and snow. It lay in the Place Edgar-Quinet, squat against the
+wind, like a dead mule. Through the Rue de la Monnaie the wind rushed like
+white hair streaming wild: it whirled around the white hitching posts which
+obstructed the free passage of omnibuses and twenty-mule teams. Swinging
+through this exit in the early morning hours I sometimes stumbled upon
+Monsieur Renaud who, wrapped in his cowl like a gluttonous monk, made
+overtures to me in the language of the 16th century. Falling in step with
+Monsieur Renaud, the moon busting through the greasy sky like a punctured
+balloon, I fell immediately into the realm of the transcendental. M. Renaud
+had a precise speech, dry as apricots, with a heavy Brandenburger base. Used
+to come at me full tilt from Goethe or Fichte, with deep base notes that
+rumbled in the windy corners of the Place like claps of last year's
+thunder. Men of Yucatan, men of Zanzibar, men of Tierra del Fuego, save me
+from this glaucous hog-rind! The North piles up about me, the glacial fjords,
+the blue-tipped spines, the crazy lights, the obscene Christian chant that
+spread like an avalanche from Aetna to the Aegean. Everything frozen tight as
+scum, the mind locked and rimed with frost, and through the melancholy bales
+of chitterwit the choking gargle of louse-eaten saints. White I am and
+wrapped in wool, swaddled, fettered, ham-strung, but in this I have no part.
+White to the bone, but with a cold alkali base, with saffron-tipped fingers.
+White, aye, but no brother of learning, no Catholic heart. White and
+ruthless, as the men before me who sailed out of the Elbe. I look to the sea,
+to the sky, to what is unintelligible and distantly near.
+
+The snow under foot scurries before the wind, blows, tickles, stings, lisps
+away, whirls aloft, showers, splinters, sprays down. No sun, no roar of
+surf, no breaker's surge. The cold north wind pointed with barbed shafts,
+icy, malevolent, greedy, blighting, paralyzing. The streets turn away on
+their crooked elbows; they break from the hurried sight, the stem glance.
+They hobble away down the drifting lattice-work, wheeling the church hind
+side front, mowing down the statues, flattening the monuments, uprooting
+the trees, stiffening the grass, sucking the fragrance out of the earth.
+Leaves dull as cement; leaves no dew can bring to glisten again. No moon will
+ever silver their listless plight. The seasons are come to a stagnant stop,
+the trees blench and wither, the wagons roll in the mica ruts with slithering
+harp-like thuds. In the hollow of the white-tipped hills, lurid and boneless
+Dijon slumbers. No man alive and walking through the night except the
+restless spirits moving southward towards the sapphire grids. Yet I am up and
+about, a walking ghost, a white man terrorized by the cold sanity of this
+slaughter house geometry. Who am I? What am I doing here? I fall between the
+cold walls of human malevolence, a white figure fluttering, sinking down
+through the cold lake, a mountain of skulls above me. I settle down to the
+cold latitudes, the chalk steps washed with indigo. The earth in its dark
+corridors knows my step, feels a foot abroad, a wing stirring, a gasp and a
+shudder. I hear the learning chaffed and chuzzled, the figures mounting
+upward, bat-slime dripping aloft and clanging with pasteboard golden wings; I
+hear the trains collide, the chains rattle, the locomotive chugging,
+snorting, sniffing, steaming and pissing. All things come to me through the
+clear fog with the odor of repetition, with yellow hangovers and gadzooks and
+whettikins. In the dead center, far below Dijon, far below the hyperborean
+regions, stands God Ajax, his shoulders strapped to the mill wheel, the
+olives crunching, the green marsh water alive with croaking frogs.
+
+The fog and snow, the cold latitude, the heavy learning, the blue coffee,
+the unbuttered bread, the soup and lentils, the heavy pork-packer beans, the
+stale cheese, the soggy chow, the lousy wine has put the whole penitentiary
+into a state of constipation. And just when everyone has become shit-tight
+the toilet pipes freeze. The shit piles up like ant-hills; one has to move
+down from the little pedestals and leave it on the floor. It lies there
+stiff and frozen, waiting for the thaw. On Thursdays the hunchback comes
+with his little wheelbarrow, shovels the cold, stiff turds with a broom and
+pan, and trundles off dragging his withered leg. The corridors are littered
+with toilet paper; it sticks to your feet like fly-paper. When the weather
+moderates the odor gets ripe; you can smell it in Winchester forty miles
+away. Standing over that ripe dung in the morning, with a toothbrush, the
+stench is so powerful that it makes your head spin. We stand around in red
+flannel shirts, waiting to spit down the hole; it is like an aria from one
+of Verdi's operas -- an anvil chorus with pulleys and syringes. In the night,
+when I am taken short, I rush down to the private toilet of M. le Censeur,
+just off the driveway. My stool is always full of blood. His toilet doesn't
+flush either but at least there is the pleasure of sitting down. I leave my
+little bundle for him as a token of esteem.
+
+Towards the end of the meal each evening the veilleur de nuit drops in
+for his bit of cheer. This is the only human being in the whole institution
+with whom I feel a kinship. He is a nobody. He carries a lantern and a bunch
+of keys. He makes the rounds through the night, stiff as an automaton. About
+the time the stale cheese is being passed around, in he pops for his glass of
+wine. He stands there, with paw outstretched, his hair stiff and wiry, like a
+mastiff's, his cheeks ruddy, his moustache gleaming with snow. He mumbles a
+word or two and Quasimodo brings him the bottle. Then, with feet solidly
+planted, he throws back his head and down it goes, slowly in one long
+draught. To me it's like he's pouring rubies down his gullet. Something about
+this gesture which seizes me by the hair. It's almost as if he were drinking
+down the dregs of human sympathy, as if all the love and compassion in the
+world could be tossed off like that, in one gulp -- as if that were all that
+could be squeezed together day after day. A little less than a rabbit they
+have made him. In the scheme of things he's not worth the brine to pickle a
+herring. He's just a piece of live manure. And he knows it. When he looks
+around after his drink and smiles at us, the world seems to be falling to
+pieces. It's a smile thrown across an abyss. The whole stinking civilized
+world lies like a quagmire at the bottom of the pit, and over it, like a
+mirage, hovers this wavering smile.
+
+It was the same smile which greeted me at night when I returned from my
+rambles. I remember one such night when, standing at the door waiting for the
+old fellow to finish his rounds, I had such a sense of well-being that I
+could have waited thus forever. I had to wait perhaps half an hour before he
+opened the door. I looked about me calmly and leisurely, drank everything in,
+the dead tree in front of the school with its twisted rope branches, the
+houses across the street which had changed color during the night, which
+curved now more noticeably, the sound of a train rolling through the Siberian
+wastes, the railings painted by Utrillo, the sky, the deep wagon-ruts.
+Suddenly, out of nowhere, two lovers appeared; every few yards they stopped
+and embraced, and when I could no longer follow them with my eyes I followed
+the sound of their steps, heard the abrupt stop, and then the slow,
+meandering gait. I could feel the sag and slump of their bodies when they
+leaned against a rail, heard their shoes creak as the muscles tightened for
+the embrace. Through the town they wandered, through the crooked streets,
+towards the glassy canal where the water lay black as coal. There was
+something phenomenal about it. In all Dijon not two like them.
+
+Meanwhile the old fellow was making the rounds; I could hear the jingle of
+his keys; the crunching of his boots, the steady, automatic tread. Finally I
+heard him coming through the driveway to open the big door, a monstrous,
+arched portal without a moat in front of it. I heard him fumbling at
+the lock, his hands stiff, his mind numbed. As the door swung open I
+saw over his head a brilliant constellation crowning the chapel. Every door
+was locked, every cell bolted. The books were closed. The night hung close,
+dagger-pointed, drunk as a maniac. There it was, the infinitude of emptiness.
+Over the chapel, like a bishop's mitre, hung the constellation, every night,
+during the winter months, it hung there low over the chapel. Low and bright,
+a handful of dagger points, a dazzle of pure emptiness. The old fellow
+followed me to the turn of the drive. The door closed silently. As I bade him
+good night I caught that desperate, hopeless smile again, like a meteoric
+flash over the rim of a lost world. And again I saw him standing in the
+refectory, his head thrown back and the rubies pouring down his gullet. The
+whole Mediterranean seemed to be buried inside him -- the orange groves, the
+cypress trees, the winged statues, the wooden temples, the blue sea, the
+stiff masks, the mystic numbers, the mythological birds, the sapphire skies,
+the eaglets, the sunny coves, the blind bards, the bearded heroes. Gone all
+that. Sunk beneath the avalanche from the North. Buried, dead forever. A
+memory. A wild hope.
+
+For just a moment I linger at the carriageway. The shroud, the pall, the
+unspeakable, clutching emptiness of it all. Then I walk quickly along the
+gravel path near the wall, past the arches and columns, the iron staircases,
+from one quadrangle to the other. Everything is locked tight. Locked for the
+winter. I find the arcade leading to the dormitory. A sickish light spills
+down over the stairs from the grimy, frosted windows. Everywhere the paint
+is peeling off. The stones are hollowed out, the bannister creaks; a damp
+sweat oozes from the flagging and forms a pale, fuzzy aura pierced by the
+feeble red light at the head of the stairs. I mount the last flight, the
+turret, in a sweat and terror. In pitch darkness I grope my way through the
+deserted corridor, every room empty, locked, moulding away. My hand slides
+along the wall seeking the keyhole. A panic comes over me as I grasp the
+door-knob. Always a hand at my collar ready to yank me back. Once inside the
+room I bolt the door. It's a miracle which I perform each night, the miracle
+of getting inside without being strangled, without being struck down by an
+axe. I can hear the rats scurrying through the corridor, gnawing away over my
+head between the thick rafters. The light glares like burning sulphur and
+there is the sweet, sickish stench of a room which is never ventilated. In
+the corner stands the coal-box, just as I left it. The fire is out. A silence
+so intense that it sounds like Niagara Falls in my ears.
+
+Alone, with a tremendous empty longing and dread. The whole room for my
+thoughts. Nothing but myself and what I think, what I fear. Could think the
+most fantastic thoughts, could dance, spit, grimace, curse, wail -- nobody
+would ever know, nobody would ever hear. The thought of such absolute
+privacy is enough to drive me mad. It's like a clean birth. Everything cut
+away. Separate, naked, alone. Bliss and agony simultaneously. Time on your
+hands. Each second weighing on you like a mountain. You drown in it.
+Deserts, seas, lakes, oceans. Time beating away like a meat-axe.
+Nothingness. The world. The me and the not-me. Oomaharamooma.
+Everything has to have a name. Everything has to be learned, tested,
+experienced. Faites comme chez. vous, cheri.
+
+The silence descends in volcanic chutes. Yonder, in the barren hills,
+rolling onward towards the great metallurgical regions, the locomotives are
+pulling their merchant products. Over steel and iron beds they roll, the
+ground sown with slag and cinders and purple ore. In the baggage car, kelps,
+fishplate, rolled iron, sleepers, wire rods, plates and sheets, laminated
+articles, hot rolled hoops, splints and mortar carriages, and Zores ore. The
+wheels U-80 millimetres or over. Pass splendid specimens of Anglo-Norman
+architecture, pass pedestrians and pederasts, open hearth furnaces, basic
+Bessemer mills, dynamos and transformers, pig iron castings and steel
+ingots. The public at large, pedestrians and pederasts, gold-fish and
+spun-glass palm trees, donkeys sobbing, all circulating freely through
+quincuncial alleys. At the Place du Bresil a lavender eye.
+
+Going back in a flash over the women I've known. It's like a chain which I've
+forged out of my own misery. Each one bound to the other. A fear of living
+separate, of staying born. The door of the womb always on the latch. Dread
+and longing. Deep in the blood the pull of Paradise. The beyond. Always the
+beyond. It must have all started with the navel. They cut the umbilical cord,
+give you a slap on the ass, and presto! you're out in the world, adrift, a
+ship without a rudder. You look at the stars and then you look at your navel.
+You grow eyes everywhere -- in the armpits, between your lips, in the roots
+of your hair, on the soles of your feet. What is distant becomes near, what
+is near becomes distant. Inner-outer, a constant flux, a shedding of skins, a
+turning inside out. You drift around like that for years and years, until you
+find yourself in the dead center, and there you slowly rot, slowly crumble to
+pieces, get dispersed again. Only your name remains.
+
+                                * * *
+
+It was spring before I managed to escape from the penitentiary, and then
+only by a stroke of fortune. A telegram from Carl informed me one day that
+there was a vacancy "upstairs;" he said he would send me the fare back if I
+decided to accept. I telegraphed back at once and as soon as the dough
+arrived I beat it to the station. Not a word to M. le Proviseur or anyone.
+French leave, as they say.
+
+I went immediately to the hotel at 1 bis, where Carl was staying. He
+came to the door stark naked. It was his night off and there was a cunt in
+the bed as usual. "Don't mind her," he says, "she's asleep. If you need a lay
+you can take her on. She's not bad." He pulls the covers back to show me what
+she looks like. However, I wasn't thinking about a lay right away. I was too
+excited. I was like a man who has just escaped from jail. I just wanted to
+see and hear things. Coming from the station it was like a long dream. I felt
+as though I had been away for years.
+
+It was not until I had sat down and taken a good look at the room that I
+realized I was back again in Paris. It was Carl's room and no mistake about
+it. Like a squirrel-cage and shit-house combined. There was hardly room on
+the table for the portable machine he used. It was always like that, whether
+he had a cunt with him or not. Always a dictionary lying open on a gilt-edged
+volume of Faust, always a tobacco pouch, a beret, a bottle of vin
+rouge, letters, manuscripts, old newspapers, water colors, teapot, dirty
+socks, toothpicks, Kruschen Salts, condoms, etc. In the bidet were
+orange peels and the remnants of a ham sandwich.
+
+"There's some food in the closet," he said. "Help yourself! I was just
+going to give myself an injection."
+
+I found the sandwich he was talking about and a piece of cheese that he had
+nibbled at beside it. While he sat on the edge of the bed, dosing himself
+with his argyrol, I put away the sandwich and cheese with the aid of a
+little wine.
+
+"I liked that letter you sent me about Goethe," he said, wiping his prick
+with a dirty pair of drawers.
+
+"I'll show you the answer to it in a minute -- I'm putting it in my book. The
+trouble with you is that you're not a German. You have to be German to
+understand Goethe. Shit, I'm not going to explain it to you now. I've put it
+all in the book ... By the way, I've got a new cunt now -- not this one --
+this one's a half-wit. At least, I had her until a few days ago. I'm not sure
+now whether she'll come back or not. She was living here with me all the time
+you were away. The other day her parents came and took her away. They said
+she was only fifteen. Can you beat that? They scared the shit out of me
+too...."
+
+I began to laugh. It was like Carl to get himself into a mess like that.
+
+"What are you laughing for?" he said. "I may go to prison for it. Luckily, I
+didn't knock her up. And that's funny, too, because she never took care of
+herself properly. But do you know what saved me? So I think, at least. It
+was Faust. Yeah! Her old man happened to see it lying on the table.
+He asked me if I understood German. One thing led to another and before I
+knew it he was looking through my books. Fortunately I happened to have the
+Shakespeare open too. That impressed him like hell. He said I was evidently
+a very serious guy."
+
+"What about the girl -- what did she have to say?"
+
+"She was frightened to death. You see, she had a little watch with her when
+she came; in the excitement we couldn't find the watch, and her mother
+insisted that the watch be found or she'd call the police. You see how
+things are here. I turned the whole place upside down -- but I couldn't find
+the god-damned watch. The mother was furious. I liked her too, in spite of
+everything. She was even better-looking than the daughter. Here -- I'll show
+you a letter I started to write her. I'm in love with her..."
+
+"With the mother?"
+
+"Sure. Why not? If I had seen the mother first I'd never have looked at the
+daughter. How did I know she was only fifteen? You don't ask a cunt how old
+she is before you lay her. do you?"
+
+"Joe, there's something funny about this. You're not shitting me, are you?"
+
+"Am I shitting you? Here -- look at this!" And he shows me the water colors
+the girl had made -- cute little things -- a knife and a loaf of bread, the
+table and teapot, everything running uphill. "She was in love with me," he
+said. "She was just like a child. I had to tell her when to brush her teeth
+and how to put her hat on. Here -- look at the lollypops! I used to buy her a
+few lollypops every day -- she liked them."
+
+"Well, what did she do when her parents came to take her away? Didn't she
+put up a row?"
+
+"She cried a little, that's all. What could she do? She's under
+age.... I had to promise never to see her again, never to write her either.
+That's what I'm waiting to see now -- whether she'll stay away or not. She was
+a virgin when she came here. The thing is, how long will she be able to go
+without a lay? She couldn't get enough of it when she was here. She almost
+wore me out."
+
+By this time the one in bed had come to and was rubbing her eyes. She
+looked pretty young to me, too. Not bad looking, but dumb as hell. Wanted to
+know right away what we were talking about.
+
+"She lives here in the hotel," said Carl. "On the third floor. Do you want
+to go to her room? I'll fix it up for you."
+
+I didn't know whether I wanted to or not, but when I saw Carl mushing it up
+with her again I decided I did want to. I asked her first if she was too
+tired. Useless question. A whore is never too tired to open her legs. Some of
+them can fall asleep while you diddle them. Anyway, it was decided we would
+go down to her room. Like that I wouldn't have to pay the patron for
+the night.
+
+In the morning I rented a room overlooking the little park down below where
+the sandwich-board men always came to eat their lunch. At noon I called for
+Carl to have breakfast with him. He and Van Norden had developed a new habit
+in my absence -- they went to the Coupole for breakfast every day. "Why the
+Coupole?" I asked. "Why the Coupole?" says Carl. "Because the Coupole serves
+porridge at all hours and porridge makes you shit." -- "I see," said I.
+
+So it's just like it used to be again. The three of us walking back and forth
+to work. Petty dissensions, petty rivalries. Van Norden still belly-aching
+about his cunts and about washing the dirt out of his belly. Only now he's
+found a new diversion. He's found that it's less annoying to masturbate. I
+was amazed when he broke the news to me. I didn't think it possible for a guy
+like that to find any pleasure in jerking himself off. I was still more
+amazed when he explained to me how he goes about it. He had "invented" a new
+stunt, so he put it. "You take an apple," he says, "and you bore out the
+core. Then you rub some cold cream on the inside so as it doesn't melt too
+fast. Try it some time! It'll drive you crazy at first. Anyway, it's cheap
+and you don't have to waste much time."
+
+"By the way," he says, switching the subject, "that friend of yours,
+Fillmore, he's in the hospital. I think he's nuts. Anyway, that's what his
+girl told me. He took on a French girl, you know, while you were away. They
+used to fight like hell. She's a big, healthy bitch -- wild like. I wouldn't
+mind giving her a tumble, but I'm afraid she'd claw the eyes out of me. He
+was always going around with his face and hands scratched up. She looks
+bunged up too once in a while -- or she used to. You know how these French
+cunts are -- when they love they lose their minds."
+
+Evidently things had happened while I was away. I was sorry to hear about
+Fillmore. He had been damned good to me. When I left Van Norden I jumped a
+bus and went straight to the hospital.
+
+They hadn't decided yet whether he was completely off his base or not, I
+suppose, for I found him upstairs in a private room, enjoying all the
+liberties of the regular patients. He had just come from the bath when I
+arrived. When he caught sight of me he burst into tears. "It's all over," he
+says immediately. "They say I'm crazy -- and I may have syphilis too. They say
+I have delusions of grandeur." He fell over onto the bed and wept quietly.
+After he had wept a while he lifted his head up and smiled -- just like a
+bird coming out of a snooze. "Why do they put me in such an expensive room?"
+he said. "Why don't they put me in the ward -- or in the bughouse? I can't
+afford to pay for this. I'm down to my last five hundred dollars."
+
+"That's why they're keeping you here," I said. "They'll transfer you quickly
+enough when your money runs out. Don't worry."
+
+My words must have impressed him, for I had no sooner finished than he
+handed me his watch and chain, his wallet, his fraternity pin, etc. "Hold on
+to them," he said. "These bastards'll rob me of everything I've got." And
+then suddenly he began to laugh, one of those weird, mirthless laughs which
+makes you believe a guy's goofy whether he is or not. "I know you'll think
+I'm crazy," he said, "but I want to atone for what I did. I want to get
+married. You see, I didn't know I had the clap. I gave her the clap and then
+I knocked her up. I told the doctor I don't care what happens to me, but I
+want him to let me get married first. He keeps telling me to wait until I
+get better -- but I know I'm never going to get better. This is the end."
+
+I couldn't help laughing myself, hearing him talk that way. I couldn't
+understand what had come over him. Anyway, I had to promise him to see the
+girl and explain things to her. He wanted me to stick by her, comfort her.
+Said he could trust me, etc. I said yes to everything in order to soothe
+him. He didn't seem exactly nuts to me -- just caved-in like. Typical
+Anglo-Saxon crisis. An eruption of morals. I was rather curious to see the
+girl, to get the lowdown on the whole thing.
+
+The next day I looked her up. She was living in the Latin Quarter. As soon as
+she realized who I was she became exceedingly cordial. Ginette she called
+herself. Rather big, raw-boned, healthy, peasant type with a front tooth
+half-eaten away. Full of vitality and a kind of crazy fire in her eyes. The
+first thing she did was to weep. Then, seeing that I was an old friend of her
+Jo-Jo -- that was how she called him -- she ran downstairs and brought back a
+couple of bottles of white wine. I was to stay and have dinner with her --
+she insisted on it. As she drank she became by turns gay and maudlin. I
+didn't have to ask her any questions -- she went on like a self-winding
+machine. The thing that worried her principally was -- would he get his job
+back when he was released from the hospital? She said her parents were well
+off, but they were displeased with her. They didn't approve of her wild ways.
+They didn't approve of him particularly -- he had no manners, and he was an
+American. She begged me to assure her that he would get his job back, which I
+did without hesitancy. And then she begged me to know if she could believe
+what he said -- that he was going to marry her. Because now, with a child
+under her belt, and a dose of clap besides, she was in no position to strike
+a match -- with a Frenchman anyway. That was clear, wasn't it? Of course, I
+assured her. It was all clear as hell to me -- except how in Christ's name
+Fillmore had ever fallen for her. However, one thing at a time. It was my
+duty now to comfort her, and so I just filled her up with a lot of baloney,
+told her everything would turn out all right and that I would stand godfather
+to the child, etc. Then suddenly it struck me as strange that she should have
+the child at all -- especially as it was likely to be born blind. I told her
+that as tactfully as I could. "It doesn't make any difference," she said. "I
+want a child by him."
+
+"Even if it's blind?" I asked.
+
+"Mon Dieu, ne dites pas ca!" she groaned. "Ne dites pas ca!"
+
+Just the same, I felt it was my duty to say it. She got hysterical and began
+to weep like a walrus, poured out more wine. In a few moments she was
+laughing boisterously. She was laughing to think how they used to fight when
+they got in bed. "He liked me to fight with him," she said. "He was a brute."
+
+As we sat down to eat a friend of hers walked in -- a little tart who lived
+at the end of the hall. Ginette immediately sent me down to get some more
+wine. When I came back they had evidently had a good talk. Her friend,
+Yvette, worked in the police department. A sort of stool pigeon, as far as I
+could gather. At least that was what she was trying to make me believe. It
+was fairly obvious that she was just a little whore. But she had an obsession
+about the police and their doings. Throughout the meal they were urging me to
+accompany them to a bal musette. They wanted to have a gay time -- it
+was so lonely for Ginette with Jo-Jo in the hospital. I told them I had to
+work, but that on my night off I'd come back and take them out. I made it
+clear too that I had no dough to spend on them. Ginette, who was really
+thunderstruck to hear this, pretended that that didn't matter in the least.
+In fact, just to show what a good sport she was, she insisted on driving me
+to work in a cab. She was doing it because I was a friend of Jo-Jo's. And
+therefore I was a friend of hers. "And also," thought I to myself, "if
+anything goes wrong with your Jo-Jo you'll come to me on the double-quick.
+Then you'll see what a friend I can be!" I was as nice as pie to her. In
+fact, when we got out of the cab in front of the office, I permitted them to
+persuade me into having a final Pernod together. Yvette wanted to know if she
+couldn't call for me after work. She had a lot of things to tell me in
+confidence, she said. But I managed to refuse without hurting her feelings.
+Unfortunately I did unbend sufficiently to give her my address.
+
+Unfortunately, I say. As a matter of fact, I'm rather glad of it when
+I think back on it. Because the very next day things began to happen. The
+very next day, before I had even gotten out of bed, the two of them called
+on me. Jo-Jo had been removed from the hospital -- they had incarcerated him
+in a little chateau in the country, just a few miles out of Paris. The
+chateau, they called it. A polite way of saying "the bughouse." They
+wanted me to get dressed immediately and go with them. They were in a panic.
+
+Perhaps I might have gone alone -- but I just couldn't make up my mind to go
+with these two. I asked them to wait for me downstairs while I got dressed,
+thinking that it would give me time to invent some excuse for not going.
+But they wouldn't leave the room. They sat there and watched me wash and
+dress, just as if it were an everyday affair. In the midst of it, Carl
+popped in. I gave him the situation briefly, in English, and then we hatched
+up an excuse that I had some important work to do. However, to smooth things
+over, we got some wine in and we began to amuse them by showing them a book
+of dirty drawings. Yvette had already lost all desire to go to the
+chateau. She and Carl were getting along famously. When it came time to go
+Carl decided to accompany them to the chateau. He thought it would be funny
+to see Fillmore walking around with a lot of nuts. He wanted to see what it
+was like in the nuthouse. So off they went, somewhat pickled, and in the
+best of humor.
+
+All the time that Fillmore was at the chateau I never once went to see him.
+It wasn't necessary, because Ginette visited him regularly and gave me all
+the news. They had hopes of bringing him around in a few months, so she
+said. They thought it was alcoholic poisoning -- nothing more. Of course, he
+had a dose -- but that wasn't difficult to remedy. So far as they could see,
+he didn't have syphilis. That was something. So, to begin with, they used
+the stomach pump on him. They cleaned his system out thoroughly. He was so
+weak for a while that he couldn't get out of bed. He was depressed, too. He
+said he didn't want to be cured -- he wanted to die. And he kept repeating
+this nonsense so insistently that finally they grew alarmed. I suppose it
+wouldn't have been a very good recommendation if he had committed suicide.
+Anyway, they began to give him mental treatment. And in between times they
+pulled out his teeth, more and more of them, until he didn't have a tooth
+left in his head. He was supposed to feel fine after that, yet strangely he
+didn't. He became more despondent than ever. And then his hair began to fall
+out. Finally he developed a paranoid streak -- began to accuse them of all
+sorts of things, demanded to know by what right he was being detained, what
+he had done to warrant being locked up, etc. After a terrible fit of
+despondency he would suddenly become energetic and threaten to blow up the
+place if they didn't release him. And to make it worse, as far as Ginette
+was concerned, he had gotten all over his notion of marrying her. He told
+her straight up and down that he had no intention of marrying her, and that
+if she was crazy enough to go and have a child then she could support it
+herself.
+
+The doctors interpreted all this as a good sign. They said he was coming
+round. Ginette, of course, thought he was crazier than ever, but she was
+praying for him to be released so that she could take him to the country
+where it would be quiet and peaceful and where he would come to his right
+senses. Meanwhile her parents had come to Paris on a visit and had even gone
+so far as to visit the future son-in-law at the chateau. In their canny way
+they had probably figured it out that it would be better for their daughter
+to have a crazy husband than no husband at all. The father thought he could
+find something for Fillmore to do on the farm. He said that Fillmore wasn't
+such a bad chap at all. When he learned from Ginette that Fillmore's parents
+had money he became even more indulgent, more understanding.
+
+The thing was working itself out nicely all around. Ginette returned to the
+provinces for a while with her parents. Yvette was coming regularly to the
+hotel to see Carl. She thought he was the editor of the paper. And little by
+little she became more confidential. When she got good and tight one day,
+she informed us that Ginette had never been anything but a whore, that
+Ginette was a blood-sucker, that Ginette never had been pregnant and was not
+pregnant now. About the other accusations we hadn't much doubt, Carl and I,
+but about not being pregnant, that we weren't so sure of.
+
+"How did she get such a big stomach, then?" asked Carl.
+
+Yvette laughed. "Maybe she uses a bicycle pump," she said. "No, seriously,"
+she added, "the stomach comes from drink. She drinks like a fish, Ginette.
+When she comes back from the country, you will see, she will be blown up
+still more. Her father is a drunkard. Ginette is a drunkard. Maybe she had
+the clap, yes -- but she is not pregnant."
+
+"But why does she want to marry him? Is she really in love with him?"
+
+"Love? Pfoboh! She has no heart, Ginette. She wants someone to look
+after her. No Frenchman would ever marry her -- she has a police record. No,
+she wants him because he's too stupid to find out about her. Her parents
+don't want her any more -- she's a disgrace to them. But if she can get
+married to a rich American, then everything will be all right.... You think
+maybe she loves him a little, eh? You don't know her. When they were living
+together at the hotel, she had men coming to her room while he was at work.
+She said he didn't give her enough spending money. He was stingy. That fur
+she wore -- she told him her parents had given it to her, didn't she?
+Innocent fool! Why, I've seen her bring a man back to the hotel right while
+he was there. She brought the man to the floor below. I saw it with my own
+eyes. And what a man! An old derelict! He couldn't get an erection!"
+
+If Fillmore, when he was released from the chateau, had returned to Paris,
+perhaps I might have tipped him off about his Ginette. While he was still
+under observation I didn't think it well to upset him by poisoning his mind
+with Yvette's slanders. As things turned out, he went directly from the
+chateau to the home of Ginette's parents. There, despite himself, he was
+inveigled into making public his engagement. The banns were published in the
+local papers and a reception was given to the friends of the family. Fillmore
+took advantage of the situation to indulge in all sorts of escapades. Though
+he knew quite well what he was doing he pretended to be still a little daffy.
+He would borrow his father-in-law's car, for example, and tear about the
+countryside all by himself; if he saw a town that he liked he would plank
+himself down and have a good time until Ginette came searching for him.
+Sometimes the father-in-law and he would go off together -- on a fishing
+trip, presumably -- and nothing would be heard of them for days. He became
+exasperatingly capricious and exacting. I suppose he figured he might as well
+get what he could out of it.
+
+When he returned to Paris with Ginette he had a complete new wardrobe and a
+pocketful of dough. He looked cheerful and healthy, and had a fine coat of
+tan. He looked sound as a berry to me. But as soon as we had gotten away
+from Ginette he opened up. His job was gone and his money had all run out.
+In a month or so they were to be married. Meanwhile the parents were
+supplying the dough. "Once they've got me properly in their clutches," he
+said, "I'll be nothing but a slave to them. The father thinks he's going to
+open up a stationery store for me. Ginette will handle the customers, take
+in the money, etc., while I sit in the back of the store and write -- or
+something. Can you picture me sitting in the back of a stationery store
+for the rest of my life? Ginette thinks it's an excellent idea. She likes to
+handle money. I'd rather go back to the chateau than submit to such a
+scheme."
+
+For the time being, of course, he was pretending that everything was
+hunky-dory. I tried to persuade him to go back to America but he wouldn't
+hear of that. He said he wasn't going to be driven out of France by a lot of
+ignorant peasants. He had an idea that he would slip out of sight for a
+while and then take up quarters in some outlying section of the city where
+he'd not be likely to stumble upon her. But we soon decided that that was
+impossible: you can't hide away in France as you can in America.
+
+"You could go to Belgium for a while," I suggested. "But what'll I do for
+money?" he said promptly. "You can't get a job in these god-damned
+countries."
+
+"Why don't you marry her and get a divorce, then?" I asked.
+
+"And meanwhile she'll be dropping a kid. Who's going to take care of the
+kid, eh?"
+
+"How do you know she's going to have a kid?" I said, determined now that the
+moment had come to spill the beans.
+
+"How do I know?" he said. He didn't quite seem to know what I was
+insinuating.
+
+I gave him an inkling of what Yvette had said. He listened to me in complete
+bewilderment. Finally he interrupted me. "It's no use going on with that," he
+said. "I know she's going to have a kid, all right. I've felt it kicking
+around inside. Yvette's a dirty little slut. You see, I didn't want to tell
+you, but up until the time I went to the hospital I was shelling out for
+Yvette too. Then when the crash came I couldn't do any more for her. I
+figured out that I had done enough for the both of them.... I made up my mind
+to look after myself first. That made Yvette sore. She told Ginette that she
+was going to get even with me.... No, I wish it were true, what she said.
+Then I could get out of this thing more easily. Now I'm in a trap. I've
+promised to marry her and I'll have to go through with it. After that I don't
+know what'll happen to me. They've got me by the balls now."
+
+Since he had taken a room in the same hotel with me I was obliged to see them
+frequently, whether I wanted to or not. Almost every evening I had dinner
+with them, preceded, of course, by a few Pernods. All through the meal they
+quarrelled noisily. It was embarrassing because I had sometimes to take one
+side and sometimes the other. One Sunday afternoon, for example, after we had
+had lunch together, we repaired to a cafe on the corner of the Boulevard
+Edgar-Quinet. Things had gone unusually well this time. We were sitting
+inside at a little table, one alongside the other, our backs to a mirror.
+Ginette must have been passionate or something for she had suddenly gotten
+into a sentimental mood and was fondling him and kissing him in front of
+everybody, as the French do so naturally. They had just come out of a long
+embrace when Fillmore said something about her parents which she interpreted
+as an insult. Immediately her cheeks flushed with anger. We tried to mollify
+her by telling her that she had misunderstood the remark and then, under his
+breath, Fillmore said something to me in English -- something about giving
+her a little soft soap. That was enough to set her completely off the handle.
+She said we were making fun of her. I said something sharp to her which
+angered her still more and then Fillmore tried to put in a word. "You're too
+quicktempered," he said, and he tried to pat her on the cheek. But she,
+thinking that he had raised his hand to slap her face, she gave him a sound
+crack in the jaw with that big peasant hand of hers. For a moment he was
+stunned. He hadn't expected a wallop like that, and it stung. I saw his face
+go white and the next moment he raised himself from the bench and with the
+palm of his hand he gave her such a crack that she almost fell off her seat.
+"There! that'll teach you how to behave!" he said -- in his broken French.
+For a moment there was a dead silence. Then, like a storm breaking, she
+picked up the cognac glass in front of her and hurled it at him with all her
+might. It smashed against the mirror behind us. Fillmore had already grabbed
+her by the arm, but with her free hand she grabbed the coffee glass and
+smashed it on the floor. She was squirming around like a maniac. It was all
+we could do to hold her down. Meanwhile, of course, the patron had
+come running in and ordered us to beat it. "Loafers!" he called us. "Yes,
+loafers; That's it!" screamed Ginette. "Dirty foreigners! Thugs! Gangsters!
+Striking a pregnant woman!" We were getting black looks all around. A poor
+Frenchwoman with two American toughs. Gangsters. I was wondering how the hell
+we'd ever get out of the place without a fight. Fillmore, by this time, was
+as silent as a clam. Ginette was bolting it through the door, leaving us to
+face the music. As she sailed out she turned back with fist upraised and
+shouted; "I'll pay you back for this, you brute! You'll see! No foreigner can
+treat a decent Frenchwoman like that! Ah, no! Not like that!"
+
+Hearing this the patron, who had now been paid for his drinks and his
+broken glasses, felt it incumbent to show his gallantry toward a splendid
+representative of French motherhood such as Ginette, and so, without more
+ado, he spat at our feet and shoved us out of the door. "Shit on you, you
+dirty loafers!" he said, or some such pleasantry.
+
+Once in the street and nobody throwing things after us, I began to see the
+funny side of it. It would be an excellent idea, I thought to myself, if
+the whole thing were properly aired in court. The whole thing! With
+Yvette's little stories as a side dish. After all, the French have a sense
+of humor. Perhaps the judge, when he heard Fillmore's side of the story,
+would absolve him from marriage.
+
+Meanwhile, Ginette was standing across the street brandishing her fist and
+yelling at the top of her lungs. People were stopping to listen in, to take
+sides, as they do in street brawls. Fillmore didn't know what to do --
+whether to walk away from her, or to go over to her and try to pacify her.
+He was standing in the middle of the street with his arms outstretched,
+trying to get a word in edgewise. And Ginette still yelling: "Gangster!
+Brute! Tu verras, salaud!" and other complimentary things. Finally
+Fillmore made a move towards her and she, probably thinking that he was
+going to give her another good cuff, took it on a trot down the street.
+Fillmore came back to where I was standing and said: "Come on, let's follow
+her quietly." We started off with a thin crowd of stragglers behind us.
+Every once in a while she turned back towards us and brandished her fist.
+We made no attempt to catch up with her, just followed her leisurely down
+the street to see what she would do. Finally she slowed up her pace and we
+crossed over to the other side of the street. She was quiet now. We kept
+walking behind her, getting closer and closer. There were only about a dozen
+people behind us now -- the others had lost interest. When we got near the
+corner she suddenly stopped and waited for us to approach. "Let me do the
+talking," said Fillmore, "I know how to handle her."
+
+The tears were streaming down her face as we came up to her. Myself, I
+didn't know what to expect of her. I was somewhat surprised therefore when
+Fillmore walked up to her and said in an aggrieved voice: "Was that a nice
+thing to do? Why did you act that way?" Whereupon she threw her arms around
+his neck and began to weep like a child, calling him her little this and her
+little that. Then she turned to me imploringly. "You saw how he struck me,"
+she said. "Is that the way to behave towards a woman?" I was on the point of
+saying yes when Fillmore took her by the arm and started leading her off.
+"No more of that," he said. "If you start again I'll crack you right here in
+the street."
+
+I thought it was going to start up all over again. She had fire in her eyes.
+But evidently she was a bit cowed, too, for it subsided quickly. However, as
+she sat down at the cafe she said quietly and grimly that he needn't think
+it was going to be forgotten so quickly; he'd hear more about it later on
+... perhaps to-night.
+
+And sure enough she kept her word. When I met him the next day his face and
+hands were all scratched up. Seems she had waited until he got to bed and
+then, without a word, she had gone to the wardrobe and, dumping all his
+things out on the floor, she took them one by one and tore them to ribbons.
+As this had happened a number of times before, and as she had always sewn
+them up afterwards, he hadn't protested very much. And that made her
+angrier than ever. What she wanted was to get her nails into him, and she
+did, to the best of her ability. Being pregnant she had a certain advantage
+over him.
+
+Poor Fillmore! It was no laughing matter. She had him terrorized. If he
+threatened to run away she retorted by a threat to kill him. And she said it
+as if she meant it. "If you go to America," she said, "I'll follow you! You
+won't get away from me. A French girl always knows how to get vengeance."
+And the next moment she would be coaxing him to be "reasonable," to be
+"sage," etc. Life would be so nice once they had the stationery store.
+He wouldn't have to do a stroke of work. She would do everything. He could
+stay in back of the store and write -- or whatever he wanted to do.
+
+It went on like this, back and forth, a seesaw, for a few weeks or so. I was
+avoiding them as much as possible, sick of the affair and disgusted with the
+both of them. Then one fine summer's day, just as I was passing the Credit
+Lyonnais, who comes marching down the steps but Fillmore. I greeted him
+warmly, feeling rather guilty because I had dodged him for so long. I asked
+him, with more than ordinary curiosity, how things were going. He answered
+me rather vaguely and with a note of despair in his voice.
+
+"I've just gotten permission to go to the bank," he said, in a peculiar,
+broken, abject sort of way. "I've got about half an hour, no more. She keeps
+tabs on me." And he grasped my arm as if to hurry me away from the spot.
+
+We were walking down towards the Rue de Rivoli. It was a beautiful day,
+warm, clear, sunny -- one of those days when Paris is at its best. A mild
+pleasant breeze blowing, just enough to take that stagnant odor out of your
+nostrils. Fillmore was without a hat. Outwardly he looked the picture of
+health -- like the average American tourist who slouches along with money
+jingling in his pockets.
+
+"I don't know what to do any more," he said quietly. "You've got to do
+something for me. I'm helpless. I can't get a grip on myself. If I could
+only get away from her for a little while perhaps I'd come round all right.
+But she won't let me out of her sight. I just got permission to run to the
+bank -- I had to draw some money. I'll walk around with you a bit and then I
+must hurry back -- she'll have lunch waiting for me."
+
+I listened to him quietly, thinking to myself that he did need someone to
+pull him out of the hole he was in. He had completely caved in, there wasn't
+a speck of courage left in him. He was just like a child -- like a child who
+is beaten every day and doesn't know any more how to behave, except to cower
+and cringe. As we turned under the colonnade of the Rue de Rivoli he burst
+out into a long diatribe against France. He was fed up with the French. "I
+used to rave about them," he said, "but that was all literature. I know them
+now ... I know what they're really like. They're cruel and mercenary. At
+first it seems wonderful, because you have a feeling of being free. After a
+while it palls on you. Underneath it's all dead: there's no feeling, no
+sympathy, no friendship. They're selfish to the core. The most selfish people
+on earth! They think of nothing but money, money, money. And so god-damned
+respectable, so bourgeois! That's what drives me nuts. When I see her mending
+my shirts I could club her. Always mending, mending. Saving, saving. Faut
+faire des economies! That's all I hear her say all day long. You hear it
+everywhere. Sois raisonnable, mon cheri! Sois raisonnable! I don't
+want to be reasonable and logical. I hate it! I want to bust loose, I want to
+enjoy myself. I want to do something. I don't want to sit in a care
+and talk all day long. Jesus, we've got our faults -- but we've got
+enthusiasm. It's better to make mistakes than not do anything. I'd rather be
+a bum in America than to be sitting pretty here. Maybe it's because I'm a
+Yankee. I was born in New England and I belong there, I guess. You can't
+become a European overnight. There's something in your blood that makes you
+different. It's the climate -- and everything. We see things with different
+eyes. We can't make ourselves over, however much we admire the French. We're
+Americans and we've got to remain Americans. Sure, I hate those puritanical
+buggers back home -- I hate 'em with all my guts. But I'm one of them myself.
+I don't belong here. I'm sick of it."
+
+All along the arcade he went on like this. I wasn't saying a word. I let
+him spill it all out -- it was good for him to get it off his chest. Just the
+same, - I was thinking how strange it was that this same guy, had it been a
+year ago, would have been beating his chest like a gorilla and saying:
+"What a marvellous day! What a country! What a people!" And if an American
+had happened along and said one word against France Fillmore would have
+flattened his nose. He would have died for France -- a year ago. I never saw
+a man who was so infatuated with a country, who was so happy under a foreign
+sky. It wasn't natural. When he said France it meant wine, women,
+money in the pocket, easy come, easy go. It meant being a bad boy, being on
+a holiday. And then, when he had had his fling, when the tent-top blew off
+and he had a good look at the sky, he saw that it wasn't just a circus, but
+an arena, just like everywhere. And a damned grim one. I often used to
+think, when I heard him rave about glorious France, about liberty and all
+that crap, what it would have sounded like to a French workman, could he
+have understood Fillmore's words. No wonder they think we're all crazy. We
+are crazy to them. We're just a pack of children. Senile idiots.
+What we call life is a five-and-ten-cent store romance. That enthusiasm
+underneath -- what is it? That cheap optimism which turns the stomach of any
+ordinary European? It's illusion. No, illusion's too good a word for it.
+Illusion means something. No, it's not that -- it's delusion. It's
+sheer delusion, that's what. We're like a herd of wild horses with blinders
+over our eyes. On the rampage. Stampede. Over the precipice. Bango! Anything
+that nourishes violence and confusion. On! On! No matter where. And foaming
+at the lips all the while. Shouting Hallelujah! Hallelujah! Why? God
+knows. It's in the blood. It's the climate. It's a lot of things. It's the
+end, too. We're pulling the whole world down about our ears. We don't know
+why. It's our destiny. The rest is plain shit....
+
+At the Palais Royal I suggested that we stop and have a drink. He hesitated
+a moment. I saw that he was worrying about her, about the lunch, about the
+bawling out he'd get.
+
+"For Christ's sake," I said, "forget about her for a while. I'm going to
+order something to drink and I want you to drink it. Don't worry, I'm going
+to get you out of this fucking mess." I ordered two stiff whiskies.
+
+When he saw the whiskies coming he smiled at me just like a child again.
+
+"Down it!" I said, "and let's have another. This is going to do you good. I
+don't care what the doctor says -- this time it'll be all right. Come on,
+down with it!"
+
+He put it down all right and while the garcon disappeared to fetch
+another round he looked at me with brimming eyes, as though I were the last
+friend in the world. His lips were twitching a bit, too. There was something
+he wanted to say to me and he didn't quite know how to begin. I looked at
+him easily, as though ignoring the appeal and, shoving the saucers aside, I
+leaned over on my elbow and I said to him earnestly: "Look here, Fillmore,
+what is it you'd really like to do? Tell me!"
+
+With that the tears gushed up and he blurted out: "I'd like to be home with
+my people. I'd like to hear English spoken." The tears were streaming down
+his face. He made no effort to brush them away. He just let everything gush
+forth. Jesus, I thought to myself, that's fine to have a release like that.
+Fine to be a complete coward at least once in your life. To let go that way.
+Great! Great! It did me so much good to see him break down that way that I
+felt as though I could solve any problem. I felt courageous and resolute. I
+had a thousand ideas in my head at once.
+
+"Listen," I said, bending still closer to him, "if you mean what you said
+why don't you do it ... why don't you go? Do you know what I would do, if I
+were in your shoes? I'd go to-day. Yes, by Jesus, I mean it ... I'd go right
+away, without even saying good-bye to her. As a matter of fact that's the
+only way you can go -- she'd never let you say good-bye. You know that."
+
+The garcon came with the whiskies. I saw him reach forward with a
+desperate eagerness and raise the glass to his lips. I saw a glint of hope
+in his eyes -- far-off, wild, desperate. He probably saw himself swimming
+across the Atlantic. To me it looked easy, simple as rolling off a log. The
+whole thing was working itself out rapidly in my mind. I knew just what each
+step would be. Clear as a bell, I was.
+
+"Whose money is that in the bank?" I asked. "Is it her father's or is it
+yours?"
+
+"It's mine!" he exclaimed. "My mother sent it to me. I don't want any of her
+god-damned money."
+
+"That's swell!" I said. "Listen, suppose we hop a cab and go back there. Draw
+out every cent. Then we'll go to the British Consulate and get a visa. You're
+going to hop the train this afternoon for London. From London you'll take the
+first boat to America. I'm saying that because then you won't be worried
+about her trailing you. She'll never suspect that you went via London. If she
+goes searching for you she'll naturally go to Le Havre first, or
+Cherbourg.... And here's another thing -- you're not going back to get your
+things. You're going to leave everything here. Let her keep them. With that
+French mind of hers she'll never dream that you scooted off without bag or
+baggage. It's incredible. A Frenchman would never dream of doing a thing like
+that ... unless he was as cracked as you are."
+
+"You're right!" he exclaimed. "I never thought of that. Besides, you might
+send them to me later on -- if she'll surrender them! But that doesn't matter
+now. Jesus, though, I haven't even got a hat!"
+
+"What do you need a hat for? When you get to London you can buy everything
+you need. All you need now is to hurry. We've got to find out when the train
+leaves."
+
+"Listen," he said, reaching for his wallet, "I'm going to leave everything
+to you. Here, take this and do whatever's necessary. I'm too weak.... I'm
+dizzy."
+
+I took the wallet and emptied it of the bills he had just drawn from the
+bank. A cab was standing at the curb. We hopped in. There was a train
+leaving the Gare du Nord at four o'clock, or thereabouts. I was figuring it
+out -- the bank, the Consulate, the American Express, the station. Fine! Just
+about make it.
+
+"Now buck up!" I said, "and keep your shirt on! Shit, in a few hours you'll
+be crossing the channel. Tonight you'll be walking around in London and
+you'll get a good bellyful of English. tomorrow you'll be on the open sea --
+and then, by Jesus, you're a free man and you needn't give a fuck what
+happens. By the time you get to New York this'll be nothing more than a bad
+dream."
+
+This got him so excited that his feet were moving convulsively, as if he were
+trying to run inside the cab. At the bank his hand was trembling so that he
+could hardly sign his name. That was one thing I couldn't do for him -- sign
+his name. But I think, had it been necessary, I could have sat him on the
+toilet and wiped his ass. I was determined to ship him off, even if I had to
+fold him up and put him in a valise.
+
+It was lunch hour when we got to the British Consulate, and the place was
+closed. That meant waiting until two o'clock. I couldn't think of anything
+better to do, by way of killing time, than to eat. Fillmore, of course,
+wasn't hungry. He was for eating a sandwich. "Fuck that!" I said. "You're
+going to blow me to a good lunch. It's the last square meal you're going to
+have over here -- maybe for a long while." I steered him to a cosy little
+restaurant and ordered a good spread. I ordered the best wine on the menu,
+regardless of price or taste. I had all his money in my pocket -- oodles of it,
+it seemed to me. Certainly never before had I had so much in my fist at one
+time. It was a treat to break a thousand-franc note. I held it up to the
+lights first to look at the beautiful watermark. Beautiful money! One of the
+few things the French make on a grand scale. Artistically done, too, as if
+they cherished a deep affection even for the symbol.
+
+The meal over, we went to a cafe. I ordered Chartreuse with the coffee. Why
+not? And I broke another bill -- a five-hundred-franc note this time. It was a
+clean, new, crisp bill. A pleasure to handle such money. The waiter handed me
+back a lot of dirty old bills that had been patched up with strips of gummed
+paper; I had a stack of five and ten-franc notes and a bagful of chicken
+feed. Chinese money, with holes in it. I didn't know in which pocket to stuff
+the money any more. My trousers were bursting with coins and bills. It made
+me slightly uncomfortable also, hauling all that dough out in public. I was
+afraid we might be taken for a couple of crooks.
+
+When we got to the American Express, there wasn't a devil of a lot of time
+left. The British, in their usual fumbling, farting way, had kept us on
+pins and needles. Here everybody was sliding around on castors. They were so
+speedy that everything had to be done twice. After all the checks were
+signed and clipped together in a neat little holder, it was discovered that
+he had signed in the wrong place. Nothing to do but start all over again. I
+stood over him, with one eye on the clock, and watched every stroke of the
+pen. It hurt to hand over the dough. Not all of it, thank God -- but a good
+part of it. I had roughly about 2,500 francs in my pocket. Roughly, I say. I
+wasn't counting by francs any more. A hundred, or two hundred, more or
+less -- it didn't mean a god-damned thing to me. As for him, he was going
+through the whole transaction in a daze. He didn't know how much money he
+had. All he knew was that he had to keep something aside for Ginette. He
+wasn't certain yet how much -- we were going to figure that out on the way to
+the station.
+
+In the excitement we had forgotten to change all the money. We were already
+in the cab, however, and there wasn't any time to be lost. The thing was to
+find out how we stood. We emptied our pockets quickly and began to whack it
+up. Some of it was lying on the floor, some of it was on the seat. It was
+bewildering. There was French, American and English money. And all that
+chicken feed besides. I felt like picking up the coins and chucking them out
+of the window -- just to simplify matters. Finally we sifted it all out; he
+held on to the English and American money, and I held on to the French
+money.
+
+We had to decide quickly now what to do about Ginette -- how much to give her,
+what to tell her, etc. He was trying to fix up a yam for me to hand her --
+didn't want her to break her heart and so forth. I had to cut him short.
+
+"Never mind what to tell her," I said. "Leave that to me. How much are you
+going to give her, that's the thing? Why give her anything?"
+
+That was like setting a bomb under his ass. He burst into tears. Such tears!
+It was worse than before. I thought he was going to collapse on my hands.
+Without stopping to think, I said: "All right, let's give her all this
+French money. That ought to last her for a while."
+
+"How much is it?" he asked feebly. "I don't know -- about 2,000 francs or so.
+More than she deserves anyway."
+
+"Christ! Don't say that!" he begged. "After all, it's a rotten break I'm
+giving her. Her folks'll never take her back now. No, give it to her. Give
+her the whole damned business.... I don't care what it is."
+
+He pulled a handkerchief out to wipe the tears away. "I can't help it," he
+said. "It's too much for me." I said nothing. Suddenly he sprawled himself
+out full length -- I thought he was taking a fit or something -- and he said:
+
+"Jesus, I think I ought to go back. I ought to go back and face the music. If
+anything should happen to her I'd never forgive myself." That was a rude jolt
+for me. "Christ!" I shouted, "you can't do that! Not now. It's too late.
+You're going to take the train and I'm going to tend to her myself. I'll go
+see her just as soon as I leave you. Why, you poor boob, if she ever thought
+you had tried to run away from her she'd murder you, don't you realize that?
+You can't go back any more. It's settled."
+
+Anyway, what could go wrong? I asked myself. Kill herself? Tant
+mieux.
+
+When we rolled up to the station we had still about twelve minutes to kill.
+I didn't dare to say good-bye to him yet. At the last minute, raided as he
+was, I could see him jumping off the train and scooting back to her.
+Anything might swerve him. A straw. So I dragged him across the street to a
+bar and I said: "Now you're going to have a Pernod -- your last Pernod
+and I'm going to pay for it ... with your dough."
+
+Something about this remark made him look at me uneasily. He took a big
+gulp of the Pernod and then, turning to me like an injured dog, he said: "I
+know I oughtn't to trust you with all that money, but... but.... Oh, well,
+do what you think best. I don't want her to kill herself, that's all."
+
+"Kill herself?" I said. "Not her! You must think a hell of a lot of
+yourself if you can believe a thing like that. As for the money, though I
+hate to give it to her, I promise you I'll go straight to the post office
+and telegraph it to her. I wouldn't trust myself with it a minute longer
+than is necessary." As I said this I spied a bunch of post cards in a
+revolving rack. I grabbed one off -- a picture of the Eiffel Tower it was --
+and made him write a few words. "Tell her you're sailing now. Tell her you
+love her and that you'll send for her as soon as you arrive.... I'll send it
+by pneumatique when I go to the post office. And tonight I'll see her.
+Everything'll be Jake, you'll see."
+
+With that we walked across the street to the station. Only two minutes to
+go. I felt it was safe now. At the gate I gave him a slap on the back and
+pointed to the train. I didn't shake hands with him -- he would have slobbered
+all over me. I just said: "Hurry! She's going in a minute." And with that I
+turned on my heel and marched off. I didn't even look round to see if he was
+boarding the train. I was afraid to.
+
+x x x
+
+
+
+I hadn't really thought, all the while I was bundling him off, what I'd do
+once I was free of him. I had promised a lot of things -- but that was only
+to keep him quiet. As for facing Ginette, I had about as little courage for
+it as he had. I was getting panicky myself. Everything had happened so
+quickly that it was impossible to grasp the nature of the situation in full.
+I walked away from the station in a kind of delicious stupor -- with the post
+card in my hand. I stood against a lamp-post and read it over. It sounded
+preposterous. I read it again, to make sure that I wasn't dreaming, and then
+I tore it up and threw it in the gutter.
+
+I looked around uneasily, half expecting to see Ginette coming after me with
+a tomahawk. Nobody was following me. I started walking leisurely towards
+the Place Lafayette. It was a beautiful day, as I had observed earlier.
+Light, puffy clouds above, sailing with the wind. The awnings flapping.
+Paris had never looked so good to me; I almost felt sorry that I had shipped
+the poor bugger off. At the Place Lafayette I sat down facing the church and
+stared at the clock tower; it's not such a wonderful piece of architecture,
+but that blue in the dial face always fascinated me. It was bluer than ever
+to-day. I couldn't take my eyes off it.
+
+Unless he were crazy enough to write her a letter, explaining everything,
+Ginette need never know what had happened. And even if she did learn that he
+had left her 2,500 francs or so she couldn't prove it. I could always say
+that he imagined it. A guy who was crazy enough to walk off without even a
+hat was crazy enough to invent the 2,500 francs, or whatever it was. How much
+was it, anyhow, I wondered. My pockets were sagging with the weight of it. I
+hauled it all out and counted it carefully. There was exactly 2,875 francs
+and 35 centimes. More than I had thought. The 75 francs and 35 centimes had
+to be gotten rid of. I wanted an even sum -- a clean 2,800 francs. Just then
+I saw a cab pulling up to the curb. A woman stepped out with a white poodle
+dog in her hands; the dog was peeing over her silk dress. The idea of taking
+a dog for a ride got me sore. I'm as good as her dog, I said to myself, and
+with that I gave the driver a sign and told him to drive me through the Bois.
+He wanted to know where exactly. "Anywhere," I said. "Go through the Bois, go
+all around it -- and take your time, I'm in no hurry." I sank back and let
+the houses whizz by, the jagged roofs, the chimney pots, the colored walls,
+the urinals, the dizzy carrefours. Passing the Rond-Point I thought
+I'd go downstairs and take a leak. No telling what might happen down there. I
+told the driver to wait. It was the first time in my life I had let a cab
+wait while I took a leak. How much can you waste that way? Not very much.
+With what I had in my pocket I could afford to have two taxis waiting for me.
+
+I took a good look around but I didn't see anything worth while. What I
+wanted was something fresh and unused -- something from Alaska or the Virgin
+Islands. A clean fresh pelt with a natural fragrance to it. Needless to say,
+there wasn't anything like that walking about. I wasn't terribly
+disappointed. I didn't give a fuck whether I found anything or not. The
+thing is, never to be too anxious. Everything comes in due time.
+
+We drove on past the Arc de Triomphe. A few sightseers were loitering
+around the remains of the Unknown Soldier. Going through the Bois I looked
+at all the rich cunts promenading in their limousines. They were whizzing
+by as if they had some destination. Do that, no doubt, to look important -- to
+show the world how smooth run their Rolls Royces and their Hispano Suizas.
+Inside me things were running smoother than any Rolls Royce ever ran. It was
+just like velvet inside. Velvet cortex and velvet vertebrae. And velvet axle
+grease, what! It's a wonderful thing, for half an hour, to have money in
+your pocket and piss it away like a drunken sailor. You feel as though the
+world is yours. And the best part of it is, you don't know what to do with
+it. You can sit back and let the meter run wild, you can let the wind blow
+through your hair, you can stop and have a drink, you can give a big tip,
+and you can swagger off as though it were an everyday occurrence. But you
+can't create a revolution. You can't wash all the dirt out of your
+belly.
+
+When we got to the Porte d'Auteuil I made him head for the Seine. At the
+Pont de Sevres I got out and started walking along the river, toward the
+Auteuil Viaduct. It's about the size of a creek along here and the trees come
+right down to the river's bank. The water was green and glassy, especially
+near the other side. Now and then a scow chugged by. Bathers in tights were
+standing in the grass sunning themselves. Everything was close and
+pal-pitant, and vibrant with the strong light.
+
+Passing a beer garden I saw a group of cyclists sitting at a table. I took a
+seat nearby and ordered a demi. Hearing them jabber away I thought
+for a moment of Ginette. I saw her stamping up and down the room, tearing
+her hair, and sobbing and bleating, in that beast-like way of hers. I saw
+his hat on the rack. I wondered if his clothes would fit me. He had a raglan
+that I particularly liked. Well, by now he was on his way. In a little while
+the boat would be rocking under him. English! He wanted to hear English
+spoken. What an idea!
+
+Suddenly it occurred to me that if I wanted I could go to America myself. It
+was the first time the opportunity had ever presented itself. I asked
+myself -- "do you want to go?" There was no answer. My thoughts drifted out,
+towards the sea, towards the other side where, taking a last look back, I
+had seen the skyscrapers fading out in a flurry of snowflakes. I saw them
+looming up again, in that same ghostly way as when I left. Saw the lights
+creeping through their ribs. I saw the whole city spread out, from Harlem to
+the Battery, the streets choked with ants, the elevated rushing by, the
+theatres emptying. I wondered in a vague way what had ever happened to my
+wife.
+
+After everything had quietly sifted through my head a great peace came over
+me. Here, where the river gently winds through the girdle of hills, lies a
+soil so saturated with the past that however far back the mind roams one can
+never detach it from its human background. Christ, before my eyes there
+shimmered such a golden peace that only a neurotic could dream of turning
+his head away. So quietly flows the Seine that one hardly notices its
+presence. It is always there, quiet and unobtrusive, like a great artery
+running through the human body. In the wonderful peace that fell over me it
+seemed as if I had climbed to the top of a high mountain; for a little while
+I would be able to look around me, to take in the meaning of the landscape.
+
+Human beings make a strange fauna and flora. From a distance they appear
+negligible; close up they are apt to appear ugly and malicious. More than
+anything they need to be surrounded with sufficient space -- space even more
+than time.
+
+The sun is setting. I feel this river flowing through me -- its past, its
+ancient soil, the changing climate. The hills gently girdle it about: its
+course is fixed.
\ No newline at end of file